Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Spellbound (1945)

number of items: 32

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Bigwood, James: Solving a Spellbound-puzzle. In: American Cinematographer 72. 1991. No. 6. [June] pp. 34-40.
Description:
On the collaboration between the painter Salvador Dalí and the director Alfred Hitchcock for a dream sequence.
Index:
Hitchcock, Alfred
Spellbound (1945)
Traum ~ Dreams
Kunst ~ Arts, The

#2
Boyd, David: The parted eye: Spellbound and psychoanalysis. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology
Augen ~ Eyes

#3
Deavel, Catherine Jack / Deavel, David Paul: Knowing when to be afraid: Rationality and suspense. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 239-252.
Index:
Hitchcock, Alfred
Suspicion (1941)
Birds, The (1962)
Spellbound (1945)
Wrong Man, The (1957)
Thriller ~ Thriller
Philosophie ~ Philosophy

#4
Doty, Alexander Michael: Alfred Hitchcock’s films of the 1940s: The emergence of personal style and theme within the american studio system. - Urbana-Champaign: University of Illinois at Urbana-Champaign, Ph.D. 1984. [Abstract in: Dissertation Abstracts International A 45. 1985. No. 8. (February) p. 2283A.]
Description:
Especially on Rebecca, Notorius and Spellbound.
Index:
Hitchcock, Alfred
Rebecca (1940)
Notorious (1946)
Spellbound (1945)
USA (United States of America) ~ USA (United States of America)

#5
Drößler, Stefan: Spellbound: Alfred Hitchcock, Salvador Dalí und David O. Selznick. In: Experiment Mainstream? Differenz und Uniformierung im populären Kino. Hrsg. von Irmbert Schenk [et al.]. - Berlin: Bertz & Fischer 2006. (= Bremer Symposium zum Film.) pp. 65 ff.
Index:
Hitchcock, Alfred
Dalí, Salvador
Selznick, David O.
Spellbound (1945)

#6
Farber, Stephen / Green, Marc: Hollywood on the couch: A candid look at the overheatetd love affair between psychiatrists and moviemakers. - New York: William Morrow 1993.
Reviews:
Greenberg, Harvey Roy: [untitled] In: Film Quarterly 47. 1994. No. 4. [Summer] pp. 43-45.
Description:
Discusses, among others, Stanley Kubrick’s A Clockwork Orange, Brian De Palma’s Dressed to Kill, William Friedkin’s The Exorcist, Milos Forman’s One Flew over the Cuckoo’s Nest, Jonathan Demme’s The Silence of the Lambs, Woody Allen’s Sleeper, Alfred Hitchcock’s Spellbound plus the films of Ingmar Bergman and Anthony Perkins.
Index:
Kubrick, Stanley
De Palma, Brian
Friedkin, William
Forman, Milos
Demme, Jonathan
Allen, Woody
Hitchcock, Alfred
Bergman, Ingmar
Perkins, Anthony
Clockwork Orange, A (1971)
Dressed to Kill (1980)
Exorcist, The (1973)
One Flew over the Cuckoo’s Nest (1975)
Silence of the Lambs, The (1990)
Sleeper (1973)
Spellbound (1945)
Psychologie ~ Psychology
Hollywood ~ Hollywood

#7
Freedman, Jonathan: From Spellbound to Vertigo: Alfred Hitchcock and therapeutic culture in America. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 77-98.
Index:
Hitchcock, Alfred
Spellbound (1945)
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#8
Gansky, Paul: Severed objects: Spellbound, archives, exhibitions, and film’s material history. In: Film History 25. 2013. No. 3. pp. 126-148.
Index:
Hitchcock, Alfred
Spellbound (1945)

#9
Gerlach, Alf: Spellbound: Angstlust - Psychoanalytische Überlegungen zur Wirkung von Hitchcocks Spellbound auf den Betrachter. In: Filmräume - Leinwandträume: Psychoanalytische Filminterpretationen. Hrsg. von Christine Popund AlfGerlach. - Gießen: Psychosozial-Verlag 2012. (= Imago.) pp. 137 ff.
Index:
Hitchcock, Alfred
Spellbound (1945)
Traum ~ Dreams
Angst ~ Fear
Psychologie ~ Psychology

#10
Heller-Nicholas, Alexandra: The dream team. In: The Big Picture 2012. No. 18. [?D] pp. 26-29.
Description:
On the collaboration of Alfred Hitchcock and Salvador Dalí for Spellbound.
Index:
Hitchcock, Alfred
Dalí, Salvador
Spellbound (1945)
Traum ~ Dreams
Surrealismus ~ Surrealism

#11
Hendricks, Gay / Simon, Stephen: The new wave of spiritual cinema: Must-see movies that illuminate facets of the spiritual landscape. In: Hendricks, Gay / Simon, Stephen: Spiritual cinema: A guide to movies that inspire, heal, and empower your life. - Carlsbad, California: Hay House 2005. p. ?P.
Description:
Discusses, among others, Robert Zemeckis’s Cast Away, Brett Ratner’s Family Man, David Lynch’s Mulholland Drive, Richard Linklater’s Waking Life, Ron Howard’s A Beautiful Mind, Spike Jonze’s Adaption, Jon Amiel’s The Core, Andrew Davis’s Holes, Alfred Hitchcock’s Spellbound, Andrew Stanton’s Finding Nemo, American Splendor by Shari Springer Berman, Shari and Robert Pulcini, Tim Burton’s Big Fish, What the Bleep Do We Know? by William Arntz, Betsy Chasse and Mark Vicente, Roland Emmerich’s The Day After Tomorrow and Marc Forster’s Finding Neverland.
Index:
Zemeckis, Robert
Ratner, Brett
Lynch, David
Linklater, Richard
Howard, Ron
Jonze, Spike
Amiel, Jon
Davis, Andrew
Hitchcock, Alfred
Stanton, Andrew
Springer Berman, Shari
Pulcini, Robert
Burton, Tim
Arntz, William
Chasse, Betsy
Vicente, Mark
Emmerich, Roland
Forster, Marc
Cast Away (2000)
Family Man (2000)
Mulholland Drive (2001)
Waking Life (2001)
Beautiful Mind, A (2001)
Adaption (2003)
Core, The (2003)
Holes (2003)
Spellbound (1945)
Finding Nemo (2003)
American Splendor (2003)
Big Fish (2003)
What the Bleep Do We Know? (2004)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Religion ~ Religion

#12
Hyde, Thomas: The moral universe of Hitchcock’s Spellbound. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)

#13
Karban, Thomas: Ein Doppelleben: Zum Tode von Miklos Rozsa. In: Film-Dienst 48. 1995. No. 17. [August 15] pp. 16-17.
Description:
On the composer who wrote the score for many fantastic films, among them The Thief of Bagdad by Ludwig Berger, Michael Powell, Tim Whelan, Alexander and Zoltan as well as William Cameron Menzies; Zoltan Korda’s Four Feathers; The Jungle Book by Zoltan Korda and André de Toth; Hitchcock’s Spellbound; Mervyn LeRoy’s Quo Vadis; Anthony Mann’s El Cid and William Wyler’s Ben Hur.
Index:
Rózsa, Miklós
Berger, Ludwig
Powell, Michael
Whelan, Tim
Korda, Zoltan
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
de Toth, André
Hitchcock, Alfred
LeRoy, Mervyn
Mann, Anthony
Wyler, William
Thief of Bagdad, The (1940)
Four Feathers (1939)
Jungle Book (1942)
Spellbound (1945)
Quo Vadis? (1951)
Cid, El (1961)
Ben Hur (1959)
Tod ~ Death
Musik ~ Music

#14
Krohn, Bill: Hitchcock-Dali, le rêve mutile. In: Cahiers du Cinéma 2001. No. 559. [July/August] p. 71.
Description:
On Dalís designs for a dream sequence of Hitchcock’s Spellbound.
Index:
Hitchcock, Alfred
Dalí, Salvador
Spellbound (1945)
Traum ~ Dreams

#15
Latham, Brandon: Cobblestones and Doppelgängers: How gothic literature contributed to the dawn of Film Noir. In: Film Matters 7. 2016. No. 2. [Fall] pp. 17-21.
Description:
Discusses especially Alfred Hitchcock’s Spellbound and Psycho.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Literatur ~ Literature
Horror ~ Horror
Film Noir ~ Film Noir
Doppelgänger ~ Double

#16
MacNiven, Susan S.: A matinee idyll? In: Deus Loci 1993. No. 2. [?D] pp. 163-164.
Description:
On the influence of Lawrence Durrell on Hitchcock’s Spellbound.
Index:
Hitchcock, Alfred
Durrell, Lawrence
Spellbound (1945)

#17
McNamara, Donald Dailey: Alfred Hitchcock’s symbolic fantasies: A comedy of narrative form. - ?O: University of Missouri-Columbia, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 44. 1984. No. 12. (June) p. 3523A.]
Description:
Discusses, among others, Spellbound, Psycho and Marnie.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Marnie (1963/1964)
Phantasie ~ Fantasy
Humor ~ Humor

#18
Platte, Nathan R.: Musical collaboration in the films of David O. Selznick, 1932-1957. - Ann Arbor, Michigan: University of Michigan, Ph.D. 2010. [Abstract in: Dissertation Abstracts International A 71. 2010. No. 5. [November] p. ?P.]
Description:
Discusses, among others, King Kong by Merian C. Cooper and Ernest B. Schoedsack, William Dieterle’s Portrait of Jennie and Alfred Hitchcock’s Rebecca and Spellbound.
Index:
Selznick, David O.
Cooper, Merian C.
Schoedsack, Ernest B.
Dieterle, Wilhelm [Pseudonym: Dieterle, William]
Hitchcock, Alfred
King Kong (1931-1933)
Jenny / Portrait of Jennie / Tidal Wave (1948)
Rebecca (1940)
Spellbound (1945)
Musik ~ Music

#19
Pomerance, Murray: A bromide for Ballantine: Spellbound, psychoanalysis, light. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology
Augen ~ Eyes

#20
Rall, Veronika: Kinoanalyse: Plädoyer für eine Re-Vision von Kino und Psychoanalyse. - Marburg: Schüren 2011. (= Zürcher Filmstudien 28.)
Reviews:
Klix, Bettina: Die Couch vor der Leinwand. In: Film-Dienst 65. 2012. No. 15. [July 19] p. 46.
Index:
Pabst, Georg Wilhelm
Hitchcock, Alfred
Huston, John
Mankiewicz, Joseph L.
Geheimnisse einer Seele (1925)
Spellbound (1945)
Freud (1963)
Suddenly, Last Summer (1959)
Psychologie ~ Psychology

#21
Rall, Veronika: Kinoanalyse: Plädoyer für eine Re-Vision von Kino und Psychoanalyse. - Zürich: Universität Zürich, Dissertation 2009.
Index:
Pabst, Georg Wilhelm
Hitchcock, Alfred
Huston, John
Mankiewicz, Joseph L.
Geheimnisse einer Seele (1925)
Spellbound (1945)
Freud (1963)
Suddenly, Last Summer (1959)
Psychologie ~ Psychology

#22
Rushton, Richard: The psychoanalytic structure of trauma: Spellbound. In: Journal for Cultural Research 8. 2004. No. 3. [July] pp. 371-384.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology

#23
Scarrone, C.: Spellbound. In: Filmcritica 32. 1981. No. 311. [January] pp. 38-39.
Index:
Hitchcock, Alfred
Spellbound (1945)

#24
Smithouser, Bob: Movie nights for teens: 25 more movies to spark spiritual discussions with your teen. - Wheaton, Illinois: Tyndale House 2005.
Index:
Wyler, William
Emmerich, Roland
Forster, Marc
Bird, Brad
Jackson, Peter
Shyamalan, M. Night
Conran, Kerry
Hitchcock, Alfred
Raimi, Samuel M.
Ben Hur (1959)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Incredibles, The (2004)
Lord of the Rings (Filmreihe)
Signs (2002)
Sky Captain and the World of Tomorrow (2004)
Spellbound (1945)
Spider-Man (2002)
Religion ~ Religion

#25
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - Basingstoke; London: Macmillan Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond

#26
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - New York: St. Martin’s Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond

#27
Das unbewußte Sehen: Texte zu Psychoanalyse, Film, Kino. Hrsg. von August Ruhs , Bernhard Riff und Gottfried Schlemmer. - Wien: Löcker Verlag 1989.
Reviews:
Hagmann, Karl Eugen: [untitled] In: Film-Dienst 43. 1990. No. 11. [May 29] pp. 39-40.
Paech, Joachim: Filmtheorie aus Österreich. In: EPD Film 7. 1990. No. 4. [April] pp. 9-10.
Rother, Rainer: Psychoanalytisches zu Film und Kino. In: Filmwärts ?G. 1990. No. 17. [?D] pp. VI-VII.
Wulff, Hans J.: [untitled] In: Medienwissenschaft 1989. No. 3. pp. 354-356.
Description:
Includes essays on Alfred Hitchcock’s Rear Window and Spellbound, Jerry Lewis’s The Nutty Professor, Simon Wincer’s D.A.R.Y.L. and Jean Cocteau’s Le Sang d’un poète.
Index:
Hitchcock, Alfred
Wincer, Simon
Lewis, Jerry
Cocteau, Jean
Rear Window (1954)
Spellbound (1945)
Nutty Professor, The (1963)
D.A.R.Y.L. (1985)
Sang d’un poète, Le (1931)
Psychologie ~ Psychology

#28
van de Merwe, Piet: Spellbound en Lost Horizon: Van 78-toeren naar CD. In: Skrien 33. 2001. No. 5. [June/July] p. 53.
Description:
On CD editions of the two film scores.
Index:
Hitchcock, Alfred
Capra, Frank
Spellbound (1945)
Lost Horizon (1937)
Musik ~ Music

#29
Walker, Janet: Couching resistance: Women, film, and psychoanalytic psychiatry. - Minneapolis, Minnesota: University of Minnesota Press 1993.
Reviews:
Bean, Jennifer M.: [untitled] In: The Velvet Light Trap 1995. No. 35. [Spring] pp. 85-87.
McKee, A. L.: Negotiating gender in post-World War II America. In: Quarterly Review of Film and Video 15. 1994. No. 3. [December] pp. 47-56.
White, Mimi: [untitled] In: Film Quarterly 48. 1995. No. 3. [Spring] pp. 48-50.
Description:
On the representation of women, film and psychoanalysis in American film from Second World War to mid 1960s. Discusses, among others, Robert Rossen’s Lilith, Hitchcock’s Spellbound, Alfred L. Werker’s Shock, Anatole Litvak’s The Snake Pit and John Huston’s Freud movie.
Index:
Rossen, Robert
Hitchcock, Alfred
Litvak, Anatole
Huston, John
Werker, Alfred L.
Lilith (1963)
Spellbound (1945)
Snake Pit, The (1948)
Freud (1963)
Shock (1946)
Psychologie ~ Psychology
Frauen ~ Women
Krieg ~ War
USA (United States of America) ~ USA (United States of America)

#30
Walker, John A.: Art and artists on screen. - Manchester; New York: Manchester University Press (1993).
Reviews:
Woods, Alan: For art’s sake. In: Sight and Sound NS 3. 1993. No. 8. [August] p. 38.
Description:
Discusses, among others, Cocteau’s Blood of a Poet (Le Sang d’un poète), André de Toth’s House of Wax, Andrei Tarkovsky’s Andrej Rubljow, Hitchcock’s Spellbound, Buñuel’s Un chien andalou as well as Peter Greenaway’s The Draughtsman’s Contract, The Belly of an Architect and A Zed and Two Noughts.
Index:
Cocteau, Jean
de Toth, André
Tarkovsky, Andrei Arsenyevich
Hitchcock, Alfred
Buñuel, Luis
Greenaway, Peter
Sang d’un poète, Le (1931)
House of Wax (1953)
Andrej Rubljow (1966-1969)
Spellbound (1945)
chien andalou, Un (1928)
Draughtsman’s Contract, The (1982)
Belly of an Architect, The (1986)
Zed & Two Noughts, A (1985)

#31
Woolfolk, Alan: Depth psychology on the surface: Hitchcock’s Spellbound. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology

#32
Zwiebel, Ralf: Ist psychoanalytisches Denken interkontextuell? Film-psychoanalytische Überlegungen zu Hitchcocks Spellbound. In: Projektion und Wirklichkeit: Die unbewusste Botschaft des Films. Hrsg. von Annegret Mahler-Bungers und Ralf Zwiebel. - Göttingen: Vandenhoeck und Ruprecht 2007. (= Schriften des Sigmund-Freud-Instituts: Reihe 2, Psychoanalyse im interdisziplinären Dialog 5.) pp. 149 ff.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology


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Bibliografie des fantastischen Films / Bibliography of Fantastic Film

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