The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Technik: Kamera

number of items: 790

#1
Acland, Charles R.: The crack in the electric window. In: Cinema Journal 51. 2012. No. 2. [Winter] pp. 167-171.
Description:
A philosophical examination of the term "screen".Discusses, among others, James Cameron’s use of a virtual camera for Avatar.
Index:
Cameron, James
Avatar (2009)
Technik: Kamera ~ Technology: Camera
Philosophie ~ Philosophy
Fenster ~ Windows
Cyberspace ~ Cyberspace

#2
Albrecht, Gudrun / Lissarrague, Nicolas / Romani, Lucia / Saini, Laura: A new system for stop motion camera movements. In: Animation Practice 2. 2012. No. 1/2. [December] pp. 151-187.
Index:
Technik: Kamera ~ Technology: Camera
Animation ~ Animation

#3
Albrecht, Jörg: Körper-nach-dem-Territorium: Wie David Lynch Fluchtlinien zieht, in der Kamera. In: F.LM - Texte zum Film. Online edition, April 2006.
Index:
Lynch, David
Technik: Kamera ~ Technology: Camera
Körper ~ Bodies

#4
Altman, Mark A.: Star Trek: The Next Generation: Cinematographer Marvin Rush. In: Cinefantastique 23. 1992. No. 2/3. [October] pp. 68-69.
Index:
Rush, Marvin
Star Trek - The Next Generation (TV)
Technik: Kamera ~ Technology: Camera

#5
Andersen, Jesper: At male med lys: Norman McLaren: Animation uden kamera. In: Kosmorama 53. 2007. No. 239. [Summer] pp. 67-76.
Description:
On the experimental animator and his technique of directly drawing on film. Discusses especially Love on the Wing, Begone Dull Care (together with Evelyn Lambert) and Blinkity Blank.
Index:
McLaren, Norman
Lambart, Evelyn
Love on the Wing (1939)
Begone Dull Care (1949)
Blinkity Blank (1955)
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Experimentalfilme ~ Experimental Films
Animation ~ Animation

#6
Anderson, Kay: Star Trek III: Charles Correll, director of photography. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 52.
Index:
Nimoy, Leonard
Correll, Charles
Star Trek III - The Search for Spock (1984)
Technik: Kamera ~ Technology: Camera

#7
Anker, Roy M.: Lights, camera, Jesus. In: Christianity Today 44. 2000. No. 6. [May 22] pp. 58 ff.
Description:
On Jesus films.
Index:
Technik: Kamera ~ Technology: Camera
Religion ~ Religion

#8
Argy, Stephanie: Cinematography’s computer age. In: American Cinematographer 80. 1999. No. 8. [August] pp. 75-80.
Description:
On the importance of computer technologies for the development of special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#9
Argy, Stephanie: Deep trouble. In: American Cinematographer 86. 2005. No. 8. [August] pp. 58-65.
Description:
On Ross Emery’s camera work for Bruce Hunt’s The Cave.
Index:
Hunt, Bruce
Emery, Ross
Cave, The (2005)
Technik: Kamera ~ Technology: Camera

#10
Argy, Stephanie: Fingers of doom. In: American Cinematographer 80. 1999. No. 4. [April] pp. 64-73.
Description:
On the special effects for Rodman Flender’s Idle Hands; especially on the camera work of Chris Baffa.
Index:
Flender, Rodman
Baffa, Chris
Idle Hands (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#11
Ashton, Stephen: Phenomenon dazzles the eye. In: American Cinematographer 77. 1996. No. 7. [July] pp. 62-68.
Description:
Especially on the camera work of Phedon Papamichael.
Index:
Turteltaub, Jon
Papamichael, Phedon
Phenomenon (1996)
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes

#12
Asper, Helmut G.: Moderne Zauberer: Kameratricks und Spezialeffekte bei Metropolis. In: Film-Dienst 63. 2010. No. 7. [April 1] pp. 14-15.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#13
The automatic camera effects system (ACES). In: American Cinematographer 61. 1980. No. 1. [January] pp. 60-61, 81.
Description:
On a special camera technique for producing special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#14
B., Benjamin: Ancient aliens. In: American Cinematographer 93. 2012. No. 7. [July] pp. 30-41.
Description:
On Dariusz Wolski’s camera work for Ridley Scott’s Prometheus.
Index:
Scott, Ridley
Wolski, Dariusz
Prometheus (2012)
Technik: Kamera ~ Technology: Camera
Geschichte: Antike ~ History: Ancient Times
Aliens ~ Aliens

#15
B., Benjamin: Battle tested. In: American Cinematographer 97. 2016. No. 1. [January] pp. 70-81.
Description:
Interview with cinematographer Adam Arkapaw on his work for Justin Kurzel’s Macbeth.
Index:
Kurzel, Justin
Arkapaw, Adam
Macbeth (2015)
Technik: Kamera ~ Technology: Camera

#16
B., Benjamin: Blood relatives. In: American Cinematographer 93. 2012. No. 6. [June] pp. 62-73.
Description:
On Bruno Delbonnel’s camera work for Tim Burton’s Dark Shadows.
Index:
Burton, Tim
Delbonnel, Bruno
Dark Shadows (2012)
Technik: Kamera ~ Technology: Camera
Blut ~ Blood

#17
B., Benjamin: Brain power. In: American Cinematographer 95. 2014. No. 9. [September] pp. 54-69.
Description:
On Thierry Arbogast’s camera work for Luc Besson’s Lucy.
Index:
Besson, Luc
Arbogast, Thierry
Lucy (2014)
Technik: Kamera ~ Technology: Camera
Gehirn ~ Brain

#18
B., Benjamin: Cosmic questions. In: American Cinematographer 92. 2011. No. 8. [August] pp. 34-35.
Description:
On Emmanuel Lubezki’s camera work for Terrence Malick’s The Tree of Life.
Index:
Malick, Terrence
Lubezki, Emmanuel
Tree of Life, The (2011)
Technik: Kamera ~ Technology: Camera

#19
B., Benjamin: Facing the void. In: American Cinematographer 94. 2013. No. 11. [November] pp. 36-49.
Description:
On Emmanuel Lubezki’s camera work for Alfonso Cuarón’s Gravity.
Index:
Cuarón, Alfonso
Lubezki, Emmanuel
Gravity (2013)
Technik: Kamera ~ Technology: Camera

#20
B., Benjamin: Grand battles. In: American Cinematographer 94. 2013. No. 12. [December] pp. 68-83.
Description:
On Kramer Morgenthau’s camera work for Alan Taylor’s Thor: The Dark World.
Index:
Taylor, Alan
Thor: The Dark World (2013)
Technik: Kamera ~ Technology: Camera

#21
B., Benjamin: Khondij on Allen. In: American Cinematographer 93. 2012. No. 8. [August] pp. 22-26.
Description:
Interview with cinematographer Darius Khondij on his work for Woody Allen’s Midnight in Paris.
Index:
Allen, Woody
Khondij, Darius
Midnight in Paris (2011)
Technik: Kamera ~ Technology: Camera

#22
B., Benjamin: Letting go. In: American Cinematographer 92. 2011. No. 1. [January] pp. 30-36, 39-41.
Description:
Interview with cinematographer Rodrigo Prieto on his work for Alejandro González Iñárritu’s Biutiful.
Index:
Iñárritu, Alejandro González
Prieto, Rodrigo
Biutiful (2010)
Technik: Kamera ~ Technology: Camera

#23
B., Benjamin: Sinister sect. In: American Cinematographer 96. 2015. No. 11. [November] pp. 34-47.
Description:
On Hoyte van Hoytema’s camera work for Sam Mendes’s Spectre.
Index:
Mendes, Sam
van Hoytema, Hoyte
Spectre (2015)
Technik: Kamera ~ Technology: Camera

#24
B., Benjamin: Super sleuth. In: American Cinematographer 91. 2010. No. 1. [January] pp. 60-71.
Description:
On Philippe Rousselot’s camera work for Guy Ritchie’s Sherlock Holmes.
Index:
Ritchie, Guy
Rousselot, Philippe
Sherlock Holmes (2009)
Technik: Kamera ~ Technology: Camera

#25
B., Benjamin: Very French revenge. In: American Cinematographer 91. 2010. No. 6. [June] pp. 52-63.
Description:
On Tetsuo Nagata’s camera work for Jean-Pierre Jeunet’s Micmacs à tire-larigot.
Index:
Jeunet, Jean-Pierre
Nagata, Tetsuo
Micmacs à tire-larigot (2009)
Technik: Kamera ~ Technology: Camera
Frankreich ~ France

#26
B., Benjamin: Wild planet. In: American Cinematographer 94. 2013. No. 7. [July] pp. 44-55.
Description:
On Peter Suschitzky’s camera work for Shyamalan’s After Earth.
Index:
Shyamalan, M. Night
Suschitzky, Peter
After Earth (2013)
Technik: Kamera ~ Technology: Camera

#27
B., Benjamin / Witmer, Jon D.: Rebel assault. In: American Cinematographer 98. 2017. No. 2. [February] pp. 30-53.
Description:
On Greig Fraser’s camera work for Gareth Edwards’s Rogue One: A Star Wars Story.
Index:
Edwards, Gareth
Fraser, Greig
Rogue One (2016)
Technik: Kamera ~ Technology: Camera

#28
Bade, James N.: Murnau’s The Last Laugh and Hitchcock’s subjective camera. In: Quarterly Review of Film and Video 23. 2006. No. 3. [?D] pp. 257-266.
Description:
How Hitchcock learned from the German director by visiting him in Berlin in 1924.
Index:
Hitchcock, Alfred
Murnau, Friedrich Wilhelm
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany
Berlin ~ Berlin

#29
Baglivi, Fulvio / Ercole, Federico / Esposito, Lorenzo / Fumarola, Donatello: L’Inland Empire dei sensi. In: Filmcritica 57. 2007. No. 571/572. [January/February] pp. 42-46.
Description:
Interview with David Lynch on the use of digital camera technique in shooting Inland Empire.
Index:
Lynch, David
Inland Empire (2006)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#30
Bailey, John / Deschanel, Caleb / Pizzello, Stephen: A savior’s pain. In: American Cinematographer 85. 2004. No. 3. [March] pp. 48-61.
Description:
Interview with cinematographer Caleb Deschanel on his work for Mel Gibson’s Jesus movie The Passion of the Christ.
Index:
Gibson, Mel
Deschanel, Caleb
Passion of the Christ, The (2004)
Technik: Kamera ~ Technology: Camera
Religion ~ Religion

#31
Ball, Claudia: Untersuchung zu dramaturgischen Besonderheiten der Literaturverfilmung Die Blechtrommel und die Kameraarbeit im Film. - Potsdam: Hochschule für Film und Fernsehen "Konrad Wolf", Fachrichtung Kamera, Fachschulabschlußarbeit 1992.
Index:
Schlöndorff, Volker
Blechtrommel, Die / tambour, Le (1978)
Technik: Kamera ~ Technology: Camera
Literatur ~ Literature

#32
Balla, P.: Cinema della radicalità. In: Filmcritica 35. 1984. No. 345. [June] pp. 240-344.
Description:
Compars the cinematographic techniques of Alfred Hitchcock’s The Rope and Klassenverhältnisse by Danièle Huillet and Jean-Marie Straub.
Index:
Hitchcock, Alfred
Huillet, Danièle
Straub, Jean-Marie
Rope, The (1948)
Klassenverhältnisse (1984)
Technik: Kamera ~ Technology: Camera

#33
Ballhaus, Michael: "Deutschland braucht das Unterhaltungskino". In: Cinema [Hamburg] 1994. No. 1(188). [?D] p. 43.
Description:
Interview with the cinematographer.
Index:
Ballhaus, Michael
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#34
Ballhausen, Thomas: Auge, Körper, Kamera: Mit Peeping Tom im (freudianischen) Schreckensarchiv. In: Horror und Ästhetik: Eine interdisziplinäre Spurensuche. Hrsg. von Claudio Biedermann und Christian Stiegler. - Konstanz: UVK-Verlagsgesellschaft 2008. pp. 11 ff.
Index:
Powell, Michael
Freud, Sigmund
Peeping Tom (1959)
Technik: Kamera ~ Technology: Camera
Körper ~ Bodies
Augen ~ Eyes
Angst ~ Fear
Psychologie ~ Psychology
Horror ~ Horror

#35
Bankston, Douglas: A deadly connection. In: American Cinematographer 83. 2002. No. 9. [September] pp. 60-73.
Description:
On the special effects for William Malone’s cyber thriller FearDotCome, especially on the camera work of Christian Sebaldt.
Index:
Malone, William
Sebaldt, Christian
FearDotCome (2002)
Technik: Kamera ~ Technology: Camera
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Cyberspace ~ Cyberspace

#36
Bankston, Douglas: A familiar fiend. In: American Cinematographer 83. 2002. No. 10. [October] pp. 48-61.
Description:
On the Hannibal Lecter films Red Dragon and Manhunter, especially on the camera work of Dante Spinotti.
Index:
Ratner, Brett
Spinotti, Dante
Mann, Michael
Red Dragon (2002)
Manhunter (1986)
Technik: Kamera ~ Technology: Camera

#37
Bankston, Douglas: A hostile lodging. In: American Cinematographer 83. 2002. No. 4. [April] pp. 36-47.
Description:
On the usage of digital cameras for Mike Figgis’s experimental film Hotel.
Index:
Figgis, Mike
Hotel (2001)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#38
Bankston, Douglas: A pound of flesh. In: American Cinematographer 82. 2001. No. 2. [February] pp. 36-49.
Description:
On John Mathieson’s camera work for Ridley Scott’s Hannibal.
Index:
Scott, Ridley
Mathieson, John
Hannibal (2001)
Technik: Kamera ~ Technology: Camera

#39
Bankston, Douglas: All the rage. In: American Cinematographer 84. 2003. No. 7. [July] pp. 82-84, 86-90.
Description:
On the special effects for Danny Boyle’s 28 Days Later, especially on the camera work of Anthony Dod Mantle.
Index:
Boyle, Danny
Mantle, Anthony Dod
28 Days Later (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#40
Bankston, Douglas: An old soul. In: American Cinematographer 90. 2009. No. 1. [January] pp. 42-57.
Description:
On Claudio Miranda’s camera work for David Fincher’s The Curious Case of Benjamin Button.
Index:
Fincher, David
Miranda, Claudio
Curious Case of Benjamin Button, The (2008)
Technik: Kamera ~ Technology: Camera

#41
Bankston, Douglas: Death or glory. In: American Cinematographer 81. 2000. No. 5. [May] pp. 34-38, 41-45.
Description:
On John Mathieson’s camera work for Ridley Scott’s Gladiator.
Index:
Scott, Ridley
Mathieson, John
Gladiator (2000)
Technik: Kamera ~ Technology: Camera
Tod ~ Death

#42
Bankston, Douglas: Infinite kills. In: American Cinematographer 95. 2014. No. 7. [July] pp. 60-69.
Description:
On Dion Beebe’s camera work for Doug Liman’s Edge of Tomorrow.
Index:
Liman, Doug
Beebe, Dion
Edge of Tomorrow (2014)
Technik: Kamera ~ Technology: Camera

#43
Bankston, Douglas: Into the virtual woods. In: American Cinematographer 87. 2006. No. 4. [April] pp. 54-67.
Description:
Interview with cinematographer David Stump on Randal Kleiser’s Red Riding Hood.
Index:
Kleiser, Randal
Stump, David
Red Riding Hood (2004)
Technik: Kamera ~ Technology: Camera

#44
Bankston, Douglas: Monster hunter. In: American Cinematographer 85. 2004. No. 5. [May] pp. 36-51.
Description:
On Allen Daviau’s camera work for Stephen Sommers’s Van Helsing.
Index:
Sommers, Stephen
Daviau, Allen
Van Helsing (2004)
Technik: Kamera ~ Technology: Camera
Monster ~ Monster
Jagd ~ Hunt

#45
Bankston, Douglas: Space cases. In: American Cinematographer 95. 2014. No. 9. [September] pp. 38-53.
Description:
On Ben Davis’s camera work for James Gunn’s Guardians of the Galaxy.
Index:
Gunn, James
Davis, Ben
Guardians of the Galaxy (2014)
Weltraum ~ Space
Technik: Kamera ~ Technology: Camera

#46
Bankston, Douglas: Spinning a wider web. In: American Cinematographer 95. 2014. No. 6. [June] pp. 54-71.
Description:
On Dan Mindel’s camera work for Marc Webb’s The Amazing Spider-Man 2.
Index:
Webb, Marc
Mindel, Dan
Amazing Spider-Man 2, The (2014)
Technik: Kamera ~ Technology: Camera

#47
Bankston, Douglas: Terror on the tracks. In: American Cinematographer 90. 2009. No. 7. [July] pp. 52-58.
Description:
On Tobias Schliessler’s camera work for Tony Scott’s The Taking of Pelham 1 2 3.
Index:
Scott, Tony
Schliessler, Tobias
Taking of Pelham 1 2 3, The (2009)
Technik: Kamera ~ Technology: Camera

#48
Bankston, Douglas: The final frontier. In: American Cinematographer 82. 2001. No. 11. [November] pp. 66-73.
Description:
On Marvin Rush’s camera work for the Star Trek TV series Enterprise.
Index:
Rush, Marvin
Enterprise / Star Trek: Enterprise (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television
Star Trek ~ Star Trek

#49
Bankston, Douglas: Worlds apart. In: American Cinematographer 94. 2013. No. 9. [September] pp. 34-49.
Description:
On Trent Opaloch’s camera work for Neill Blomkamp’s Elysium.
Index:
Blomkamp, Neill
Elysium (2013)
Technik: Kamera ~ Technology: Camera

#50
Barbera, Alessandro: Camerata topolino: L’ideologia di Walt Disney. - Roma: Stampa Alternativa 2001. (= Eretica.)
Index:
Disney, Walt
Technik: Kamera ~ Technology: Camera
Disney ~ Disney

#51
Barth, Ariane: "Hier ist was von Wildwest". Teil 2: Kameraleute und Schauspieler. In: Der Spiegel 47. 1993. No. 23. [June 7] pp. 120-142.
Description:
Discusses, among others, the work of cinematographer Michael Ballhaus for Fracis Ford Coppola’s Bram Stoker’s Dracula, and the roles of actor Ralf Moeller in Roland Emmerich’s Universal Soldier and Robert Radler’s The Best of the Best II.
Index:
Ballhaus, Michael
Coppola, Francis Ford
Moeller, Ralf
Emmerich, Roland
Radler, Robert
Bram Stoker’s Dracula (1992)
Universal Soldier (1992)
Best of the Best II, The (1993)
Technik: Kamera ~ Technology: Camera

#52
Bassom, David / Garcia, Frank / Garcia, Robert T. / Uram, Sue: Babylon 5. In: Cinefantastique 31/32. 2000. No. 12/1. [June] pp. 32-117.
Description:
Articles on the TV series. Discusses, among others, the work of Bruce Boxleitner, Claudia Christian, Walter Koenig, Julie Caitlin Brown, Andrea Thompson, Patricia Tallman, and Bill Mumy, of the composer Christopher Franke, the designer John Iacovelli, the series founder J. Michael Straczynski, of cinematographer John C. Flinn, the makeup by John Vulich, the costumes by Anne Bruice-Aling, the CGI special effects and single episodes. Includes an episode guide.
Index:
Boxleitner, Bruce
Christian, Claudia
Koenig, Walter
Brown, Julie Caitlin
Thompson, Andrea
Tallman, Patricia
Franke, Christopher
Iacovelli, John
Straczynski, J. Michael
Flinn, John C.
Vulich, John
Bruice-Aling, Anne
Babylon 5 (TV)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#53
Batchelor, D.: Films without a camera. In: Stills ?G. 1986. No. 24. [?D] pp. 20-21.
Description:
On new technical developments in computer animation and special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#54
Beach, Christopher: A hidden history of film style: Cinematographers, directors, and the collaborative process. - Oakland, California: University of California Press 2015.
Description:
Includes chapters on the visual style of film noir, on Alfred Hitchcock and Robert Burks and on cinematography in the digital age.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Film Noir ~ Film Noir

#55
Beeler, Michael: John Alonzo. In: Cinefantastique 26. 1995. No. 2. [February] p. 27.
Description:
On the cinematographer.
Index:
Alonzo, John
Star Trek - Generations (1994)
Star Trek (Filmreihe)
Technik: Kamera ~ Technology: Camera
Star Trek ~ Star Trek

#56
Behind the camera on The Nude Bomb. In: American Cinematographer 61. 1980. No. 3. [March] pp. 236-239.
Description:
Interview with cinematographer Harry Wolf.
Index:
Donner, Clive
Wolf, Harry
Nude Bomb, The (1980)
Technik: Kamera ~ Technology: Camera

#57
Beier, Lars-Olav / Midding, Gerhard: "Die Studioszenen sahen am besten aus, einfach weil man da für die Kamera bauen kann": Gespräch mit Henry Bumstead. In: Filmbulletin 34. 1992. No. 1(180). [?D] pp. 28-40.
Description:
On the set decorator who worked for many Hitchcock films and for Martin Scorsese’s Cape Fear. Plus a filmography.
Index:
Bumstead, Henry
Hitchcock, Alfred
Scorsese, Martin
Cape Fear (1991)
Technik: Kamera ~ Technology: Camera

#58
Beier, Lars-Olav / Midding, Gerhard: "Man muß die dritte Dimension erst schaffen, mit Licht, mit Schatten, mit Farbe": Gespräch mit dem Kameramann Vilmos Zsigmont. In: Filmbulletin 32. 1990. No. 2(170). [?D] pp. 18-25.
Description:
On the cinematographer who worked for many fantastic films, among them several films of Al Adamson, Brian De Palma’s Obsession, Spielberg’s Close Encounters of the Third Kind and George Miller’s The Witches of Eastwick.
Index:
Zsigmond, Vilmos
Adamson, Al
De Palma, Brian
Spielberg, Steven
Miller, George
Obsession (1976)
Close Encounters of the Third Kind (1977)
Witches of Eastwick, The (1987)
Technik: Kamera ~ Technology: Camera

#59
Beier, Lars-Olav / Midding, Gerhard: Teamwork in der Traumfabrik: Werkstattgespräche. - Berlin: Henschel Verlag 1993.
Reviews:
Baer, Volker: [untitled] In: Film-Dienst 47. 1994. No. 14. [July 5] p. 32.
Fließ, Ingo: [untitled] In: EPD Film 11. 1994. No. 3. [March] p. 8.
Description:
Interviews with Hollywood directors, actors, cinematographers and set designers. Discusses, among others, Martin Scorsese’s Cape Fear.
Index:
Scorsese, Martin
Cape Fear (1991)
Technik: Kamera ~ Technology: Camera
Traum ~ Dreams
Hollywood ~ Hollywood

#60
Beier, Lars-Olav / Müller, Robert: Bilder aus erster Hand: Ein Werkstattgespräch mit dem Kameramann Jost Vacano. In: Steadycam 1998. No. 1(35). [?D] pp. 38-57, 60-69.
Description:
Discusses, among others, Vacano’s work for Wolfgang Petersen’s Die unendliche Geschichte as well as Paul Verhoeven’s Robocop, Total Recall and Starship Troopers. Includes a filmography.
Index:
Vacano, Jost
Petersen, Wolfgang
Verhoeven, Paul
unendliche Geschichte, Die (1984)
Robocop (1987)
Total Recall (1990)
Starship Troopers (1997)
Technik: Kamera ~ Technology: Camera

#61
Beier, Lars-Olav: Terra incognita. In: Steadycam 1998. No. 2(36). [?D] pp. 89, 126-129.
Description:
On cinematographer John Seale.
Index:
Seale, John
Technik: Kamera ~ Technology: Camera

#62
Bennett, Bruce: The normativity of 3D: Cinematic journeys, "imperial visuality" and unchained cameras. In: Jump Cut 2013. No. 55. [Fall] pp. 44.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
3-D Films

#63
Bergery, Benjamin: A boy’s will. In: American Cinematographer 86. 2005. No. 9. [September] pp. 30-41.
Description:
On Pawel Edelman’s camera work for Roman Polanski’s Oliver Twist.
Index:
Polanski, Roman
Edelman, Pawel
Oliver Twist (2005)
Technik: Kamera ~ Technology: Camera

#64
Bergery, Benjamin: A golden ticket. In: American Cinematographer 86. 2005. No. 7. [July] pp. 36-49.
Description:
On Philippe Rousselot’s camera work for Tim Burton’s Charlie and the Chocolate Factory.
Index:
Burton, Tim
Rousselot, Philippe
Charlie and the Chocolate Factory (2005)
Technik: Kamera ~ Technology: Camera

#65
Bergery, Benjamin: A nymph in our midst. In: American Cinematographer 87. 2006. No. 8. [August] pp. 38-51.
Description:
On Christopher Doyle’s camera work for M. Night Shyamalan’s Lady in the Water.
Index:
Shyamalan, M. Night
Doyle, Christopher
Lady in the Water (2006)
Technik: Kamera ~ Technology: Camera

#66
Bergery, Benjamin: Framing the future. In: American Cinematographer 82. 2001. No. 9. [September] pp. 76-83.
Description:
On George Lucas’s work for Star Wars, Episode II, especially on the cinematographer David Tattersall.
Index:
Lucas, George
Tattersall, David
Star Wars Episode II - Attack of the Clones (2002)
Technik: Kamera ~ Technology: Camera
Utopie ~ Utopia

#67
Bergery, Benjamin: Friends, Romans and countrymen. In: American Cinematographer 80. 1999. No. 5. [May] pp. 62-71.
Description:
On the special effects for Asterix and Obelix versus Caesar; especially on the camera work of Tony Pierce-Roberts.
Index:
Zidi, Claude
Pierce-Roberts, Tony
Astérix et Obélix contre César (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#68
Bergery, Benjamin: Henri Alekan: The doyen of French cinematography. In: American Cinematographer 77. 1996. No. 3. [March] pp. 46-52.
Index:
Alekan, Henri
Technik: Kamera ~ Technology: Camera
Frankreich ~ France

#69
Bergery, Benjamin: Humanity’s last hope. In: American Cinematographer 87. 2006. No. 12. [December] pp. 60-75.
Description:
On Emmanuel Lubezki’s camera work for Alfonso Cuarón’s SF drama Children of Men.
Index:
Cuarón, Alfonso
Lubezki, Emmanuel
Children of Men (2006)
Technik: Kamera ~ Technology: Camera
Science Fiction ~ Science Fiction

#70
Bergery, Benjamin: Imaging the impossible. In: American Cinematographer 77. 1996. No. 6. [June] pp. 42-50.
Description:
On Brian De Palma’s Mission: Impossible; especially on the work of cinematographer Stephen Burum.
Index:
De Palma, Brian
Burum, Stephen
Mission: Impossible (1996)
Technik: Kamera ~ Technology: Camera

#71
Bergery, Benjamin: Timing Alexander. In: American Cinematographer 85. 2004. No. 11. [November] pp. 44-45.
Description:
Interview with cinematographer Rodrigo Prieto on Oliver Stone’s Alexander.
Index:
Stone, Oliver
Prieto, Rodrigo
Alexander (2004)
Technik: Kamera ~ Technology: Camera

#72
Berndt, Sven / Buchholz, Johannes / Schweer, Thomas: Hinter der Kamera: Peter Baumgartner. In: Splatting Image 1990. No. 4. [August] pp. 27-30.
Description:
Includes a filmography.
Index:
Baumgartner, Peter
Technik: Kamera ~ Technology: Camera

#73
Berthomé, Jean-Pierre / Rhomas, François: Sept années en noir et blanc: Entretien avec Edmond Richard, directeur de la photographie. In: Positif 1992. No. 378. [July/August] pp. 36-48.
Description:
On the cinematographer and his work for Orson Welles. Discusses, among others, his participation in The Trial and Chimes at Midnight.
Index:
Richard, Edmond
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Campanadas a medianoche / Chimes at Midnight (1965)
Technik: Kamera ~ Technology: Camera

#74
Binotto, Thomas: Emotionen bewegen die Kamera. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 3: Q-Z. - Frankfurt/Main: Zweitausendeins 2002. pp. W2-W8.
Description:
Interview with cinematographer Michael Ballhaus.
Index:
Ballhaus, Michael
Technik: Kamera ~ Technology: Camera

#75
Birchard, Robert S.: A master’s palette. In: American Cinematographer 87. 2006. No. 3. [March] pp. 58-65.
Description:
On Jack Cardiff’s camera work for Black Narcissus by Michael Powell and Emeric Pressburger.
Index:
Powell, Michael
Pressburger, Emeric
Cardiff, Jack
Black Narcissus (1947)
Technik: Kamera ~ Technology: Camera

#76
Blomkvist, Mårten: Death in the afternoon. In: Sight and Sound NS 16. 2006. No. 1. [January] p. 9.
Description:
Interview with Ingmar Bergman’s cameraman Gunnar Fischer.
Index:
Fischer, Gunnar
Bergman, Ingmar
Tod ~ Death
Technik: Kamera ~ Technology: Camera

#77
Bond, Jeff: Latent image in space, no one can hear you ... In: Cinefantastique 35. 2003. No. 5. [October/November] p. 80.
Description:
Cinematographer Derek Vanlint on plans for a Alien seqel.
Index:
Scott, Ridley
Vanlint, Derek
Alien (1979)
Weltraum ~ Space
Technik: Kamera ~ Technology: Camera

#78
Bordwell, David / Thompson, Kristin: Film art: An introduction. - Reading, Massachussetts: Addison-Wesley Publishing 1979.
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#79
Bordwell, David / Thompson, Kristin: Film art: An introduction. 10th edition. - New York: McGraw-Hill 2012.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#80
Bordwell, David / Thompson, Kristin: Film art: An introduction. 11th edition. - New York: McGraw-Hill 2016.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#81
Bordwell, David / Thompson, Kristin: Film art: An introduction. 2nd edition. - New York: Knopf / Random House 1986.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#82
Bordwell, David / Thompson, Kristin: Film art: An introduction. 3rd edition. - New York: McGraw-Hill 1990.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#83
Bordwell, David / Thompson, Kristin: Film art: An introduction. 4th edition. - New York: McGraw-Hill 1993.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#84
Bordwell, David / Thompson, Kristin: Film art: An introduction. 5th edition. - New York: The McGraw-Hill Companies 1997.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#85
Bordwell, David / Thompson, Kristin: Film art: An introduction. 6th edition. - New York: McGraw Hill 2001.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#86
Bordwell, David / Thompson, Kristin: Film art: An introduction. 7th edition. - Boston: McGraw-Hill 2004.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#87
Bordwell, David / Thompson, Kristin: Film art: An introduction. 8th edition. - Boston: McGraw Hill 2008.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#88
Bordwell, David / Thompson, Kristin: Film art: An introduction. 9th edition. - New York: McGraw-Hill 2010. (= Addison-Wesley series in speech, drama, and film.)
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#89
Borgfeld, Wolfgang: Effekte machen ist Film machen: Die Frankfurter eDIT: Wie Effektekünstler die Kamera ersetzen. In: EPD Film 22. 2005. No. 12. [December] pp. 10-11.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main

#90
Bosley, Rachael: Envisioning an empire. In: American Cinematographer 85. 2004. No. 1. [January] pp. 36-53.
Description:
Interview with cinematographer John Toll on his work for Edward Zwick’s The Last Samurai.
Index:
Zwick, Edward
Toll, John
Last Samurai, The (2003)
Technik: Kamera ~ Technology: Camera

#91
Bosley, Rachael K.: All abroad! In: American Cinematographer 81. 2000. No. 8. [August] pp. 74-81.
Description:
On Britt Allcroft’s Thomas and the Magic Railroad, especially on the camera work of Paul Ryan.
Index:
Allcroft, Britt
Ryan, Paul
Thomas and the Magic Railroad (2000)
Technik: Kamera ~ Technology: Camera

#92
Bosley, Rachael K.: Hair-raising heroics. In: American Cinematographer 93. 2012. No. 9. [September] pp. 62-77.
Description:
On the work of cinematographer Tristan Oliver for ParaNorman.
Index:
Butler, Chris
Fell, Sam
Oliver, Tristan
ParaNorman (2012)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#93
Bosley, Rachael K.: Reforming a ladies’ man. In: American Cinematographer 90. 2009. No. 5. [May] pp. 48-55.
Description:
Interview with cinematographer Daryn Okada on Mark Waters’s Ghosts of Girlfriends Past.
Index:
Waters, Mark
Okada, Daryn
Ghosts of Girlfriends Past (2009)
Technik: Kamera ~ Technology: Camera

#94
Bosley, Rachael K.: Uncanny valley. In: American Cinematographer 98. 2017. No. 12. [December] pp. 36-49.
Description:
On Roger Deakins’s camera work for Denis Villeneuve’s Blade Runner 2049.
Index:
Villeneuve, Denis
Deakins, Roger
Blade Runner 2049 (2017)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear

#95
Bosley, Rachael K.: Warrior king. In: American Cinematographer 85. 2004. No. 11. [November] pp. 36-51.
Description:
On Rodrigo Prieto’s camera work for Oliver Stone’s Alexander.
Index:
Stone, Oliver
Prieto, Rodrigo
Alexander (2004)
Technik: Kamera ~ Technology: Camera
Krieg ~ War

#96
Bosley, Rachael K.: Worlds apart. In: American Cinematographer 98. 2017. No. 1. [January] pp. 38-55.
Description:
On Rodrigo Prieto’s camera work for Martin Scorsese’s Silence and Morten Tyldum’s Passengers.
Index:
Prieto, Rodrigo
Scorsese, Martin
Tyldum, Morten
Silence (2016)
Passengers (2016)
Technik: Kamera ~ Technology: Camera

#97
Bosley, Rachel K.: A model thriller. In: American Cinematographer 86. 2005. No. 10. [October] pp. 32-47.
Description:
On the camera work of Tristan Oliver and Dave Alex Riddett for Nick Park’s Wallace & Gromit: The Curse of the Were-Rabbit.
Index:
Park, Nick
Oliver, Tristan
Riddett, Dave Alex
Wallace & Gromit: The Curse of the Were-Rabbit (2005)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Thriller ~ Thriller

#98
Bosley, Rachel K.: Dark matters. In: American Cinematographer 89. 2008. No. 8. [August] pp. 26-31, 33-37.
Description:
On Bill Roe’s camera work for Chris Carter’s The X-Files: I Want to Believe.
Index:
Carter, Chris
Roe, Bill
X-Files, The: I Want to Believe (2008)
Technik: Kamera ~ Technology: Camera

#99
Bosley, Rachel K.: Forging connections. In: American Cinematographer 87. 2006. No. 11. [November] p. ?P.
Description:
On the work of cinematographer Rodrigo Prieto for Alejandro González Iñárritu’s Babel.
Index:
González Iñárritu, Alejandro
Prieto, Rodrigo
Babel (2006)
Technik: Kamera ~ Technology: Camera

#100
Bosley, Rachel K.: The early days of a hit. In: American Cinematographer 89. 2008. No. 8. [August] p. 32.
Description:
On cinematographer John Bartley and his work for the first three seasons of the X-Files TV series.
Index:
Bartley, John
X-Files, The (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#101
Bourgeois, Jacques: Tecknad film uten kamera. - Stockholm: Forum 1977.
First edition:
[Cinéma d’animation sons caméra. - Paris: Dessain 1973]
Index:
Technik: Kamera ~ Technology: Camera
Animation ~ Animation

#102
Box, Harry: Cold call. In: American Cinematographer 83. 2002. No. 11. [November] pp. 60-69.
Description:
On Joel Schumacher’s Phone Booth, especially on the camera work of Matthew Libatique.
Index:
Schumacher, Joel
Libatique, Matthew
Phone Booth (2002)
Technik: Kamera ~ Technology: Camera

#103
Brandlmeier, Thomas: "He is a genius!": Der Kameramann Giuseppe Rotunno. In: Film-Dienst 57. 2004. No. 16. [August 5] pp. 43-45.
Index:
Rotunno, Giuseppe
Technik: Kamera ~ Technology: Camera

#104
Brandlmeier, Thomas: Deutsche Bilderwelten: Karl Freund, Carl Hoffmann und die Kamerakunst. In: Das Ufa-Buch: Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Hrsg. von Hans-Michael Bock und Michael Töteberg in Zusammenarbeit mit CineGraph - Hamburgisches Centrum für Filmforschung e.V. - Frankfurt/Main: Zweitausendeins 1992. pp. 126-133.
Description:
On two cinematographers from the early UFA period which, among others, worked for Murnau’s Faust and Fritz Lang’s Nibelungen.
Index:
Freund, Karl
Hoffmann, Carl
Murnau, Friedrich Wilhelm
Lang, Fritz
Faust - Eine deutsche Volkssage (1926)
Nibelungen, Die (1922-1924)
UFA ~ UFA
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#105
Brandlmeier, Thomas: Deutsche Kamerapioniere der Zwanziger Jahre. In: EPD Film 11. 1994. No. 12. [December] pp. 20-26.
Description:
Discusses many fantastic silent films, among them Fritz Lang’s Dr. Mabuse, der Spieler, Die Nibelungen and Der müde Tod as well as Friedrich Wilhelm Murnau’s Faust.
Index:
Lang, Fritz
Murnau, Friedrich Wilhelm
Dr. Mabuse, der Spieler (1921/1922)
Nibelungen, Die (1922-1924)
müde Tod, Der (1921)
Faust - Eine deutsche Volkssage (1926)
Technik: Kamera ~ Technology: Camera
Stummfilm ~ Silent Film
Deutschland ~ Germany

#106
Brandlmeier, Thomas: Ein Meister des Neo-Noir: Der Kameramann Vilmos Zsigmond. In: Film-Dienst 57. 2004. No. 9. [April 29] pp. 6-10.
Index:
Zsigmond, Vilmos
Technik: Kamera ~ Technology: Camera
Film Noir ~ Film Noir

#107
Brandlmeier, Thomas: Licht! Der Kameramann Sven Nykvist. In: Film-Dienst 58. 2005. No. 24. [November 24] pp. 24-25.
Description:
On the cinematographer who often worked for Ingmar Bergman.
Index:
Nykvist, Sven
Bergman, Ingmar
Technik: Kamera ~ Technology: Camera

#108
Brant, Jo-Ann A.: Camera as character in Philip Saville’s The Gospel of John. In: Images of the word: Hollywood’s Bible and beyond. Edited by David Shepherd. - Boston: Brill Leiden / Atlanta, Georgia: Society of Biblical Literature 2008. (= Society of Biblical Literature Semeia studies 54.) p. ?P.
Index:
Saville, Philip
Visual Bible, The: The Gospel of John (2003)
Technik: Kamera ~ Technology: Camera
Religion ~ Religion
Hollywood ~ Hollywood

#109
Breschand, Jean: La fondation du pouvoir. In: Vertigo 1995. No. 13. [?D] p. 107.
Description:
Analyses typical camera settings in the films of Fritz Lang, especially in M.
Index:
Lang, Fritz
M - Eine Stadt sucht einen Mörder (1931)
Technik: Kamera ~ Technology: Camera

#110
Brierton, Tom: Stop-motion filming and performance: A guide to cameras, lighting, and dramatic techniques. - Jefferson, North Carolina: McFarland 2006.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Animation ~ Animation

#111
Brinckmann, Christine N.: Der voice-over als subjektivierende Erzählstruktur des Film Noir. In: Brinckmann, Christine N.: Die anthropomorphe Kamera und andere Schriften zur filmischen Narration. - Zürich: Chronos Verlag 1997. pp. 114-129.
Index:
Film Noir ~ Film Noir
Technik: Kamera ~ Technology: Camera

#112
Brinckmann, Christine N.: Die anthropomorphe Kamera und andere Schriften zur filmischen Narration. - Zürich: Chronos Verlag 1997.
Description:
Discusses, among others, the avant-garde film.
Index:
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films

#113
Brinker, Kelly: Love is a battlefield. In: American Cinematographer 98. 2017. No. 10. [October] pp. 66-75.
Description:
On the camera work of Alasdair Walker and Stephen McNutt for the TV series Outlander.
Index:
Walker, Alasdair
McNutt, Stephen
Outlander (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#114
Bronfen, Elisabeth: Speaking with eyes: Tod Browning’s Dracula and its phantom camera. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 151 ff.
Index:
Browning, Tod
Dracula (1930)
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes

#115
Brooker, Will: Camera-eye, CG-eye: Videogames and the "cinematic". In: Cinema Journal 48. 2009. No. 3. [?D] pp. 122-128.
Index:
Video ~ Video
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Augen ~ Eyes

#116
Brown, Garrett / Lightman, Herb A.: The Shining. In: American Cinematographer 61. 1980. No. 8. [August] pp. 780-789.
Description:
On the special effects for the film, especially on the camera work of John Alcott.
Index:
Kubrick, Stanley
Alcott, John
Shining, The (1980)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#117
Brown, Karl: SPFX 101: An introductory course. In: American Film 10. 1985. No. 10. [?D] pp. 54-57, 59.
Description:
Cinematographer Brown on the special effects for One Glorious Day.
Index:
Cruze, James
Brown, Karl
One Glorious Day (1922)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#118
Brown, William: Man without a movie camera? Movies without men: Towards a posthumanist cinema? In: Film theory & contemporary Hollywood movies. Edited by Warren Buckland. - New York: Routledge 2009. p. ?P.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Hollywood ~ Hollywood

#119
Bruno, Marcello Walter: Camera oscura da letto. In: Segnocinema ?G. 2002. No. 113. [January/February] pp. 28-30.
Index:
Bertolucci, Bernardo
ultimo tango a Parigi, L’ / dernier tango a Paris, Le (1972)
Technik: Kamera ~ Technology: Camera

#120
Brusberg-kiermeier, Stefani: Kampf der Fakten und Gefühle: Erzählen und Erinnern in Memento, Paycheck und Eternal Sunshine of the Spotless Mind. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 123 ff.
Index:
Nolan, Christopher
Wu Su-Yum [Pseudonym: Woo, John]
Gondry, Michael
Memento (2000)
Paycheck (2003)
Eternal Sunshine of the Spotless Mind (2004)
Technik: Kamera ~ Technology: Camera

#121
Buckland, Michael K.: The Kinamo movie camera, Emanuel Goldberg and Joris Ivens. In: Film History 20. 2008. No. 1. pp. 49-58.
Index:
Goldberg, Emanuel
Ivens, Joris
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films

#122
Burum, Stephen / Pizzello, Stephen: A clash of two cultures. In: American Cinematographer 82. 2001. No. 2. [February] pp. 94-103.
Description:
Interview with cinematographer Vittorio Storano on the production history of Francis Ford Coppola’s Apocalypse Now on occasion of the release of the revised version Apocalypse Now Redux.
Index:
Coppola, Francis Ford
Storano, Vittorio
Apocalypse Now (1976-1979)
Apocalypse Now Redux (1976-1979/2001)
Technik: Kamera ~ Technology: Camera

#123
Buss, Esther: Tiere vor der Kamera. Und Menschen dahinter. In: Film-Dienst 68. 2015. No. 24. [November 26] pp. 10-14.
Description:
On animals in film.Discusses, among others, animal horror films. Includes a bibliography.
Index:
Tiere ~ Animals
Technik: Kamera ~ Technology: Camera
Horror ~ Horror

#124
Buur, Chris: De vliegende camera. In: Skrien 1996. No. 208. [?D] pp. 30-31.
Description:
On the computer generated special effects for Toy Story.
Index:
Lasseter, John
Toy Story (1995)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#125
Calhoun, John: A lethal hunt. In: American Cinematographer 87. 2006. No. 5. [May] pp. 28-39.
Description:
Interview with cinematographer Dan Mindel on his work for J. J. Abrams’s Mission: Impossible III.
Index:
Abrams, J[effrey] J[acob]
Mindel, Dan
Mission: Impossible III (2006)
Technik: Kamera ~ Technology: Camera
Jagd ~ Hunt

#126
Calhoun, John: Behind the mask. In: American Cinematographer 86. 2005. No. 1. [January] pp. 54-65.
Description:
On John Mathieson’s camera work for Joel Schumacher’s The Phantom of the Opera.
Index:
Schumacher, Joel
Mathieson, John
Phantom of the Opera, The (2004)
Masken ~ Masks
Technik: Kamera ~ Technology: Camera

#127
Calhoun, John: Better halves. In: American Cinematographer 85. 2004. No. 6. [June] pp. 54-65.
Description:
On Rob Hahn’s camera work for Frank Oz’s The Stepford Wives.
Index:
Oz, Frank
Hahn, Rob
Stepford Wives, The (2004)
Technik: Kamera ~ Technology: Camera

#128
Calhoun, John: Countdown to catastrophe. In: American Cinematographer 84. 2003. No. 4. [April] pp. 70-74, 77-79.
Description:
On the special effects for Jon Amiel’s The Core, especially on the camera work of John Lindley.
Index:
Amiel, Jon
Lindley, John
Core, The (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#129
Calhoun, John: Eternal love. In: American Cinematographer 87. 2006. No. 11. [November] pp. 50-63.
Description:
Matthew Libatique’s camera work for Darren Aronofsky’s The Fountain.
Index:
Aronofsky, Darren
Libatique, Matthew
Fountain, The (2006)
Technik: Kamera ~ Technology: Camera

#130
Calhoun, John: Fear and fantasy. In: American Cinematographer 88. 2007. No. 1. [January] pp. 34-45.
Description:
On Guillermo Navarro’s camera work for Guillermo del Toro’s El Laberinto del Fauno.
Index:
del Toro, Guillermo
Navarro, Guillermo
Laberinto del Fauno, El (2006)
Technik: Kamera ~ Technology: Camera
Fantasy ~ Fantasy
Angst ~ Fear

#131
Calhoun, John: Inner demon. In: American Cinematographer 85. 2004. No. 4. [April] pp. 80-89.
Description:
On Guillermo Navarro’s camera work for Guillermo del Toro’s Hellboy.
Index:
del Toro, Guillermo
Navarro, Guillermo
Hellboy (2004)
Technik: Kamera ~ Technology: Camera
Dämonen ~ Demons

#132
Calhoun, John: Interior landscapes. In: American Cinematographer 84. 2003. No. 11. [November] pp. 76-85.
Description:
On Jane Campion’s In the Cut, especially on the camera work of Dion Beebe.
Index:
Campion, Jane
Beebe, Dion
In the Cut (2004)
Technik: Kamera ~ Technology: Camera

#133
Calhoun, John: Man without fear. In: American Cinematographer 84. 2003. No. 3. [March] pp. 40-48, 51-53.
Description:
On the special effects for Mark Steven Johnson’s Daredevil, especially on the camera work of Ericson Core.
Index:
Johnson, Mark Steven
Core, Ericson
Daredevil (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Angst ~ Fear

#134
Calhoun, John: Rabid and ravenous. In: American Cinematographer 88. 2007. No. 5. [May] pp. 44-53.
Description:
On Enrique Chediak’s camera work for Juan Carlos Fresnadillo’s 28 Weeks Later.
Index:
Fresnadillo, Juan Carlos
Chediak, Enrique
28 Weeks Later (2007)
Technik: Kamera ~ Technology: Camera

#135
Calhoun, John: Refined savagery. In: American Cinematographer 95. 2014. No. 6. [June] pp. 86-99.
Description:
On James Hawkinson’s camera work for the TV series Hannibal.
Index:
Fuller, Bryan
Hawkinson, James
Hannibal (TV)
Technik: Kamera ~ Technology: Camera
Gewalt ~ Violence
Fernsehen ~ Television

#136
Calhoun, John: Seeping terror. In: American Cinematographer 86. 2005. No. 8. [August] pp. 42-49.
Description:
On Alfonso Beato’s camera work for Walter Salles’s Dark Water.
Index:
Salles, Walter
Beato, Alfonso
Dark Water (2005)
Technik: Kamera ~ Technology: Camera

#137
Calhoun, John: Techno lust. In: American Cinematographer 84. 2003. No. 9. [September] pp. 58-69.
Description:
On Olivier Assayas’s Demonlover, especially on the camera work of Denis Lenoir.
Index:
Assayas, Olivier
Demonlover (2002)
Technik: Kamera ~ Technology: Camera

#138
Calhoun, John: Till death do us part. In: American Cinematographer 86. 2005. No. 7. [July] pp. 60-69.
Description:
On Bojan Bazelli’s camera work for Doug Liman’s Mr. & Mrs. Smith.
Index:
Liman, Doug
Bazelli, Bojan
Mr. & Mrs. Smith (2005)
Technik: Kamera ~ Technology: Camera
Tod ~ Death

#139
Calhoun, John: Treachery in the tropics. In: American Cinematographer 86. 2005. No. 2. [February] pp. 44-55.
Description:
On the camera work of Larry Fong and Michael Bonvillain for the TV series Lost.
Index:
Fong, Larry
Bonvillain, Michael
Lost (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#140
Calhoun, John: Vox populi. In: American Cinematographer 86. 2005. No. 9. [September] pp. 42-51.
Description:
On Alik Sakharov’s camera work for the TV series Rome.
Index:
Sakharov, Alik
Rome (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#141
"Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.)
Index:
Technik: Kamera ~ Technology: Camera

#142
Capps, Damien A.: Cinematography as a visual storyteller in American Horror Story: Asylum. In: Film Matters 8. 2017. No. 1. [Spring] pp. 86-88.
Description:
On an episode from the TV series.
Index:
American Horror Story (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#143
Cardiff, Jack: Magic hour: The life of a cameraman. - ?O: Faber and Faber 1996.
Index:
Cardiff, Jack
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#144
Case, Dominic: The Bell. In: Cinema Papers 1995. No. 105. [?D] pp. 31-32.
Description:
Interview with cinematographer Jackie Farkas and the directors Bart Groen and Valérie Quéva on the puppet film.
Index:
Groen, Bart
Quéva, Valérie
Farkas, Jackie
Bell, The (1995)
Technik: Kamera ~ Technology: Camera
Animation: Puppen ~ Animation: Puppets

#145
Cavicchia Scalamonti, Antonio: La camera verde: Il cinema e la morte. - Napoli: Ipermedium Libri 2000. (= Memorabilia 6.)
Index:
Technik: Kamera ~ Technology: Camera
Tod ~ Death

#146
Christmann, Karl-Heinz: Motion Control: Kameraroboter. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 187 ff.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#147
Combs, Richard: Looking at the rubber duck. In: Sight and Sound 54. 1984/1985. No. 1. [Winter] pp. 43-44.
Description:
Interview with Nicolas Roeg on his work as cinematographer for François Truffaut’s Fahrenheit 451.
Index:
Truffaut, François
Roeg, Nicolas
Fahrenheit 451 (1966)
Technik: Kamera ~ Technology: Camera

#148
Cooper, Duncan: Dalton Trumbo vs. Stanley Kubrick. In: Cineaste 18. 1991. No. 3. [?D] pp. 34-37.
Description:
On the quarrel between director and cinematographer on Spartacus.
Index:
Kubrick, Stanley
Trumbo, Dalton
Spartacus (1959/1960)
Technik: Kamera ~ Technology: Camera

#149
Czernis, L.: The Canadian experimental camera-child. In: Cinémas 2. 1991. No. 1. [?D] pp. 155-167.
Description:
On the Canadian avant garde and experimental film.
Index:
Technik: Kamera ~ Technology: Camera
Kanada ~ Canada
Experimentalfilme ~ Experimental Films

#150
David Lynch. International Film Festival of the Art of Cinematography CAMERIMAGE. - Mülheim an der Ruhr: edition filmwerkstatt 2012.
Index:
Lynch, David
Technik: Kamera ~ Technology: Camera
Festival ~ Festival

#151
Davies, Ann: Contemporary Spanish gothic. - Edinburgh: Edinburgh University Press 2016.
Description:
Includes a chapter on "The Gothic camera: Javier Aguirresarobe at home and in Hollywood.
Index:
Aguirresarobe, Javier
Technik: Kamera ~ Technology: Camera
Spanien ~ Spain
Horror ~ Horror
Hollywood ~ Hollywood

#152
Davis, Bob: A world apart. In: American Cinematographer 85. 2004. No. 9. [September] pp. 56-63.
Description:
On the camera work of Marcel Zyskind and Alwin Küchler for Michael Winterbottom’s Code 46.
Index:
Winterbottom, Michael
Zyskind, Marcel
Küchler, Alwin
Code 46 (2003)
Technik: Kamera ~ Technology: Camera

#153
de Toth, André: De Toth on de Toth: Putting the drama in front of the camera. Edited by Anthony Slide. - London: Faber and Faber 1997. (= Faber Paperbacks.)
Reviews:
Turner, George: [untitled] In: American Cinematographer 79. 1998. No. 1. [January] pp. 121-122.
Index:
de Toth, André
Technik: Kamera ~ Technology: Camera

#154
de Toth, André: De Toth on de Toth: Putting the drama in front of the camera. Edited by Anthony Slide. - London: Faber and Faber 1996.
Index:
de Toth, André
Technik: Kamera ~ Technology: Camera

#155
DeLassus, Leslie Marie: Salvage historiography: Viewing, special effects, and Norman O. Dawn’s unpreserved archive. - Iowa City, Iowa: University of Iowa, Ph.D. 2016. [Abstract in: Dissertation Abstracts International A 78. 2016. No. 8. [?D].
Description:
On the early special effects cinematographer.
Index:
Dawn, Norman O.
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#156
Deren, Maya: Choreographie für eine Kamera - Schriften zum Film. Hrsg. von Jutta Hercher [et al.]. - Hamburg: Hochschule für bildende Künste Hamburg / Hamburg: material-Verlag 1995.
Reviews:
Kriest, Ulrich: [untitled] In: Medienwissenschaft 1997. No. 4. pp. 479-480.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Technik: Kamera ~ Technology: Camera

#157
Deren, Maya: Kamera-Arbeit: Der schöpferische Umgang mit der Realität. In: Frauen und Film 1984. No. 37. [?D] pp. 63-72.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films

#158
Desalm, Brigitte: In Memoriam JC. In: Steadycam 1997. No. 1(33). [?D] pp. 4-8.
Description:
Obituary for cinematographer Jordan Cronenweth who worked for Ridley Scott’s Blade Runner and Ken Russell’s Altered States. Includes a filmography.
Index:
Scott, Ridley
Russell, Ken
Cronenweth, Jordan
Blade Runner (1982)
Altered States (1980)
Technik: Kamera ~ Technology: Camera

#159
Deuber-Mankowsky, Astrid: Cinematographic aesthetics as subversion of moral reason in Pasolini’s Medea. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 255 ff.
Index:
Pasolini, Pier Paolo
Medea (1969)
Technik: Kamera ~ Technology: Camera

#160
Deutelbaum, Marshall: Costuming and the color system of Leave Her to Heaven. In: Film Criticism 11. 1987. No. 3. [Spring] pp. 11-20.
Description:
On the camera work of visual effects supervisor Leon Shamroy.
Index:
Stahl, John M.
Shamroy, Leon
Leave Her to Heaven (1945)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#161
Dicker, B. T.: Cinematographic atavism, graphic proteanism: Visibly frame-based cinematography: Practice, history, theory. - London: Royal Holloway, University of London, Ph.D. 2010. [Abstract in: Index to Theses with Abstracts 60-5738.]
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Animation ~ Animation

#162
Dillon, Mark: A warrior rises. In: American Cinematographer 98. 2017. No. 7. [July] pp. 28-41.
Description:
On Matthew Jensen’s camera work for Patty Jenkin’s Wonder Woman.
Index:
Jenkins, Patty
Jensen, Matthew
Wonder Woman (2017)
Technik: Kamera ~ Technology: Camera

#163
Dillon, Mark: An elegy for the earth. In: American Cinematographer 80. 1999. No. 3. [March] pp. 66-71.
Description:
On the special effects for Don McKellar’s apocalyptic film Last Night. Discusses especially the camera work of Douglas Koch.
Index:
McKellar, Don
Koch, Douglas
Last Night (1998)
Technik: Kamera ~ Technology: Camera
Religion: Apokalypse ~ Religion: Apocalypse
Technik: Spezialeffekte ~ Technology: Special Effects

#164
Dillon, Mark: Avengers re-assemble. In: American Cinematographer 96. 2015. No. 6. [June] pp. 50-65.
Description:
On Ben Davis’s camera work for Joss Whedon’s Avengers: Age of Ultron.
Index:
Whedon, Joss
Davis, Ben
Avengers: Age of Ultron (2015)
Technik: Kamera ~ Technology: Camera

#165
Dillon, Mark: Bad blood. In: American Cinematographer 95. 2014. No. 8. [August] pp. 54-65.
Description:
On cinematography for the TV series The Strain.
Index:
Strain, The (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television
Blut ~ Blood

#166
Dillon, Mark: Between heaven and hell. In: American Cinematographer 98. 2017. No. 4. [April] pp. 36-51.
Description:
On John Grillo’s camera work for the TV series Preacher.
Index:
Grillo, John
Preacher (TV)
Technik: Kamera ~ Technology: Camera
Religion: Hölle ~ Religion: Hell
Fernsehen ~ Television

#167
Dillon, Mark: Conjuring a coven. In: American Cinematographer 97. 2016. No. 3. [March] pp. 20-24.
Description:
On Robert Eggers’s The Witch. Discusses especially the work of cinematographer Jarin Blaschke.
Index:
Eggers, Robert
Blaschke, Jarin
Witch, The: A New-England Folktale (2015)
Technik: Kamera ~ Technology: Camera

#168
Dillon, Mark: Cosmic avengers. In: American Cinematographer 98. 2017. No. 6. [June] pp. 34-49.
Description:
On Henry Braham’s camera work for James Gunn’s Guardians of the Galaxy Vol. 2.
Index:
Gunn, James
Braham, Henry
Guardians of the Galaxy Vol. 2 (2017)
Technik: Kamera ~ Technology: Camera

#169
Dillon, Mark: Dangerous waters. In: American Cinematographer 97. 2016. No. 7. [July] pp. 18-24.
Description:
On Flavio Labiano’s camera work for Jaume Collet-Serra’s The Shallows.
Index:
Collet-Serra, Jaume
Labiano, Flavio
Shallows, The (2016)
Technik: Kamera ~ Technology: Camera

#170
Dillon, Mark: Electric hero. In: American Cinematographer 96. 2015. No. 4. [April] pp. 36-53.
Description:
On Trent Opaloch’s camera work for Neill Blomkamp’s Chappie.
Index:
Blomkamp, Neill
Opaloch, Trent
Chappie (2015)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#171
Dillon, Mark: Endgame. In: American Cinematographer 96. 2015. No. 12. [December] pp. 78-90.
Description:
On Jo Willems’s camera work for Francis Lawrence’s The Hunger Games- Mockingjay - Part 2.
Index:
Lawrence, Francis
Willems, Jo
Hunger Games, The: Mockingjay - Part 2 (2015)
Technik: Kamera ~ Technology: Camera

#172
Dillon, Mark: Fear itself. In: American Cinematographer 98. 2017. No. 10. [October] pp. 46-55.
Description:
On Chung Chung-hoon’s camera work for Andrés Muschietti’s It.
Index:
Muschietti, Andrés
Chung Chung-hoon
It (2017)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear

#173
Dillon, Mark: Heroes divided. In: American Cinematographer 97. 2016. No. 6. [June] pp. 38-55.
Description:
On Trent Opaloch’s camera work for Captain America: Civil War.
Index:
Russo, Anthony
Russo, Joe
Opaloch, Trent
First Avenger, The: Civil War (2016)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#174
Dillon, Mark: Memory and loss. In: American Cinematographer 82. 2001. No. 6. [June] pp. 80-89.
Description:
On the special effects for Luis Mandoki’s Angel Eyes, especially on the camera work of Piotr Sobocinski.
Index:
Mandoki, Luis
Sobocinski, Piotr
Angel Eyes (2001)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#175
Dillon, Mark: Slave to love. In: American Cinematographer 96. 2015. No. 3. [March] pp. 32-47.
Description:
On Seamus McGarvey’s camera work for Sam Taylor-Johnson’s Fifty Shades of Grey.
Index:
Taylor-Johnson, Sam
McGarvey, Seamus
Fifty Shades of Grey (2015)
Technik: Kamera ~ Technology: Camera
Sklaven ~ Slaves

#176
Dillon, Mark: Time travelers. In: American Cinematographer 96. 2015. No. 8. [August] pp. 54-63.
Description:
On Kramer Morgenthau’s camera work for Alan Taylor’s Terminator Genisys.
Index:
Taylor, Alan
Terminator Genisys (2015)
Technik: Kamera ~ Technology: Camera

#177
Dillon, Mark: Universal translator. In: American Cinematographer 97. 2016. No. 12. [December] pp. 64-73.
Description:
On Bradford Young’s camera work for Denis Villeneuve’s Arrival.
Index:
Villeneuve, Denis
Young, Bradford
Arrival (2016)
Technik: Kamera ~ Technology: Camera

#178
Dinur, Eran: The filmmaker’s guide to visual effects: The art and technique of VFX for directors, producers, editors, and cinematographers. - New York: Routledge, Taylor & Francis 2017.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera
Technik ~ Technology

#179
Dittgen, Andrea: Das Leben ein Bild - permanent übermalt: Jochen Kuhn: Buch, Malerei, Kamera, Produktion, Sprechen, Musik. In: Film-Dienst 55. 2002. No. 26. [December 17] pp. 14-16.
Description:
On the experimental filmmaker.
Index:
Kuhn, Jochen
Technik: Kamera ~ Technology: Camera
Musik ~ Music
Kunst ~ Arts, The
Experimentalfilme ~ Experimental Films

#180
Doyle, Christopher: A fantastic fable. In: American Cinematographer 84. 2003. No. 9. [September] pp. 32-38, 40-45.
Description:
On Zhang Yimou’s martial arts film Hero (Ying Xiong), especially on the camera work of Christopher Doyle.
Index:
Zhang Yimou
Doyle, Christopher
Ying Xiong (2002)
Technik: Kamera ~ Technology: Camera
Martial Art ~ Martial Art

#181
Doyle, Christopher: The eyes have it. In: Vertigo [London] 2. 2005. No. 8. [Spring/Summer] pp. 3-5.
Description:
Interview with the cinematographer on his collaboration with Wong Kar-wai for 2046.
Index:
Wong Kar-wai
Doyle, Christopher
2046 (2004)
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes

#182
Drexler, Peter: "Ich bin nicht die, für die Sie mich halten." Unzuverlässiges Erzählen in François Ozons Swimmingpool: Mit einem Exkurs zu seinen anderen Filmen. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 225 ff.
Index:
Ozon, François
Swimming Pool (2003)
Technik: Kamera ~ Technology: Camera

#183
Eby, Douglas: Lost Souls: Cinematographer-turned-director Janusz Kaminski on exorcising the horror cliches. In: Cinefantastique 31. 2000. No. 10. [February] pp. 30-31.
Index:
Kaminski, Janusz
Lost Souls (2000)
Technik: Kamera ~ Technology: Camera
Religion: Exorzismus ~ Religion: Exorcism
Horror ~ Horror

#184
Eby, Douglas: Lost Souls: Spielberg cinematographer Janusz Kaminski helms demonic possession tale. In: Cinefantastique 31. 1999. No. 8. [October] pp. 12-13.
Index:
Kaminski, Janusz
Spielberg, Steven
Lost Souls (2000)
Technik: Kamera ~ Technology: Camera
Dämonen ~ Demons

#185
Eder, Klaus: Der Maler mit der Kamera: Eine Erinnerung an Sergej Paradschanow. In: Filmbulletin 32. 1990. No. 5(173). [?D] pp. 12-15.
Index:
Parajanov, Sergei
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The

#186
Effects photography for The Empire Strikes Back. In: American Cinematographer 61. 1980. No. 6. [June] pp. 572 ff.
Description:
Includes an interview with Dennis Muren.
Index:
Kershner, Irvin
Muren, Dennis
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#187
Eisenberg, Adam: Cinematographer John Hora on Explorers. In: American Cinematographer 66. 1985. No. 8. [August] pp. 50-57.
Index:
Dante, Joe
Explorers (1985)
Technik: Kamera ~ Technology: Camera

#188
Elrick, Ted: Wicked world. In: American Cinematographer 92. 2011. No. 4. [April] pp. 26-41.
Description:
On Alwin Küchler’s camera work for Joe Wright’s Hanna.
Index:
Wright, Joe
Küchler, Alwin
Hanna (2011)
Technik: Kamera ~ Technology: Camera
Böse, Das ~ Evil, The

#189
Esser, Michael: 38 Kameraleute. In: Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994. pp. 123-147.
Description:
Short biographies and selected filmographies of the most important cinematographers from the German Weimar Republic.
Index:
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#190
Ferenz, Volker: "Did you know I’m utterly insane?" Formen, Funktionen und kulturelle Kontexte von unreliable narration in Mary Harrons Film American Psycho. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 5 ff.
Index:
Harron, Mary
American Psycho (2000)
Technik: Kamera ~ Technology: Camera

#191
Ferguson, Otis: Hinter der Kamera: Lang. In: Fritz Lang: Eine Retrospektive der Viennale und des Österreichischen Filmmuseums, 18. Oktober bis 29. November 2012. Hrsg. von Astrid Johanna Ofner. - Marburg: Schüren 2012. pp. 49 ff.
Index:
Lang, Fritz
Technik: Kamera ~ Technology: Camera
Wien ~ Vienna
Österreich ~ Austria

#192
Fernandez-Vander Kaay, Kathleen / Vander Kaay, Chris: Alongside the secret society. In: Fernandez-Vander Kaay, Kathleen / Vander Kaay, Chris: Indie science fiction cinema today: Conversations with 21st century filmmakers. - Jefferson, North Carolina: McFarland & Company 2018. p. ?P.
Description:
Discusses Jeff Pointer’s cinematography for Jamin Winans’s Ink, Tom Woodruff Jr.’s Fire City: End of Days and Jennifer Liao’s End of Days, Inc..
Index:
Winans, Jamin
Pointer, Jeff
Woodruff Jr., Tom
Liao, Jennifer
Ink (2009)
Fire City: End of Days (2015)
End of Days, Inc. (2015)
Technik: Kamera ~ Technology: Camera
Science Fiction ~ Science Fiction

#193
Ferraro, Michael X.: Beat the clock. In: American Cinematographer 76. 1995. No. 11. [November] pp. 24-28, 30, 32.
Description:
Interview with John Badham and with cinematographer Roy Wagner on Nick of Time.
Index:
Badham, John
Nick of Time (1995)
Technik: Kamera ~ Technology: Camera

#194
Ferraro, Michael X.: Days of wine and hypnosis. In: American Cinematographer 77. 1996. No. 3. [March] pp. 68-72.
Description:
On Evan C. Crooke’s The Killing Jar, especially on the camera work of Michael Wojciechowski.
Index:
Crooke, Evan
Wojciechowski, Michael
Killing Jar, The (1996)
Technik: Kamera ~ Technology: Camera
Hypnose ~ Hypnosis

#195
Ferraro, Michael X.: Escape artists. In: American Cinematographer 77. 1996. No. 9. [September] pp. 76-80.
Description:
On John Carpenter’s Escape from L.A.; especially on the camera work of Gary Kibbe.
Index:
Carpenter, John
Kibbe, Gary
Escape from L.A. (1996)
Technik: Kamera ~ Technology: Camera

#196
Fielding, Raymond: The technique of special effects cinematography. Fourth edition. - ?O: Focal Press ?J.
Reviews:
Turner, george: [untitled] In: American Cinematographer 75. 1994. No. 1. [January] pp. 87-88.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#197
Fischer, Dennis: Photographing Star Trek. In: Cinefantastique 17. 1987. No. 2. [March] pp. 27, 55.
Description:
On the cinematographer Jerry Finnerman.
Index:
Finnerman, Jerry
Star Trek (Filmreihe)
Fotografie ~ Photography
Technik: Kamera ~ Technology: Camera
Star Trek ~ Star Trek

#198
Fish, Andrew: Body language. In: American Cinematographer 97. 2016. No. 8. [August] pp. 52-63.
Description:
On Larkin Seiple’s camera work for Swiss Army Man.
Index:
Kwan, Dan
Scheinert, Daniel
Seiple, Larkin
Swiss Army Man (2016)
Technik: Kamera ~ Technology: Camera
Körper ~ Bodies

#199
Fisher, Bob: A fiery finale. In: American Cinematographer 83. 2002. No. 10. [October] pp. 86-92.
Description:
On Wych Kaosayananda’s Ballistic: Ecks vs. Sever, especially on the camera work of Julio Macat.
Index:
Kaosayananda, Wych
Macat, Julio
Ballistic: Ecks vs. Sever (2002)
Technik: Kamera ~ Technology: Camera

#200
Fisher, Bob: ASC International Award to Jack Cardiff, BSC. In: American Cinematographer 75. 1994. No. 3. [March] pp. 58-65.
Description:
On the director and cinematographer.
Index:
Cardiff, Jack
Technik: Kamera ~ Technology: Camera
BSC ~ BSC

#201
Fisher, Bob: Bringing time to a standstill. In: American Cinematographer 83. 2002. No. 3. [March] pp. 80-85.
Description:
On the special effects for Jonathan Frakes’s Clockstoppers, especially on the camera work of Tim Suhrstedt and on the visual effects by Mike Fink.
Index:
Frakes, Jonathan
Suhrstedt, Tim
Fink, Mike
Clockstoppers (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#202
Fisher, Bob: Creating another Miracle on 34th Street. In: American Cinematographer 76. 1995. No. 3. [March] pp. 50-52, 56-58.
Description:
Especially on the work of cinematographer Julio Macat.
Index:
Mayfield, Les
Macat, Julio
Miracle on 34th Street (1994)
Technik: Kamera ~ Technology: Camera

#203
Fisher, Bob: Digital cinematography: A phase of the future? In: American Cinematographer 74. 1993. No. 4. [April] pp. 50-54; No. 5. pp. 31-32.
Description:
Two part series on new technologies for creating special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Utopie ~ Utopia
Technik ~ Technology

#204
Fisher, Bob: Magic behind Spaceballs. In: American Cinematographer 68. 1987. No. 8. [August] pp. 75-78.
Description:
On the special effects for Spaceballs and on the work of cinematographer Nick McLean.
Index:
McLean, Nick
Brooks, Mel
Spaceballs (1987)
Technik: Kamera ~ Technology: Camera
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects

#205
Fisher, Bob / Magid, Ron: Toys: A magical wind-up war / Wrapping up Toys with whimsical effects. In: American Cinematographer 73. 1992. No. 12. [December] pp. 36-42, 44-50, 52, 54.
Description:
On the special effects for the film; especially on the camera work of Adam Greenberg.
Index:
Levinson, Barry
Greenberg, Adam
Toys (1992)
Technik: Kamera ~ Technology: Camera
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War

#206
Fisher, Bob: Meteor Man gets his digital wings. In: American Cinematographer 74. 1993. No. 4. [April] pp. 42-46.
Description:
On the special effects by ILM and the work of cinematographer John A. Monzo for the film by Robert Townsend.
Index:
Townsend, Robert
Monzo, John A.
Meteor Man, The (1993)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#207
Fisher, Bob / Pizello, Stephen: A lifetime of achievement: Conrad Hall, ASC. In: American Cinematographer 75. 1994. No. 2. [February] pp. 42-49.
Description:
On the cinematographer.
Index:
Hall, Conrad
Technik: Kamera ~ Technology: Camera

#208
Fisher, Bob: Shattered lives. In: American Cinematographer 82. 2001. No. 10. [October] pp. 68-75.
Description:
On Alar Kivilo’s camera work for Daniel Sackheim’s The Glass House.
Index:
Sackheim, Daniel
Kivilo, Alar
Glass House, The (2001)
Technik: Kamera ~ Technology: Camera

#209
Fisher, Bob: Showscan expands movie realism. In: American Cinematographer 71. 1990. No. 3. [March] pp. 26-33.
Description:
On cinematographer Jack Cardiff and his work for Richard Fleischer’s Call from Space and Ronald Neame’s The Magic Balloon.
Index:
Cardiff, Jack
Fleischer, Richard
Neame, Ronald
Call from Space (1989)
Magic Ballroom, The (1990)
Technik: Kamera ~ Technology: Camera

#210
Fisher, Bob: Star Trek meets The Next Generation. In: American Cinematographer 75. 1994. No. 10. [October] pp. 74-82.
Description:
On the work of cinematographers Gerald Perry Finnerman and Marvin Rush.
Index:
Finnerman, Gerald Perry
Rush, Marvin
Star Trek - The Next Generation (TV)
Star Trek (Filmreihe)
Technik: Kamera ~ Technology: Camera
Star Trek ~ Star Trek

#211
Fisher, Bob: Terror at ground zero. In: American Cinematographer 78. 1997. No. 9. [September] pp. 30-36.
Description:
On Mimi Leder’s The Peacemaker; especially on the camera work of Dietrich Lohmann.
Index:
Leder, Mimi
Lohmann, Dietrich
Peacemaker, The (1997)
Technik: Kamera ~ Technology: Camera

#212
Fisher, Bob: The Japanese method for Ran. In: American Cinematographer 67. 1986. No. 7. [July] pp. 75-78.
Description:
On the camera technique for the film.
Index:
Kurosawa, Akira
Ran (1985)
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Japan ~ Japan

#213
Fisher, Bob: The worm turns. In: American Cinematographer 84. 2003. No. 8. [August] pp. 26-29.
Description:
On Steven Shaw’s camera work for the TV series Tremors.
Index:
Shaw, Steven
Tremors (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#214
Fisher, Bob: Tragedy of epic proportions. In: American Cinematographer 78. 1997. No. 1. [January] pp. 58-66.
Description:
On Kenneth Branagh’s Hamlet; especially on the camera work of Alex Thomson.
Index:
Branagh, Kenneth
Thomson, Alex
Hamlet (1996)
Technik: Kamera ~ Technology: Camera

#215
Fister, Barbara: Mugging for the camera: Narrative strategies in Brazil. In: Literature/Film Quarterly 24. 1996. No. 3. [July] pp. 288-292.
Description:
Especially on the film’s dream sequences.
Index:
Gilliam, Terry
Brazil (1985)
Technik: Kamera ~ Technology: Camera
Traum ~ Dreams

#216
Fleischer, Uwe / Trimpert, Helge: Wie haben Sie’s gemacht ...? Babelsberger Kameramänner öffnen ihre Trickkisten. - Marburg: Schüren 2004.
Reviews:
Ascárate, Richard John: [untitled.] In: Medienwissenschaft 2005. No. 3. pp. 368-369.
Brandlmeier, Thomas: [untitled] In: Film-Dienst 58. 2005. No. 13. [June 23] p. 49.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Babelsberg ~ Babelsberg

#217
Fordham, Joe: A hadmade world: Coraline. In: Cinefex 2009. No. 117. [April] p. ?P.
Description:
On the puppetry and animation effects by Laika Entertainment for Henry Selick’s stop motion film. Diskusses also the camerawork of Pete Kozachik and the work of visual effects supervisor Brian Van’t Hul.
Index:
Selick, Henry
Kozachik, Pete
Vant’ Hul, Brian
Coraline (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation
Laika Entertainment [Firma] ~ Laika Enterteinment [Company]

#218
Frampton, Hollis: On the camera arts and consecutive matters: The writings of Hollis Frampton. Edited with an introduction by Bruce Jenkins. - Cambridge, Massachussetts; London: MIT Press 2009. (= MIT Press writing art.)
Reviews:
Blum, Philipp: [untitled.] In: Medienwissenschaft 2011. No. 2. pp. 223-224.
Sterritt, David: [untitled.] In: Film Quarterly 65. 2011. No. 1. [Fall] pp. 75-77.
Index:
Frampton, Hollis
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films

#219
Frank, Marcie: The camera and the speculum: David Cronenberg’s Dead Ringers. In: Publications of the Modern Language Association of America 106. 1991. No. 3. [?D] pp. 459-470.
Index:
Cronenberg, David
Dead Ringers (1988)
Technik: Kamera ~ Technology: Camera

#220
French, Lawrence: Ed Wood: Cinematography. In: Cinefantastique 25/26. 1994. No. 6/1. [December] pp. 12-13.
Description:
On Stefan Czapsky’s work for the Tim Burton film.
Index:
Burton, Tim
Wood Jr., Edward D.
Czapsky, Stefan
Ed Wood (1994)
Technik: Kamera ~ Technology: Camera

#221
French, Lawrence / Gaudiosi, John / Plesset, Ross: All hail the king part 1 of 2. In: Cinefantastique 35. 2003/2004. No. 6. [December/January] pp. 30-45.
Description:
On Peter Jackson’s The Lord of the Rings: The Return of the King. Includes articles on the actors, on cinematographer Andrew Lesnie, production designer Grant Major and on the special effects.
Index:
Jackson, Peter
Lesnie, Andrew
Major, Grant
Lord of the Rings, The: The Return of the King (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#222
French, Lawrence: Nightmare Before Christmas: Puppet camerawork. In: Cinefantastique 24. 1993. No. 5. [December] pp. 40-41.
Description:
On the cinematographer Pete Kozachik.
Index:
Selick, Henry
Kozachik, Pete
Nightmare Before Christmas / Tim Burton’s The Nightmare Before Christmas (1993)
Technik: Kamera ~ Technology: Camera
Animation: Puppen ~ Animation: Puppets

#223
Freund, Karl: Behind my camera (1927). In: The promise of cinema: German film theory, 1907-1933. Edited by Anton Kaes, Nicholas Baer, and Michael Cowan. - Oakland, California: University of California Press 2016. (= Weimar and now: German cultural criticism 49.) p. ?P.
Index:
Freund, Karl
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#224
Gabriel Figueroa. In: Film-Dienst 50. 1997. No. 10. [May 13] p. 12.
Description:
Obituary for the cinematographer who mostly worked with Luis Buñuel.
Index:
Figueroa, Gabriel
Buñuel, Luis
Technik: Kamera ~ Technology: Camera

#225
Gabriel Figueroa, 24.4.1907 - 27.4.1997. In: EPD Film 14. 1997. No. 6. [June] p. 12.
Description:
Obituary for the cinematographer who mostly worked with Luis Buñuel.
Index:
Figueroa, Gabriel
Buñuel, Luis
Technik: Kamera ~ Technology: Camera

#226
Garcia Lopez, Antonio: Diving into the relationships in cinema and painting. Analyze cinematographic types. - València: Universitat Politècnica de València, Diss. 2001. [Abstract in: Dissertation Abstracts International A 64. 2004. No. 12. (June) p. 4239.]
Description:
Discusses, among others, how Richard Bosman and Jean Le Gac influenced the adventure cinema and how Cindy Sherman, Lars Nilsson, Robert Gobert and Gottfried Helnwein influenced the terror cinema.
Index:
Bosman, Richard
Le Gac, Jean
Sherman, Cindy
Nilsson, Lars
Gobert, Robert
Helnwein, Gottfried
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The
Abenteuer ~ Adventure
Horror ~ Horror

#227
Gaudreault, André: Méliès et la naissance du spectacle cinematographique. In: Cahiers de la Cinémathèque 1982. No. 35/36. [Autumn] pp. 138-143.
Index:
Méliès, Georges
Technik: Kamera ~ Technology: Camera

#228
Gentry, Ric: Dante Spinotti. In: Post Script 29. 2010. No. 2. [Winter/Spring] pp. 105-110.
Description:
Interview with the cinematographer.
Index:
Spinotti, Dante
Technik: Kamera ~ Technology: Camera

#229
Gentry, Ric: Dean Semler: Cinematographer: An interview. In: Post Script 9. 1990. No. 3. [?D] pp. 3-20.
Description:
On the cinematographer of Mad Max II / Road Warrior by George Miller, Mad Max Beyond Thunderdome by George Miller and George Ogilvie as well as Dead Calm by Phillip Noyce.
Index:
Semler, Dean
Miller, George
Ogilvie, George
Noyce, Phillip
Mad Max II / Road Warrior, The (1981)
Mad Max beyond Thunderdome (1985)
Dead Calm (1989)
Technik: Kamera ~ Technology: Camera

#230
Gentry, Ric: Fraker records Memoirs of an Invisible Man. In: American Cinematographer 72. 1991. No. 12. [December] pp. 46-53.
Description:
Especially on the work of cinematographer William A. Fraker.
Index:
Carpenter, John
Fraker, William A.
Memoirs of an Invisible Man (1991)
Technik: Kamera ~ Technology: Camera

#231
Gentry, Ric: Vittorio Storaro, Cinematographer as painter with light and motion. In: Post Script 29. 2010. No. 2. [Winter/Spring] pp. 3-7.
Description:
On the cinematographer.
Index:
Stora, Bernard
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The

#232
Giebelhausen, Thomas: Lichtführung und Schattengebung bei Nosferatu. In: Film & TV Kameramann 28. 1979. No. ?N. [April]. pp. 134 ff.
Description:
Interview with cinematographer Jörg Schmidt-Reitwein on his work for Werner Herzog’s vampire film.
Index:
Herzog, Werner
Schmidt-Reitwein, Jörg
Nosferatu - Phantom der Nacht (1978)
Technik: Kamera ~ Technology: Camera
Vampire ~ Vampires

#233
Giesen, Rolf: Der Ritt auf der Kanonenkugel: Gerhard Huttula, Trickkameramann (1902-1996). In: Filmgeschichte [Berlin] 1996. No. 7/8. [June] pp. 82-83.
Index:
Huttula, Gerhard
Technik: Kamera ~ Technology: Camera

#234
Giycki, Marcin: Borowczyk’s kunstkamera. In: Boro, l’île d’amour: The films of Walerian Borowczyk. Edited by Kamila Kuc, Kuba Mikurda, and Michal Oleszczyk. - New York: Berghahn Books 2015. p. ?P.
Index:
Borowczyk, Walerian
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The

#235
Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994.
Index:
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#236
Goldman, Micael: Home invasion. In: American Cinematographer 92. 2011. No. 10. [October] pp. 52-61.
Description:
On Alik Sakharov’s camera work for Rod Lurie’s Straw Dogs.
Index:
Lurie, Rod
Sakharov, Alik
Straw Dogs (2011)
Technik: Kamera ~ Technology: Camera

#237
Goldman, Michael: A friend in need. In: American Cinematographer 97. 2016. No. 11. [November] pp. 62-70.
Description:
On Óscar Faura’s camera work for Juan Antonio Bayona’s A Monster Calls.
Index:
Bayona, Juan Antonio
Faura, Óscar
Monster Calls, A (2016)
Technik: Kamera ~ Technology: Camera

#238
Goldman, Michael: A modern romance. In: American Cinematographer 91. 2010. No. 11. [November] pp. 54-63.
Description:
On Tom Stern’s camera work for Clint Eastwood’s Hereafter.
Index:
Eastwood, Clint
Stern, Tom
Hereafter (2010)
Technik: Kamera ~ Technology: Camera

#239
Goldman, Michael: A wider world. In: American Cinematographer 96. 2015. No. 4. [April] pp. 54-67.
Description:
On Florian Ballhaus’s camera work for Robert Schwentke’s Insurgent.
Index:
Schwentke, Robert
Ballhaus, Florian
Insurgent (2015)
Technik: Kamera ~ Technology: Camera

#240
Goldman, Michael: And she was. In: American Cinematographer 95. 2014. No. 1. [January] pp. 76-85.
Description:
On Hoyte van Hoytema’s camera work for Spike Jonze’s Her.
Index:
van Hoytema, Hoyte
Jonze, Spike
Her (2013)
Technik: Kamera ~ Technology: Camera

#241
Goldman, Michael: Boldly captured. In: American Cinematographer 94. 2013. No. 6. [June] pp. 34-46.
Description:
On Dan Mindel’s camera work for Star Trek Into Darkness.
Index:
Abrams, J[effrey] J[acob]
Mindel, Dan
Star Trek Into Darkness (2013)
Technik: Kamera ~ Technology: Camera

#242
Goldman, Michael: Desert storm. In: American Cinematographer 91. 2010. No. 6. [June] pp. 42-51.
Description:
On John Seale’s camera work for Mike Newell’s Prince of Persia: The Sands of Time.
Index:
Newell, Mike
Seale, John
Prince of Persia: The Sands of Time (2010)
Wüste ~ Desert
Technik: Kamera ~ Technology: Camera

#243
Goldman, Michael: Down the rabbit hole. In: American Cinematographer 91. 2010. No. 4. [April] pp. 32-47.
Description:
On Dariusz Wolski’s camera work for Tim Burton’s Alice in Wonderland.
Index:
Burton, Tim
Alice in Wonderland (2010)
Technik: Kamera ~ Technology: Camera

#244
Goldman, Michael: Going rogue. In: American Cinematographer 96. 2015. No. 8. [August] pp. 32-43.
Description:
On Robert Elswit’s camera work for Christopher McQuarrie’s Mission: Impossible - Rogue Nation.
Index:
McQuarrie, Christopher
Elswit, Robert
Mission: Impossible - Rogue Nation (2015)
Technik: Kamera ~ Technology: Camera

#245
Goldman, Michael: Harsh realms. In: American Cinematographer 93. 2012. No. 5. [May] pp. 32-41.
Description:
On the cinematography for the TV series Game of Thrones.
Index:
Game of Thrones (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#246
Goldman, Michael: Hostile planet. In: American Cinematographer 97. 2016. No. 8. [August] pp. 30-41.
Description:
On Stephen F. Windon’s camera work for Justin Lin’s Star Trek Beyond.
Index:
Lin, Justin
Windon, Stephen F.
Star Trek Beyond (2016)
Technik: Kamera ~ Technology: Camera

#247
Goldman, Michael: Magic acts. In: American Cinematographer 97. 2016. No. 7. [July] pp. 58-68.
Description:
On Peter Deming’s camera work for Jon M. Chu’s Now You See Me 2.
Index:
Chu, Jon[athan] M[urray]
Now You See Me 2 (2016)
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#248
Goldman, Michael: Natural Bourne killer. In: American Cinematographer 93. 2012. No. 9. [September] pp. 32-45.
Description:
On Robert Elswit’s camera work for Tony Gilroy’s The Bourne Legacy.
Index:
Gilroy, Tony
Elswit, Robert
Bourne Legacy, The (2012)
Technik: Kamera ~ Technology: Camera
Mord ~ Murder

#249
Goldman, Michael: Outcast power. In: American Cinematographer 95. 2014. No. 4. [April] pp. 62-75.
Description:
On Alwin Küchler’s camera work for Neil Burger’s Divergent.
Index:
Burger, Neil
Küchler, Alwin
Divergent (2014)
Technik: Kamera ~ Technology: Camera

#250
Goldman, Michael: Picturing tomorrow. In: American Cinematographer 96. 2015. No. 6. [June] pp. 66-77.
Description:
On Claudio Miranda’s camera work for Brad Bird’s Tomorrowland.
Index:
Bird, Brad
Miranda, Claudio
Tomorrowland (2015)
Technik: Kamera ~ Technology: Camera

#251
Goldman, Michael: Prime target. In: American Cinematographer 94. 2013. No. 7. [July] pp. 32-43.
Description:
On Anna Foerster’s camera work for Roland Emmerich’s White House Down.
Index:
Emmerich, Roland
Foerster, Anna
White House Down (2013)
Technik: Kamera ~ Technology: Camera

#252
Goldman, Michael: Questionable circumstances. In: American Cinematographer 95. 2014. No. 11. [November] pp. 36-49.
Description:
On Jeff Cronenwerth’s camera work for David Fincher’s Gone Girl.
Index:
Fincher, David
Cronenweth, Jeff
Gone Girl (2014)
Technik: Kamera ~ Technology: Camera

#253
Goldman, Michael: Ring of power. In: American Cinematographer 92. 2011. No. 7. [July] pp. 36-45.
Description:
On Dion Beebe’s camera work for Martin Campbell’s Green Lantern.
Index:
Campbell, Martin
Beebe, Dion
Green Lantern (2011)
Technik: Kamera ~ Technology: Camera

#254
Goldman, Michael: Scalawags in stereo. In: American Cinematographer 92. 2011. No. 6. [June] pp. 26-39.
Description:
On Dariusz Wolski’s camera work for Pirates of the Caribbean: On Stranger Tides in 3-D.
Index:
Marshall, Rob
Wolski, Dariusz
Pirates of the Caribbean: On Stranger Tides (2011)
Technik: Kamera ~ Technology: Camera

#255
Goldman, Michael: Shot across the bow. In: American Cinematographer 98. 2017. No. 6. [June] pp. 62-79.
Description:
On Paul Cameron’s camera work for Pirates of the Caribbean: Dead Men Tell No Tales.
Index:
Rønning, Joachim
Sandberg, Espen
Cameron, Paul
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Technik: Kamera ~ Technology: Camera

#256
Goldman, Michael: Time benders. In: American Cinematographer 95. 2014. No. 7. [July] pp. 46-59.
Description:
On Newton Thomas Sigel’s camera work for Bryan Singer’s X-Men: Days of Future Past.
Index:
Singer, Bryan
Sigel, Newton Thomas
X-Men: Days of Future Past (2014)
Technik: Kamera ~ Technology: Camera

#257
Goldman, Michael: Web-slinging in stereo. In: American Cinematographer 93. 2012. No. 8. [August] pp. 46-57.
Description:
On John Schwartzman’s camera work for Marc Webb’s The Amazing Spider-Man.
Index:
Webb, Marc
Schwartzman, John
Amazing Spider-Man, The (2012)
Technik: Kamera ~ Technology: Camera

#258
Goldman, Michael: Web-slinging in stereo. In: American Cinematographer 93. 2012. No. 8. [August] pp. 46-57.
Description:
On John Schwartzman’s camera work for Marc Webb’s The Amazing Spider-Man in 3-D.
Index:
Webb, Marc
Amazing Spider-Man, The (2012)
Technik: Kamera ~ Technology: Camera
3-D Films

#259
Goldman, Michael: Welcome to the jungle. In: American Cinematographer 97. 2016. No. 5. [May] pp. 32-45.
Description:
On Bill Pope’s camera work for Jon Favreau’s The Jungle Book.
Index:
Favreau, Jon
Pope, Bill
Jungle Book, The (2016)
Technik: Kamera ~ Technology: Camera
Dschungel ~ Jungle

#260
Goldman, Michael: Wide wide west. In: American Cinematographer 96. 2015. No. 12. [December] pp. 36-51.
Description:
On Robert Richardson’s camera work for Quentin Tarantino’s The Hateful Eight.
Index:
Tarantino, Quentin
Richardson, Robert
Hateful Eight, The (2015)
Technik: Kamera ~ Technology: Camera

#261
Graf, Dominik: Frank Griebe. In: Steadycam 1998. No. 1(35). [?D] p. 6.
Description:
On the cinematographer of Tom Tykwer’s Winterschläfer.
Index:
Tykwer, Tom
Griebe, Frank
Winterschläfer (1997)
Technik: Kamera ~ Technology: Camera

#262
Grafe, Frieda: Sehen ist besser als machen: Karl Freund, der Bilderhändler. In: Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994. pp. 63-77.
Index:
Freund, Karl
Technik: Kamera ~ Technology: Camera

#263
Gray, Simon: A fellowship in peril. In: American Cinematographer 83. 2002. No. 12. [December] pp. 36-53.
Description:
On the special effects for Peter Jackson’s The Lord of the Rings: The Two Towers, especially on the camera work of Andrew Lesnie.
Index:
Jackson, Peter
Lesnie, Andrew
Lord of the Rings, The: The Two Towers (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#264
Gray, Simon: A truly fantastic wardrobe. In: American Cinematographer 86. 2005. No. 12. [December] pp. 54-65.
Description:
On Donald McAlpine’s camera work for Andrew Adamson’s The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.
Index:
Adamson, Andrew
McAlpine, Donald
Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe (2005)
Technik: Kamera ~ Technology: Camera

#265
Gray, Simon: An unlikely hero. In: American Cinematographer 94. 2013. No. 1. [January] pp. 50-65.
Description:
On Andrew Lesnie’s camera work for Peter Jackson’s The Hobbit: An Unexpected Journey.
Index:
Jackson, Peter
Lesnie, Andrew
Hobbit, The: An Unexpected Journey (2012)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#266
Gray, Simon: Beauty and the beast. In: American Cinematographer 86. 2005. No. 12. [December] pp. 34-48, 51-53.
Description:
On Andrew Lesnie’s camera work for Peter Jackson’s King Kong.
Index:
Jackson, Peter
Lesnie, Andrew
King Kong (2005)
Technik: Kamera ~ Technology: Camera

#267
Gray, Simon: Burning down the house. In: American Cinematographer 86. 2005. No. 5. [May] pp. 44-53.
Description:
On Stephen Windon’s camera work for Jaume Collet-Serra’s House of Wax.
Index:
Collet-Serra, Jaume
Windon, Stephen
House of Wax (2005)
Technik: Kamera ~ Technology: Camera

#268
Gray, Simon: Dark majesty. In: American Cinematographer 95. 2014. No. 7. [July] pp. 32-45.
Description:
On Dean Semler’s camera work for Robert Stromberg’s Maleficent.
Index:
Stromberg, Robert
Semler, Dean
Maleficent (2014)
Technik: Kamera ~ Technology: Camera

#269
Gray, Simon: Elements of power. In: American Cinematographer 91. 2010. No. 7. [July] pp. 40-49.
Description:
On Andrew Lesnie’s camera work for M. Night Shyamalan’s Last Airbender.
Index:
Shyamalan, M. Night
Last Airbender, The (2010)
Technik: Kamera ~ Technology: Camera

#270
Gray, Simon: Flights of fancy. In: American Cinematographer 85. 2004. No. 1. [January] pp. 80-93.
Description:
Über Donald McAlpine’s camera work for P. J. Hogan’s Peter Pan.
Index:
Hogan, P. J.
McAlpine, Donald
Peter Pan (2003)
Technik: Kamera ~ Technology: Camera

#271
Gray, Simon: Hero shots. In: American Cinematographer 87. 2006. No. 7. [July] pp. 28-43.
Description:
On Newton Thomas Sigel’s camera work for Bryan Singer’s Superman Returns.
Index:
Singer, Bryan
Sigel, Newton Thomas
Superman Returns (2006)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#272
Gray, Simon: Island of lost souls. In: American Cinematographer 89. 2008. No. 2. [February] pp. 26-37.
Description:
On the special effects for Francis Lawrence’s I Am Legend, especially on the camera work by Andrew Lesnie.
Index:
Lawrence, Francis
Lesnie, Andrew
I Am Legend (2007)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#273
Gray, Simon: Max intensity. In: American Cinematographer 96. 2015. No. 6. [June] pp. 32-49.
Description:
On John Seale’s camera work for George Miller’s Mad Max: Fury Road.
Index:
Miller, George
Seale, John
Mad Max: Fury Road (2015)
Technik: Kamera ~ Technology: Camera

#274
Gray Simon: Night terrors. In: American Cinematographer 88. 2007. No. 11. [November] pp. 62-73.
Description:
On Jo Willems’s camera work for David Slade’s 30 Days of Night.
Index:
Slade, David
Willems, Jo
30 Days of Night (2007)
Technik: Kamera ~ Technology: Camera
Nacht ~ Night

#275
Gray, Simon: One-man riot squad. In: American Cinematographer 88. 2007. No. 7. [July] pp. 32-43.
Description:
On Len Wiseman’s Live Free or Die Hard, especially on the work of cinematographer Simon Duggan.
Index:
Wiseman, Len
Duggan, Simon
Live Free or Die Hard (2007)
Technik: Kamera ~ Technology: Camera

#276
Gray, Simon: Out for blood. In: American Cinematographer 85. 2004. No. 6. [June] pp. 66-75.
Description:
On Ben Nott’s camera work for Mikael Salomon’s Salem’s Lot, based on a novel by Stephen King.
Index:
Salomon, Mikael
Nott, Ben
King, Stephen
Salem’s Lot (2004)
Technik: Kamera ~ Technology: Camera
Blut ~ Blood

#277
Gray, Simon: Rapturous action. In: American Cinematographer 94. 2013. No. 8. [August] pp. 56-65.
Description:
On Ross Emery’s camera work for James Mangold’s The Wolverine.
Index:
Mangold, James
Emery, Ross
Wolverine, The (2013)
Technik: Kamera ~ Technology: Camera
Action ~ Action

#278
Gray, Simon: Rebooting a sci-fi spectacular. In: American Cinematographer 84. 2003. No. 6. [June] pp. 32-45.
Description:
On the special effects and Bill Pope’s camera work for The Matrix Reloaded.
Index:
Wachowski, Andy
Wachowski, Larry
Pope, Bill
Matrix Reloaded, The (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#279
Gray, Simon: Ring bearers. In: American Cinematographer 82. 2001. No. 12. [December] pp. 36-51.
Description:
On the special effects for Peter Jackson’s The Lord of the Rings: The Fellowship of the Ring, especially on the camera work of Andrew Lesnie.
Index:
Jackson, Peter
Lord of the Rings, The: The Fellowship of the Ring (2001)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#280
Gray, Simon: Runaway plane. In: American Cinematographer 86. 2005. No. 8. [August] pp. 50-57.
Description:
On Dean Semler’s camera work for Rob Cohen’s Stealth.
Index:
Cohen, Rob
Semler, Dean
Stealth (2005)
Technik: Kamera ~ Technology: Camera

#281
Gray, Simon: Sum of all fears. In: American Cinematographer 90. 2009. No. 4. [April] pp. 44-53.
Description:
On Simon Duggan’s camera work for Alex Proyas’s Knowing.
Index:
Proyas, Alex
Duggan, Simon
Knowing (2008)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear

#282
Gray, Simon: Temple of doom. In: American Cinematographer 89. 2008. No. 4. [April] pp. 42-51.
Description:
On Darius Khondji’s camera work for Carter Smith’s The Ruins.
Index:
Smith, Carter
Khondji, Darius
Ruins, The (2008)
Technik: Kamera ~ Technology: Camera

#283
Gray, Simon: The fate of Middle Earth. In: American Cinematographer 85. 2004. No. 1. [January] pp. 54-67.
Description:
On Andrew Lesnie’s camera work for Peter Jackson’s The Lord of the Rings: The Return of the King.
Index:
Jackson, Peter
Lesnie, Andrew
Lord of the Rings, The: The Return of the King (2003)
Technik: Kamera ~ Technology: Camera

#284
Gray, Simon: Total immersion. In: American Cinematographer 92. 2011. No. 2. [February] pp. 36-45.
Description:
On Jules O’Loughlin’s camera work for Alister Grierson’s Sanctum.
Index:
Grierson, Alister
O’Loughlin, Jules
Sanctum / James Cameron’s Sanctum (2011)
Technik: Kamera ~ Technology: Camera

#285
Gray, Simon: Voyage of the damned. In: American Cinematographer 83. 2002. No. 9. [September] pp. 30-39.
Description:
On the special effects for Steve Beck’s Ghost Ship, especially on the camera work of Gale Tattersall.
Index:
Beck, Steve
Tattersall, Gale
Ghost Ship (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#286
Gray, Simon: Watchful spirit. In: American Cinematographer 91. 2010. No. 1. [January] pp. 48-59.
Description:
On Andrew Lesnie’s camera work for Peter Jackson’s The Lovely Bones.
Index:
Jackson, Peter
Lesnie, Andrew
Lovely Bones, The (2009)
Technik: Kamera ~ Technology: Camera

#287
Gray, Simon: Wild kingdom. In: American Cinematographer 90. 2009. No. 11. [November] pp. 34-47.
Description:
On Lance Acord’s camera work for Spike Jonze’s Where the Wild Things Are.
Index:
Jonze, Spike
Acord, Lance
Where the Wild Things Are (2009)
Technik: Kamera ~ Technology: Camera

#288
Gray, W. Russel: Playing fair with foul play: Alan Parker’s dark humor and camera alibis in Angel Heart. In: Clues 12. 1991. No. 2. [?D] pp. 35-44.
Index:
Parker, Alan
Angel Heart (1987)
Technik: Kamera ~ Technology: Camera
Humor ~ Humor

#289
Greene, Heather: Bell, book and camera: A critical history of witches in American film and television. - Jefferson, North Carolina: McFarland & Company 2018.
Index:
USA (United States of America) ~ USA (United States of America)
Technik: Kamera ~ Technology: Camera
Religion: Hexen ~ Religion: Witches
Religion ~ Religion
Fernsehen ~ Television

#290
Grissemann, Stefan: Camera obscura, or moments of broken economy in Edgar G Ulmer’s films. In: Edgar G. Ulmer: Essays on the king of the B’s. Edited by Bernd Herzogenrath. Foreword by Arianne Ulmer-Cipes. - Jefferson, North Carolina: McFarland 2009. p. ?P.
Index:
Ulmer, Edgar G[eorge]
Wirtschaft ~ Economy
Technik: Kamera ~ Technology: Camera
B-Filme ~ B Films

#291
Grob, Norbert: Die Kamera als erzählerische Instanz: Zur Theorie des filmischen Blicks. In: Grob, Norbert: Zwischen Licht und Schatten: Essays zum Film. - St. Augustin: Gardez! Verlag 2002. pp. 139-157.
Description:
Discusses, among others, the films of Alfred Hitchcock, Fritz Lang’s Das Testament des Dr. Mabuse and David Lynch’s Blue Velvet.
Index:
Hitchcock, Alfred
Lang, Fritz
Lynch, David
Testament des Dr. Mabuse, Das (1932/1933)
Blue Velvet (1986)
Technik: Kamera ~ Technology: Camera

#292
Grübbel, Svenja: Die tastende Kamera: Wie Christine Noll Brinckmanns Filme das Auge fühlen lassen. In: Material, Experiment, Archiv: Experimentalfilme von Frauen. Hrsg. von Annette Brauerhoch, Florian Krautkrämer und Anke Zechner. - Berlin: b-books 2013. pp. 181 ff.
Index:
Noll Brinckmann, Christine
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes
Frauen ~ Women
Experimentalfilme ~ Experimental Films

#293
Hardcastle, Anne E.: Why they film: The camera and viewer address in found footage horror films from Spain. In: Tracing the borders of Spanish horror cinema and television. Edited by Jorge Marí. - New York: Routledge 2017. (= Routledge research in cultural and media studies 107.) p. ?P.
Index:
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television
Experimentalfilme ~ Experimental Films
Horror ~ Horror
Spanien ~ Spain

#294
Hart, Hugh: Writer’s block. In: American Cinematographer 83. 2002. No. 12. [December] pp. 66-73.
Description:
On the special effects for Spike Jonze’s Adaption, especially on the camera work of Lance Acord.
Index:
Jonze, Spike
Acord, Lance
Adaption (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#295
Hayes, R. M.: Trick cinematography: The Oscar special-effects movies. - Jefferson, North Carolina: McFarland 1986.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Academy Award ~ Academy Award
Technik ~ Technology

#296
Hayes, R. M.: Trick cinematography: The Oscar special-effects movies. Reprint. - Jefferson, North Carolina: McFarland 1998.
First edition:
[1986]
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Academy Award ~ Academy Award
Technik ~ Technology

#297
Heibig, Jörg: "Open your eyes!": Zur (Un-)Unterscheidbarkeit filmischer Repräsentationen von Realität und Traum am Beispiel von David Finchers The Game und Cameron Crowes Vanilla Sky. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 169 ff.
Index:
Fincher, David
Crowe, Cameron
Game, The (1997)
Vanilla Sky (2001)
Traum ~ Dreams
Augen ~ Eyes
Technik: Kamera ~ Technology: Camera

#298
Heinz, Rainer: Blumen des Schreckens: Der Kameramann und Horror-Regisseur Freddie Francis. In: Film-Dienst 51. 1998. No. 11. [May 26] pp. 14-15.
Index:
Francis, Freddie
Technik: Kamera ~ Technology: Camera
Horror ~ Horror
Angst ~ Fear

#299
Hempel, Heike: Die stilbildenden Mittel der Kameraarbeit im amerikanischen s/w-Film der 40er Jahre am Beispiel von The Lady from Shanghai und Gilda. - Berlin: Freie Universität Berlin, Institut für Theaterwissenschaft, Magisterarbeit ?J (1992/1993).
Index:
Welles, Orson
Vidor, King
Lady from Shanghai, The (1946)
Gilda (1946)
Technik: Kamera ~ Technology: Camera
USA (United States of America) ~ USA (United States of America)

#300
Hemphill, Jim: An unusual romance. In: American Cinematographer. Online edition, December 2008.
Description:
On Hoyte van Hoytema’s camerawork for Tomas Alfredson’s Låt den rätte komma in.
Index:
Alfredson, Tomas
van Hoytema, Hoyte
Låt den rätte komma in (2008)
Technik: Kamera ~ Technology: Camera

#301
Hemphill, Jim: Paradise lost. In: American Cinematographer 98. 2017. No. 6. [June] pp. 50-61.
Description:
On Dariusz Wolski’s camera work for Ridley Scott’s Alien: Covenant.
Index:
Scott, Ridley
Wolski, Dariusz
Alien: Covenant (2017)
Technik: Kamera ~ Technology: Camera

#302
Hemphill, Jim: Q&A with Glen MacPherson, ASC. In: American Cinematographer. Online edition, December 2010.
Description:
On his camera work for Paul W. S. Anderson’s Resident Evil: Afterlife.
Index:
Anderson, Paul W. S.
MacPherson, Glen
Resident Evil: Afterlife (2010)
Technik: Kamera ~ Technology: Camera

#303
Henderson, Jan Alan: Lunar ambition. In: American Cinematographer 81. 2000. No. 3. [March] pp. 108-112.
Description:
On cinematographer Lionel Lindon, especially on his work for Irving Pichel’s Destination Moon.
Index:
Lindon, Lionel
Pichel, Irving
Destination Moon (1950)
Technik: Kamera ~ Technology: Camera

#304
Heuring, David: A magical Manhattan. In: American Cinematographer 91. 2010. No. 8. [August] pp. 56-66.
Description:
On Bojan Bazelli’s camera work for Jon Turteltaub’s The Sorcerer’s Apprentice.
Index:
Turteltaub, Jon
Bazelli, Bojan
Sorcerer’s Apprentice, The (2010)
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#305
Heuring, David: Batman looms larger. In: American Cinematographer 89. 2008. No. 7. [July] pp. 30-45.
Description:
On the work of cinematographer Wally Pfister for Christopher Nolan’s The Dark Knight.
Index:
Nolan, Christopher
Pfister, Wally
Dark Knight, The (2008)
Technik: Kamera ~ Technology: Camera
Batman ~ Batman

#306
Heuring, David: Burum’s visual approach. In: American Cinematographer 75. 1994. No. 7. [July] p. 40.
Description:
On the work of cinematographer Stephen Burum for Russell Mulcahy’s The Shadow.
Index:
Burum, Stephen
Mulcahy, Russell
Shadow, The (1994)
Technik: Kamera ~ Technology: Camera

#307
Heuring, David: Dream thiefs. In: American Cinematographer 91. 2010. No. 7. [July] pp. 26-29, 31-39.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s Inception.
Index:
Nolan, Christopher
Pfister, Wally
Inception (2010)
Traum ~ Dreams
Technik: Kamera ~ Technology: Camera

#308
Heuring, David: Francis Kenny, ASC: Akira Kurosawa’s Dreams. In: American Cinematographer 80. 1999. No. 4. [April] pp. 93-94.
Description:
The cinematographer on the film by Akira Kurosawa.
Index:
Kurosawa, Akira
Kenny, Francis
Yume / Konno yume wo mita / Akira Kurosawa’s Dreams / Dreams (1990)
Technik: Kamera ~ Technology: Camera

#309
Heuring, David: Not quite human. In: American Cinematographer 98. 2017. No. 5. [May] pp. 30-43.
Description:
On Jess Hall’s camera work for Rupert Sanders’s Ghost in the Shell.
Index:
Sanders, Rupert
Hall, Jess
Ghost in the Shell (2017)
Technik: Kamera ~ Technology: Camera

#310
Heuring, David: Second life. In: American Cinematographer 95. 2014. No. 5. [May] pp. 30-43.
Description:
On Jess Hall’s camera work for Wally Pfister’s Transcendence.
Index:
Pfister, Wally
Hall, Jess
Transcendence (2014)
Technik: Kamera ~ Technology: Camera

#311
Heuring, David: Shedding light on The Shadow. In: American Cinematographer 75. 1994. No. 7. [July] pp. 34-39, 40-41.
Description:
On the film by Russell Mulcahy; especially on the work of cinematographer Stephen Burum.
Index:
Mulcahy, Russell
Burum, Stephen
Shadow, The (1994)
Technik: Kamera ~ Technology: Camera

#312
Heuring, David: The ultimate self-destruction. In: American Cinematographer 82. 2001. No. 11. [November] pp. 50-65.
Description:
On the special effects for James Wong’s The One, especially on the camera work of Rob McLachlan.
Index:
Wong, James
McLachlan, Rob
One, The (2001)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#313
Hinrichsen, Jens: Die Kamera kann mehr! Elín Hansdóttirs vielschichtige Filminstallation in den Berliner KunstWerken. In: Film-Dienst 68. 2015. No. 8. [April 16] p. 8.
Index:
Hansdóttir, Elín
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The
Berlin ~ Berlin
Experimentalfilme ~ Experimental Films

#314
Hirsh, Michael: Flying high with spacecam. In: American Cinematographer 80. 1999. No. 6. [June] pp. 62-63.
Description:
On special cinematographic techniques for John McTiernan’s The Thomas Crown Affair.
Index:
McTiernan, John
Thomas Crown Affair, The (1999)
Technik: Kamera ~ Technology: Camera
Technik ~ Technology

#315
Hirsh, Michael / Probst, Christopher: Smooth operator. In: American Cinematographer 80. 1999. No. 6. [June] pp. 54-60, 64-67.
Description:
On John McTiernan’s The Thomas Crown Affair; especially on the camera work of Tom Priestly Jr.
Index:
McTiernan, John
Priestly Jr., Tom
Thomas Crown Affair, The (1999)
Technik: Kamera ~ Technology: Camera

#316
Hoffman, Judi: The discourse of "special effects" cinematography in the silent American cinema. In: Post Script 10. 1990. No. 1. [Fall] pp. 30-49.
Description:
Discusses, among others, Harry O. Hoyt’s The Lost World and Raoul Walsh’s The Thief of Bagdad.
Index:
Hoyt, Harry O.
Walsh, Raoul
Lost World, The (1925)
Thief of Bagdad, The (1924)
Technik: Kamera ~ Technology: Camera
Stummfilm ~ Silent Film
Technik: Spezialeffekte ~ Technology: Special Effects
USA (United States of America) ~ USA (United States of America)

#317
Holben, Jay: A complex web. In: American Cinematographer 88. 2007. No. 5. [May] pp. 28-43.
Description:
On the special effects for Sam Raimi’s Spider-Man 3, especially on the camera work of Bill Pope.
Index:
Raimi, Samuel M.
Spider-Man 3 (2007)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#318
Holben, Jay: A fierce friendship. In: American Cinematographer 97. 2016. No. 9. [September] pp. 36-51.
Description:
On Bojan Bazelli’s camera work for David Lowery’s Pete’s Dragon.
Index:
Lowery, David
Bazelli, Bojan
Pete’s Dragon (2016)
Technik: Kamera ~ Technology: Camera

#319
Holben, Jay: A need for speed. In: American Cinematographer 89. 2008. No. 5. [May] pp. 44-55.
Description:
On David Tattersall’s camera work for Speed Racer.
Index:
Wachowski, Andy
Wachowski, Larry
Tattersall, David
Speed Racer (2008)
Technik: Kamera ~ Technology: Camera

#320
Holben, Jay: A not-so-super hero. In: American Cinematographer 89. 2008. No. 7. [July] pp. 46-48, 50-53.
Description:
On Tobias Schliessler’s camera work for Peter Berg’s Hancock.
Index:
Berg, Peter
Schliessler, Tobias
Hancock (2008)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#321
Holben, Jay: An auteur’s angst. In: American Cinematographer 94. 2013. No. 1. [January] pp. 78-88.
Description:
On Jeff Cronenwerth’s camera work for Sacha Gervasi’s biopic Hitchcock.
Index:
Gervasi, Sacha
Cronenweth, Jeff
Hitchcock, Alfred
Hitchcock (2012)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear

#322
Holben, Jay: Battle bots. In: American Cinematographer 94. 2013. No. 8. [August] pp. 46-55.
Description:
On Guillermo Navarro’s camera work for Guillermo del Toro’s Pacific Rim.
Index:
del Toro, Guillermo
Navarro, Guillermo
Pacific Rim (2013)
Technik: Kamera ~ Technology: Camera

#323
Holben, Jay: Beauty in battle. In: American Cinematographer 93. 2012. No. 6. [June] pp. 52-56.
Description:
On Rupert Sanders’s fairy tale film Snow White and the Huntsman, with focus on the work of cinematographer Greig Fraser.
Index:
Sanders, Rupert
Fraser, Greig
Snow White and the Huntsman (2012)
Technik: Kamera ~ Technology: Camera
Märchen ~ Fairy Tales

#324
Holben, Jay: Blood feud. In: American Cinematographer 96. 2015. No. 1. [January] pp. 54-65.
Description:
On Dariusz Wolski’s camera work for Ridley Scott’s Exodus: Gods and Kings.
Index:
Scott, Ridley
Wolski, Dariusz
Exodus: Gods and Kings (2014)
Technik: Kamera ~ Technology: Camera
Blut ~ Blood

#325
Holben, Jay: Boy wonder. In: American Cinematographer 82. 2001. No. 7. [July] pp. 32-43.
Description:
On Janusz Kaminski’s camera work for Steven Spielberg’s A.I., a film based on an idea from Stanley Kubrick.
Index:
Spielberg, Steven
Kaminski, Janusz
A.I. - Artificial Intelligence (2001)
Technik: Kamera ~ Technology: Camera

#326
Holben, Jay: Cold case. In: American Cinematographer 93. 2012. No. 1. [January] pp. 32-47.
Description:
On Jeff Cronenweth’s camera work for David Fincher’s The Girl with the Dragon Tattoo.
Index:
Fincher, David
Cronenweth, Jeff
Girl with the Dragon Tattoo, The (2011)
Technik: Kamera ~ Technology: Camera

#327
Holben, Jay: Conquering new worlds. In: American Cinematographer 91. 2010. No. 1. [January] pp. 32-47.
Description:
On Mauro Fiore’s camera work for James Cameron’s Avatar.
Index:
Cameron, James
Fiore, Mauro
Avatar (2009)
Technik: Kamera ~ Technology: Camera

#328
Holben, Jay: Criminal intent. In: American Cinematographer 83. 2002. No. 7. [July] pp. 34-45.
Description:
On the special effects for Steven Spielberg’s Minority Report, especially on the camera work of Janusz Kaminski.
Index:
Spielberg, Steven
Kaminski, Janusz
Minority Report (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#329
Holben, Jay: Dangerous game. In: American Cinematographer 87. 2006. No. 5. [May] pp. 40-47.
Description:
On Dan Laustsen’s camera work for Christophe Gans’s Silent Hill.
Index:
Gans, Christophe
Laustsen, Dan
Silent Hill (2006)
Technik: Kamera ~ Technology: Camera

#330
Holben, Jay: Deadly scent. In: American Cinematographer 88. 2007. No. 2. [February] pp. 36-47.
Description:
On Frank Griebe’s camera work for Tom Tykwer’s Perfume: The Story of a Murderer.
Index:
Tykwer, Tom
Griebe, Frank
Perfume: The Story of a Murderer / Parfum, Das - Die Geschichte eines Mörders (2006)
Technik: Kamera ~ Technology: Camera

#331
Holben, Jay: Death watch. In: American Cinematographer 83. 2002. No. 11. [November] pp. 50-59.
Description:
On the special effects for Gore Verbinski’s The Ring, especially on the camera work of Bojan Bazelli.
Index:
Verbinski, Gore
Bazelli, Bojan
Ring, The (2002)
Technik: Kamera ~ Technology: Camera
Tod ~ Death
Technik: Spezialeffekte ~ Technology: Special Effects

#332
Holben, Jay: Divine intervention. In: American Cinematographer 84. 2003. No. 2. [February] pp. 74-81.
Description:
On the ABC TV series Miracles, especially on the work of cinematographer Ernest Holzman.
Index:
Holzman, Ernest
Miracles (TV)
Religion ~ Religion
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television
ABC ~ ABC

#333
Holben, Jay: Hammer of the Gods. In: American Cinematographer 92. 2011. No. 6. [June] pp. 40-53.
Description:
On Haris Zambarloukos’s camera work for Kenneth Branagh’s Thor.
Index:
Branagh, Kenneth
Zambarloukos, Haris
Thor (2011)
Technik: Kamera ~ Technology: Camera
Religion ~ Religion

#334
Holben, Jay: Heavy Metal. In: American Cinematographer 84. 2003. No. 8. [August] pp. 30-40.
Description:
On the special effects for Jonathan Mostow’s Terminator 3, especially on the creation of the robots and on Don Burgess’s camera work.
Index:
Mostow, Jonathan
Burgess, Don
Terminator 3: Rise of the Machines (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots

#335
Holben, Jay: Let there be light. In: American Cinematographer 88. 2007. No. 8. [August] pp. 32-43.
Description:
On Danny Boyle’s Sunshine, especially on the work of cinematographer Alwin Küchler.
Index:
Boyle, Danny
Küchler, Alwin
Sunshine (2007)
Technik: Kamera ~ Technology: Camera

#336
Holben, Jay: Lords of illusion. In: American Cinematographer 87. 2006. No. 11. [November] pp. 64-75.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s The Prestige.
Index:
Nolan, Christopher
Pfister, Wally
Prestige, The (2006)
Technik: Kamera ~ Technology: Camera

#337
Holben, Jay: Magical mystery tour. In: American Cinematographer 89. 2008. No. 3. [March] pp. 26-35.
Description:
On Caleb Deschanel’s camera work for Mark Waters’s The Spiderwick Chronicles.
Index:
Waters, Mark
Deschanel, Caleb
Spiderwick Chronicles, The (2008)
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#338
Holben, Jay: Making monsters. In: American Cinematographer 96. 2015. No. 7. [July] pp. 44-53.
Description:
On John Schwartzman’s camera work for Colin Trevorrow’s Jurassic World.
Index:
Trevorrow, Colin
Schwartzman, John
Jurassic World (2015)
Technik: Kamera ~ Technology: Camera
Monster ~ Monster

#339
Holben, Jay: Mata Haris. In: American Cinematographer 84. 2003. No. 6. [June] pp. 68-81.
Description:
On Russell Carpenter’s camera work for McG’s Charlie’s Angels: Full Throttle.
Index:
McGinty Nichol, Joseph [Pseudonym: McG]
Carpenter, Russell
Charlie’s Angels: Full Throttle (2003)
Technik: Kamera ~ Technology: Camera

#340
Holben, Jay: Memory upgrade. In: American Cinematographer 93. 2012. No. 8. [August] pp. 58-67.
Description:
On Paul Cameron’s camera work for Len Wiseman’s remake of Paul Verhoeven’s
Total Recall.
Index:
Wiseman, Len
Verhoeven, Paul
Total Recall (2012)
Total Recall (1990)
Technik: Kamera ~ Technology: Camera

#341
Holben, Jay: Memory upgrade. In: American Cinematographer 93. 2012. No. 8. [August] pp. 58-67.
Description:
On Paul Cameron’s camera work for Len Wiseman’s Total Recall.
Index:
Wiseman, Len
Cameron, Paul
Total Recall (2012)
Technik: Kamera ~ Technology: Camera

#342
Holben, Jay / Oppenheimer, Jean / Stasukevich, Iain / Thomson, Patricia: Cutting edge camerawork. In: American Cinematographer 90. 2009. No. 3. [March] pp. 30-45.
Description:
On the special effects for the TV series Dexter, Life on Mars, True Blood and The Unusuals.
Index:
Hopkins, Stephen
Dexter (TV)
Life on Mars (TV)
True Blood (TV)
Unusuals, The (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Fernsehen ~ Television
Cutting Edge [Firma] ~ Cutting Edge [Company]

#343
Holben, Jay: Pandora’s predicament. In: American Cinematographer 90. 2009. No. 11. [November] pp. 48-57.
Description:
On Steven Poster’s camera work for Richard Kelly’s The Box.
Index:
Kelly, Richard
Poster, Steven
Box, The (2009)
Technik: Kamera ~ Technology: Camera

#344
Holben, Jay: Power trip. In: American Cinematographer 93. 2012. No. 3. [March] pp. 42-49.
Description:
On Matthew Jensen’s camera work for Josh Trank’s Chronicle.
Index:
Trank, Josh
Jensen, Matthew
Chronicle (2012)
Technik: Kamera ~ Technology: Camera

#345
Holben, Jay: Sole survivor. In: American Cinematographer 82. 2001. No. 1. [January] pp. 38-53.
Description:
On Robert Zemeckis’s Cast Away, especially on the camera work of Don Burgess.
Index:
Zemeckis, Robert
Burgess, Don
Cast Away (2000)
Technik: Kamera ~ Technology: Camera

#346
Holben, Jay: Sound and fury. In: American Cinematographer 81. 2000. No. 7. [July] pp. 50-61.
Description:
On Wolfgang Petersen’s The Perfect Storm, especially on the camera work of John Seale.
Index:
Petersen, Wolfgang
Seale, John
Perfect Storm, The (2000)
Technik: Kamera ~ Technology: Camera
Musik ~ Music

#347
Holben, Jay: Southern gothic. In: American Cinematographer 81. 2000. No. 12. [December] pp. 58-67.
Description:
On Sam Raimi’s The Gift, especially on the camera work of Jamie Anderson.
Index:
Raimi, Samuel M.
Anderson, Jamie
Gift, The (2000)
Technik: Kamera ~ Technology: Camera
Horror ~ Horror

#348
Holben, Jay: Spider’s stratagem. In: American Cinematographer 83. 2002. No. 6. [June] pp. 34-45.
Description:
On Sam Raimi’s Spider-Man, especially on the camera work of Don Burgess.
Index:
Raimi, Samuel M.
Burgess, Don
Spider-Man (2002)
Technik: Kamera ~ Technology: Camera
Spinne ~ Spider

#349
Holben, Jay: Surviving the future. In: American Cinematographer 94. 2013. No. 5. [May] pp. 34-45.
Description:
On Claudio Miranda’s camera work for Joseph Kosinski’s Oblivion.
Index:
Kosinski, Joseph
Miranda, Claudio
Oblivion (2013)
Utopie ~ Utopia
Technik: Kamera ~ Technology: Camera

#350
Holben, Jay: Tak Fujimoto, ASC. In: American Cinematographer 81. 2000. No. 6. [June] pp. 80-86.
Description:
On the cinematographer of The Sixth Sense.
Index:
Shyamalan, M. Night
Fujimoto, Tak
Sixth Sense, The (1999)
Technik: Kamera ~ Technology: Camera

#351
Holben, Jay: Taking the plunge. In: American Cinematographer 84. 2003. No. 7. [July] pp. 58-60, 62-71.
Description:
On the special effects and on the camera work of Vince Price for James Cameron’s 3-D-film Ghosts of the Abyss.
Index:
Cameron, James
Price, Vince
Ghosts of the Abyss (2003)
Technik: Kamera ~ Technology: Camera
3-D Films
Technik: Spezialeffekte ~ Technology: Special Effects

#352
Holben, Jay: The aliens strike back. In: American Cinematographer 97. 2016. No. 7. [July] p. 44ff.
Description:
On Markus Förderer’s camera work for Roland Emmerich’s Independence Day: Resurgence.
Index:
Emmerich, Roland
Förderer, Markus
Independence Day: Resurgence (2016)
Technik: Kamera ~ Technology: Camera
Aliens ~ Aliens

#353
Holben, Jay: The man behind the mask. In: American Cinematographer 83. 2002. No. 3. [March] pp. 52-55.
Description:
On John Troll’s camera work for a special sequence of Cameron Crowe’s Vanilla Sky.
Index:
Crowe, Cameron
Toll, John
Vanilla Sky (2001)
Masken ~ Masks
Technik: Kamera ~ Technology: Camera

#354
Holben, Jay: The road to hell. In: American Cinematographer 82. 2001. No. 9. [September] pp. 84-92.
Description:
On Don E. FauntLeRoy’s camera work for Victor Salva’s Jeepers Creepers.
Index:
Salva, Victor
FauntLeRoy, Don E.
Jeepers Creepers (2001)
Technik: Kamera ~ Technology: Camera
Religion: Hölle ~ Religion: Hell

#355
Holben, Jay: The root of all evil. In: American Cinematographer 79. 1998. No. 12. [December] pp. 40-52.
Description:
On Sam Raimi’s A Simple Plan; especially on the camera work of Alar Kivilo.
Index:
Raimi, Samuel M.
Kivilo, Alar
Simple Plan, A (1998)
Technik: Kamera ~ Technology: Camera
Böse, Das ~ Evil, The

#356
Holben, Jay: The root(s) of all evil. In: American Cinematographer 82. 2001. No. 10. [October] pp. 48-57.
Description:
On Roger Deakin’s camera work for Joel Coen’s The Man Who Wasn’t There.
Index:
Coen, Joel
Deakins, Roger
Man Who Wasn’t There, The (2001)
Technik: Kamera ~ Technology: Camera
Böse, Das ~ Evil, The

#357
Holben, Jay: The X-Files: Cinematographer: Bill Roe. In: American Cinematographer 81. 2000. No. 3. [March] pp. 88-91.
Description:
Interview with the cinematographer of the episode Lightning For Darkness.
Index:
Roe, Bill
X-Files, The (TV)
Technik: Kamera ~ Technology: Camera

#358
Holben, Jay: Time bandit. In: American Cinematographer 92. 2011. No. 11. [November] pp. 32-45.
Description:
On Roger Deakins’s camera work for Andrew Niccol’s In Time.
Index:
Niccol, Andrew
Deakins, Roger
In Time (2011)
Technik: Kamera ~ Technology: Camera

#359
Holben, Jay: To boldly go ... In: American Cinematographer 81. 2000. No. 10. [October] pp. 94-102.
Description:
Interview with cinematographers David Moxness and Tom Durnan on their work for the TV series Gene Roddenberry’s Earth: Final Conflict.
Index:
Moxness, David
Durnan, Tom
Earth: Final Conflict / Gene Roddenberry’s Earth: Final Conflict (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#360
Holben, Jay: Windows to the soul. In: American Cinematographer 95. 2014. No. 9. [September] pp. 70-81.
Description:
On Markus Förderer’s camera work for Mike Cahill’s I Origins.
Index:
Cahill, Mike
Förderer, Markus
I Origins (2014)
Technik: Kamera ~ Technology: Camera

#361
Holben, Jay: Wonder woman. In: American Cinematographer 82. 2001. No. 6. [June] pp. 52-63.
Description:
On Simon West’s Tomb Raider, especially on the camera work of Peter Menzies Jr.
Index:
West, Simon
Menzies Jr., Peter
Tomb Raider / Lara Croft: Tomb Raider (2001)
Technik: Kamera ~ Technology: Camera
Frauen ~ Women

#362
Höltgen, Stefan: Die Kamera abschalten ist keine Medizin. In: EPD Film 25. 2008. No. 11. [November] pp. 8-9.
Description:
On the career of German independent director Herbert Achternbusch.
Index:
Achternbusch, Herbert
Technik: Kamera ~ Technology: Camera
Krankheit ~ Illness
Deutschland ~ Germany

#363
Hope-Jones, Mark: A prince in peril. In: American Cinematographer 89. 2008. No. 6. [June] pp. 38-55.
Description:
On Karl Walter Lindenlaub’s camera work for Andrew Adamson’s The Chronicles of Narnia: Prince Caspian.
Index:
Adamson, Andrew
Lindenlaub, Karl Walter
Chronicles of Narnia, The: Prince Caspian (2008)
Technik: Kamera ~ Technology: Camera

#364
Hope-Jones, Mark: An exceptionally sly fox. In: American Cinematographer 90. 2009. No. 12. [December] pp. 70-80.
Description:
On Tristan Oliver’s camera work for Wes Anderson’s Fantastic Mr. Fox.
Index:
Anderson, Wes
Oliver, Tristan
Fantastic Mr. Fox (2009)
Technik: Kamera ~ Technology: Camera

#365
Hope-Jones, Mark: Capturing Vikings with Canon’s C300. In: American Cinematographer 94. 2013. No. 4. [April] pp. 26-33.
Description:
Interview with cinematographer Alex Metcalfe on Chris Crow’s The Darkest Day.
Index:
Crow, Chris
Metcalfe, Alex
Viking Saga, A: The Darkest Day / Darkest Day, The (2013)
Wikinger ~ Vikings
Technik: Kamera ~ Technology: Camera

#366
Hope-Jones, Mark: Darkest arts. In: American Cinematographer 92. 2011. No. 8. [August] pp. 40-47.
Description:
On Eduardo Serra’s camera work for David Yates’s Harry Potter and the Deathly Hallows.
Index:
Yates, David
Serra, Eduardo
Harry Potter and the Deathly Hallows: Part 1 (2010)
Harry Potter and the Deathly Hallows: Part 2 (2011)
Technik: Kamera ~ Technology: Camera

#367
Hope-Jones, Mark: Fantastic voyage. In: American Cinematographer 88. 2007. No. 12. [December] pp. 60-71.
Description:
On Henry Braham’s camera work for Chris Weitz’s The Golden Compass.
Index:
Weitz, Chris
Braham, Henry
His Dark Materials: The Golden Compass / Golden Compass, The (2007)
Technik: Kamera ~ Technology: Camera

#368
Hope-Jones, Mark: Forging a Bond. In: American Cinematographer 89. 2008. No. 11. [November] pp. 28-31, 33-41.
Description:
On Roberto Scchaefers camera work for Marc Forster’s Quantum of Solace.
Index:
Forster, Marc
Scchaefer, Roberto
Quantum of Solace (2008)
Technik: Kamera ~ Technology: Camera
James Bond ~ James Bond

#369
Hope-Jones, Mark: Ghost writer. In: American Cinematographer 88. 2007. No. 8. [August] pp. 54-61.
Description:
On Benoît Delhomme’s camera work for Mikael Håfström’s 1408.
Index:
Håfström, Mikael
Delhomme, Benoît
1408 (2007)
Technik: Kamera ~ Technology: Camera
Geister ~ Ghosts

#370
Hope-Jones, Mark: MI6 under siege. In: American Cinematographer 93. 2012. No. 12. [December] pp. 34-49.
Description:
On Roger Deakins’s camera work for Sam Mendes’s Skyfall.
Index:
Mendes, Sam
Deakins, Roger
Skyfall (2012)
Technik: Kamera ~ Technology: Camera

#371
Hope-Jones, Mark: Slings and arrows. In: American Cinematographer 91. 2010. No. 6. [June] pp. 30-41.
Description:
On John Mathieson’s camera work for Ridley Scott’s Robin Hood.
Index:
Scott, Ridley
Mathieson, John
Robin Hood (2010)
Technik: Kamera ~ Technology: Camera

#372
Hope-Jones, Mark / Stasukevich, Iain / Thomson, Patricia: Varied visions. In: American Cinematographer 93. 2012. No. 3. [March] pp. 30-41.
Description:
The cinematographers of the TV series Downton Abbey, The Walking Dead and Homeland on their work.
Index:
Darabont, Frank
Downton Abbey (TV)
Walking Dead, The (TV)
Homeland (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#373
Hope-Jones, Mark: Through a child’s eye. In: American Cinematographer 92. 2011. No. 12. [December] pp. 54-67.
Description:
On Robert Richardson’s camera work for Martin Scorsese’s Hugo.
Index:
Scorsese, Martin
Richardson, Robert
Hugo (2011)
Technik: Kamera ~ Technology: Camera
Jugend ~ Youth
Augen ~ Eyes

#374
Hope-Jones, Mark: When not in Rome. In: American Cinematographer 90. 2009. No. 8. [August] pp. 46-52.
Description:
On Angus Bickerton’s camera work for Ron Howard’s Angels & Demons.
Index:
Howard, Ron
Bickerton, Angus
Angels & Demons (2009)
Technik: Kamera ~ Technology: Camera
Rom ~ Rome

#375
Huhtamó, Erkki: Elokuva saksenteralla: Lotte Reinigerin silhuettianimaatioita Iisalmen Kamerassa. In: Filmihullu 1990. No. 5. [?D] pp. 40-41.
Description:
On the Lotte Reiniger retrospective at the Iisalem camera film festival.
Index:
Reiniger, Lotte
Technik: Kamera ~ Technology: Camera
Animation ~ Animation
Festival ~ Festival

#376
Hummel, Rob: 3-D cinematography. In: American Cinematographer 89. 2008. No. 4. [April] pp. 52-63.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
3-D Films

#377
Hurwitz, Matt: Dino-mite!. In: International Cinematographers Guild Magazine 86. 2015. No. 6. [June] pp. 32-44.
Description:
On the camera effects for Colin Trevorrow’s Jurassic World.
Index:
Trevorrow, Colin
Jurassic World (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#378
Hurwitz, Matt: Hungry for love. In: International Cinematographers Guild Magazine 80. 2009. No. 5. [May] pp. 56-63.
Description:
On the cinematography by Matthew Jensen and Romeo Tirone for the TV series True Blood.
Index:
Jensen, Matthew
Tirone, Romeo
True Blood (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#379
Jackson, Kevin: Gothic shadows. In: Sight and Sound NS 2. 1992. No. 7. [November] pp. 16-19.
Description:
On the director and cinematographer Freddie Francis. Includes a filmography.
Index:
Francis, Freddie
Technik: Kamera ~ Technology: Camera
Horror ~ Horror

#380
Johnson, Shelly: Bad moon rising. In: American Cinematographer 91. 2010. No. 2. [February] pp. 32-45.
Description:
The cinematographer on his work for Joe Johnston’s The Wolfman.
Index:
Johnston, Joe
Johnson, Shelly
Wolfman, The (2010)
Technik: Kamera ~ Technology: Camera
Mond ~ Moon

#381
Johnston, Gerry: Lights, camera, dynamite: Adventures of a special effects director. - Dublin: Liberties Press / Chester Springs, Pennsylvania: Dufour Editions 2008.
Index:
Johnston, Gerry
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera
Abenteuer ~ Adventure

#382
Jordan Cronenweth. In: Film-Dienst 50. 1997. No. 3. [February 4] p. 15.
Description:
Obituary for the cinematographer of Ridley Scott’s Blade Runner.
Index:
Cronenweth, Jordan
Scott, Ridley
Blade Runner (1982)
Technik: Kamera ~ Technology: Camera

#383
Joslin, Abby: Digital cinematography: Lighting & rendering the look of Jurassic Park. In: On Production and Post-Production 2. 1993. No. 7. [?D] pp. 56 ff.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer

#384
Kadner, Noah: All hands on deck. In: American Cinematographer 88. 2007. No. 6. [June] pp. 32-49.
Description:
On the work of cinematographer Dariusz Wolski and on the special effects for Gore Verbinski’s Pirates of the Caribbean: At World’s End.
Index:
Verbinski, Gore
Wolski, Dariusz
Pirates of the Caribbean: At World’s End (2007)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#385
Kadner, Noah: Back to the grid. In: American Cinematographer 92. 2011. No. 1. [January] pp. 52-58, 61-63.
Description:
On Claudio Miranda’s camera work for Tron: Legacy.
Index:
Kosinski, Joseph
Miranda, Claudio
Tron: Legacy (2010)
Technik: Kamera ~ Technology: Camera

#386
Kadner, Noah: Girl trouble. In: American Cinematographer 91. 2010. No. 8. [August] pp. 42-55.
Description:
On Bill Pope’s camera work for Edgar Wright’s Scott Pilgrim vs. the World.
Index:
Wright, Edgar
Pope, Bill
Scott Pilgrim vs. the World (2010)
Technik: Kamera ~ Technology: Camera

#387
Kadner, Noah: Kingdom of light. In: American Cinematographer 89. 2008. No. 10. [October] pp. 40-53.
Description:
On Xavier Pérez Grobet’s camera work for Gil Kenan’s City of Ember.
Index:
Kenan, Gil
Pérez Grobet, Xavier
City of Ember (2008)
Technik: Kamera ~ Technology: Camera

#388
Kadner, Noah: Macro heroics. In: American Cinematographer 96. 2015. No. 8. [August] pp. 44-53.
Description:
On Russell Carpenter’s camera work for Peyton Reed’s Ant-Man.
Index:
Reed, Peyton
Carpenter, Russell
Ant-Man (2015)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#389
Kadner, Noah: Rock ’em, sock ’em robots. In: American Cinematographer 88. 2007. No. 8. [August] pp. 44-49, 51-53.
Description:
On Mitch Amundsen’s camera work for Michael Bay’s Transformers.
Index:
Bay, Michael
Amundsen, Mitch
Transformers (2007)
Technik: Kamera ~ Technology: Camera
Roboter ~ Robots

#390
Kadner, Noah: Spy vs. spy. In: American Cinematographer 89. 2008. No. 7. [July] pp. 54-63.
Description:
On Dean Semler’s camera work for Peter Segal’s Get Smart.
Index:
Segal, Peter
Semler, Dean
Get Smart (2008)
Technik: Kamera ~ Technology: Camera

#391
Kadner, Noah: Street fighter. In: American Cinematographer 98. 2017. No. 4. [April] pp. 52-65.
Description:
On Manuel Billeter’s camera work for the TV series Iron Fist.
Index:
Buck, Scott
Billeter, Manuel
Iron Fist / Marvel’s Iron Fist (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#392
Kadner, Noah: The emperor strikes back. In: American Cinematographer 89. 2008. No. 8. [August] pp. 48-57.
Description:
On Simon Duggan’s camera work for Rob Cohen’s The Mummy: Tomb of the Dragon Emperor.
Index:
Cohen, Rob
Duggan, Simon
Mummy, The: Tomb of the Dragon Emperor (2008)
Technik: Kamera ~ Technology: Camera

#393
Kadner, Noah: Twists and turns. In: American Cinematographer 95. 2014. No. 10. [October] pp. 82-89.
Description:
On Enrique Chediak’s camera work for Wes Ball’s The Maze Runner.
Index:
Ball, Wes
Chediak, Enrique
Maze Runner, The (2014)
Technik: Kamera ~ Technology: Camera

#394
Kadner, Noah: Vintage Indy. In: American Cinematographer 89. 2008. No. 6. [June] pp. 28-37.
Description:
On the work of cinematographer Janusz Kaminski for Steven Spielberg’s Indiana Jones and the Kingdom of the Crystal Skull.
Index:
Spielberg, Steven
Kaminski, Janusz
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Technik: Kamera ~ Technology: Camera

#395
Kadner, Noah: Without fear. In: American Cinematographer 96. 2015. No. 5. [May] pp. 58-67.
Description:
On Matthew Lloyd’s camera work for the TV series Daredevil.
Index:
Goddard, Drew
Lloyd, Matthew J.
Daredevil (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television
Angst ~ Fear
Helden ~ Heros

#396
Kadner, Noah: Wolverine’s hour. In: American Cinematographer 90. 2009. No. 5. [May] pp. 24-35.
Description:
On Don McAlpine’s camera work for Gavin Hood’s X-Men Origins: Wolverine.
Index:
Hood, Gavin
McAlpine, Donald
X-Men Origins: Wolverine (2009)
Wölfe ~ Wolves
Technik: Kamera ~ Technology: Camera

#397
Kadnet, Noah: Hammer time. In: American Cinematographer 98. 2017. No. 12. [December] pp. 50-61.
Description:
On Javier Aguirresarobe’s camera work for Taika Waititi’s Thor: Ragnarok.
Index:
Waititi, Taika
Aguirresarobe, Javier
Thor: Ragnarok (2017)
Technik: Kamera ~ Technology: Camera

#398
Kamerastile im aktuellen Film: Berichte und Analysen. Hrsg. von Karl Prümm, Silke Bierhoff und Matthias Körnich. - Marburg: Schüren Verlag 1999.
Reviews:
Arnold, Frank: In: Filmbulletin 41. 1999. No. 3(222). [?D] pp. 7-8.
Fleer, Cornelia: [untitled] In: Film-Dienst 52. 1999. No. 10. [May 11] pp. 32-33.
Kuhlbrodt, Dietrich: Kamerastile: Die Offenheit des Blicks. In: EPD Film 16. 1999. No. 11. [November] p. 17.
Morsch, Thomas: [untitled] In: Medienwissenschaft 1999. No. 4. pp. 466-468.
Description:
Includes articles on Lars von Trier’s Breaking the Waves and Romuald Karmakar’s Der Totmacher.
Index:
von Trier, Lars
Karmakar, Romuald
Breaking the Waves (1996)
Totmacher, Der (1995)
Technik: Kamera ~ Technology: Camera

#399
Karban, Thomas: Handwerker des Lichtes: Der Kameramann Heinz Hölscher. In: Film-Dienst 44. 1991. No. 8. [April 16] pp. 36-39.
Description:
Discusses, among others, the cinematographer’s work for Jürgen Roland’s Wallace adaption Der grüne Bogenschütze and for Wolfgang Petersen’s Enemy Mine.
Index:
Hölscher, Heinz
Roland, Jürgen
Petersen, Wolfgang
Wallace, Edgar Richard Horatio E.
grüne Bogenschütze, Der (1960)
Enemy Mine (1985)
Technik: Kamera ~ Technology: Camera

#400
Kaufman, Debra: Caribbean heat. In: American Cinematographer 80. 1999. No. 4. [April] pp. 64-73.
Description:
On the experimental action thriller Third World Cop by Chris Browne, especially on the camera work of Richard Lannaman.
Index:
Browne, Chris
Lannaman, Richard
Third World Cop (1999)
Technik: Kamera ~ Technology: Camera
Thriller ~ Thriller
Experimentalfilme ~ Experimental Films
Action ~ Action

#401
Kaufman, Debra: Dirty Laundry. In: American Cinematographer 95. 2014. No. 10. [October] pp. 18-20.
Description:
On Guy Pooles’s camera work for Aaron Martinez’s short film Dirty Laundry.
Index:
Martinez, Aaron
Pooles, Guy
Dirty Laundry (2013)
Technik: Kamera ~ Technology: Camera

#402
Kaufman, Debra / Rhodes, Phil / Stasukevich, Iain: Outside the box. In: American Cinematographer 96. 2015. No. 3. [March] pp. 48-61.
Description:
On the cinematography for the TV series The Affair, Doctor Who and Vikings.
Index:
Affair, The (TV)
Doctor Who (TV)
Vikings (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#403
Kaufman, Debra: Starlight. In: American Cinematographer 95. 2014. No. 10. [October] pp. 14-16.
Description:
On Harper Alexander’s camera work for Alex Thompson’s SF short film Starlight.
Index:
Thompson, Alex
Alexander, Harper
Starlight (2014)
Technik: Kamera ~ Technology: Camera
Science Fiction ~ Science Fiction

#404
Kelemen, Fred: The last dance. In: Sight and Sound NS 22. 2012. No. 6. [June] p. 39.
Description:
Interview with director of photography Fred Kelemen on his work for The Turin Horse (A Torinói ló).
Index:
Tarr, Béla
Hranitzky, Ágnes
Kelemen, Fred
Torinói ló, A (2011)
Tanz ~ Dance
Technik: Kamera ~ Technology: Camera

#405
Kent, Lloyd: The cinematography of E.T. In: American Cinematographer 64. 1983. No. 1. [January] pp. 54 ff.
Index:
Spielberg, Steven
E.T. - The Extra-Terrestrial (1982)
Technik: Kamera ~ Technology: Camera

#406
Kling, Bernhard: Zweiter Kamera-Award für Freddie Francis. In: Film & TV Kameramann 39. 1990. No. ?N. [April]. p. 28.
Index:
Francis, Freddie
Technik: Kamera ~ Technology: Camera

#407
Knuschke, Thomas: Glasmalereien (Matte Paintings) als spezielles Vorsatztrickverfahren: Anwendung und Bedeutung in bezug auf den DFF aus der Sicht des Kameramannes. - Potsdam: Hochschule für Film und Fernsehen "Konrad Wolf", Fachrichtung Kamera, Fachabschlußarbeit 1990.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Matte-Painting ~ Matte-Painting
Kunst ~ Arts, The

#408
Kozachik, Pete: Reanimated romance. In: American Cinematographer 86. 2005. No. 10. [October] pp. 48-57.
Description:
On Pete Kozachik’s camera work and the special effects for Corpse Bride by Tim Burton and Mike Johnson.
Index:
Burton, Tim
Johnson, Mike
Kozachik, Pete
Corpse Bride / Tim Burton’s Corps Bride (2005)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#409
Kozachik, Peter: 2 worlds in 3 dimensions. In: American Cinematographer 90. 2009. No. 2. [February] pp. 26-39.
Description:
On Pete Kozachik’s camerawork for Henry Selick’s Coraline.
Index:
Selick, Henry
Kozachik, Pete
Coraline (2009)
Technik: Kamera ~ Technology: Camera

#410
Krasilovsky, Alexis: Women behind the camera: Conversations with camerawomen. - ?O: Praeger Publishing 1997.
Index:
Technik: Kamera ~ Technology: Camera
Frauen ~ Women

#411
Kregel, Marko: Jost Vacano: Die Kamera als Auge des Zuschauers. - Marburg: Schüren 2005.
Reviews:
Brandlmeier, Thomas: [untitled.] In: Film-Dienst 58. 2005. No. 16. [August 4] p. 40.
Description:
On the cinematographer who worked for Wolfgang Petersen’s Die unendliche Geschichte as well as for Paul Verhoeven’s Robocop, Total Recall, Starship Troopers and Hollow Man.
Index:
Vacano, Jost
Petersen, Wolfgang
Verhoeven, Paul
unendliche Geschichte, Die (1984)
Robocop (1987)
Total Recall (1990)
Starship Troopers (1997)
Hollow Man (2000)
Technik: Kamera ~ Technology: Camera

#412
Kreimeier, Klaus: Wie in einem Taumel: Die Kamera im deutschen Film der frühen zwanziger Jahre. In: Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994. pp. 9-33.
Description:
Discusses a lot of films and persons important for the expressionist fantastic film, especially Willy Hameister, the cinematographer of Wiene’s Das Cabinet des Dr. Caligari and of Hintertreppe by Leopold Jessner and Paul Leni, the director and film critic Edwald André Dupont, the screenwriter Willy Haas and the cinematographer Karl Freund and his work for Murnau’s Der letzte Mann.
Index:
Hameister, Willy
Wiene, Robert
Leni, Paul
Jessner, Leopold
Dupont, Ewald André
Haas, Willy
Freund, Karl
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Hintertreppe (1921)
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Expressionismus ~ Expressionism
Deutschland ~ Germany

#413
Krenn, Günter: Michael und die Alpha-Kunst: Praktische Gedanken der Cutterin Monika Willi und des Kameramannes Christian Berger zu Michael Hanekes Modus Operandi. In: Michael Haneke. Hrsg. von Thomas Koebner, Fabienne Liptay und Daniela Sannwald. - München: edition text + kritik 2011. (= Film-Konzepte 21.) pp. 76 ff.
Index:
Haneke, Michael
Willi, Monika
Berger, Christian
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The

#414
Krenn, Günter: Michael und die Alpha-Kunst: Praktische Gedanken der Cutterin Monika Willi und des Kameramannes Christian Berger zu Michael Hanekes Modus Operandi. In: Film-Konzepte 2011. No. 21. [?D] pp. 76-91.
Index:
Haneke, Michael
Willi, Monika
Berger, Christian
Technik: Kamera ~ Technology: Camera

#415
Küpper, Achim: Verkehrte Abendmahle, profanierte Pilgerreisen und die Camera obscura der Begierde: Bildsysteme der Blasphemie bei Luis Buñuel. In: "Gotteslästerung" und Glaubenskritik in der Literatur und den Künsten. Hrsg. von Hans Richard Brittnacher und Thomas Koebner. - Marburg: Schüren 2016. pp. 205 ff.
Index:
Buñuel, Luis
Technik: Kamera ~ Technology: Camera
Religion ~ Religion
Literatur ~ Literature

#416
Laass, Eva: Krieg der Welten in Lynchville: Mulholland Drive und die Anwendungsmöglichkeiten und -grenzen des Konzepts narrativer UnZuverlässigkeit. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 251 ff.
Index:
Lynch, David
Mulholland Drive (2001)
Technik: Kamera ~ Technology: Camera

#417
Lahde, Maurice: Den Wahn erlebbar machen: Zur Inszenierung von Halluzinationen in Ron Howards A Beautiful Mind und David Cronenbergs Spider. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 43 ff.
Index:
Howard, Ron
Cronenberg, David
Beautiful Mind, A (2001)
Spider (2002)
Technik: Kamera ~ Technology: Camera

#418
Landy, Marcia: The cinematographic brain in 2001: A Space Odyssey. In: Stanley Kubrick’s 2001: A Space Odyssey: New essays. Edited by Robert Kolker. - Oxford; New York: Oxford University Press 2006. pp. 87-104.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik: Kamera ~ Technology: Camera
Gehirn ~ Brain

#419
Lebrun, Dominique: Trans Europe Hollywood. - Paris: Édition Pierre Bordas 1992.
Reviews:
Bonneville, Leo: [untitled.] In: Séquences ?G. 1993. No. 162. [January] p. 9.
Description:
Large size book with pictures of and texts on European actors, directors, set and costume designers, cinematographers, writers and composers which made career in Hollywood. Includes a bibliography and a person index.
Index:
Technik: Kamera ~ Technology: Camera
Musik ~ Music
Europa ~ Europe
Hollywood ~ Hollywood

#420
Lebrun, Dominique: Von Europa nach Hollywood: Die Europäer im amerikanischen Kino. Aus dem Französischen von Sibylle M. Sturm. - Berlin: Henschel Verlag 1993.
First edition:
[Trans Europe Hollywood. - Paris: Édition Pierre Bordas 1992]
Reviews:
Baer, Volker: [untitled] In: Film-Dienst 47. 1994. No. 2. [January 18] pp. 36-37.
Fischer, Wolfgang: [untitled.] In: Film & TV Kameramann 46. 1997. No. ?N. [?D]. pp. 170-171.
Description:
Large size book with pictures of and texts on European actors, directors, set and costume designers, cinematographers, writers and composers which made career in Hollywood. Includes a bibliography and a person index.
Index:
Musik ~ Music
Technik: Kamera ~ Technology: Camera
USA (United States of America) ~ USA (United States of America)
Europa ~ Europe
Hollywood ~ Hollywood

#421
Lee, Nora: 007 sharks get personal cameraman. In: American Cinematographer 70. 1989. No. 8. [August] pp. 28-33.
Description:
On John Glen’s Licence to Kill.
Index:
Glen, John
Licence to Kill (1988/1989)
Technik: Kamera ~ Technology: Camera
James Bond ~ James Bond

#422
Lee, Nora: A showdown for all ages: Hook against Peter Pan. In: American Cinematographer 72. 1991. No. 12. [December] pp. 26-36.
Description:
Interview with cinematographer Dean Cundey on the Spielberg film and on the Disney classic by Clyde Geronimi, Wilfried Jackson and Hamilton Luske.
Index:
Spielberg, Steven
Geronimi, Clyde
Jackson, Wilfred
Luske, Hamilton
Cundey, Dean
Hook (1991)
Peter Pan (1953)
Technik: Kamera ~ Technology: Camera
Disney ~ Disney

#423
Lee, Nora: In-camera vanishing act for airline ad. In: American Cinematographer 70. 1989. No. 8. [August] pp. 75-77.
Description:
On the cinematographer James Glennon.
Index:
Glennon, James
Technik: Kamera ~ Technology: Camera

#424
Lenzl4, Augustus / Shamway: Aufgenommen mit überdrehter Kamera und in auserlesenen Farben: Addio Zio Tom (Addio Onkel Tom). In: Splatting Image 1994. No. 17. [March] pp. 37-38.
Index:
Jacopetti, Gualtiero
Prosperi, Franco
Addio zio Tom (1971)
Technik: Kamera ~ Technology: Camera

#425
Lightman, Herb A. / Patterson, Richard: Cinematography for Blade Runner. In: American Cinematographer 80. 1999. No. 3. [March] pp. 158-165.
Index:
Scott, Ridley
Blade Runner (1982)
Technik: Kamera ~ Technology: Camera

#426
Lights, camera, history: Portraying the past in film. Edited by Richard Francaviglia and Jerry Rodnitzky. Introduction by Peter C. Rollins. - College Station, Texas: Texas A&M University Press 2007. (= Walter Prescott Webb memorial lectures 40.)
Reviews:
Hark, Ina Rae: [untitled.] In: Biography 31. 2008. No. 3. [?D] pp. 491-494.
Nadel, Alan: [untitled.] In: Film Quarterly 62. 2009. No. 3. [?D] pp. 76-80.
Parry, Sally E.: [untitled.] In: Film & History 38. 2008. No. 1. [?D] pp. 94-95.
Index:
Technik: Kamera ~ Technology: Camera
Geschichte ~ History

#427
Lindinger, Steffen: Die Kamera als Monster: Der dokumentarische Modus im neueren Horrorfilm. - Baden-Baden: Nomos 2014. (= Filmstudien 68.)
Description:
Includes chapters on Häxan, Mondo Cane, The Legend of Boggy Creek, Cannibal Holocaust, The Blair Witch Project, [Rec] and Paranormal Activity.
Index:
Christensen, Benjamin
Cavara, Paolo
Jacopetti, Gualtiero
Prosperi, Franco
Pierce, Charles B.
Deodato, Ruggero
Myrick, Daniel
Sanchez, Eduardo
Balagueró, Jaume
Plaza, Paco
Peli, Oren
Häxan (1921)
Mondo Cane (1960)
Legend of Boggy Creek, The (1972)
Cannibal Holocaust (1979)
Blair Witch Project, The (1999)
[Rec] (2007)
Paranormal Activity (2007)
Technik: Kamera ~ Technology: Camera
Monster ~ Monster
Horror ~ Horror
Dokumentarfilm ~ Documentary Film

#428
Liptay, Fabienne: Spinn’ es noch einmal, Spider! Ambiguität als Voraussetzung für die doppelte Filmlektüre am Beispiel von David Cronenbergs Spider. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 189 ff.
Index:
Cronenberg, David
Spider (2002)
Spinne ~ Spider
Technik: Kamera ~ Technology: Camera

#429
Liu Wei: Avatar hand for US-China 3D blockbuster. In: China Daily, April 29, 2010. p. 18.
Description:
On the production of Michael French’s Empires of the Deep which is partly produced in China and supported by Avatar virtual camera operator Anthony Arendt.
Index:
French, Michael
Cameron, James
Arendt, Anthony
Empires of the Deep (2010)
Avatar (2009)
USA (United States of America) ~ USA (United States of America)
Technik: Kamera ~ Technology: Camera
3-D Films
China ~ China

#430
LoBrutto, Vincent: The old ultra-violence. In: American Cinematographer 80. 1999. No. 10. [October] pp. 52-61.
Description:
On John Alcott’s camera work for Stanley Kubrick’s A Clockwork Orange and on the creation of the futuristic world in that film.
Index:
Kubrick, Stanley
Alcott, John
Clockwork Orange, A (1971)
Technik: Kamera ~ Technology: Camera
Utopie ~ Utopia
Gewalt ~ Violence

#431
LoBrutto, Vincent: The surreal images of Seconds. In: American Cinematographer 78. 1997. No. 11. [November] pp. 98-104.
Description:
Especially on cinematographer James Wong Howe.
Index:
Frankenheimer, John
Howe, James Wong
Seconds (1966)
Technik: Kamera ~ Technology: Camera
Surrealismus ~ Surrealism

#432
Longwell, Todd: A visual treasure. In: American Cinematographer 88. 2007. No. 5. [May]. Supplement. pp. 43-44.
Description:
On Dariusz Wolski’s camera work for Pirates of the Caribbean: At World’s End.
Index:
Verbinski, Gore
Wolski, Dariusz
Pirates of the Caribbean: At World’s End (2007)
Technik: Kamera ~ Technology: Camera

#433
Lotter, J. C.: Die synthetische Kamera. In: Filmfaust ?G. 1986. No. 55. [?D] pp. 48-53.
Description:
On the use of computers in animated films.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#434
Lubzeki, Emmanuel: The light fantastic. In: Sight and Sound NS 21. 2011. No. 7. [July] pp. 22-23.
Description:
The cinematographer on his work for Terence Malick.
Index:
Malick, Terrence
Lubezki, Emmanuel
Tree of Life, The (2011)
Technik: Kamera ~ Technology: Camera

#435
Lucas, Tim: The Fly - new buzz on an old theme. In: American Cinematographer 67. 1986. No. 9. [September] pp. 60-67.
Description:
Especially on the camera work of Mark Irwin.
Index:
Cronenberg, David
Irwin, Mark
Fly, The (1986)
Technik: Kamera ~ Technology: Camera

#436
MacDonald, Scott: Ernie Gehr: Camera obscura / lens / filmstrip. In: Film Quarterly 43. 1990. No. 4. [Summer] pp. 10-16.
Description:
On the experimental filmmaker.
Index:
Gehr, Ernie
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films

#437
Macnab, Geoffrey: Gunnar Fischer. In: Sight and Sound NS 21. 2011. No. 8. [August] p. 15.
Description:
Obituary for Ingmar Bergman’s long time cinematographer.
Index:
Bergman, Ingmar
Fischer, Gunnar
Technik: Kamera ~ Technology: Camera

#438
Macnab, Geoffrey: Technicolor tyke. In: Sight and Sound NS 11. 2001. No. 7. [July] p. 65.
Description:
Interview with cinematographer Jack Cardiff on a DVD edition of The Red Shoes.
Index:
Powell, Michael
Pressburger, Emeric
Cardiff, Jack
Red Shoes, The (1948)
Technik: Kamera ~ Technology: Camera
Technicolor ~ Technicolor
DVD ~ DVD

#439
Magid, Ron: A flying leap in camera coverage. In: American Cinematographer 83. 2002. No. 8. [August] pp. 58-59.
Description:
On the special effects for Rob Cohen’s XXX.
Index:
Cohen, Rob
XXX (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#440
Magid, Ron: A mouse on the move. In: American Cinematographer 83. 2002. No. 7. [July] pp. 50-63.
Description:
On the special effects for the cartoon / live action mix Stuart Little 2, especially on the camera work of Steven Poster.
Index:
Minkoff, Rob
Poster, Steven
Stuart Little 2 (2002)
Animation: Cartoons ~ Animation: Cartoons
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#441
Magid, Ron: Aerial camera work for Intruder. In: American Cinematographer 71. 1990. No. 7. [July] pp. 66-71.
Index:
Milius, John
Flight of the Intruder (1991)
Technik: Kamera ~ Technology: Camera

#442
Magid, Ron: Angry Red Planet. In: American Cinematographer 81. 2000. No. 3. [March] pp. 50-56, 60.
Description:
On the special effects for Brian DePalma’s Mission to Mars, especially on the work of cinematographer Stephen H. Burum.
Index:
De Palma, Brian
Burum, Stephen
Mission to Mars (2000)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#443
Magid, Ron: Cinematography at the limits of the universe. In: American Cinematographer 70. 1989. No. 7. [July] pp. 58-74.
Description:
On William Shatner’s Star Trek V - The Final Frontier.
Index:
Shatner, William
Star Trek V - The Final Frontier (1989)
Technik: Kamera ~ Technology: Camera
Weltraum ~ Space

#444
Magid, Ron: Dark shadows. In: American Cinematographer 81. 2000. No. 12. [December] pp. 68-75.
Description:
On E. Elias Merhige’s Shadow of the Vampire, a speculative production history of Murnau’s vampire classic Nosferatu spekuliert. Discusses especially the camera work of Lou Bogue.
Index:
Merhige, E. Elias
Bogue, Lou
Murnau, Friedrich Wilhelm
Shadow of the Vampire (2000)
Nosferatu - Eine Symphonie des Grauens (1922)
Technik: Kamera ~ Technology: Camera
Vampire ~ Vampires

#445
Magid, Ron: Dragonheart fulfills filmic quest. In: American Cinematographer 77. 1996. No. 6. [June] pp. 96-105.
Description:
Especially on the work of cinematographer David Eggby, of special effects artist Scott Squires and of ILM for the film.
Index:
Cohen, Rob
Eggby, David
Squires, Scott
Dragonheart (1996)
Technik: Kamera ~ Technology: Camera
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#446
Magid, Ron: Dream weavers. In: American Cinematographer 79. 1998. No. 11. [November] pp. 42-51.
Description:
On Vincent Ward’s What Dreams May Come; especially on the camera work of Eduardo Serra.
Index:
Ward, Vincent
Serra, Eduardo
What Dreams May Come (1998)
Technik: Kamera ~ Technology: Camera
Traum ~ Dreams

#447
Magid, Ron: Gourmet photography for Flight. In: American Cinematographer 72. 1991. No. 1. [January] pp. 73-76.
Description:
On the special effects for Flight of the Intruder.
Index:
Milius, John
Flight of the Intruder (1991)
Technik: Kamera ~ Technology: Camera
Nahrung ~ Food
Technik: Spezialeffekte ~ Technology: Special Effects

#448
Magid, Ron: Hardcore action. In: American Cinematographer 83. 2002. No. 8. [August] pp. 54-56, 59-65.
Description:
On the special effects for Rob Cohen’s XXX, especially on the camera work of Dean Semler.
Index:
Cohen, Rob
Semler, Dean
XXX (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Action ~ Action

#449
Magid, Ron: Masters of disaster. In: American Cinematographer 85. 2004. No. 6. [June] pp. 44-53.
Description:
On Ueli Steiger’s camera work for Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Steiger, Ueli
Day After Tomorrow, The (2004)
Technik: Kamera ~ Technology: Camera
Katastrophen ~ Disasters

#450
Magid, Ron: Mountain high. In: American Cinematographer 82. 2001. No. 2. [February] pp. 50-63.
Description:
On Martin Campbell’s Vertical Limit, especially on the camera work of David Tattersall.
Index:
Campbell, Martin
Tattersall, David
Vertical Limit (2000)
Technik: Kamera ~ Technology: Camera
Berge ~ Mountains

#451
Magid, Ron: Murder 01. In: American Cinematographer 85. 2004. No. 7. [July] pp. 46-55.
Description:
On Simon Duggan’s camera work for Alex Proyas’s I, Robot.
Index:
Proyas, Alex
Duggan, Simon
I, Robot (2004)
Technik: Kamera ~ Technology: Camera

#452
Magid, Ron: Narita leads Enterprise camera crew. In: American Cinematographer 73. 1992. No. 1. [January] pp. 42-50.
Description:
On Hiro Narita, the cinematographer of Star Trek VI - The Undiscovered Country
Index:
Meyer, Nicholas
Narita, Hiro
Star Trek VI - The Undiscovered Country (1991)
Technik: Kamera ~ Technology: Camera

#453
Magid, Ron: Night terrors. In: American Cinematographer 81. 2000. No. 6. [June] pp. 110-117.
Description:
On David Twohy’s sci fi thriller Pitch Black; especially on the camera work of David Eggby.
Index:
Twohy, David
Eggby, David
Pitch Black (2000)
Technik: Kamera ~ Technology: Camera
Thriller ~ Thriller
Science Fiction ~ Science Fiction
Nacht ~ Night

#454
Magid, Ron: Paging 007. In: American Cinematographer 80. 1999. No. 12. [December] pp. 60-62, 65-73.
Description:
On the special effects for the James Bond film The World is Not Enough, especially on the camera work of Adrian Biddle.
Index:
Apted, Michael
Biddle, Adrian
World is Not Enough, The (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
James Bond ~ James Bond

#455
Magid, Ron: Pitch Black: Cinematographer: Anna Foerster. In: American Cinematographer 80. 1999. No. 3. [March] pp. 84-87.
Index:
Twohy, David
Foerster, Anna
Pitch Black (2000)
Technik: Kamera ~ Technology: Camera

#456
Magid, Ron: Poltergeist II: The Other Side - the photography. In: American Cinematographer 67. 1986. No. 7. [July] pp. 50-56.
Description:
Especially on the work of cinematographer Andrew Laszlo.
Index:
Gibson, Brian
Laszlo, Andrew
Poltergeist II: The Other Side (1986)
Fotografie ~ Photography
Technik: Kamera ~ Technology: Camera

#457
Magid, Ron / Probst, Christopher / Robley, Les Paul: Sight unseen. In: American Cinematographer 81. 2000. No. 8. [August] pp. 38-49.
Description:
Articles on Paul Verhoeven’s Hollow Man, especially on the camera work of Jost Vacano and on the special effects for the film.
Index:
Verhoeven, Paul
Vacano, Jost
Hollow Man (2000)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#458
Magid, Ron: Quest for perfection. In: American Cinematographer 80. 1999. No. 10. [October] pp. 40-51.
Description:
Kubrick’s associates on their collaboration with the director. Includes remarks by Larry Smith, the cinematographer of Eyes Wide Shut, Ken Adam, the production designer of Dr. Strangelove and Barry Lyndon and by Garrett Brown who created the optical special effects for The Shining.
Index:
Kubrick, Stanley
Smith, Larry
Adam, Ken
Brown, Garrett
Eyes Wide Shut (1999)
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1963)
Barry Lyndon (1975)
Shining, The (1980)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#459
Magid, Ron: Renaissance man. In: American Cinematographer 80. 1999. No. 3. [March] pp. 38-52.
Description:
On the cinematographer Giuseppe Rotunno who worked for many Fellini films.
Index:
Rotunno, Giuseppe
Fellini, Federico
Renaissance ~ Renaissance
Technik: Kamera ~ Technology: Camera

#460
Magid, Ron: Samurai tactics. In: American Cinematographer 79. 1998. No. 10. [October] pp. 34-42.
Description:
On John Frankenheimer’s Ronin; especially on the camera work of Robert Fraisse.
Index:
Frankenheimer, John
Fraisse, Robert
Ronin (1998)
Technik: Kamera ~ Technology: Camera
Samurai ~ Samurai

#461
Magid, Ron: Space family Robinson. In: American Cinematographer 79. 1998. No. 4. [April] pp. 40-51.
Description:
Articles on Stephen Hopkins’s Lost in Space, especially on the work of cinematographer Peter Levy and on the special effects.
Index:
Hopkins, Stephen
Levy, Peter
Lost in Space (1998)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Weltraum ~ Space
Familie ~ Family

#462
Magid, Ron: Terminator 2: He said he’d back. In: American Cinematographer 72. 1991. No. 7. [July] pp. 44-52.
Description:
Interview with cinematographer Adam Greenberg.
Index:
Cameron, James
Greenberg, Adam
Terminator II - Judgement Day (1991)
Technik: Kamera ~ Technology: Camera

#463
Magid, Ron: Unearthly terrors. In: American Cinematographer 78. 1997. No. 8. [August] pp. 38-48.
Description:
On Paul Anderson’s Event Horizon; especially on the camera work of Adrian Biddle.
Index:
Anderson, Paul
Biddle, Adrian
Event Horizon (1997)
Technik: Kamera ~ Technology: Camera

#464
Magid, Ron / Williams, David: Titanic raises anchor. In: American Cinematographer 78. 1997. No. 12. [December] pp. 30-85.
Description:
Especially on the work of cinematographer Russell Carpenter and on the special effects for the film.
Index:
Cameron, James
Carpenter, Russell
Titanic (1997)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#465
Magid, Ron: Wolf sheds light on a lycanthrope. In: American Cinematographer 75. 1994. No. 6. [June] pp. 48-56.
Description:
Interview with cinematographer Giuseppe Rotunno.
Index:
Nichols, Mike
Rotunno, Giuseppe
Wolf (1994)
Technik: Kamera ~ Technology: Camera

#466
Manders, Stanley: Romans on the run. In: American Cinematographer 91. 2010. No. 9. [September] pp. 74-81.
Description:
On Sam McCurdy’s camera work for Neil Marshall’s Centurion.
Index:
Marshall, Neil
McCurdy, Sam
Centurion (2010)
Technik: Kamera ~ Technology: Camera

#467
Manders, Stanley: Terror in Technicolor. In: American Cinematographer 91. 2010. No. 2. [February] pp. 68-76.
Description:
On Luciano Tovoli’s camera work for Dario Argento’s Suspiria.
Index:
Argento, Dario
Tovoli, Luciano
Suspiria (1976)
Technik: Kamera ~ Technology: Camera
Technicolor ~ Technicolor

#468
Mankofsky, Isidore: Isidore Mankofsky, ASC on The Muppet Movie. In: American Cinematographer 92. 2011. No. 12. [December] p. 82.
Index:
Frawley, James
Mankofsky, Isidore
Muppet Movie, The (1979)
Technik: Kamera ~ Technology: Camera

#469
Manovich, Lev: Van cameralens tot computerpenseel: Digitale cinema. In: Skrien 1990. No. 170. [?D] pp. 44-48.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#470
Mantle, Anthony Dod: Rendering altered states for Trance. In: American Cinematographer 94. 2013. No. 5. [May] pp. 20-26.
Index:
Boyle, Danny
Mantle, Anthony Dod
Trance (2013)
Technik: Kamera ~ Technology: Camera

#471
Manzoli, Giacomo: La camera alta. In: Cineforum 37. 1997. No. ?N(365). [?D] pp. 14-17.
Index:
Hitchcock, Alfred
Vertigo (1958)
Technik: Kamera ~ Technology: Camera

#472
Marcks, Iain: A clash of Titans. In: American Cinematographer 97. 2016. No. 4. [April] pp. 72-89.
Description:
On Larry Fong’s camera work for Zack Snyder’s Batman vs Superman: Dawn of Justice.
Index:
Snyder, Zack
Fong, Larry
Batman vs. Superman: Dawn of Justice (2016)
Technik: Kamera ~ Technology: Camera

#473
Marcks, Iain: A new testament. In: American Cinematographer 98. 2017. No. 11. [November] pp. 30-45.
Description:
On Matthew Libatique’s camera work for Darren Aronofsky’s Mother!.
Index:
Aronofsky, Darren
Libatique, Matthew
Mother! (2017)
Technik: Kamera ~ Technology: Camera
Religion ~ Religion

#474
Marcks, Iain: A space opera’s high notes. In: American Cinematographer 97. 2016. No. 2. [February] pp. 50-58, 61-65.
Description:
On Dan Mindel’s camera work for J. J. Abrams’s Star Wars: The Force Awakens.
Index:
Abrams, J[effrey] J[acob]
Mindel, Dan
Star Wars: The Force Awakens (2015)
Weltraum ~ Space
Technik: Kamera ~ Technology: Camera

#475
Marcks, Iain: Rules of engagement. In: American Cinematographer 98. 2017. No. 6. [June] pp. 80-95.
Description:
On Colin Watkinson’s camera work for the TV series The Handmaid’s Tale.
Index:
Miller, Bruce
Watkinson, Colin
Handmaid’s Tale, The (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#476
Marcks, Iain: Time immemorial. In: American Cinematographer 98. 2017. No. 5. [May] pp. 44-53.
Description:
On Darius Khondji’s camera work for James Gray’s The Lost City of Z.
Index:
Gray, James
Khondji, Darius
Lost City of Z, The (2016)
Technik: Kamera ~ Technology: Camera

#477
Marquez, José: Lights! Camera! Action! In: Mel Gibson’s Bible: Religion, popular culture, and The Passion of the Christ. Edited by Timothy K. Beal and Tod Linafelt. - Chicago, Illinois; London: University of Chicago Press 2006. (= Afterlives of the Bible.) p. ?P.
Index:
Gibson, Mel
Passion of the Christ, The (2004)
Technik: Kamera ~ Technology: Camera
Action ~ Action
Religion ~ Religion

#478
Martin, Kevin H.: Designs upon the earth. In: American Cinematographer 83. 2002. No. 8. [August] pp. 44-53.
Description:
On the special effects for M. Night Shyamalan’s Signs, especially on the camera work of Tak Fujimoto.
Index:
Shyamalan, M. Night
Fujimoto, Tak
Signs (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#479
Martin, Kevin H.: Hack to the future. In: International Cinematographers Guild Magazine 87. 2016. No. 3. [March] pp. 52-57.
Description:
On the work of cinematographer Tod Campbell for the TV series Mr. Robot.
Index:
Esmail, Sam
Campbell, Tod
Mr. Robot (TV)
Utopie ~ Utopia
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#480
Martin, Kevin H.: Lighting a fast track. In: American Cinematographer 83. 2002. No. 3. [March] pp. 72-79.
Description:
On the special effects for John McTiernan’s Rollerball remake, especially on the camera work of Steve Mason.
Index:
McTiernan, John
Jewison, Norman
Mason, Steve
Rollerball (2002)
Rollerball (1974)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#481
Martin, Kevin H.: Skull and bones. In: American Cinematographer 84. 2003. No. 8. [August] pp. 54-65.
Description:
On the Disney adventure film Pirates of the Caribbean: The Curse of the Black Pearl; especially on the camera work of Dariusz Wolski.
Index:
Verbinski, Gore
Wolski, Dariusz
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Technik: Kamera ~ Technology: Camera
Disney ~ Disney
Abenteuer ~ Adventure

#482
Martin, Kevin H.: Space oddities. In: American Cinematographer 82. 2001. No. 7. [July] pp. 44-55.
Description:
On Ivan Reitman’s science fiction comedy Evolution, especially on the camera work of Michael Chapman.
Index:
Reitman, Ivan
Chapman, Michael
Evolution (2001)
Humor ~ Humor
Technik: Kamera ~ Technology: Camera
Weltraum ~ Space
Science Fiction ~ Science Fiction

#483
Martin, Kevin H.: Unholy ground. In: American Cinematographer 82. 2001. No. 6. [June] pp. 64-71, 74-77.
Description:
On Stephen Sommers’s The Mummy Returns, especially on the camera work of Adrian Biddle.
Index:
Sommers, Stephen
Biddle, Adrian
Mummy Returns, The (2000)
Technik: Kamera ~ Technology: Camera

#484
Martysz, Veronica: Cinematographische Merkmale der Schloss-Verfilmung von Michael Haneke. - München: GRIN Verlag 2009.
Index:
Haneke, Michael
Schloß, Das (1996)
Technik: Kamera ~ Technology: Camera

#485
Matrix, Sidney Eve: "We’re okay with fakes": Cybercinematography and the spectre of virtual actors in S1m0ne. In: Animation [Farnham] 1. 2006. No. 2. [?D] pp. 207-228.
Index:
Niccol, Andrew
S1m0ne (2002)
Technik: Kamera ~ Technology: Camera
Cyberspace ~ Cyberspace

#486
Matsumoto, Neil: Against the clock. In: American Cinematographer 97. 2016. No. 6. [June] pp. 86-101.
Description:
On Stuart Dryburgh’s camera work for James Bobin’s Alice Through the Looking Glass.
Index:
Bobin, James
Dryburgh, Stuart
Alice Through the Looking Glass (2016)
Technik: Kamera ~ Technology: Camera

#487
Matzkeit, Alexander: Das fliegende Auge. In: EPD Film 32. 2015. No. 5. [May] pp. 22-23.
Description:
On the use of drone cameras in recent blockbuster movies.
Index:
Whedon, Joss
Avengers: Age of Ultron (2015)
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Augen ~ Eyes

#488
McKelvey Cleaver, Thomas: Adam Greenberg and The Terminator. In: American Cinematographer 66. 1985. No. 4. [April] pp. 50-52.
Description:
On the work of the cinematographer.
Index:
Cameron, James
Greenberg, Adam
Terminator, The (1984)
Technik: Kamera ~ Technology: Camera

#489
McKenzie, Barbara: The camera and Wise Blood. In: Flannery O’Connor Bulletin 10. 1981. No. ?N. [?D] pp. 29-37.
Index:
Huston, John
Wise Blood (1979)
Technik: Kamera ~ Technology: Camera

#490
Merrick, Hélène: Phil Méheux: Ombre et lumière. In: La Revue du Cinéma 1991. No. 469. [?D] pp. 72-74.
Description:
On the cinematographer and his work for Russell Mulcahy’s Highlander II - The Quickening.
Index:
Mulcahy, Russell
Méheux, Phil
Highlander II - The Quickening (1990)
Technik: Kamera ~ Technology: Camera

#491
Midding, Gerhard: Die Magie der Kreisfahrt: Michael Ballhaus, Kameramann, 5.8.1935-12.4.2017. In: EPD Film 34. 2017. No. 5. [May] p. 23.
Description:
Obituary.
Index:
Ballhaus, Michael
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#492
Minks, Patrick: "Auf der Suche nach dem naiven Sehen, dem unbefangenen Filmen": Gespräch mit dem Kameramann Robby Müller. In: Filmbulletin 38. 1996. No. 5(208). [?D] pp. 23-24.
Description:
On the cinematographer’s work for Lars von Trier’s Breaking the Waves.
Index:
von Trier, Lars
Müller, Robby
Breaking the Waves (1996)
Technik: Kamera ~ Technology: Camera

#493
Monnet, Livia: "Such is the contrivance of the cinematograph": Dur(anim)ation, modernity, and Edo culture in Tabaimo’s animated installations. In: Cinema anime: Critical engagements with Japanese animation. Edited by Steven T. Brown. - New York: Palgrave Macmillan 2006. p. ?P.
Index:
Tabata, Ayako [Pseudonym: Tabaimo]
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The
Japan ~ Japan
Animation ~ Animation
Animation: Comics ~ Animation: Comics

#494
Mooser, Stephen: Lights! camera! scream! How to make your own monster movies. - New York: J. Messner 1983.
Index:
Technik: Kamera ~ Technology: Camera
Monster ~ Monster

#495
Mulcahey, Matt: Cannibal run. In: American Cinematographer 98. 2017. No. 7. [July] pp. 60-66.
Description:
On Lyle Vincent’s camera work for Ana Lily Amirpour’s The Bad Batch.
Index:
Amirpour, Ana Lily
Vincent, Lyle
Bad Batch, The (2016)
Technik: Kamera ~ Technology: Camera
Kannibalismus ~ Cannibalism

#496
Mulcahey, Matt: Love and dystopia. In: American Cinematographer 97. 2016. No. 8. [August] pp. 64-71.
Description:
On John Guleserian’s camera work for Drake Doremus’s Equals.
Index:
Doremus, Drake
Guleserian, John
Equals (2015)
Utopie ~ Utopia
Technik: Kamera ~ Technology: Camera

#497
Mullen, David: The magic of hard lightning. In: American Cinematographer 97. 2016. No. 12. [December] pp. 84-86.
Description:
The cinematographer on his work for Anna Biller’s The Love Witch.
Index:
Biller, Anna
Mullen, David M.
Love Witch, The (2016)
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#498
Murray, Timothy: Like a film: Ideological fantasy on screen, camera, and canvas. - London; New York: Routledge 1993.
Reviews:
Brunette, Peter: [untitled.] In: Film Quarterly 50. 1996. No. 1. [?D] pp. 55-56.
Harris, Mark: [untitled.] In: Canadian Literature / Littérature canadienne 1996. No. 151. [?D] pp. 160-161.
Leicester Jr., H. Marshall: [untitled.] In: Shakespeare Studies [Madison] 1996. No. 24. [?D] pp. 312-317.
Robertson, Pamela: [untitled.] In: Modernism/Modernity 2. 1995. No. 2. [?D] pp. 112-114.
Wills, David: [untitled.] In: Substance ?G. 1996. No. ?N(79). [?D] pp. 126-128.
Description:
On the influence of filmic techniques on the arts, literature, film and culture. Discusses, among others, the experimental filmmaking of Yvonne Rainer and Derek Jarman, Laurence Olivier’s role in the 1965 filming of Othello several film theories as well as sexual, philosophical and psychological aspects of (film)culture.
Index:
Rainer, Yvonne
Jarman, Derek
Olivier, Laurence
Burge, Stuart
Dexter, John
Othello (1965)
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Sexualität ~ Sexuality
Psychologie ~ Psychology
Politik ~ Politics
Philosophie ~ Philosophy
Literatur ~ Literature
Fantasy ~ Fantasy
Experimentalfilme ~ Experimental Films

#499
Obradovic, Alexandra: Das gewalttätige Auge der Kamera: Eine Untersuchung zum Verhältnis von Gewalt und Medium anhand ausgewählter Spielfilme. - Hamburg: Universität Hamburg, Literaturwissenschaftliches Seminar, Magisterarbeit 1994.
Index:
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes
Gewalt ~ Violence

#500
Oppenheimer, Jean: A battle for the barn. In: American Cinematographer 80. 1999. No. 10. [October] pp. 72-74, 77-81.
Description:
On John Stevenson’s Animal Farm, especially on the camera work of Mike Brewster.
Index:
Stevenson, John
Brewster, Mike
Animal Farm (1999)
Technik: Kamera ~ Technology: Camera

#501
Oppenheimer, Jean: A frightening fable. In: American Cinematographer 89. 2008. No. 9. [September] pp. 44-53.
Description:
On César Charlone’s camera work for Fernando Meirelles’s Blindness.
Index:
Meirelles, Fernando
Blindness (2008)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear

#502
Oppenheimer, Jean: A trip to the moon. In: American Cinematographer 79. 1998. No. 4. [April] pp. 64-77.
Description:
On the TV series From the Earth to the Moon; especially on the camera work of Gale Tattersall.
Index:
Tattersall, Gale
From the Earth to the Moon (TV)
Technik: Kamera ~ Technology: Camera
Mond ~ Moon
Fernsehen ~ Television

#503
Oppenheimer, Jean: An Unforgettable world of light and shadow. In: American Cinematographer 77. 1996. No. 1. [January] pp. 52-57.
Description:
Especially on cinematographer Jeff Jur.
Index:
Dahl, John
Jur, Jeff
Unforgettable (1996)
Technik: Kamera ~ Technology: Camera

#504
Oppenheimer, Jean: Backstage drama. In: American Cinematographer 2014. No. 12. [December] pp. 54-67.
Description:
On Emmanuel Lubezki’s camera work for Alejandro González Iñárritu’s Birdman.
Index:
Iñárritu, Alejandro González
Lubezki, Emmanuel
Birdman (2014)
Technik: Kamera ~ Technology: Camera

#505
Oppenheimer, Jean: Casting murder in a new light. In: American Cinematographer 78. 1997. No. 9. [September] pp. 66-74.
Description:
On Gary Fleder’s Kiss the Girls; especially on the camera work of Aaron Schneider.
Index:
Fleder, Gary
Schneider, Aaron
Kiss the Girls (1997)
Technik: Kamera ~ Technology: Camera
Mord ~ Murder

#506
Oppenheimer, Jean: Dark secrets. In: American Cinematographer 91. 2010. No. 5. [May] pp. 56-61.
Description:
On Eric Kress’s camera work for Niels Arden Oplev’s The Girl with the Dragon Tatoo (Män som hatar kvinnor).
Index:
Oplev, Niels Arden
Kress, Eric
Män som hatar kvinnor (2009)
Technik: Kamera ~ Technology: Camera

#507
Oppenheimer, Jean: Down under in jungleland. In: American Cinematographer 77. 1996. No. 9. [September] pp. 44-52.
Description:
On John Frankenheimer’s The Island of Dr. Moreau; especially on cinematographer William Fraker.
Index:
Frankenheimer, John
Fraker, William A.
Island of Dr. Moreau, The (1996)
Technik: Kamera ~ Technology: Camera
Australien ~ Australia
Dschungel ~ Jungle

#508
Oppenheimer, Jean: Espionage 101. In: American Cinematographer 83. 2002. No. 11. [November] pp. 80-89.
Description:
On the TV series Alias, especially on the camera work of Michael Bonvillain.
Index:
Bonvillain, Michael
Alias (TV)
Technik: Kamera ~ Technology: Camera
Spione ~ Spys
Fernsehen ~ Television

#509
Oppenheimer, Jean: Heaven sent. In: American Cinematographer 84. 2003. No. 11. [November] pp. 34-49.
Description:
On Stephen Goldblatt’s camera work for Mike Nichols’s Angels in America.
Index:
Nichols, Mike
Goldblatt, Stephen
Angels in America (TV)
Technik: Kamera ~ Technology: Camera

#510
Oppenheimer, Jean: Kinetic moves enhance martial-arts adventure. In: American Cinematographer 87. 2006. No. 6. [June] pp. 14-18.
Description:
On the work of the cinematographer Peter Pau.
Index:
Pau, Peter
Technik: Kamera ~ Technology: Camera
Martial Art ~ Martial Art
Abenteuer ~ Adventure

#511
Oppenheimer, Jean: Looks that kill. In: American Cinematographer 97. 2016. No. 7. [July] pp. 30-43.
Description:
On Natasha Braier’s camera work for Nicolas Winding-Refn’s The Neon Demon.
Index:
Winding-Refn, Nicolas
Braier, Natasha
Neon Demon, The (2016)
Technik: Kamera ~ Technology: Camera

#512
Oppenheimer, Jean: Mind games. In: American Cinematographer 81. 2000. No. 9. [September] pp. 42-59.
Description:
On Tarsem Singh’s The Cell, especially on the camera work of Paul Laufer.
Index:
Singh, Tarsem
Laufer, Paul
Cell, The (2000)
Technik: Kamera ~ Technology: Camera

#513
Oppenheimer, Jean: Poe tracks a killer. In: American Cinematographer 93. 2012. No. 5. [May] pp. 22-28.
Description:
On Danny Ruhlmann’s camera work for James McTeigue’s The Raven.
Index:
McTeigue, James
Ruhlmann, Danny
Poe, Edgar Allan
Raven, The (2012)
Technik: Kamera ~ Technology: Camera
Mord ~ Murder

#514
Oppenheimer, Jean: Through rain, hail or nuclear winter. In: American Cinematographer 78. 1997. No. 12. [December] pp. 86-92.
Description:
On Kevin Costner’s The Postman; especially on the camera work of Stephen Windon.
Index:
Costner, Kevin
Windon, Stephen
Postman, The (1997)
Technik: Kamera ~ Technology: Camera
Winter ~ Winter
Atom ~ Nuclear

#515
Oppenheimer, Jean: Underwater antics. In: American Cinematographer 86. 2005. No. 1. [January] pp. 66-77.
Description:
On Robert Yeoman’s camera work for Wes Anderson’s The Life Aquatic with Steve Zissou.
Index:
Anderson, Wes
Yeoman, Robert
Robert Yeoman
Technik: Kamera ~ Technology: Camera

#516
Oppenheimer, Jean: Young blood. In: American Cinematographer 80. 1999. No. 6. [June] pp. 90-101.
Description:
On the special effects for the TV series Buffy the Vampire Slayer; especially on the camera work of Michael Gershman.
Index:
Gershman, Michael
Buffy the Vampire Slayer (TV)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television
Blut ~ Blood

#517
Oppenheimer, Jean: Young man of steel. In: American Cinematographer 88. 2007. No. 5. [May] pp. 54-63.
Description:
On cinematographer Glen Winter and David Moxness working for the TV series Smallville.
Index:
Winter, Glen
Moxness, David
Smallville (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#518
Orgeron, Devin: La camera-crayola: Authorship comes of age in the cinema of Wes Anderson. In: Cinema Journal 46. 2007. No. 2. [Winter] pp. 40-65.
Index:
Anderson, Wes
Technik: Kamera ~ Technology: Camera

#519
Orlin, Scott / Teichmann, Bernd: Der Film im Kopf: Storyboards: Dreharbeiten ohne Kamera. In: Cinema [Hamburg] 1994. No. 7(194). [?D] pp. 87-90.
Description:
On the storyboard artist Carl Aldana and his work for Barry Levinson’s Toys.
Index:
Levinson, Barry
Aldana, Carl
Toys (1992)
Technik: Kamera ~ Technology: Camera
Kunst ~ Arts, The

#520
Orlov, Aleksei: Non-camera story. In: Soviet Film 1990. No. 11(?N). [?D] pp. 38-39.
Description:
On the Soviet animators Sasa Gladysev and Nadja Aslanova.
Index:
Gladysev, Sasa
Aslanova, Nadja
Technik: Kamera ~ Technology: Camera
UdSSR (Union der Sozialistischen Sowjetrepubliken) ~ USSR (Union of Soviet Socialist Republics)
Animation ~ Animation

#521
Orth, Dominik: Der unbewusste Tod: Unzuverlässiges Erzählen in M. Night Shyamalans The Sixth Sense und Alejandro Amenábars The Others. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 285 ff.
Index:
Shyamalan, M. Night
Amenábar, Alejandro
Sixth Sense, The (1999)
Others, The (2001)
Tod ~ Death
Technik: Kamera ~ Technology: Camera

#522
Parisi, PaulA: Valkenvania: A haunting comedy. In: American Cinematographer 71. 1990. No. 12. [December] pp. 26-32.
Description:
Especially on the Dean Cundey’s camera work.
Index:
Aykroyd, Dan
Cundey, Dean
Valkenvania / Nothing But Trouble (1990)
Technik: Kamera ~ Technology: Camera
Humor ~ Humor

#523
Pavlus, John: A bride vows revenge. In: American Cinematographer 84. 2003. No. 10. [October] pp. 34-47.
Description:
On the special effects for Quentin Tarantino’s martial arts film Kill Bill Volume 1, especially on the camera work of Robert Richardson.
Index:
Tarantino, Quentin
Richardson, Robert
Kill Bill Volume 1 (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Martial Art ~ Martial Art

#524
Pavlus, John: Forget me not. In: American Cinematographer 85. 2004. No. 4. [April] pp. 36-47.
Description:
On Ellen Kuras’s camera work for Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Gondry, Michael
Kuras, Ellen
Eternal Sunshine of the Spotless Mind (2004)
Technik: Kamera ~ Technology: Camera

#525
Pavlus, John: Haunted grounds. In: American Cinematographer 85. 2004. No. 2. [February] pp. 64-73.
Description:
On David Connell’s camera work for Craig R. Baxley’s mini series Kingdom Hospital.
Index:
Baxley, Craig R.
Connell, David
Kingdom Hospital / Stephen King’s Kingdom Hospital (2004)
Technik: Kamera ~ Technology: Camera

#526
Pavlus, John: Head trip. In: American Cinematographer 87. 2006. No. 7. [July] pp. 44-53.
Description:
On Shane F. Kelly’s camera work for Richard Linklater’s A Scanner Darkly.
Index:
Linklater, Richard
Kelly, Shane F.
Scanner Darkly, A (2006)
Technik: Kamera ~ Technology: Camera

#527
Pavlus, John: Icy chills. In: American Cinematographer 84. 2003. No. 4. [April] pp. 58-65, 67-69.
Description:
On the special effects for Lawrence Kasdan’s Dreamcatcher, especially on the camera work of John Seale.
Index:
Kasdan, Lawrence
Seale, John
Dreamcatcher (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#528
Pavlus, John: No holds barred. In: American Cinematographer 83. 2002. No. 11. [November] pp. 34-40, 43-49.
Description:
On the special effects for Lee Tamahori’s James Bond film Die Another Day, especially on the camera work of David Tattersall.
Index:
Tamahori, Lee
Tattersall, David
Die Another Day (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
James Bond ~ James Bond

#529
Pavlus, John: Sleepless in Alaska. In: American Cinematographer 83. 2002. No. 5. [May] pp. 34-45.
Description:
On the work of cinematographer Wally Pfister and director Christopher Nolan for Memento, a remake of Erik Skjoldbjærg’s Insomnia.
Index:
Nolan, Christopher
Pfister, Wally
Skjoldbjærg, Erik
Memento (2000)
Insomnia (1997)
Technik: Kamera ~ Technology: Camera

#530
Peinacher, Florian: "Maybe we shouldn’t have the camera": Der Schrecken gewöhnlicher Überwachung in Oren Pelis Paranormal Activity (2007). In: Dawn of an evil millennium: Horror/Kultur im neuen Jahrtausend. Hrsg. von Jörg van Bebber. - Darmstadt: Büchner-Verlag 2011. pp. 402 ff.
Index:
Peli, Oren
Paranormal Activity (2007)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear
Böse, Das ~ Evil, The
Horror ~ Horror

#531
Perisic, Zoran: Visual effects cinematography. - Oxford: Focal Press 1999.
Reviews:
Zone, Ray: [untitled] In: American Cinematographer 81. 2000. No. 9. [September] pp. 163-164.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#532
Petrie, Duncan: A fractured family. In: American Cinematographer 80. 1999. No. 11. [November] pp. 22 ff.
Description:
On Seamus McGarvey’s camera work for Tim Roth’s The War Zone.
Index:
Roth, Tim
McGarvey, Seamus
War Zone, The (1999)
Technik: Kamera ~ Technology: Camera
Familie ~ Family

#533
Pizello, Stephen: The Lawnmower Man: Mind expansion run amok. In: American Cinematographer 73. 1992. No. 4. [April] pp. 58-68.
Description:
On the special effects for the film, especially on the camera work of Russ Carpenter.
Index:
Leonard, Brett
Carpenter, Russell
Lawnmower Man, The (1992)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#534
Pizzello, Chris: Bringing the dark side of character to light in Diabolique. In: American Cinematographer 77. 1996. No. 4. [April] pp. 36-44.
Description:
Especially on the work of cinematographer Peter James.
Index:
Chechik, Jeremiah S.
James, Peter
Diabolique (1996)
Technik: Kamera ~ Technology: Camera

#535
Pizzello, Chris: Enchanted forest. In: American Cinematographer 80. 1999. No. 5. [May] pp. 36-47.
Description:
On the special effects for Michael Hoffman’s A Midsummer Night’s Dream; especially on the camera work of Oliver Stapleton.
Index:
Hoffman, Michael
Stapleton, Oliver
Midsummer Night’s Dream, A (1999)
Wald ~ Wood
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#536
Pizzello, Chris: Ringside riddle. In: American Cinematographer 79. 1998. No. 8. [August] pp. 52-59.
Description:
On Brian De Palma’s Snake Eyes; especially on the camera work of Stephen H. Burum.
Index:
De Palma, Brian
Burum, Stephen
Snake Eyes (1998)
Technik: Kamera ~ Technology: Camera

#537
Pizzello, Chris: Satanic verses. In: American Cinematographer 81. 2000. No. 4. [April] pp. 38-49.
Description:
On cinematographer Darius Khondji and his work for Roman Polanski’s The Ninth Gate.
Index:
Polanski, Roman
Khondji, Darius
Ninth Gate, The / neuvieme porte, La / novena puerta, La (1999)
Technik: Kamera ~ Technology: Camera
Religion: Teufel ~ Religion: Devil

#538
Pizzello, Stephen: A sword in a bed. In: American Cinematographer 80. 1999. No. 10. [October] pp. 28-34.
Description:
On Larry Smith’s camera work and on the special effects for Stanley Kubrick’s Eyes Wide Shut.
Index:
Kubrick, Stanley
Smith, Larry
Eyes Wide Shut (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#539
Pizzello, Stephen: A timeless tale of revenge. In: American Cinematographer 80. 1999. No. 2. [February] pp. 52-63.
Description:
On Julie Taymor’s Shakespeare filming Titus, especially on the camera work of Luciano Tovoli.
Index:
Taymor, Julie
Shakespeare, William
Tovoli, Luciano
Titus (1999)
Technik: Kamera ~ Technology: Camera

#540
Pizzello, Stephen: Bangkok Dangerous. In: American Cinematographer 94. 2013. No. 9. [September] pp. 50-63.
Description:
On Larry Smith’s camera work for Nicolas Winding Refn’s Only God Forgives.
Index:
Refn, Nicolas Winding
Smith, Larry
Only God Forgives (2013)
Technik: Kamera ~ Technology: Camera

#541
Pizzello, Stephen: Batman takes wing. In: American Cinematographer 86. 2005. No. 6. [June] pp. 36-59.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s Batman Begins.
Index:
Nolan, Christopher
Pfister, Wally
Batman Begins (2005)
Technik: Kamera ~ Technology: Camera
Batman ~ Batman

#542
Pizzello, Stephen: Book smart. In: American Cinematographer 77. 1996. No. 8. [August] pp. 62-71.
Description:
On Danny DeVito’s Matilda; especially on the camera work of Stefan Czapsky.
Index:
DeVito, Danny
Czapsky, Stefan
Matilda (1996)
Technik: Kamera ~ Technology: Camera

#543
Pizzello, Stephen: Chase, crush and devour. In: American Cinematographer 78. 1997. No. 6. [June] pp. 38-54.
Description:
On Janusz Kaminski’s camera work on Steven Spielberg’s The Lost World: Jurassic Park.
Index:
Spielberg, Steven
Kaminski, Janusz
Lost World, The: Jurassic Park (1997)
Technik: Kamera ~ Technology: Camera

#544
Pizzello, Stephen: Dance Macabre. In: American Cinematographer 91. 2010. No. 12. [December] pp. 30-33, 35-47.
Description:
On Matthew Libatique’s camera work for Darren Aronofsky’s Black Swan.
Index:
Aronofsky, Darren
Libatique, Matthew
Black Swan (2010)
Tanz ~ Dance
Technik: Kamera ~ Technology: Camera

#545
Pizzello, Stephen: Darkest noir. In: American Cinematographer 87. 2006. No. 9. [September] pp. 32-49.
Description:
On Vilmos Zsigmond’s camera work for Brian De Palmas The Black Dahlia.
Index:
De Palma, Brian
Zsigmond, Vilmos
Black Dahlia, The (2006)
Technik: Kamera ~ Technology: Camera
Film Noir ~ Film Noir

#546
Pizzello, Stephen: Downward spiral. In: American Cinematographer 81. 2000. No. 10. [October] pp. 50-61.
Description:
On Darren Aronofsky’s Requiem For a Dream, especially on the camera work of Matthew Libatique.
Index:
Aronofsky, Darren
Libatique, Matthew
Requiem For a Dream (2000)
Technik: Kamera ~ Technology: Camera

#547
Pizzello, Stephen: From rags to Reservoir Dogs. In: American Cinematographer 73. 1992. No. 11. [November] pp. 62-68.
Description:
On the film by Quentin Tarantino; especially on cinematographer Andrzej Sekula.
Index:
Tarantino, Quentin
Sekula, Andrzej
Reservoir Dogs (1991)
Technik: Kamera ~ Technology: Camera

#548
Pizzello, Stephen: Galloping ghost. In: American Cinematographer 80. 1999. No. 12. [December] pp. 38-46, 49-53.
Description:
On the special effects for Tim Burton’s Sleepy Hollow, especially on the camera work of Emmanuel Lubezki.
Index:
Burton, Tim
Lubezki, Emmanuel
Sleepy Hollow (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Geister ~ Ghosts

#549
Pizzello, Stephen: Gonzo filmmaking. In: American Cinematographer 79. 1998. No. 5. [May] pp. 30-41.
Description:
On Terry Gilliam’s Fear and Loathing in Las Vegas; especially on the camera work of Nicola Pecorini.
Index:
Gilliam, Terry
Pecorini, Nicola
Fear and Loathing in Las Vegas (1997)
Technik: Kamera ~ Technology: Camera

#550
Pizzello, Stephen: Hard time. In: American Cinematographer 90. 2009. No. 10. [October] pp. 44-57.
Description:
On Larry Smith’s camera work for Nicolas Winding Refn’s Bronson.
Index:
Refn, Nicolas Winding
Smith, Larry
Bronson (2008)
Technik: Kamera ~ Technology: Camera

#551
Pizzello, Stephen: Heavy weather hits Gotham City. In: American Cinematographer 78. 1997. No. 7. [July] pp. 34-50.
Description:
On Joel Schumacher’s Batman & Robin; especially on the camera work of Stephen Goldblatt.
Index:
Schumacher, Joel
Goldblatt, Stephen
Batman & Robin (1997)
Technik: Kamera ~ Technology: Camera

#552
Pizzello, Stephen: Highway to hell. In: American Cinematographer 78. 1997. No. 3. [March] pp. 34-42.
Description:
On David Lynch’s Lost Highway; especially on the camera work of Peter Deming.
Index:
Lynch, David
Deming, Peter
Lost Highway (1996)
Technik: Kamera ~ Technology: Camera