The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Scanline [Company]
number of items: 17
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
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#1
Duncan, Jody: Burnished steel: Man of Steel. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Weta Digital, Weta Workshop, MPC, Scanline VFX and Double Negative. Discusses especially the work of visual effects supervisor John DesJardin as well as special effects supervisors Joel Whist and Allen Hall.
Index:
Snyder, Zack
DesJardin, John
Whist, Joel
Hall, Allen
Man of Steel (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Superman ~ Superman
Double Negative [Firma] ~ Double Negative [Company]
Scanline [Firma] ~ Scanline [Company]
MPC [Firma] ~ MPC [Company]
Weta [Firma] ~ Weta [Company]
#2
Duncan, Jody: Captain’s orders: Captain America: The Winter Soldier. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Scanline VFX, Legacy Effects and Quantum Creation FX. Discusses especially the work of visual effects supervisor Dan DeLeeuw and special effects supervisor Daniel Sudick.
Index:
Russo, Anthony
Russo, Joe
Whedon, Joss
DeLeeuw, Dan
Sudick, Daniel
Captain America: The Winter Soldier / Captain America 2 (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Scanline [Firma] ~ Scanline [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#3
Duncan, Jody: Cassie’s world: The 5th Wave. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
On the special effects by Shade VFX, Scanline VFX, Spin VFX, Clearcut FX, Method Studios, The Embassy and Mammal Studios. Discusses especially the work of makeup effect artist Mark James Ross.
Index:
Blakeson, J
Ross, James
5th Wave, The (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Mammal Studios [Firma] ~ Mammal Studios [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Clearcut FX [Firma] ~ Clearcut FX [Company]
Spin VFX [Firma] ~ Spin VFX [Company]
Scanline [Firma] ~ Scanline [Company]
Shade VFX [Firma] ~ Shade VFX [Company]
#4
Duncan, Jody: Oh, the shark, babe: The Meg. In: Cinefex 2018. No. 161. [October] p. ?P.
Description:
On the special effects by Scanline VFX, DNEG, Sony Pictures Imageworks, Image Engine, Soho VFX, Umedia, Unit 11, Halon Entertainment and Glasshammer Visual Effects. Discusses especially the work of visual effects supervisor Adrian de Wet, visual effects producer Steve Garard, and special effects supervisor Steve Ingram.
Index:
Turteltaub, Jon
de Wet, Adrian
Garard, Steve
Ingram, Steve
Meg, The (2018)
Unit 11 [Firma] ~ Unit 11 [Company]
Umedia VFX [Firma] ~ Umedia VFX [Company]
Glasshammer Visual Effects [Firma] ~ Glasshammer Visual Effects [Company]
DNEG [Firma] ~ DNEG [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Soho VFX [Firma] ~ Soho VFX [Company]
Scanline [Firma] ~ Scanline [Company]
Image Engine [Firma] ~ Image Engine [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
#5
Duncan, Jody: Rough around the edges: Iron Man 3. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Weta Digital, Digital Domain, Scanline VFX, Luma Pictures, Framestore, Method Studios, Trixter Film, Capital T and Cantina Creative. Discusses especially the work of visual effects supervisor Christopher Townsend.
Index:
Black, Shane
Townsend, Christopher
Iron Man 3 (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Cantina Creative [Firma] ~ Cantina Creative [Company]
Capital T [Firma] ~ Capital T [Company]
Trixter Film [Firma] ~ Trixter Film [Company]
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Scanline [Firma] ~ Scanline [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Weta [Firma] ~ Weta [Company]
#6
Duncan, Jody: The stuff of children’s nightmares: Miss Peregrine’s Home for Peculiar Children. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
On the special effects by Rodeo FX, Double Negative, One of Us, MPC, Scanline and MELS Studios. Discusses especially the work of special effects supervisor Neil Corbould and special makeup effect artis David White.
Index:
Burton, Tim
Corbould, Neil
White, David
Miss Peregrine’s Home for Peculiar Children (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Jugend ~ Youth
Traum ~ Dreams
Mels Studios [Firma] ~ Mels Studios [Company]
Scanline [Firma] ~ Scanline [Company]
MPC [Firma] ~ MPC [Company]
One Of Us [Firma] ~ One Of Us [Company]
Double Negative [Firma] ~ Double Negative [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
#7
Duncan, Jody: Visions of the Hereafter. In: Cinefex 2011. No. 124. [January] p. ?P.
Description:
On the special effects by Scanline. Discusses especially the work of visual effects supervisors Michael Owens, Stephan Trojansky and Bryan Grill.
Index:
Eastwood, Clint
Owens, Michael
Trojansky, Stephan
Grill, Bryan
Hereafter (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]
#8
Duncan, Jody: What would Roland Emmerich do? Independence Day: Resurgence. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Uncharted Territory, Weta Digital, Scanline VFX, MPC, Image Engine, Digital Domain and Cinesite. Discusses especially the work of visual effects supervisors Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
Independence Day: Resurgence (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Weta [Firma] ~ Weta [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
#9
Edwards, Graham: Quick the eye, steady the hand: Ben-Hur. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
On the special effects by Mr. X, Soho VFX, Scanline VFX, and Big Hug FX. Discusses especially the work of visual effects supervisor Jim Rygiel and special effects supervisor Andy Williams.
Index:
Bekmambetov, Timur
Rygiel, Jim
Williams, Andy
Ben-Hur (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Augen ~ Eyes
Big Hug FX [Firma] ~ Big Hug FX [Company]
Scanline [Firma] ~ Scanline [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Mr. X [Firma] ~ Mr. X [Company]
#10
Fordham, Joe: Beyond the void: Ant-Man and the Wasp. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by DNEG, Scanline VFX, Rodeo FX, Method Studios, Cinesite, Digital Domain, ILM, RISE VFX and Crafty Apes. Discusses especially the work of visual effects supervisor Stéphane Ceretti, visual effects producer Susan Pickett, and special effects supervisor Daniel Sudick.
Index:
Reed, Peyton
Ceretti, Stephane
Pickett, Susan
Sudick, Daniel
Ant-Man and the Wasp (2018)
DNEG [Firma] ~ DNEG [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
RISE Visual Effects Studios [Firma] ~ RISE Visual Effects Studios [Company]
Method Studios [Firma] ~ Method Studios [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
Crafty Apes [Firma] ~ Crafty Apes [Company]
Cinesite [Firma] ~ Cinesite [Company]
#11
Fordham, Joe: Götterdämmerung: 2012. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
On the special effects by Uncharted Territory, Digital Domain, Double Negative, Sony Pictures Imageworks, Scanline, Hydraulx, Crazy Horse and Pixomondo. Discusses especially the work of effects supervisor Michael Vezina.
Index:
Emmerich, Roland
Vezina, Mike
2012 (2009)
Crazy Horse [Firma] ~ Crazy Horse [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
Scanline [Firma] ~ Scanline [Company]
Double Negative [Firma] ~ Double Negative [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#12
Fordham, Joe: Spirit in the sky: Guardians of the Galaxy Vol. 2. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
On the special effects by Legacy Effects, Framestore, Weta Digital, Animal Logic, Deluxe Method Studios, Scanline VFX, Trixter, Lola VFX, Cantina Creative, Luma Pictures and The Third Floor. Discusses especially the work of visual effects supervisor Christopher Townsend and special effects supervisor Daniel Sudick.
Index:
Gunn, James
Townsend, Christopher
Sudick, Daniel
Guardians of the Galaxy Vol. 2 (2017)
Weta [Firma] ~ Weta [Company]
Trixter Film [Firma] ~ Trixter Film [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Cantina Creative [Firma] ~ Cantina Creative [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
#13
Fordham, Joe: The big one: San Andreas. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
On the special effects by Hydraulx, Scanline VFX, Cinesite, Method Studios and Image Engine. Discusses especially the work of special effects supervisors Brian Cox and Matt Kutcher as well as visual effects producer Randall Starr.
Index:
Peyton, Brad
Cox, Brian
Kutcher, Matt
Starr, Randall
San Andreas (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Image Engine [Firma] ~ Image Engine [Company]
Method Studios [Firma] ~ Method Studios [Company]
Cinesite [Firma] ~ Cinesite [Company]
Scanline [Firma] ~ Scanline [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Katastrophen ~ Disasters
#14
Fordham, Joe: War games: Battleship. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by ILM, Image Engine, Scanline VFX, New Deal Studios and The Embassy Visual Effects. Discusses especially the work of visual effects supervisors Pablo Helman and Grady Cofer and of special effects expert Burt Dalton.
Index:
Berg, Peter
Helman, Pablo
Cofer, Grady
Dalton, Burt
Battleship (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Embassy, The [Firma] ~ Embassy, The [Company]
New Deal Studios [Firma] ~ New Deal Studios [Company]
Scanline [Firma] ~ Scanline [Company]
Image Engine [Firma] ~ Image Engine [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#15
Fordham, Joe: When Gods collide: Batman v Superman: Dawn of Justice. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
On the special effects by Ironhead Studio, Film Illusions, Scanline VFX, MPC, Weta Digital, Double Negative, Shade VFX, Teamworks Digital, The Resistance VFX and Gentle Giant Studios. Discusses especially the work of production designer Patrick Tatopoulos, visual effects supervisor John DesJardin and special effects supervisor Joel Whist.
Index:
Snyder, Zack
Tatopoulos, Patrick
DesJardin, John
Whist, Joel
Batman vs. Superman: Dawn of Justice (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Gentle Giant Studios [Firma] ~ Gentle Giant Studios [Company]
Resistance, The [Firma] ~ Resistance, The [Company]
Teamworks Digital [Firma] ~ Teamworks Digital [Company]
Shade VFX [Firma] ~ Shade VFX [Company]
Double Negative [Firma] ~ Double Negative [Company]
Weta [Firma] ~ Weta [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Film Illusions [Firma] ~ Film Illusions [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
#16
Robertson, Barbara: To the rescue: White House Down. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Uncharted Territory, Method Studios, LUXX Studios, Hybride, Scanline VFX, Prime Focus VFX, Crazy Horse Effects and Mokko Studios. Discusses especially the work of co-producers Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
White House Down (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Mokko Studio [Firma] ~ Mokko Studio [Company]
Crazy Horse [Firma] ~ Crazy Horse [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Scanline [Firma] ~ Scanline [Company]
Hybride [Firma] ~ Hybride [Company]
Luxx Studios [Firma] ~ Luxx Studios [Company]
Method Studios [Firma] ~ Method Studios [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
#17
Seymour, Mike: I am become death: Godzilla. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the special effects by Amalgamated Dynamics Incorporated, MPC, Double Negative, The Third Floor, Scanline VFX, Hammerhead Productions and Pixel Playground. Discusses especially the work of special effects supervisor Joel Whist and visual effects supervisor Jim Rygiel.
Index:
Edwards, Gareth
Whist, Joel
Rygiel, Jim
Godzilla (2014)
Tod ~ Death
Technik: Spezialeffekte ~ Technology: Special Effects
Pixel Playground [Firma] ~ Pixel Playground [Company]
Hammerhead Productions [Firma] ~ Hammerhead Productions [Company]
Scanline [Firma] ~ Scanline [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
MPC [Firma] ~ MPC [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
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