The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Rossellini, Roberto
number of items: 35
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Alkier, Stefan: Wunder Punkt Jesusfilm. In: Pastoraltheologie 86. 1997. No. 4. [?D] pp. 167-118.
Description:
Especially on Pier Paolo Pasolini’s Il vangelo secondo Matteo, Roberto Rossellini’s Il Messia und Derek Jarman’s The Garden.
Index:
Pasolini, Pier Paolo
Rossellini, Roberto
Jarman, Derek
vangelo secondo Matteo, Il (1964)
Messia, Il / Messie, La (1975)
Garden, The (1989)
Religion ~ Religion
#2
Beylot, Pierre: Rossellini et Pasolini: L’un croyait au ciel, l’autre ... In: Christianisme et cinéma. Dirigée par Guy Hennebelle. (= Cinémaction 1996. No. 80. [?D]) pp. 111-120.
Index:
Rossellini, Roberto
Pasolini, Pier Paolo
Religion ~ Religion
#3
Bonsaver, Guido: You must be joking. In: Sight and Sound NS 17. 2007. No. 5. [May] pp. 28-30.
Description:
On Roberto Rossellini’s Francesco, giullarde di dio.
Index:
Rossellini, Roberto
Francesco, giullarde di dio (1949)
#4
Bonsaver, Guido: You must bejoking. In: Sight and Sound 17. 2007. No. 5. [May] pp. 28-30.
Description:
On the representation of religion in the work of Roberto Rossellini, especially in Francesco, giullarde di dio.
Index:
Rossellini, Roberto
Assisi, Franziskus von [d.i. Giovanni Battista Bernardone]
Francesco, giullarde di dio (1949)
Religion ~ Religion
#5
Brüne, Klaus: Fellini, Rossellini und elf Mal Franziskus: Franziskus, der Gaukler Gottes von Roberto Rossellini (1950). In: Spuren des Religiösen im Film: Meilensteine aus 100 Jahren Filmgeschichte. Hrsg. von Peter Hasenberg, Wolfgang Luley und Charles Martig im Auftrag der Zentralstelle Medien der Deutschen Bischofskonferenz Bonn und des Katholischen Mediendienstes Zürich. - Mainz: Matthias Grünewald Verlag / Köln: Katholisches Institut für Medieninformation 1995. pp. 70-73.
Description:
On Rossellini’s Francesco, giullarde di dio.
Index:
Rossellini, Roberto
Francesco, giullarde di dio (1949)
Religion ~ Religion
#6
Brunette, Peter: Rossellini and cinematic realism. In: Cinema Journal 25. 1985. No. 1. [?D] pp. 34-49.
Description:
On surrealist elements in La macchina ammazzacattivi and L’amore.
Index:
Rossellini, Roberto
macchina ammazzacattivi, La (1948)
amore, L’ (1948)
Surrealismus ~ Surrealism
#7
Dagruda, Elena / Subini, Tomaso: Félix Morlion e Roberto Rossellini. In: Attraverso lo schermo: Cinema e cultura cattolica in Italia. A cura di Ruggero Eugeni e Dario E. Viganò. Vol. 2: Dagli anni trenta agli anni sessanta. - Roma: EDS 2006. (= Frames.) pp. 257 ff.
Index:
Morlion, Félix
Rossellini, Roberto
Italien ~ Italy
Religion ~ Religion
#8
De Vincenti, Giorgio: II discorso spirituale nel cinema di Rossellini, Renoir e Bresson. In: Le dieu caché? Lectura christiana des italienischen und französischen Nachkriegskinos. Hrsg. von Uta Felten und Stephan Leopold. - Tübingen: Stauffenburg-Verlag 2010. (= Siegener Forschungen zur romanischen Literatur- und Medienwissenschaft 20.) pp. 71 ff.
Index:
Rossellini, Roberto
Renoir, Jean
Bresson, Robert
Krieg ~ War
Frankreich ~ France
Italien ~ Italy
Religion ~ Religion
#9
Doebler, Peter L.: Jest in time: The problems and promises of the Holy Fool in Francesco, giullare di Dio, Ordet, and Ikiru. In: Journal of Religion and Film 17. 2013. No. 1. [April] p. 1-47.
Index:
Rossellini, Roberto
Dreyer, Carl Theodor
Kurosawa, Akira
Francesco, giullarde di dio (1949)
Ordet (1954)
Ikiru (1952)
Religion ~ Religion
#10
Doebler, Peter: Screening the silly: The Christian iconography of Roberto Rossellini’s Francesco, giullare di Dio. In: Journal of Religion and Film 15. 2011. No. 1. [April] p. 1-13.
Index:
Rossellini, Roberto
Francesco, giullarde di dio (1949)
Religion ~ Religion
#11
Doppelhofer, Christina: Die moderne filmische Darstellung von Rom unter besonderer Berücksichtigung der Filme Roma città aperta von Roberto Rossellini und Federico Fellinis La dolce vita, Satyricon und Roma. - Wien: Universität Wien, Diplom-Arbeit 1997.
Description:
Includes an Italian summary.
Index:
Rossellini, Roberto
Fellini, Federico
Roma, città aperta (1945)
dolce vita, La (1959)
Satyricon / Fellini - Satyricon (1969)
Roma / Fellini - Roma (1971)
Stadt ~ City
Rom ~ Rome
#12
Fantuzzi, Virgilio: Il cinema a San Pietro. In: La Civiltà cattolica 150. 1999. No. 3586. [?D] pp. 373-378.
Description:
Discusses Pier Paolo Pasolini’s Il vangelo secondo Matteo and Roberto Rossellini’s Francesco, giullarde di dio.
Index:
Pasolini, Pier Paolo
Rossellini, Roberto
vangelo secondo Matteo, Il (1964)
Francesco, giullarde di dio (1949)
Religion ~ Religion
#13
Forgacs, David: Da Atti degli Apostoli ad Anno uno: L’immagine di Roma negli ultimi film di Rossellini. In: Bianco e Nero 62. 2001. No. 5. [September/October] pp. 51-69.
Description:
On the representation of ancient Rome in the two TV movies.
Index:
Rossellini, Roberto
Atti degli Apostoli (1969)
Anno uno (1974)
Rom ~ Rome
Fernsehen ~ Television
Geschichte: Antike ~ History: Ancient Times
#14
Germinario, Mario: Cinema ed estetica: L’evocazione del sacro nel cinema religioso. - Bari: Stilo 2005. (= Collana Filosofia.)
Description:
On the representation of the Christ figure in film. Includes chapters on Norman Jewison’s Jesus Christ Superstar, Nicholas Ray’s King of Kings, George Stevens’s The Greatest Story Ever Told, Pier Paolo Pasolini’s Il vangelo secondo Matteo, Roberto Rossellini’s Il Messia, Franco Zeffirelli’s Gesù di Nazareth and Mel Gibson’s The Passion of the Christ.
Index:
Jewison, Norman
Ray, Nicholas
Stevens, George
Pasolini, Pier Paolo
Rossellini, Roberto
Zeffirelli, Franco
Gibson, Mel
Jesus Christ Superstar (1972)
King of Kings (1961)
Greatest Story Ever Told, The (1963)
vangelo secondo Matteo, Il (1964)
Messia, Il / Messie, La (1975)
Gesù di Nazareth / Jesus of Nazareth (1976)
Passion of the Christ, The (2004)
Religion ~ Religion
#15
Godard, Jean-Luc: Intervista con Roberto Rossellini: "Un cineasta è anche un missionario". In: Utopia e cinema: Cento anni di sogni, progetti e paradossi: Mostra Internazionale del Nuovo Cinema. A cura di Andrea Martini. - Venezia: Marsilio 1994. (= Nuovocinema/Pesaro 46.) pp. 227-230.
Description:
Imaginative interview.
Index:
Rossellini, Roberto
Godard, Jean-Luc
Utopie ~ Utopia
Traum ~ Dreams
#16
Gonzalez, Sam Ishii: Being and immanence: Deleuze, authorship and the practice of modern cinema. - New York: New York University, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 7. (January).]
Description:
Discusses especially the films of Jean-Luc Godard, Pier Paolo Pasolini and Roberto Rossellini.
Index:
Deleuze, Gilles
Godard, Jean-Luc
Pasolini, Pier Paolo
Rossellini, Roberto
#17
Heumann, Joseph K. / Murray, Robin L.: Through an eco-lens of childhood: Roberto Rossellini’s Germany Year Zero and Guillermo del Toro’s The Devil’s Backbone. In: Heumann, Joseph K. / Murray, Robin L.: Monstrous nature: Environment and horror on the big screen. - Lincoln, Nebrasca: University of Nebraska Press 2016. p. ?P.
Index:
Rossellini, Roberto
del Toro, Guillermo
Germania anno zero (1948)
espinazo del diabolo, El (2001)
Jugend ~ Youth
Tiere ~ Animals
Horror ~ Horror
Natur ~ Nature
Politik ~ Politics
#18
Jacobs, Steven: Galleries of the gaze: The museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo. In: Jacobs, Steven: Framing pictures: Film and the visual arts. - Edinburgh: Edinburgh University Press 2011. (= Edinburgh studies in film.) p. ?P.
Index:
Rossellini, Roberto
Hitchcock, Alfred
Viaggio in Italia (1953)
Vertigo (1958)
Kunst ~ Arts, The
#19
Johnson, William Bruce: Miracles & sacrilege: Roberto Rossellini, the Church and film censorship in Hollywood. - Toronto; Buffalo: University of Toronto Press 2007.
Index:
Rossellini, Roberto
Zensur ~ Censorship
Wunder ~ Miracles
Hollywood ~ Hollywood
Religion ~ Religion
#20
Mugnai, Metello: Religion reconsidered: The gospel according to the Italian twentieth century. - Chapel Hill, North Carolina: University of North Carolina at Chapel Hill, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 12. [June] p. ?P.]
Description:
On the representation of religion in the work of Giovanni Papini, Pier Paolo Pasolini, Fabrizio De André, Roberto Rossellini and Giuseppe Berto.
Index:
Papini, Giovanni
Pasolini, Pier Paolo
De André, Fabrizio
Rossellini, Roberto
Berto, Giuseppe
Religion ~ Religion
Italien ~ Italy
Literatur ~ Literature
#21
Pavelin, Alan: Francis, Jester of God. In: Pavelin, Alan: Fifty religious films. - Chislehurst, London: Pavelin 1990. pp. 30-31.
Description:
On Roberto Rossellini’s Francesco, giullarde di dio.
Index:
Rossellini, Roberto
Francesco, giullarde di dio (1949)
Religion ~ Religion
#22
Perry, Ted: Impersonation of the true self. In: The Psychoanalytic Review 94. 2007. No. 6. [December] pp. 975-89.
Description:
On the representation of the self in the films of Michelangelo Antonioni, Roberto Rossellini and Akira Kurosawa.
Index:
Antonioni, Michelangelo
Rossellini, Roberto
Kurosawa, Akira
Psychologie ~ Psychology
#23
La politica degli autori: Le grandi interviste die "Cahiers du Cinéma". - Roma: Minimum Fax 2000.
First edition:
[La politique des auteures. - Paris: Édition Ramsay 1990]
Description:
Interviews with several directors published between 1954 and 1965 in the "Cahiers du Cinéma". Discusses, among others, Jean Renoir, Roberto Rossellini, Fritz Lang, Howard Hawks, Michelangelo Antonioni, Robert Bresson and Luis Buñuel.
Index:
Renoir, Jean
Rossellini, Roberto
Lang, Fritz
Hawks, Howard
Antonioni, Michelangelo
Bresson, Robert
Buñuel, Luis
Politik ~ Politics
#24
La politique des auteures. - Paris: Édition Ramsay 1990. (= Ramsay poche cinéma 94.)
Description:
Interviews mit verschiedenen Regisseuren aus den "Cahiers du Cinéma" von 1954 bis 1965; behandelt unter anderem Jean Renoir, Roberto Rossellini, Fritz Lang, Howard Hawks, Michelangelo Antonioni, Robert Bresson und Luis Buñuel.
Index:
Renoir, Jean
Rossellini, Roberto
Lang, Fritz
Hawks, Howard
Antonioni, Michelangelo
Bresson, Robert
Buñuel, Luis
Politik ~ Politics
#25
Ponder, Justin: "O great God!": Humility and camera movement in Roberto Rossellini’s The Flowers of St. Francis. In: Journal of Religion and Film 17. 2013. No. 1. [April] p. 1-32.
Index:
Rossellini, Roberto
Francesco, giullarde di dio (1949)
Technik: Kamera ~ Technology: Camera
Religion ~ Religion
#26
Rossellini, Roberto: Mi ’mma: Lettera dall’india. In: Utopia e cinema: Cento anni di sogni, progetti e paradossi: Mostra Internazionale del Nuovo Cinema. A cura di Andrea Martini. - Venezia: Marsilio 1994. (= Nuovocinema/Pesaro 46.) pp. 205-214.
Index:
Rossellini, Roberto
Indien ~ India
Utopie ~ Utopia
Traum ~ Dreams
#27
Schmidt, Nicolas: Montage et scénario: Orson Welles: La soif du mal, Luis Buñuel: Le charme discret de la bourgeoisie, Roberto Rossellini: Voyage en Italie. In: Les conceptions du montage. Dirigée par Pierre Maillot et Valérie Mouroux. (= Cinémaction 1994. No. 72. [?D]) pp. 98-104.
Description:
On Orson Welles’s Touch of Evil, the film by Luis Buñuel and on Roberto Rossellini’s Viaggio in Italia.
Index:
Welles, Orson
Buñuel, Luis
Rossellini, Roberto
Touch of Evil (1957)
charme discret de la bourgeoisie, Le (1972)
Viaggio in Italia (1953)
#28
Simpkins, Jason: Roberto Rossellini and religion in the post-war era. In: Faith and spirituality in masters of world cinema. Edited by Kenneth R. Morefield. - Newcastle: Cambridge Scholars 2008. p. ?P.
Index:
Rossellini, Roberto
Krieg ~ War
Religion ~ Religion
#29
Thompson, Phillip M.: The Flowers of Saint Francis. In: Thompson, Phillip M.: Lights in the darkness: Exploring catholic themes in twelve extraordinary films. - Eugene, Oregon: Cascade Books 2017. pp. 29 ff.
Index:
Rossellini, Roberto
Francesco, giullarde di dio (1949)
Religion ~ Religion
#30
Tropiano, Stephen: Il miracolo (The Miracle). In: Quarterly Review of Film and Video 27. 2010. No. 5. [October] pp. 440-442.
Index:
Rossellini, Roberto
amore, L’ (1948)
#31
Vitti, Antonio: Dal Messia rosselliniano al Cristo delle tentazioni. In: Romance Languages Annual 1989. No. 1. [?D] pp. 70-74.
Description:
On the Christ figure in Roberto Rossellini’s Messia and in Martin Scorsese’s The Last Temptation of Christ.
Index:
Rossellini, Roberto
Scorsese, Martin
Messia, Il / Messie, La (1975)
Last Temptation of Christ, The (1988)
Religion ~ Religion
#32
Zehn ausgewählte Jesus-Filme: Kritiken und Materialien. In: Jesus in der Hauptrolle: Zur Geschichte und Ästhetik der Jesus-Filme. - Köln: Katholisches Institut für Medieninformation 1992. (= Film-Dienst Extra [November].) pp. 58-73.
Description:
Discusses Henry Koster’s The Robe, Nicholas Ray’s King of Kings, George Stevens’s The Greatest Story Ever Told, Pier Paolo Pasolini’s Il vangelo secondo Matteo, Norman Jewison’s Jesus Christ Superstar, Roberto Rossellini’s La Messia, / Il Messie, Jesus by John Heyman, Peter Sykes and John Kirsh, Martin Scorsese’s The Last Temptation of Christ, Denys Arcand’s Jésus de Montréal and Es wäre gut, daß ein Mensch würde umgebracht für das Volk by Hugo Niebeling.
Index:
Koster, Henry
Ray, Nicholas
Stevens, George
Pasolini, Pier Paolo
Jewison, Norman
Rossellini, Roberto
Heyman, John
Sykes, Peter
Kirsh, John
Scorsese, Martin
Arcand, Denys
Niebeling, Hugo
Robe, The (1953)
King of Kings (1961)
Greatest Story Ever Told, The (1963)
vangelo secondo Matteo, Il (1964)
Jesus Christ Superstar (1972)
Messia, Il / Messie, La (1975)
Jesus (1979)
Last Temptation of Christ, The (1988)
Jésus de Montréal (1989)
Es wäre gut, daß ein Mensch würde umgebracht für das Volk (1991)
Religion ~ Religion
#33
Zizek, Slavoj: Enjoy your symptom! Jacques Lacan in Hollywood and out. - New York; London: Routledge 1992.
Description:
Psychoanalytic analysis on film. Discusses, among others, the films of Alfred Hitchcock, David Lynch, Roberto Rossellini and Ingmar Bergman plus an analysis of film noir.
Index:
Hitchcock, Alfred
Lynch, David
Rossellini, Roberto
Bergman, Ingmar
Psychologie ~ Psychology
Film Noir ~ Film Noir
Hollywood ~ Hollywood
#34
Zizek, Slavoj: Enjoy your symptom! Jacques Lacan in Hollywood and out. 2nd edition. - New York; London: Routledge 2000.
First edition:
[1992]
Description:
Psychoanalytic analysis on film. Discusses, among others, the films of Alfred Hitchcock, David Lynch, Roberto Rossellini and Ingmar Bergman plus an analysis of film noir.
Index:
Hitchcock, Alfred
Lynch, David
Rossellini, Roberto
Bergman, Ingmar
Psychologie ~ Psychology
Film Noir ~ Film Noir
Hollywood ~ Hollywood
#35
Zwick, Reinhold: Bericht von einem jüdischen Prediger: Der Messias von Roberto Rosselini (1975). In: Spuren des Religiösen im Film: Meilensteine aus 100 Jahren Filmgeschichte. Hrsg. von Peter Hasenberg, Wolfgang Luley und Charles Martig im Auftrag der Zentralstelle Medien der Deutschen Bischofskonferenz Bonn und des Katholischen Mediendienstes Zürich. - Mainz: Matthias Grünewald Verlag / Köln: Katholisches Institut für Medieninformation 1995. pp. 159-161.
Description:
On Rossellini’s Il Messia / La Messie.
Index:
Rossellini, Roberto
Messia, Il / Messie, La (1975)
Religion ~ Religion
Religion ~ Religion
Religion: Juden ~ Religion: Jews
This literature list was generated on Thursday, April 25, 2024
Do You have problems creating a proper list result or do You have a special inquiry? Then please let me know.
If You found mistakes or bugs, if You have any questions not answered at the faq site or if You know literature titles related to Your search that are not yet mentioned in the "Bibliography of Fantastic Film" feel free to send me an email with Your suggestions.
