The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Sherman, Cindy
number of items: 11
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Buttgereit, Jörg: Top Mob: Office Killer. In: Splatting Image 2000. No. 44. [December] pp. 57-58.
Index:
Sherman, Cindy
Office Killer (1997)
#2
Cindy Sherman: Untitled horrors. Edited by Lena Essling. - Ostfildern: Hatje Cantz / Stockholm: Moderna Museet 2013. (= Astrup Fearnley museet for moderne kunst 77.)
Description:
Exhibition catalogue.
Index:
Sherman, Cindy
Horror ~ Horror
Experimentalfilme ~ Experimental Films
#3
Garcia Lopez, Antonio: Diving into the relationships in cinema and painting. Analyze cinematographic types. - València: Universitat Politècnica de València, Diss. 2001. [Abstract in: Dissertation Abstracts International A 64. 2004. No. 12. (June) p. 4239.]
Description:
Discusses, among others, how Richard Bosman and Jean Le Gac influenced the adventure cinema and how Cindy Sherman, Lars Nilsson, Robert Gobert and Gottfried Helnwein influenced the terror cinema.
Index:
Bosman, Richard
Le Gac, Jean
Sherman, Cindy
Nilsson, Lars
Gobert, Robert
Helnwein, Gottfried
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The
Abenteuer ~ Adventure
Horror ~ Horror
#4
Kothenschulte, Daniel: Office Killer. In: Film-Dienst 53. 2000. No. 12. [June 6] pp. 28-29.
Index:
Sherman, Cindy
Office Killer (1997)
#5
Kühn, Heike: Office Killer: Cindy Shermans Debüt als Filmemacherin zeigt deutlich ihre Herkunft als Fotografin. In: EPD Film 17. 2000. No. 6. [June] p. 42.
Index:
Sherman, Cindy
Office Killer (1997)
Fotografie ~ Photography
#6
Meagher, Michelle: Final girls: appropriation, identification, and fluidity in Cindy Sherman’s Office Killer. In: There she goes: Feminist filmmaking and beyond. Edited by Corinn Columpar and Sophie Mayer. - Detroit, Michigan: Wayne State University Press 2009. (= Contemporary approaches to film and television.) p. ?P.
Index:
Sherman, Cindy
Office Killer (1997)
Frauen ~ Women
#7
Miller, Barbara Louise: Postmodernism: Artistic ploy or cultural response? A visual and textual analysis of fragmentation and layering in Postmodern art and dominant cinema. - Rochester, New York: University of Rochester, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 54. 1994. No. 11. [May] p. 3908.]
Description:
Discusses especially the postmodern serial killing film, the representation of femininity in the work of Cindy Sherman and sadomasochism in film, painting and photography.
Index:
Sherman, Cindy
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Postmoderne ~ Postmodern
Kunst ~ Arts, The
Frauen ~ Women
Fotografie ~ Photography
#8
Office Killer. In: Cinefantastique 29. 1997. No. 8. [December] pp. 42-43, 62.
Index:
Sherman, Cindy
Office Killer (1997)
#9
Schweitzer, Dahlia: Another kind of monster: Cindy Sherman’s Office Killer. In: Jump Cut 2010. No. 52. [?D] p. ?P.
Index:
Sherman, Cindy
Office Killer (1997)
Monster ~ Monster
#10
Slappnig, Dominik: "Ich arbeite am liebsten allein". In: Zoom 50. 1998. No. 1. [?D] pp. 10-13.
Description:
On Cindy Sherman’s directorial debut Office Killer.
Index:
Sherman, Cindy
Office Killer (1997)
#11
Slob, Marleen: Genadeloze horror. In: Skrien 1996. No. 208. [June/July] pp. 34-35.
Index:
Sherman, Cindy
Horror ~ Horror
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