The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Soho VFX [Company]
number of items: 9
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Duncan, Jody: Aliens in the city of Angels: Battle: Los Angeles. In: Cinefex 2011. No. 125. [April] p. ?P.
Description:
On the special effects by Cinesite, Hydraulx, Luma Pictures, The Embassy, Matte World Digital, Spin VFX and Soho VFX. Discusses especially the work of visual effects supervisor Everett Burrell and makeup effects supervisor Joel Harlow.
Index:
Liebesman, Jonathan
Burrell, Everett
Harlow, Joel
Battle: Los Angeles (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Aliens ~ Aliens
Soho VFX [Firma] ~ Soho VFX [Company]";
Spin VFX [Firma] ~ Spin VFX [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Cinesite [Firma] ~ Cinesite [Company]
Los Angeles ~ Los Angeles
#2
Duncan, Jody: Oh, the shark, babe: The Meg. In: Cinefex 2018. No. 161. [October] p. ?P.
Description:
On the special effects by Scanline VFX, DNEG, Sony Pictures Imageworks, Image Engine, Soho VFX, Umedia, Unit 11, Halon Entertainment and Glasshammer Visual Effects. Discusses especially the work of visual effects supervisor Adrian de Wet, visual effects producer Steve Garard, and special effects supervisor Steve Ingram.
Index:
Turteltaub, Jon
de Wet, Adrian
Garard, Steve
Ingram, Steve
Meg, The (2018)
Unit 11 [Firma] ~ Unit 11 [Company]
Umedia VFX [Firma] ~ Umedia VFX [Company]
Glasshammer Visual Effects [Firma] ~ Glasshammer Visual Effects [Company]
DNEG [Firma] ~ DNEG [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Soho VFX [Firma] ~ Soho VFX [Company]
Scanline [Firma] ~ Scanline [Company]
Image Engine [Firma] ~ Image Engine [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
#3
Duncan, Jody: RoboCop retooled: RoboCop. In: Cinefex 2014. No. 137. [April] p. ?P.
Description:
On the special effects by Legacy Effects, Framestore, Method Studios, Soho VFX, Mr. X, Modus FX and Cinesite for José Padilha’s remake of Paul Verhoevens science fiction classic.
Index:
Padilha, José
Verhoeven, Paul
RoboCop (2014)
Robocop (1987)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Robocop ~ Robocop
Cinesite [Firma] ~ Cinesite [Company]
Modus FX [Firma] ~ Modus FX [Company]
Mr. X [Firma] ~ Mr. X [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
#4
Edwards, Graham: Blood father: Logan. In: Cinefex 2017. No. 152. [April] p. ?P.
Description:
On the special effects by Soho VFX, Image Engine Design, Rising Sun Pictures and Lola VFX. Discusses especially the work of special effects supervisor Garry Elmendorf and makeup effects supervisor Joel Harlow.
Index:
Mangold, James
Elmendorf, Garry
Harlow, Joel
Logan (2017)
Vater ~ Fathers
Technik: Spezialeffekte ~ Technology: Special Effects
Blut ~ Blood
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Image Engine [Firma] ~ Image Engine [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
#5
Edwards, Graham: Knocking ’em dead: Deadpool 2. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by DNEG, Framestore, Method Studios, Weta Digital, Crafty Apes, Soho VFX, Trace VFX and Digital Makeup Group. Discusses especially the work of visual effects supervisor Dan Glass and special effects supervisor Mike Vézina.
Index:
Leitch, David
Glass, Dan
Vézina, Mike
Deadpool 2 (2018)
Technik: Computer ~ Technology: Computer
Trace VFX [Firma] ~ Trace VFX [Company]
Digital Makeup Group [Firma] ~ Digital Makeup Group [Company]
DNEG [Firma] ~ DNEG [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Soho VFX [Firma] ~ Soho VFX [Company]
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Crafty Apes [Firma] ~ Crafty Apes [Company]
#6
Edwards, Graham: Quick the eye, steady the hand: Ben-Hur. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
On the special effects by Mr. X, Soho VFX, Scanline VFX, and Big Hug FX. Discusses especially the work of visual effects supervisor Jim Rygiel and special effects supervisor Andy Williams.
Index:
Bekmambetov, Timur
Rygiel, Jim
Williams, Andy
Ben-Hur (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Augen ~ Eyes
Big Hug FX [Firma] ~ Big Hug FX [Company]
Scanline [Firma] ~ Scanline [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Mr. X [Firma] ~ Mr. X [Company]
#7
Fordham, Joe: Beautiful dreamer: The Secret Life of Walter Mitty. In: Cinefex 2014. No. 137. [April] p. ?P.
Description:
On the special effects by Framestore, MPC, LOOK Effects, Hydraulx, Soho VFX, Hatch, Lola Visual Effects, Mr. X, Method Studios, Rhythm & Hues, Phosphene, Company 3 and Blind Squirrel. Discusses especially the work of visual effects supervisor Guillaume Rocheron, special effects supervisor Mark Hawker and special makeup effects artist Mike Marino.
Index:
Stiller, Ben
Rocheron, Guillaume
Hawker, Mark
Marino, Mike
Secret Life of Walter Mitty, The (2013)
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Blind Squirrel [Firma] ~ Blind Squirrel [Company]
Company 3 [Firma] ~ Company 3 [Company]
Phosphene [Firma] ~ Phosphene [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Method Studios [Firma] ~ Method Studios [Company]
Mr. X [Firma] ~ Mr. X [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Hatch Production [Firma] ~ Hatch Production [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Hydraulx [Firma] ~ Hydraulx [Company]
LOOK Effects [Firma] ~ LOOK Effects [Firma]
MPC [Firma] ~ MPC [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
#8
Fordham, Joe: Giant steps: Jack the Giant Slayer. In: Cinefex 2013. No. 133. [April] p. ?P.
Description:
On the special effects by Digital Domain, MPC, Rodeo FX, Soho VFX and Hatch. Discusses especially the work of visual effects supervisor Hoyt Yeatman.
Index:
Singer, Bryan
Yeatman, Hoyt
Jack the Giant Slayer / Jack and the Giants (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Hatch Production [Firma] ~ Hatch Production [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Rodeo FX [Firma] ~ Rodeo FX [Company]
MPC [Firma] ~ MPC [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#9
Fordham, Joe: Slayer in chief: Abraham Lincoln: Vampire Hunter. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
On the special effects by Weta Digital, Rodeo FX, Soho VFX, Method Studios, CGF and Spin VFX. Discusses especially the work of special effects supervisor Matthew Kutcher, makeup effects supervisor Greg Cannom and of visual effects supervisors Craig Lyn and Michael Owens.
Index:
Bekmambetov, Timur
Kutcher, Matthew
Cannom, Greg
Lyn, Craig
Owens, Michael
Abraham Lincoln: Vampire Hunter (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Spin VFX [Firma] ~ Spin VFX [Company]
CGF [Firma] ~ CGF [Company]
Method Studios [Firma] ~ Method Studios [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Rodeo FX [Firma] ~ Rodeo FX [Company]
Weta [Firma] ~ Weta [Company]
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