The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Technology: Special Effects

number of items: 2186

#1
Aas, N. K.: De vanskelige ordene. In: Film & Kino 47. 1979. No. 7. [?D] pp. 242-248.
Description:
Glossary on special effects. Text in Norwegian.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Norwegen ~ Norway

#2
Aas, N. K.: Laserstråler og romjagere. In: Film & Kino 47. 1979. No. 7. [November] pp. 264-265.
Description:
On the special effects for the fighting scenes in George Lucas’s Star Wars.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#3
Aas, N. K.: Utfordringen er å skape den perfekte illusjon. In: Film & Kino 47. 1979. No. 7. [?D] pp. 240-241.
Description:
Interview with Petter Borgli on the special effects for Norwegian film and for some scenes of The Empire Strikes Back which were shot in Norway.
Index:
Kershner, Irvin
Borgli, Petter J.
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Norwegen ~ Norway

#4
Abbott, H. Porter: Garden paths and ineffable effects: Abandoning representation in literature and film. In: Toward a cognitive theory of narrative acts. Edited by Frederick Luis Aldama. - Austin, Texas: Texas University Press 2010. (= Cognitive approaches to literature and culture.) pp. 205-226.
Description:
Discusses, among others, M. Night Shyamalan’s The Sixth Sense.
Index:
Shyamalan, M. Night
Sixth Sense, The (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
Literatur ~ Literature

#5
Abbott, Stacey: Special makeup effects and exploding vampires. In: Abbott, Stacey: Celluloid vampires: Life after death in the modern world. - Austin, Texas: University of Texas Press 2007. p. ?P.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Vampire ~ Vampires

#6
Abbott, Stacey: TV special effects. In: Critical Studies in Television 8. 2013. No. 3. [Autumn] pp. vii-xii.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#7
Abenteuerliche Reise durch die Welt der Special Effects. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 133-138.
Description:
On the special effects for Terry Gilliam’s The Adventures of Baron Munchausen.
Index:
Gilliam, Terry
Adventures of Baron Munchausen, The (1988)
Abenteuer ~ Adventure
Technik: Spezialeffekte ~ Technology: Special Effects

#8
Abrams, Janet: Beginnings, endings and the stuff in between. In: Sight and Sound NS 4. 1994. No. 12. [December] pp. 22-25.
Description:
On the special effects artists Randy Balsmeyer and Mimi Everett and their work for Cronenberg’s Dead Ringers, Naked Lunch and M. Butterfly.
Index:
Balsmeyer, Randy
Everett, Mimi
Cronenberg, David
Dead Ringers (1988)
Naked Lunch (1991)
M. Butterfly (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Balsmeyer & Everett [Firma] ~ Balsmeyer & Everett [Company]

#9
Abrams, Janet: Excape from gravity. In: Sight and Sound NS 5. 1995. No. 5. [May] pp. 14-19.
Description:
On the special effect expert Douglas Trumbull, especially on his work for 2001, Blade Runner and Back to the Future.
Index:
Trumbull, Douglas
2001 - A Space Odyssey (1968)
Blade Runner (1982)
Back to the Future (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#10
Abruzzese, A. / Cherchi Usai, P.: Le occasioni del fantasy: I predatori dell’impossible. In: Segnocinema 1. 1981. No. 2. [?D] pp. 2-11.
Description:
On modern fantastic cinema and its special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy
Technik ~ Technology

#11
Action auf dem Dia: Die Bilder lernen laufen beim Duell im All. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 55-60.
Description:
On the special effects for Peter Hyam’s Outland.
Index:
Hyams, Peter
Outland (1981)
Action ~ Action
Technik: Spezialeffekte ~ Technology: Special Effects

#12
Adachi, Noriko: Special effects und filmische Grausamkeit. In: Das Verstehen von Hören und Sehen: Aspekte der Medienästhetik. Hrsg. von Josef Fürnkäs, Peter Richter, Ralf Schnell und Shigeru Yoshijima. - Bielefeld: Aisthesis Verlag 1993. pp. 133-147.
Description:
On shock and horror effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Gewalt ~ Violence
Angst ~ Fear
Horror ~ Horror

#13
Adam, Ken / Frayling, Christopher: Ken Adam designs the movies: James Bond and beyond. - New York: Thames & Hudson 2008.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, December 2008.
Index:
Adam, Ken
James Bond ~ James Bond
Technik: Spezialeffekte ~ Technology: Special Effects

#14
Adamson, Joe: Byron Haskin. - Metuchen, New Jersey: The Directors Guild of America / Scarecrow Press 1984.
Description:
On the special effects creator.
Index:
Haskin, Byron
Technik: Spezialeffekte ~ Technology: Special Effects

#15
Albers, Margret: Nur über meine Leiche: Zombie, Truthahn & Mauerblümchen: Eine deutsche Fantasy-Kommödie mit Witz und Tricks. In: Moviestar 3. 1995. No. 15. [?D] pp. 18-21.
Description:
On the film by Rainer Matsutani.
Index:
Matsutani, Rainer
Nur über meine Leiche (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Humor ~ Humor
Fantasy ~ Fantasy
Zombies ~ Zombies
Deutschland ~ Germany

#16
Aldred, Sophie / Tucker, Mike: Ace!: The inside story of the end of an era. - London: Doctor Who Books 1996. (= TV tie in.)
Description:
On the last three years of the TV series Doctor Who; especially on the work of visual effects designer Mike Tucker.
Index:
Tucker, Mike
Doctor Who (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#17
Ein Alien an der Angel. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 83-86.
Description:
On the special effects for John McTiernan’s Predator.
Index:
McTiernan, John
Predator (1987)
Aliens ~ Aliens
Technik: Spezialeffekte ~ Technology: Special Effects

#18
Allen, D.: Motion control. In: Listener 113. 1985. No. 2892. [January 17] p. 33.
Description:
On the use of computers for creating special effects, especially in the science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#19
Alles nur Kulisse?! Filmräume aus der Traumfabrik Babelsberg. Hrsg. von Annette Dorgerloh und Marcus Becker. - Weimar: VDG Verlag und Datenbank für Geisteswissenschaften 2015. (= Scenographica 1.)
Index:
Technik ~ Technology
Technik: Spezialeffekte ~ Technology: Special Effects
Babelsberg ~ Babelsberg

#20
Allison, Tanine: More than a man in a monkey suit: Andy Serkis, motion capture, and digital realism. In: Quarterly Review of Film and Video 28. 2011. No. 4. [July] pp. 325-341.
Index:
Jackson, Peter
Serkis, Andy
King Kong (2005)
Technik: Computer ~ Technology: Computer
Affen ~ Apes
Technik: Spezialeffekte ~ Technology: Special Effects

#21
Altman, Mark A.: Babylon 5: Foundation imaging. In: Cinefantastique 25. 1994. No. 2. [April] pp. 32-34.
Description:
On the computer generated special effects for the TV series.
Index:
Babylon 5 (TV)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#22
Altman, Mark A.: Babylon 5: It came from the video toaster. In: Cinefantastique 25. 1994. No. 2. [April] p. 29.
Description:
On computer generated special effects for the TV series.
Index:
Babylon 5 (TV)
Technik: Computer ~ Technology: Computer
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#23
Altman, Mark A.: Babylon 5: Makeup effects. In: Cinefantastique 25. 1994. No. 2. [April] pp. 40-41, 61.
Index:
Babylon 5 (TV)
Technik: Spezialeffekte ~ Technology: Special Effects

#24
Altman, Mark A. / Dawidziak, Mark / Doherty, Thomas / Kimmel, Daniel M.: Star Trek: Behind the scenes of The Next Generation. In: Cinefantastique 19. 1989. No. 3. [March] pp. 24-35, 60.
Description:
Discusses, among others, the role of actor LeVar Burton and the special effects for the TV series.
Index:
Burton, LeVar
Star Trek - The Next Generation (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#25
Altman, Mark A.: Star Trek - The Next Generation: The special effects of Star Trek. In: Cinefantastique 22. 1991. No. 2. [October] pp. 31-33, 34.
Index:
Star Trek - The Next Generation (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Star Trek ~ Star Trek

#26
Alvarez, Max J.: Nemesis effects: Gene Warren’s Fantasy II delivers budget animation. In: Imagi-Movies 1. 1993. No. 1. [Fall] pp. 46, 61.
Index:
Pyun, Albert
Warren, Gene
Nemesis (1992)
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy
Animation ~ Animation

#27
Amato, M.: HOMER: Hybrid optical montage electronically reproduced. In: American Cinematographer 66. 1985. No. 2. [February] pp. 79-80.
Description:
On computer generated special effects and animations.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#28
Amidi, Amid: The art of Robots. Preface by William Joyce. foreword by Chris Wedge. - San Francisco: Chronicle Books 2005.
Description:
Discusses most of all the special effects and the robot design for the animated film.
Index:
Wedge, Chris
Robots (2004)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
Animation ~ Animation

#29
Amondaray, Milagros / Garcia, Santiago: Esperando el desastre / La ira de Dios. In: El Amante Cine 13. 2004. No. 146. [June] pp. 29-31.
Description:
On the special effects for contemporary disaster films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Katastrophen ~ Disasters

#30
Anderson, Kay: Star Trek III: Bob Dawson, special effects supervisor. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 75.
Index:
Nimoy, Leonard
Dawson, Bob
Star Trek III - The Search for Spock (1984)
Technik: Spezialeffekte ~ Technology: Special Effects

#31
Andreeva, Nellie: Teaching old wolf new tricks. In: Hollywood Reporter 411. 2009. No. 16. [September 1] p. 3.
Description:
On the TV series Teen Wolf, a remake of Rod Daniel’s 1985 werewolf film.
Index:
Daniel, Rod
Teen Wolf (TV)
Teen Wolf (1985)
Pädagogik ~ Paedagogy
Wölfe ~ Wolves
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#32
Appelbaum, Ralph: An interview with Michael Crichton. In: Filmmakers Monthly 14. 1981. No. 8. [?D] pp. 48-55.
Description:
Especially on the special effects for Looker.
Index:
Crichton, Michael
Looker (1981)
Technik: Spezialeffekte ~ Technology: Special Effects

#33
Appelbaum, Ralph: Magicam works magic for Cosmos. In: Filmmakers Monthly 13. 1980. No. 12. [?D] pp. 28-35.
Description:
On the special effects for the TV series.
Index:
Malone, Adrian
Cosmos (TV)
Magie ~ Magic
Magicam [Firma] ~ Magicam [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#34
Appleyard, Rodney: Breaking the limits. In: Inside Film 2009. No. 127. [December] pp. 30-31.
Description:
On the special effects by ILM for Michael Bay’s Transformers and Transformers: Revenge of the Fallen.
Index:
Bay, Michael
Transformers (2007)
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#35
Appleyard, Rodney: Interstellar effects on District 9. In: Inside Film 2009. No. 127. [December] pp. 32-34.
Index:
Blomkamp, Neill
District 9 (2009)
Technik: Spezialeffekte ~ Technology: Special Effects

#36
Archer, Steve: Willis O’Brien: Maître des effets spéciaux. Trad. de l’américain par Pierre Veck. - Paris: Dreamland Edition 1996. (= Image par image pocket.)
First edition:
[Jefferson, North Carolina; London: McFarland & Company 1993]
Description:
On the trick filmer who worked for Harry O. Hoyt’s The Lost World.
Index:
O’Brien, Willis H.
Hoyt, Harry O.
Lost World, The (1925)
Technik: Spezialeffekte ~ Technology: Special Effects
USA (United States of America) ~ USA (United States of America)
Technik ~ Technology

#37
Archer, Steve: Willis O’Brien: Special effects genius. - Jefferson, North Carolina; London: McFarland & Company 1993.
Description:
On the trick filmer who worked for Harry O. Hoyt’s The Lost World.
Index:
O’Brien, Willis H.
Hoyt, Harry O.
Lost World, The (1925)
Technik: Spezialeffekte ~ Technology: Special Effects

#38
Argie, Stephanie: An eye-popping adventure. In: American Cinematographer 89. 2008. No. 8. [August] pp. 58-69.
Description:
On the 3-D effects for Eric Brevig’s Journey to the Center of the Earth.
Index:
Brevig, Eric
Journey to the Center of the Earth (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
3-D Films
Abenteuer ~ Adventure

#39
Argy, Stephanie: Cinematography’s computer age. In: American Cinematographer 80. 1999. No. 8. [August] pp. 75-80.
Description:
On the importance of computer technologies for the development of special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#40
Argy, Stephanie: Fingers of doom. In: American Cinematographer 80. 1999. No. 4. [April] pp. 64-73.
Description:
On the special effects for Rodman Flender’s Idle Hands; especially on the camera work of Chris Baffa.
Index:
Flender, Rodman
Baffa, Chris
Idle Hands (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#41
Argy, Stephanie: Painting with (virtual) light. In: American Cinematographer 82. 2001. No. 3. [March] pp. 80-89.
Description:
On digital special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Kunst ~ Arts, The

#42
Arnold, Frank: "Wichtig ist die Balance": Interview mit Chris Wedge und Production Designer Steve Martino. In: EPD Film 22. 2005. No. 4. [April] p. 49.
Description:
On the special effects for Chris Wedge’s Robots.
Index:
Wedge, Chris
Martino, Steve
Robots (2004)
Technik: Spezialeffekte ~ Technology: Special Effects

#43
Arnold, Frank: Von vorne! Neu auf Blu-Ray erschienene Disney-Filme ermöglichen einen Streifzug durch die Welt der Special Effects. In: EPD Film 30. 2013. No. 8. [August] p. 58.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Disney ~ Disney
Blu-Ray Disk ~ Blu-Ray Disc

#44
Arthur, Marvis E. / Caruso, James R.: Video lightning and special effects. - Englewood Cliffs, New Jersey: Prentice Hall / London: Prentice Hall International 1991.
Description:
On special effects for TV productions.
Index:
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#45
Asahina, Robert: Mixed effects. In: New Leader 65. 1982. No. ?N. [July 12] pp. 19-20.
Index:
Scott, Ridley
Meyer, Nicholas
Blade Runner (1982)
Star Trek II - The Wrath of Khan (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#46
Ashworth, Mark: The no-muppet show! In: Eyeball 1989. No. 1. [Autumn] pp. 5-6.
Description:
Interview with Michele Soavi on the special effects for La chiesa and on his work as directing assistant for Dario Argento, Lucio Fulci and Terry Gilliam.
Index:
Soavi, Michele
Argento, Dario
Fulci, Lucio
Gilliam, Terry
chiesa, La (1989)
Technik: Spezialeffekte ~ Technology: Special Effects
Muppets ~ Muppets

#47
Asper, Helmut G.: Moderne Zauberer: Kameratricks und Spezialeffekte bei Metropolis. In: Film-Dienst 63. 2010. No. 7. [April 1] pp. 14-15.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#48
Assayas, Olivier: Entretien avec Douglas Trumbull. In: Cahiers du Cinéma 1982. No. 334/335. [?D] pp. 102-105, 107.
Description:
Especially on the development of special effects techniques.
Index:
Trumbull, Douglas
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#49
Assayas, Olivier: L’esprit de Belize. In: Cahiers du Cinéma 1982. No. 334/335. [?D] pp. 97-99, 101.
Description:
On special effects companies.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#50
Assayas, Olivier: SFPX: News ou situation du cinéma de science-fiction envisagé comme secteur de pointe. In: Cahiers du Cinéma 1980. No. 316. [?D] pp. 36-40.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#51
Assayas, Olivier: SFPX: News ou situation du cinéma de science-fiction envisagé comme secteur de pointe. In: Cahiers du Cinéma 1980. No. 317. [?D] pp. 23-33.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#52
Assayas, Olivier: SFPX: News ou situation du cinéma de science-fiction envisagé comme secteur de pointe. In: Cahiers du Cinéma 1980. No. 318. [?D] pp. 34-40.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#53
Assayas, Olivier: SFX news ou situation du cinéma de science-fiction envisagé en tant que secteur de pointe (3e partie). In: Cahiers du Cinéma 1980. No. 317. [?D] pp. 23-33.
Description:
On the development of special effects in science fiction film. Discusses especially the relation between comic strips and science fiction. Includes interviews with special effects artists Alejandro Jodorowsky, Moebius, Derek Meddings and Zoran Perisic as well as articles on Willis O’Brien, Ray Harryhausen, Douglas Trumbull and John Dykstra.
Index:
Jodorowsky, Alejandro
Giraud, Jean [Pseudonym: Moebius]
Meddings, Derek
Perisic, Zoran
O’Brien, Willis H.
Harryhausen, Ray
Trumbull, Douglas
Dykstra, John
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction
Animation: Comics ~ Animation: Comics

#54
Assayas, Olivier: SFX news ou situation du cinéma de science-fiction envisagé en tant que secteur de pointe (2e partie). In: Cahiers du Cinéma 1980. No. 316. [?D] pp. 36-40.
Description:
On the development of special effects in science fiction film. Discusses especially Richard Donner’s Superman.
Index:
Donner, Richard
Superman (1978)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#55
Assayas, Olivier: SFX news ou situation du cinéma de science-fiction envisagé en tant que secteur de pointe. In: Cahiers du Cinéma 1980. No. 318. [?D] pp. 34-40.
Description:
On the development of special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#56
Assayas, Olivier: SPFX news. In: Cahiers du Cinéma 1980. No. 315. [?D] pp. 18-27.
Description:
On the special effects for contemporary films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#57
The automatic camera effects system (ACES). In: American Cinematographer 61. 1980. No. 1. [January] pp. 60-61, 81.
Description:
On a special camera technique for producing special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#58
Babelsberg Studiotour Cinefantastic. Eine Publikation der Babelsberg-Studiotour-GmbH, Potsdam in Zusammenarbeit mit der Stiftung Deutsche Kinemathek, Berlin. Leitung: Rolf Giesen. Redaktion: Helga Belach und Wolfgang Jacobsen. - Berlin: Argon Verlag 1994.
Description:
Exhibition catalogue on the history of special effects at Babelsberg.
Index:
Potsdam ~ Potsdam
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Babelsberg ~ Babelsberg
Deutschland ~ Germany

#59
Bacal, Simon: The giant buffalo of Rick Lazzarini’s character shop. In: Cinefantastique 23. 1992. No. 1. [August] pp. 58-59.
Description:
On the special effects for Radio Flyer.
Index:
Donner, Richard
Lazzarini, Rick
Radio Flyer (1992)
Technik: Spezialeffekte ~ Technology: Special Effects

#60
Baer, Volker: Ein Jahrhundert im Blick: Filmmuseum der Stiftung Deutsche Kinemathek in Berlin eröffnet. In: Film-Dienst 53. 2000. No. 20. [September 26] pp. 44-47.
Description:
Discusses especially the collection on fantastic issues and special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Berlin ~ Berlin

#61
Baker, Robin: Computer technology and special effects in contemporary cinema. In: Future visions: New technologies of the screen. Edited by Philip Hayward and Tana Wollen. - London: British Film Institute Publishing 1993. pp. 31-45.
Description:
Discusses, among others, Ridley Scott’s Alien, Jetsons - The Movie by William Hanna and Joseph Barbera, James Cameron’s Terminator II - Judgement Day, Steven Lisberger’s Tron and Robert Zemeckis’s Who Framed Roger Rabbit.
Index:
Scott, Ridley
Hanna, William
Barbera, Joseph
Cameron, James
Lisberger, Steven
Zemeckis, Robert
Alien (1979)
Jetsons - The Movie (1990)
Terminator II - Judgement Day (1991)
Tron (1982)
Who Framed Roger Rabbit (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Utopie ~ Utopia
Technik ~ Technology

#62
Ball, Ryan: Vfx from A to Zathura. In: Animation 19. 2005. No. 12. [December] pp. 44-45.
Index:
Favreau, Jon
Zathura: A Space Adventure (2005)
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#63
Balzola, Andrea: La macchina e il mostro ombre dell’uomo estinto. In: Cinema Nuovo 29. 1980. No. 268. [?D] pp. 21-24.
Description:
On the increasing importance of special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Monster ~ Monster

#64
Bankston, Douglas: A deadly connection. In: American Cinematographer 83. 2002. No. 9. [September] pp. 60-73.
Description:
On the special effects for William Malone’s cyber thriller FearDotCome, especially on the camera work of Christian Sebaldt.
Index:
Malone, William
Sebaldt, Christian
FearDotCome (2002)
Technik: Kamera ~ Technology: Camera
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Cyberspace ~ Cyberspace

#65
Bankston, Douglas: All the rage. In: American Cinematographer 84. 2003. No. 7. [July] pp. 82-84, 86-90.
Description:
On the special effects for Danny Boyle’s 28 Days Later, especially on the camera work of Anthony Dod Mantle.
Index:
Boyle, Danny
Mantle, Anthony Dod
28 Days Later (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#66
Barbano, Nicolas: Exelence med fiskesnøre og legetøj. In: Kosmorama 42. 1996. No. 218. [Winter] pp. 39-43.
Description:
Interview with Volker Engel on the special effects for Roland Emmerich’s Independence Day and on his appearance in Ben Burtt’s Special Effects: Anything Can Happen.
Index:
Engel, Volker
Emmerich, Roland
Burtt, Ben
Independence Day (1996)
Special Effects: Anything Can Happen (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#67
Barbano, Nicolas: Makeup’ens mange anisgter. In: Kosmorama 35. 1989. No. 190. [Winter] pp. 40-43.
Description:
On the importance of makeup effects for the cinema, especially for the horror film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Horror ~ Horror

#68
Bargain, Erwan: Un homme parmi les monstres. In: L’Écran Fantastique 2002. No. 221. [May] pp. 24-25.
Description:
On the special effects for George Lucas’s Star Wars Episode II - Attack of the Clones.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster

#69
Barker, Lynn / Skotak, Robert: Klushantsev: Russias’s wizard of "fantastika". Part 2. Translations by Gregory Wain and Buck Shomo. In: American Cinematographer 75. 1994. No. 7. [July] pp. 77-82.
Description:
On the Russian special effects pioneer and director Pavel Klusancev.
Index:
Klusancev, Pavel
Technik: Spezialeffekte ~ Technology: Special Effects
Russland ~ Russia

#70
Barker, Lynn / Skotak, Robert: Klushantsev: Russias’s wizard of "fantastika". Part 1. Translations by Gregory Wain and Buck Shomo. In: American Cinematographer 75. 1994. No. 6. [June] pp. 78-83.
Description:
On the Russian special effects pioneer and director Pavel Klusancev.
Index:
Klusancev, Pavel
Technik: Spezialeffekte ~ Technology: Special Effects
Russland ~ Russia

#71
Barnier, Martin: L’effets discrets de Zelig. In: "1895" 1999. No. 27. [September] pp. 151-157.
Index:
Allen, Woody
Zelig (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#72
Baron, Jaimie: The experimental film remake and the digital archive effect: A Movie by Jen Proctor and Man with a Movie Camera: The Global Remake. In: Framework 53. 2012. No. 2. [Fall] pp. 467-490.
Index:
Proctor, Jennifer
Bard, Perry
Movie by Jen Proctor, A (2010)
Man with a Movie Camera: The Global Remake (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#73
Bartl, Andreas / Peipp, Matthias: Filme der Imagination: Interview mit Ray Harryhausen. In: Film-Dienst 46. 1993. No. 24. [November 23] pp. 38-41.
Description:
On the special effects artist
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects

#74
Bassom, David / Garcia, Frank / Garcia, Robert T. / Uram, Sue: Babylon 5. In: Cinefantastique 31/32. 2000. No. 12/1. [June] pp. 32-117.
Description:
Articles on the TV series. Discusses, among others, the work of Bruce Boxleitner, Claudia Christian, Walter Koenig, Julie Caitlin Brown, Andrea Thompson, Patricia Tallman, and Bill Mumy, of the composer Christopher Franke, the designer John Iacovelli, the series founder J. Michael Straczynski, of cinematographer John C. Flinn, the makeup by John Vulich, the costumes by Anne Bruice-Aling, the CGI special effects and single episodes. Includes an episode guide.
Index:
Boxleitner, Bruce
Christian, Claudia
Koenig, Walter
Brown, Julie Caitlin
Thompson, Andrea
Tallman, Patricia
Franke, Christopher
Iacovelli, John
Straczynski, J. Michael
Flinn, John C.
Vulich, John
Bruice-Aling, Anne
Babylon 5 (TV)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#75
Batchelor, D.: Films without a camera. In: Stills ?G. 1986. No. 24. [?D] pp. 20-21.
Description:
On new technical developments in computer animation and special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#76
Bates, Dan / Drake, C. V.: Robocop. In: Cinefantastique 18. 1987. No. 1. [December] pp. 16-25.
Description:
Discusses, among others, the work of designer Rob Bottin, of producer Jon Davison and the special effects by Phil Tippett.
Index:
Verhoeven, Paul
Bottin, Rob
Davison, Jon
Tippett, Phil
Robocop (1987)
Technik: Spezialeffekte ~ Technology: Special Effects

#77
Baur, T,: Special effects & stunts guide. - ?O: Lone Eagle 1989.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#78
Bealing, S.: Little devils. In: Films and Filming ?G. 1987. No. ?N(393). [June] p. 29.
Description:
Interview with Randall Cook on the special effects for Tibor Takács’s The Gate.
Index:
Takács, Tibor
Cook, Randall
Gate, The (1987)
Religion: Teufel ~ Religion: Devil
Technik: Spezialeffekte ~ Technology: Special Effects

#79
Bealmear, Robert: Eerie effects for Lifeforce. In: American Cinematographer 66. 1985. No. 6. [June] pp. 60-67.
Index:
Hooper, Tobe
Lifeforce (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#80
Beau, Frank: Chronique d’une mutation annoncée. In: Cahiers du Cinéma 1996. No. 503. [?D] pp. 66-72.
Description:
On the development of special effects techniques since the 1970s.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#81
Becker, Marcus: Die Sache mit dem Weltniveau: Die DEFA-Science-Fiction und das Szenenbild eines Filmgenres. In: Alles nur Kulisse?! Filmräume aus der Traumfabrik Babelsberg. Hrsg. von Annette Dorgerloh und Marcus Becker. - Weimar: VDG Verlag und Datenbank für Geisteswissenschaften 2015. (= Scenographica 1.) p. ?P.
Index:
Technik ~ Technology
Science Fiction ~ Science Fiction
DEFA ~ DEFA
Technik: Spezialeffekte ~ Technology: Special Effects
Babelsberg ~ Babelsberg

#82
Beeler, Michael: Ghost in the Machine. In: Cinefantastique 25. 1994. No. 2. [April] pp. 56-57.
Description:
On the film by Rachel Tallalay and the video special effects by Richard Hollander.
Index:
Talalay, Rachel
Hollander, Richard
Ghost in the Machine (1993)
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects

#83
Beeler, Michael: Hellraiser IV: Bloodline: Makeup effects. In: Cinefantastique 26. 1995. No. 3. [April] p. 39.
Index:
Yagher, Kevin [Pseudonym: Smithee, Alan]
Capelle, Joe
Hellraiser: Bloodline / Hellraiser IV (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#84
Beeler, Michael: Henson’s fantasia: Using old-world puppetry with state-of-the-art effects. In: Cinefantastique 28. 1997. No. 9. [March] p. 42.
Description:
On the special effects for Peter MacDonald’s Die unendliche Geschichte 3.
Index:
MacDonald, Peter
Henson, Jim
unendliche Geschichte 3, Die (1994)
Animation: Puppen ~ Animation: Puppets
Technik: Spezialeffekte ~ Technology: Special Effects

#85
Beeler, Michael: The Crow: Salvation. In: Cinefantastique 32. 2001. No. 6. [February] pp. 46-47.
Description:
Discusses, among others, the special effects for the film.
Index:
Nalluri, Bharat
Crow, The: Salvation (2000)
Technik: Spezialeffekte ~ Technology: Special Effects

#86
Beeler, Michael: The Flintstones: Jim Henson’s creature shop. In: Cinefantastique 25. 1994. No. 3. [June] pp. 15-18.
Description:
On the special effects by puppet animator Jim Henson and his crew.
Index:
Levant, Brian
Henson, Jim
Flintstones, The (1994)
Animation ~ Animation
Jim Henson’s Creature Shop [Firma] ~ Jim Henson’s Creature Shop [Company]
Animation: Puppen ~ Animation: Puppets
Technik: Spezialeffekte ~ Technology: Special Effects

#87
Beeler, Stan: Sanctuary: A paradigm for television in the age of the Internet. In: Critical Studies in Television 8. 2013. No. 3. [Autumn] pp. 78-91.
Index:
Sanctuary (TV)
Internet ~ Internet
Fernsehen ~ Television
Technik: Spezialeffekte ~ Technology: Special Effects

#88
Begegnung der grünen Art. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 71-74.
Description:
On the special effects for Joe Dante’s Explorers.
Index:
Dante, Joe
Explorers (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#89
Behind the scenes of The Empire Strikes Back. In: American Cinematographer 61. 1980. No. 6. [June] pp. 546 ff.
Description:
Special section on the special effects for the film.
Index:
Kershner, Irvin
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#90
Behrens, Ulrich: Vogel-Horror ohne digitale Effekte: Die Vögel. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#91
Beier, Lars-Olav: Digitaler Höhenflug. In: Der Spiegel 60. 2006. No. 42. [October 16] pp. 214-219.
Description:
On the international reputation of German special effects artists, especially on the work of Rainer Gombros.
Index:
Gombros, Rainer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Deutschland ~ Germany

#92
Belanger, Denis: Metier: Coordonnateur d’effets speciaux. In: Ciné-Bulles 8. 1988. No. 1. [?D] pp. 40-43.
Description:
On special effects expert Louis Craig.
Index:
Craig, Louis
Technik: Spezialeffekte ~ Technology: Special Effects

#93
Bell, David: An introduction to cybercultures. - London; New York: Routledge 2001.
Reviews:
Marsching, Jane D.: [untitled.] In: Afterimage 29. 2002. No. 5. [March/April] p. 16.
Description:
Includes a chapter on digital special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#94
Bell, James: Magic realism. In: Sight and Sound NS 23. 2013. No. 1. [January] p. 29.
Description:
Interview with visual effects supervisor Bill Westerhofer on the special effects for Life of Pi.
Index:
Lee Ang
Westerhofer, Bill
Life of Pi (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic

#95
Bem, Caroline: Mediality, materiality, narrative: Successive incarnations of a special effect in Vanishing Point and Death Proof. In: Screen 57. 2016. No. 1. [Spring] pp. 52-70.
Index:
Sarafian, Richard
Tarantino, Quentin
Vanishing Point (1971)
Death Proof (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#96
Benidt, Jennifer / Pourroy, Janine: Fright Night. In: Cinefex 1986. No. 25. [February] pp. 54-71.
Description:
On the special effects by Richard Edlund.
Index:
Holland, Tom
Edlund, Richard
Fright Night (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#97
Benidt, Jennifer: The Terminator. In: Cinefex 1985. No. 21. [April] pp. 4-23.
Description:
On the robot motif and the special effects for the film by James Cameron.
Index:
Cameron, James
Terminator, The (1984)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots

#98
Benjumea, Gustavo Cerquera: Amazonian visions: Animating ghosts. - Toronto, Ontario: Ontario College of Art & Design, M.F.A. 2013. [Abstract in: Masters Abstracts International 52. 2014. No. 4. [August] p. ?P.]
Description:
Compares the concept of expanded animation to the effects of the Amazonian psychedelic brew "ayahuasca".
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Psychologie ~ Psychology
Geister ~ Ghosts
Animation ~ Animation
Amazonas ~ Amazon
Drogen ~ Drugs

#99
Bennett, Richard: Peach Cam’ brings a little new technology to an old technique. In: American Cinematographer 77. 1996. No. 5. [May] p. 60.
Description:
On the special effects for Henry Selick’s James and the Giant Peach.
Index:
Selick, Henry
James and the Giant Peach (1996)
Technik ~ Technology
Technik: Spezialeffekte ~ Technology: Special Effects

#100
Benson-Allott, Caetlin: Dangerous illusions. In: Film Quarterly 65. 2012. No. 4. [Summer] pp. 10-11.
Description:
On the CGI effects for Gary Ross’s The Hunger Games.
Index:
Ross, Gary
Hunger Games, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#101
Berger, Adam: A full bag of tricks for Real Genius. In: American Cinematographer 66. 1985. No. 12. [December] pp. 89-92.
Description:
On the special effects for the film.
Index:
Coolidge, Martha
Real Genius (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#102
Berger, Jürgen: Die Technik des Puppentricks. In: Jirí Trnka: Der Pupppenfilmer aus Prag: Ausstellung vom 15.3.-2.5.1987. Redaktion: Jürgen Berger. - Frankfurt/Main: Deutsches Filmmuseum 1987. (= Schriftenreihe des Deutschen Filmmuseums Frankfurt am Main.) pp. 18-24.
Description:
On the work of the czech animation filmmaker.
Index:
Trnka, Jirí
Tschechien ~ Czech
Technik: Spezialeffekte ~ Technology: Special Effects
Prag ~ Prague
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation

#103
Bergery, Benjamin / Bosley, Rachael K.: Digital cinema, by George. In: American Cinematographer 82. 2001. No. 9. [September] pp. 66-75.
Description:
Interview with George Lucas on new special effects techniques and his work for Star Wars: Episode II.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#104
Bergery, Benjamin: Friends, Romans and countrymen. In: American Cinematographer 80. 1999. No. 5. [May] pp. 62-71.
Description:
On the special effects for Asterix and Obelix versus Caesar; especially on the camera work of Tony Pierce-Roberts.
Index:
Zidi, Claude
Pierce-Roberts, Tony
Astérix et Obélix contre César (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#105
Bernardo, M.: In cammino col digitale. In: Bianco e Nero 49. 1988. No. 1. [?D] pp. 77-85.
Description:
On new technical developments in filmic special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#106
Berndt, Sven / Schweer, Thomas: Kondom des Grauens. In: Splatting Image 1996. No. 26. [June] pp. 41-43.
Description:
Interview with special effect artist Jörg Buttgereit.
Index:
Walz, Martin
Buttgereit, Jörg
Kondom des Grauens (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#107
Beyer, Lars-Olav: Die digitale Sintflut. In: Der Spiegel 61. 2007. No. 32. [August 6] pp. 144-146.
Description:
On the dominance of digital special effects in recent Hollywood blockbuster films. Argues that the concentration on effects begins to bore the audience. Discusses especially Tom Shadyac’s Evan Almighty.
Index:
Shadyac, Tom
Evan Almighty (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood

#108
Bielik, Alain: Magic with a French touch. In: Cinefex 1996. No. 68. [December] pp. 41-42, 47-48, 153.
Description:
On the special effects for La cité des enfants perdus by Marc Caro and Jean-Pierre Jeunet.
Index:
Caro, Marc
Jeunet, Jean-Pierre
cité des enfants perdus, La (1995)
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Frankreich ~ France

#109
Bierinckx, Cis: Beetlejuice: Robert Short. In: Film en Televisie 1988. No. 379. [December] pp. 20-21.
Description:
On the special effects for the film by Tim Burton.
Index:
Burton, Tim
Short, Robert
Beetlejuice (1988)
Technik: Spezialeffekte ~ Technology: Special Effects

#110
Biodrowski, Steve: Dracula: Vampire effects. In: Cinefantastique 23. 1992. No. 4. [December] pp. 40-42.
Description:
On the designer Greg Lannom.
Index:
Lannom, Greg
Coppola, Francis Ford
Bram Stoker’s Dracula (1992)
Technik: Spezialeffekte ~ Technology: Special Effects
Vampire ~ Vampires

#111
Biodrowski, Steve: Effects for Phantasm II by Steve Patino, master of the flying silver spheres. In: Cinefantastique 19. 1989. No. 3. [March] pp. 48-49.
Index:
Coscarelli, Don
Patino, Steve
Phantasm 2 (1988)
Technik: Spezialeffekte ~ Technology: Special Effects

#112
Biodrowski, Steve: Exorcist III: The post-production exorcism effects. In: Cinefantastique 21. 1991. No. 4. [February] pp. 57, 60.
Description:
On the special effects for that film.
Index:
Blatty, William Peter
Exorcist III, The / Exorcist III: The Legion (1990)
Religion: Exorzismus ~ Religion: Exorcism
Technik: Spezialeffekte ~ Technology: Special Effects

#113
Biodrowski, Steve: Filming makeup effects for Serpent and the Rainbow. In: Cinefantastique 18. 1988. No. 5. [July] pp. 49, 58.
Index:
Craven, Wes
Serpent and the Rainbow, The (1988)
Technik: Spezialeffekte ~ Technology: Special Effects

#114
Biodrowski, Steve: Jurassic Park: Coordinating the effects. In: Cinefantastique 24. 1993. No. 2. [August] pp. 18-19.
Description:
On the work of Michael Lantieri for the Film.
Index:
Spielberg, Steven
Lantieri, Michael
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#115
Biodrowski, Steve: Jurassic Park: Filming the dinosaurs. In: Cinefantastique 24. 1993. No. 2. [August] pp. 14, 17.
Description:
On the special effects for the film.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs

#116
Biodrowski, Steve / Lissau, Russell / Lyons, Mike / Szebin, Frederick C.: The Crow: City of Angels. In: Cinefantastique 28. 1996. No. 1. [August] pp. 16-27, 62
Description:
Articles on the film. Discusses, among others, the work of production designer Alex McDowell, the underlying comic book by James O’Barr, the special effects by Dream Quest and the creation of the "Crow" city.
Index:
Pope, Tim
McDowell, Alex
O’Barr, James
Crow, The: City of Angels (1996)
Dream Quest Images [Firma] ~ Dream Quest Images [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Animation: Comics ~ Animation: Comics

#117
Biodrowski, Steve: Making "Mant", Joe Dante’s Matinee. In: Cinefantastique 24. 1993. No. 1. [June] p. 58.
Description:
The effect specialists Jim McPherson and Dennis Michelson on the "film within the film" in Joe Dante’s Matinee, a tribute to the horror film of the 1950s.
Index:
Dante, Joe
Matinee (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#118
Biodrowski, Steve: Martian effects: Special effects: ILM shows off CGI to stop-motion fan Burton. In: Cinefantastique 28. 1997. No. 7. [January] pp. 32-33.
Description:
On the special effects for Tim Burton’s Mars Attacks.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer

#119
Biodrowski, Steve: Optical effects for The Wraith by Peter Kuran. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 113.
Index:
Marvin, Mike
Kuran, Peter
Wraith, The (1986)
Technik: Spezialeffekte ~ Technology: Special Effects

#120
Biodrowski, Steve: Special effects for The Guardian, William Friedkin style. In: Cinefantastique 21. 1990. No. 2. [September] pp. 57, 60.
Index:
Friedkin, William
Guardian, The (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#121
Biodrowski, Steve: The Addams Family. In: Cinefantastique 22. 1992. No. 5. [April] p. 56.
Description:
On the special effects for the film and its creators, especially Peter Kuran and Christopher Hart.
Index:
Sonnenfeld, Barry
Kuran, Peter
Hart, Christopher
Addams Family, The (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#122
Biodrowski, Steve: The Resurrected: Lovecraft special effects. In: Cinefantastique 22. 1992. No. 6. [June] p. 7.
Description:
On the special effects by Todd Masters.
Index:
O’Bannon, Dan
Lovecraft, H[oward] P[hillips]
Masters, Todd
Resurrected, The (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#123
Biodrowski, Steve: Warlock: Director Steve Miner drops a Ken Russell inspired horror effect due to audience titters. In: Cinefantastique 19. 1989. No. 4. [May] p. 17.
Index:
Miner, Steve
Russell, Ken
Warlock (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#124
Birchard, Robert S.: Double vision through the magic of introvision. In: American Cinematographer 66. 1985. No. 4. [April] pp. 111-114.
Description:
On a new special effects technology.
Index:
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Introvision [Firma] ~ Introvision [Company]

#125
Bizony, Piers: 2001: Filming the future. Revised, updated special edition. - London: Aurum Press 2000.
First edition:
[1994]
Description:
Discusses especially the film technique and the special effects.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik ~ Technology
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects

#126
Bizony, Piers: 2001: Filming the future. With a foreword by Arthur C. Clarke. - London: Aurum Press 1994.
Reviews:
Hogan, David J.: [untitled] In: Filmfax 1995. No. 51. [July/August] pp. 12, 14.
Description:
Discusses especially the film technique and the special effects.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik ~ Technology
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects

#127
Bizony, Piers: 2001, le futur selon Kubrick. - Paris: Cahiers du Cinéma 2000.
First edition:
[2001: Filming the future. - London: Aurum Press 1994]
Description:
Discusses especially the film technique and the special effects.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik ~ Technology
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects

#128
Bizony, Piers: Digital domain: The leading edge of visual effects. - London: Aurum Press 2001.
Reviews:
KS: [untitled.] In: Sight and Sound NS 12. 2002. No. 5. [May] p. 31.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]

#129
Bizony, Piers: Digital domain: The leading edge of visual effects. - New York: Billboard Books 2001.
First edition:
[London: Aurum Press 2001]
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]

#130
The Black Hole. In: American Cinematographer 61. 1980. No. 1. [January]
Description:
Special section on the special effects for the film.
Index:
Nelson, Gary
Black Hole, The (1979)
Technik: Spezialeffekte ~ Technology: Special Effects

#131
Blackmore, Tim: The speed death of the eye: The ideology of Hollywood film special effects. In: Bulletin of Science Technology & Society 27. 2007. No. 5. [October] pp. 367-372.
Index:
Tod ~ Death
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Hollywood ~ Hollywood
Augen ~ Eyes

#132
Blade Runner - special photographic effects. In: American Cinematographer 63. 1982. No. 7. [July] pp. 692-695, 725-730.
Index:
Scott, Ridley
Blade Runner (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#133
Blaisdell, Paul / Burns, Bob / Malone, Bill: Devil’s workshop. In: Monsterscene ?G. 1995. No. 5. [Summer/Fall] pp. 24-28.
Description:
On makeup FX in monster films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster

#134
Blalack, Robert / Fitzharris, John: Star Wars effect on the world of special effects. In: Millimeter 6. 1978. No. ?N. [April] pp. 40 ff.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#135
Blalack, Robert: How the world looks through the eyes of (cinematic) wolves. In: American Cinematographer 62. 1981. No. 11. [November] pp. 1130-1135.
Description:
On the special effects for Wolfen.
Index:
Wadleigh, Michael
Wolfen (1981)
Wölfe ~ Wolves
Technik: Spezialeffekte ~ Technology: Special Effects
Augen ~ Eyes

#136
Blalack, Robert / Roth, Paul: Composite optical and photographic effects for Star Wars. In: American Cinematographer 58. 1977. No. ?N. [July] pp. 706-708.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#137
Bode, Lisa: Making believe: Screen performance and special effects in popular cinema. - New Brunswick: Rutgers University Press 2017. (= Techniques of the moving image.)
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#138
Bodmer, Michel: Shrek. In: Zoom ?G. 2001. No. 6/7. [June/July] pp. 36-37.
Description:
Interview with DreamWorks co-founder Jeffrey Katzenberg on the special effects for the animated film.
Index:
Adamson, Andrew
Jenson, Vicky
Katzenberg, Jeffrey
Shrek (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
DreamWorks ~ DreamWorks
Animation ~ Animation

#139
Boland, Michaela: Cubbyhouse. In: Cinema Papers 2001. No. 137. [February/March] pp. 22-24.
Description:
On the special effects for the horror film by Murray Fahey.
Index:
Fahey, Murray
Cubbyhouse (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#140
Bond., Jeff: Digital skulldyuggery. In: Cinefantastique 35. 2003. No. 5. [October/November] pp. 18-19.
Description:
On the special effects for Gore Verbinski’s Pirates of the Caribbean: The Curse of the Black Pearl.
Index:
Verbinski, Gore
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#141
Bond, Jeff: A classic encounter. In: Cinefantastique 36. 2004. No. 3. [June/July] pp. 14 ff.
Description:
On the special effects for Jack Arnold’s It Came from Outer Space.
Index:
Arnold, Jack
It Came from Outer Space (1953)
Technik: Spezialeffekte ~ Technology: Special Effects

#142
Bond, Jeff: Burning chrome. In: Cinefantastique 38. 2006. No. 2. [March/April] pp. 36-37.
Description:
On the special effects for the TV series Battlestar Galactica.
Index:
Battlestar Galactica (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#143
Bond, Jeff: Cutting crew. In: Cinefantastique 36. 2004. No. 1. [February/March] pp. 18-19.
Description:
On the special effects for Quentin Tarantino’s Kill Bill.
Index:
Tarantino, Quentin
Kill Bill (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects

#144
Bond, Jeff: Latent image. In: Cinefantastique 35. 2003. No. 2. [April/May] p. 80.
Description:
On the special effects for The Dark Crystal.
Index:
Henson, Jim
Oz, Frank
Dark Crystal, The (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#145
Bond, Jeff / Osmond, Andrew: Panic attack. In: Cinefantastique 37. 2005. No. 3. [June] pp. 42-51.
Description:
On Garth Jennings’s The Hitchhiker’s Guide to the Galaxy. Discusses, among others, the novel by Douglas Adams and the special effects.
Index:
Adams, Douglas
Jennings, Garth
Hitchhiker’s Guide to the Galaxy, The (2005)
Technik: Spezialeffekte ~ Technology: Special Effects
Hitchhiker’s Guide to the Galaxy, The (Literatur ~ Literature)

#146
Bond, Jeff: Ship shape. In: Cinefantastique 37. 2005. No. 2. [April/May] pp. 14-17.
Description:
On the special effects for the TV series Battlestar Galactica.
Index:
Battlestar Galactica (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#147
Bongers, Wolfgang: Inseln: Gespenstische Effekte in Bildern und Texten. In: Intermediale: Kommunikative Konstellationen zwischen Medien. Hrsg. von Beate Ochsner und Charles Grival. - Tübingen: Stauffenburg-Verlag 2001. (= Siegener Forschungen zur romanischen Literatur- und Medienwissenschaft 10.) pp. 253-292.
Description:
Discusses, among others, Adolfo Bioy Casares’s La invectión de Morel and Chris Marker’s Sans Soleil.
Index:
Bioy Casares, Adolfo
Marker, Chris
Sans Soleil (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
Geister ~ Ghosts
invectión de Morel, La (Literatur ~ Literature)

#148
Bonitzer, Pascal: Une certaine tendance du cinéma américain. In: Cahiers du Cinéma 1986. No. 382. [?D] pp. 37-39.
Description:
On the increasing dominance of special effects in American films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
USA (United States of America) ~ USA (United States of America)
Technik ~ Technology

#149
Borgfeld, Wolfgang: Das Werk der digitalen Wunder. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 203 ff.
Index:
Wunder ~ Miracles
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#150
Borgfeld, Wolfgang: Effekte machen ist Film machen: Die Frankfurter eDIT: Wie Effektekünstler die Kamera ersetzen. In: EPD Film 22. 2005. No. 12. [December] pp. 10-11.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main

#151
Borgfeld, Wolfgang: Gollum ist der Größte: Digitale Filmbilder im Technik-Test. In: EPD Film 20. 2003. No. 12. [December] pp. 8-10.
Description:
Compares the CGI special effects in 2003 mainstream cinema. Discusses, among others, Peter Jackson’s The Lord of the Rings: The Two Towers, The Matrix Reloaded by Andy and Larry Wachowski, Lee Ang’s The Hulk and Gore Verbinski’s Pirates of the Caribbean: The Curse of the Black Pearl.
Index:
Jackson, Peter
Wachowski, Andy
Wachowski, Larry
Lee Ang
Verbinski, Gore
Lord of the Rings, The: The Two Towers (2002)
Matrix Reloaded, The (2003)
Hulk, The (2003)
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#152
Borgfeld, Wolfgang: Megalomaniamaximalista: Der Produktionsdesigner Dante Ferretti über seine Arbeit mit Scorsese, Fellini & Co. In: EPD Film 22. 2005. No. 2. [February] pp. 23-25.
Description:
Includes a filmography.
Index:
Ferretti, Dante
Scorsese, Martin
Fellini, Federico
Technik: Spezialeffekte ~ Technology: Special Effects

#153
Bosley, Rachael: True colors. In: American Cinematographer 84. 2003. No. 9. [September] pp. 38-39.
Description:
On the special effects for Zhang Yimou’s Hero (Ying Xiong).
Index:
Zhang Yimou
Ying Xiong (2002)
Technik: Spezialeffekte ~ Technology: Special Effects

#154
Bosley, Rachel K.: A model thriller. In: American Cinematographer 86. 2005. No. 10. [October] pp. 32-47.
Description:
On the camera work of Tristan Oliver and Dave Alex Riddett for Nick Park’s Wallace & Gromit: The Curse of the Were-Rabbit.
Index:
Park, Nick
Oliver, Tristan
Riddett, Dave Alex
Wallace & Gromit: The Curse of the Were-Rabbit (2005)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Thriller ~ Thriller

#155
Boullay, Daniel: Le petit Albert, ou, Le livre des trucages au cinéma. - Paris: Dreamland 1998. (= Collection Image par image.)
Description:
On animated special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Animation ~ Animation

#156
Bouquet, Stéphane: Paysage pendant la bataille. In: Cahiers du Cinéma 1996. No. 503. [?D] pp. 74-77.
Description:
On new special effects technologies.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#157
Boutilier, JamesC. / Scapperotti, Dan: Xena Warrior Princess. In: Cinefantastique 31. 1999. No. 5. [May] pp. 32-47.
Description:
Articles on the TV series. Discusses, among others, the work of actress Lucy Lawless and Alexandra Tydings, producer Rob Tapert and R. J. Stewart, the special effects by Flat Earth Productions plus the work of Liz Friedman. Discusses also the humoristic aspects of the series.
Index:
Tapert, Rob
Lawless, Lucy
Tydings, Alexandra
Tapert, Rob
Stewart, R. J.
Friedman, Liz
Xena: Warrior Princess (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Humor ~ Humor
Fernsehen ~ Television

#158
Bradley, Matthew R.: Ray Harryhausen: Now and then. In: Filmfax 1995. No. 52. [?D] pp. 50-57, 74, 80.
Description:
On the special effects expert.
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects

#159
Brandon, Carl: Lifeforce: Apogee effects. In: Cinefantastique 15. 1985. No. 3. [July] pp. 9, 57.
Description:
On the special effects for the film.
Index:
Hooper, Tobe
Lifeforce (1985)
Apogee [Firma] ~ Apogee [Company]
Technik: Spezialeffekte ~ Technology: Special Effects

#160
Brandon, Charles: Total Recall: The magic of special effects. In: Cinefantastique 21. 1991. No. 5. [April] p. 47.
Index:
Verhoeven, Paul
O’Bannon, Dan
Total Recall (1990)
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects

#161
Brennende Spuren auf der Reise durch die Zeit: Effekte im Futur. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 91-94.
Description:
On the special effects for Robert Zemeckis’s Back to the Future.
Index:
Zemeckis, Robert
Back to the Future (1985)
Zeit ~ Time
Technik: Spezialeffekte ~ Technology: Special Effects

#162
Breton, David: Le corps et le monde comme "effets speciaux." In: Cinémaction 2002. No. 102. [?D] pp. 131-138.
Index:
Scott, Ridley
Blade Runner (1982)
Roboter ~ Robots
Körper ~ Bodies
Technik: Spezialeffekte ~ Technology: Special Effects

#163
Brinsmead, Courtney David: Animating reality effects: Rotoscoping, medium theory, and digital cinema. - Calgary, Alberta: University of Calgary, M.A. 2008. [Abstract in: Masters Abstracts International 47. 2009. No. 3. (June).]
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#164
Brooks, Lawrence: Stepfather III: Father’s day. In: Cinefantastique 22. 1992. No. 5. [April] pp. 22-23.
Description:
On the special effects for the film.
Index:
Magar, Guy
Stepfather 3 (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#165
Brooks, Lawrence: The effects of Suburban Commando. In: Cinefantastique 22. 1991. No. 3. [December] pp. 48-49.
Index:
Kennedy, Burt
Suburban Commando (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#166
Brosnan, John: Movie magic: The story of special effects in the cinema. - New York: St. Martin’s Press 1974.
Index:
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#167
Brown, Garrett / Lightman, Herb A.: The Shining. In: American Cinematographer 61. 1980. No. 8. [August] pp. 780-789.
Description:
On the special effects for the film, especially on the camera work of John Alcott.
Index:
Kubrick, Stanley
Alcott, John
Shining, The (1980)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#168
Brown, Karl: SPFX 101: An introductory course. In: American Film 10. 1985. No. 10. [?D] pp. 54-57, 59.
Description:
Cinematographer Brown on the special effects for One Glorious Day.
Index:
Cruze, James
Brown, Karl
One Glorious Day (1922)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#169
Brown, William: Contemporary mainstream cinema is good for you: Connections between surrealism and today’s digital blockbusters. In: Studies in European Cinema 6. 2009. No. 1. [?D] pp. 17-30.
Description:
On digital special effects inspired by technques of surrealist cinema, especially by the films of Luis Buñuel and Salvador Dalí.
Index:
Buñuel, Luis
Dalí, Salvador
chien andalou, Un (1928)
âge d’or, L’ (1930)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Surrealismus ~ Surrealism

#170
Browning, Lawrence: John Gaeta. In: L’Écran Fantastique 2003. No. 232. [April] pp. 33-38.
Description:
Interview on the special effects for The Matrix Reloaded.
Index:
Wachowski, Andy
Wachowski, Larry
Gaeta, John
Matrix Reloaded, The (2003)
Technik: Spezialeffekte ~ Technology: Special Effects

#171
Brunet, Robin: On The Fly - The making of a sequel. In: Cinefex 1989. No. 37. [February] pp. 22-45.
Description:
On the special effects for Chris Walas’s The Fly II.
Index:
Walas, Chris
Fly II, The (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#172
Brunet, Robin: Timecop: The passing of special effects master John Thomas. In: Cinefantastique 25. 1994. No. 4. [August] p. 15.
Index:
Hyams, Peter
Thomas, John
Timecop (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#173
Bruno, Edoardo: La spirale del pensiero. In: Filmcritica 49. 1999. No. 499. [October] pp. 419-420.
Description:
On the use use of optical tricks in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Technik: Spezialeffekte ~ Technology: Special Effects

#174
Buckland, Warren: Between science fact and science fiction: Spielberg’s digital dinosaurs, possible worlds, and the new aesthetic realism. In: Screen 40. 1999. No. 2. [Summer] pp. 177-192.
Description:
On the digital special effects for Spielberg’s Jurassic Park and The Lost World.
Index:
Spielberg, Steven
Jurassic Park (1993)
Lost World, The: Jurassic Park (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Wissenschaft ~ Science
Science Fiction ~ Science Fiction
Dinosaurier ~ Dinosaurs

#175
Bukatman, Scott: De ultieme trip. In: Andere Sinema 1996. No. 132. [?D] pp. 46-52.
Description:
On the special effects for science fiction films (Part 2).
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#176
Bukatman, Scott: De ultieme trip. In: Andere Sinema 1996. No. 131. [?D] pp. 34-38.
Description:
On the special effects for science fiction films (Part 1).
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#177
Bukatman, Scott: Er is geen offscreen-ruimte meer. In: Andere Sinema 1996. No. 136. [?D] pp. 23-33.
Description:
On special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#178
Bukatman, Scott: Matters of gravity: Special effects and supermen in the 20th century. - Durham, North Carolina: Duke University Press 2003.
Reviews:
Blackford, Russell: [untitled] In: New York Review of Science Fiction 16. 2004. No. 11(?N) [?D] pp. 20-21.
Burt, Stephen: [untitled] In: College Literature 32. 2005. No. 1. [?D] pp. 166-176.
Kolisnyk, Mary Helen: Between the carnival and the panopticon. In: Film-Philosophy 9. 2005. No. 28. [May] p. ?P.
Landon, Brooks: [untitled.] In: Science Fiction Studies 31. 2004. No. 2(?N). [?D] pp. 302-306.
Telotte, J. P.: [untitled] In: Screen 45. 2004. No. 2. [Summer] pp. 156-161.
Description:
On the science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#179
Bukatman, Scott: The ultimate trip: Special effects and kaleidoscopic perception. In: Iris 1998. No. 25. [Spring] pp. 75-98.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#180
Büllmann, Bert: Die letzten zehn Geheimnisse. In: Cinema [Hamburg] 1993. No. 10(185). [?D] pp. 142-147.
Description:
On the special effects for Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#181
Büllmann, Bert: Organe gefällig? Hollywood und die Chirurgie. In: Cinema [Hamburg] 1994. No. 12(199). [?D] p. 23.
Description:
On trick film artist Rick Lazzarini and his "Character Shop" who creats monster figures and medical models.
Index:
Lazzarini, Rick
Krankheit ~ Illness
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
Technik ~ Technology
Hollywood ~ Hollywood

#182
Büllmann, Bert / Orlin, Scott: Effekte-Guru Stan Winston: Der Vater der Dinosaurier. In: Cinema [Hamburg] 1993. No. 9(184). [?D] pp. 46-49.
Description:
On the work of the trick film artist for Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Winston, Stan
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs

#183
Burton, Sean: Spezialeffekte: Die Magie des Machbaren. Teil 1: From Dusk Till Dawn. In: Moviestar 4. 1996. No. 20. [August] pp. 14-17.
Index:
Rodriguez, Robert
From Dusk Till Dawn (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#184
Burton, Sean: Spezialeffekte: Die Magie des Machbaren. Teil 2: Species. In: Moviestar 4. 1996. No. 21. [October] pp. 56-58.
Description:
On the special effects for the film by Roger Donaldson; especially on the work of Steve Johnson.
Index:
Donaldson, Roger
Johnson, Steve
Species (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#185
Butler, Andrew M.: Sleeping/waking: Politicizing the sublime in science fiction film special effects. In: Endangering science fiction film. Edited by Sean Redmond and Leon Marvell. - Abingdon; New York: Routledge 2016. (= AFI film reader.) p. ?P.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Politik ~ Politics
Science Fiction ~ Science Fiction

#186
Butler, Bill: Global Warning: The Day the Earth Stood Still. In: Cinefex 2009. No. 116. [January] p. ?P.
Description:
On the special effects by Weta Digital, Cinesite, Flash Film Works and CosFX for Scott Derrickson’s remake of Robert Wise’s SF classic. Discusses especially the work of visual effects supervisor Jeffrey Okun and the creature effects by Todd Masters of Masters FX.
Index:
Derrickson, Scott
Wise, Robert
Okun, Jeffrey A.
Masters, Todd
Day the Earth Stood Still, The (2008)
Day the Earth Stood Still, The (1951)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Cos FX [Firma] ~ Cos FX [Company]
Flash Film Works [Firma] ~ Flash Film Works [Company]
Cinesite [Firma] ~ Cinesite [Company]
Weta [Firma] ~ Weta [Company]

#187
Buttgereit, Jörg: King Kong: Der Affe ist der Star: Peter Jacksons effektvolles Klassiker-Remake. In: EPD Film 23. 2006. No. 1. [January] p. 34.
Index:
Jackson, Peter
King Kong (2005)
Affen ~ Apes
Technik: Spezialeffekte ~ Technology: Special Effects

#188
Buttgereit, Jörg: Wrong Turn: Ein Horrorfilm aus der Effektschmiede von Stan Winston. In: EPD Film 20. 2003. No. 8. [August] p. 50.
Index:
Schmidt, Rob
Winston, Stan
Wrong Turn (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#189
Buur, Chris: Avonturen met een lift: Effecten in functie van het verhaal. In: Skrien 1996/1997. No. 211. [December/January] pp. 70-72.
Description:
On the special effects for Ben Sombogaart’s Abeltje.
Index:
Sombogaart, Ben
Abeltje (1998)
Technik: Spezialeffekte ~ Technology: Special Effects

#190
Buur, Chris: De vliegende camera. In: Skrien 1996. No. 208. [?D] pp. 30-31.
Description:
On the computer generated special effects for Toy Story.
Index:
Lasseter, John
Toy Story (1995)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#191
Byrne, Bill: The visual effects arsenal: VFX solutions for the independent filmmaker. - Burlington, Massachusetts: Focal Press 2009.
Description:
Discusses, among others, animation techniques and special techniques for horror, science fiction and fantasy films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction
Horror ~ Horror
Fantasy ~ Fantasy
Animation ~ Animation

#192
Calhoun, John: Countdown to catastrophe. In: American Cinematographer 84. 2003. No. 4. [April] pp. 70-74, 77-79.
Description:
On the special effects for Jon Amiel’s The Core, especially on the camera work of John Lindley.
Index:
Amiel, Jon
Lindley, John
Core, The (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#193
Calhoun, John: Man without fear. In: American Cinematographer 84. 2003. No. 3. [March] pp. 40-48, 51-53.
Description:
On the special effects for Mark Steven Johnson’s Daredevil, especially on the camera work of Ericson Core.
Index:
Johnson, Mark Steven
Core, Ericson
Daredevil (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Angst ~ Fear

#194
Cameron, James: Technology and magic. In: Cinefex 1992. No. 51. [August] pp. 5-7.
Description:
On the digital special effects forThe Abyss and Terminator II.
Index:
Cameron, James
Abyss, The (1989)
Terminator II - Judgement Day (1991)
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects

#195
Campbell, Glenn: Baring the soul of Lifeforce. In: Cinefex 1985. No. 23. [August] pp. 34-53.
Description:
On the special effects for the film.
Index:
Hooper, Tobe
Lifeforce (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#196
Campbell, Glenn: Crimestoppers textbook. In: Cinefex 1990. No. 44. [November] pp. 22-51.
Description:
On the special effects for Warren Beatty’s Dick Tracy, especially on the work of makeup artists John Caglione Jr. and Doug Drexler.
Index:
Beatty, Warren
Caglione Jr., John
Drexler, Doug
Dick Tracy (1990)
Technik: Spezialeffekte ~ Technology: Special Effects
Kriminalität ~ Crime

#197
Campbell, Glenn / Trotter, Donna: Special effects - The Next Generation. In: Cinefex 1989. No. 37. [February] p. ?P.
Index:
Star Trek - The Next Generation (TV)
Technik: Spezialeffekte ~ Technology: Special Effects

#198
Canemaker, John: Star Wars special effects. In: Millimeter 5. 1977. No. ?N. [July/August] pp. 46 ff.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#199
Canemaker, John: The lost notebook: Herman Schultheis and the secrets of Walt Disney’s movie magic. - San Francisco, California: Walt Disney Family Foundation Press 2014.
Description:
On the animator.
Index:
Schultheis, Herman
Magie ~ Magic
Disney ~ Disney
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#200
Cantaloube, Thomas: La magie digitale. In: Cahiers du Cinéma 1997. No. 513. [May] pp. 80-84.
Description:
On the special effects companies ILM and Digital Domain.
Index:
Magie ~ Magic
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology

#201
Capp, Rose: Visual effects feature. In: Metro 2003. No. 138. [?D] pp. 154-158, 160-172.
Description:
On visual special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#202
Cappabianca, Alessandro: La mummia elettronica. In: Filmcritica 51. 2001. No. 514. [April] pp. 165-175.
Description:
On the digital special effects for Paul Verhoeven’s Hollow Man.
Index:
Verhoeven, Paul
Hollow Man (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#203
Caranicas, Peter: F/X wizardry evolved with Potter pics. In: Daily Variety 309. 2010. No. 45. [December 7] p. 4.
Index:
Yates, David
Harry Potter and the Deathly Hallows: Part 2 (2011)
Technik: Spezialeffekte ~ Technology: Special Effects

#204
Careers in focus: Film. - New York: Ferguson 2006.
Description:
Includes, among others, chapters on animators, costume designers, special effects experts and stunt performers
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#205
Careers in focus: Film. 2nd edition. - New York: Ferguson’s 2011.
First edition:
[2006]
Description:
Includes, among others, chapters on animators, costume designers, special effects experts and stunt performers
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#206
Carmichael, Robert: Mountain climbing in the 23rd century. In: American Cinematographer 70. 1989. No. 7. [July] pp. 38-48.
Description:
On the special effects for William Shatner’s Star Trek V - The Final Frontier.
Index:
Shatner, William
Star Trek V - The Final Frontier (1989)
Berge ~ Mountains
Technik: Spezialeffekte ~ Technology: Special Effects

#207
Carpenter, Lynn: Cocoon II: The Return challenges wizards. In: American Cinematographer 69. 1988. No. 12. [December] pp. 72-80.
Description:
Interview with Scott Farrar on the special effects by ILM for the film by Daniel Petrie.
Index:
Petrie, Daniel
Farrar, Scott
Cocoon: The Return (1988)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#208
Carpenter, Lynn: Creature design for Return of the Jedi. In: American Cinematographer 64. 1983. No. 6. [June] pp. 70-72.
Description:
On the monster animation effects by Phil Tippet.
Index:
Marquand, Richard
Tippett, Phil
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
Animation ~ Animation

#209
Carpenter, Phil: Robocop redux. In: Cinefex 1993. No. 56. [November] pp. 70-83.
Description:
On the special effects for Robocop 3, especially on the work of Rob Bottin and Phil Tippett.
Index:
Dekker, Fred
Bottin, Rob
Tippett, Phil
Robocop 3 (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#210
Carvajal, Christian: xXx: Shaken and stirred. In: Cinefex 2003. No. 92. [January] pp. 45-52, 57-65.
Description:
On director Rob Cohen, main actor Vin Diesel and on the special effects by John Frazier.
Index:
Cohen, Rob
Diesel, Vin
Frazier, John
XXX (2002)
Technik: Spezialeffekte ~ Technology: Special Effects

#211
Case, Brian: Talk of the toon. In: Time Out 1996. No. 1334. [?D] pp. 18-20.
Description:
John Lasseter on the special effects for Toy Story.
Index:
Lasseter, John
Toy Story (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#212
Case, Dominic: Digital freight train gathers speed. In: Cinema Papers 1996. No. 109. [?D] pp. 27-28, 56.
Description:
On the Australian special effects companies "DFilm Services" and "Animal Logic".
Index:
Eisenbahn ~ Railroad
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Australien ~ Australia
DFilm Services [Firma] ~ DFilm Services [Company]
Animal Logic [Firma] ~ Animal Logic [Company]

#213
Case, Dominic: Flame at complete post. In: Cinema Papers 1994. No. 102. [?D] pp. 60-64.
Description:
On computer generated special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#214
Casper, Drew: Postwar Hollywood, 1946-1962. - Malden, Massachusetts: Blackwell 2007.
Description:
Includes chapters on special effects, on censorship cases, on the horror, science fiction and fantasy genre as well as the suspense thriller and film noir.
Index:
Zensur ~ Censorship
USA (United States of America) ~ USA (United States of America)
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Krieg ~ War
Horror ~ Horror
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Fantasy ~ Fantasy

#215
Caughie, John / Cubitt, Sean: FX, CGI and the question of spectacle. In: Screen 40. 1999. No. 2. [Summer] pp. 123-192.
Description:
Special section on special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#216
Cazals, T.: Le monde comme simulacre et programmation. In: Cahiers du Cinéma 1987. No. 399. [?D] pp. 50-58.
Description:
On computer generated special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#217
Chandler, Annmarie: The making of Space Jam and putting the film-making "assembly line" into transactional space. In: Cinema Papers 1998. No. 123. [March] pp. 47-54.
Description:
On the digital special effects for the film.
Index:
Pytka, Joe
Space Jam (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#218
Chase, D.: Panatar lenses and computerized fire effects in Escape from New York. In: Filmmakers Monthly 14. 1981. No. 11. [?D] pp. 26-30.
Index:
Carpenter, John
Escape from New York (1981)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#219
Chase, D.: War of the wizards. In: American Film 7. 1982. No. 8. [?D] pp. 52-59.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#220
Cherchi Usai, Paolo: Macchine e macchinismi. In: Segnocinema 3. 1983. No. 9. [?D] p. 14.
Description:
On the use of special effects in various films from 1982 and 1983.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#221
Chesney, Peter: Shrink list a honey! In: American Cinematographer 70. 1989. No. 12. [December] p. 34.
Description:
On the special effects for Joe Johnston’s Honey, I Shrunk the Kids.
Index:
Johnston, Joe
Honey, I Shrunk the Kids (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#222
Christie, Ian: The visible and the invisible: From "tricks" to "effects". In: Early Popular Visual Culture 13. 2015. No. 2. [May] pp. 106-112.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#223
Christmann, Karl-Heinz: Motion Control: Kameraroboter. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 187 ff.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#224
Chung, Hye Jean: Media heterotopias: Digital effects and material labor in global film production. - Durham, North Carolina: Duke University Press 2018.
Index:
Cameron, James
Kosinski, Joseph
Nolan, Christopher
Avatar (2009)
Oblivion (2013)
Interstellar (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#225
Chung, Hye Jean: Media heterotopias: Spectral effects in transnational cinematic space. - Santa Barbara, California: University of California, Santa Barbara, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 72. 2011. No. 12. [?D].]
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#226
Chute, David: Tom Savini: Maniac. In: Film Comment 17. 1981. No. 4. [July/August] pp. 24-27.
Description:
On the special effects artist and his work for the horror film.
Index:
Savini, Tom
Lustig, William
Maniac (1980)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#227
Clancy, Keith: PRHvTHR: The t(r)opology of pyromania. In: The illusion of life: Essays on animation. Edited by Alan Cholodenko. - Sydney: Power Publications / Sydney: Australian Film Commission 1991. pp. 243-262.
Description:
On Robert Zemeckis’s Who Framed Roger Rabbit.
Index:
Zemeckis, Robert
Who Framed Roger Rabbit (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#228
Clark, Jim: Makeup effects for A Nightmare on Elm Street II. In: Cinefantastique 16. 1986. No. 2. [May] pp. 49, 61.
Index:
Sholder, Jack
Nightmare on Elm Street II, A: Freddy’s Revenge (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#229
Clark, Jim: Mark Shostrom on the makeup effects of Evil Dead 2. In: Cinefantastique 17. 1987. No. 5. [September] p. 44.
Index:
Raimi, Samuel M.
Shostrom, Mark
Evil Dead II - Dead by Dawn (1987)
Technik: Spezialeffekte ~ Technology: Special Effects

#230
Clark, Tony: Oz fix a hit on Red Planet. In: Cinema Papers 2000/2001. No. 136. [December/January] pp. 14-15.
Description:
On the special effects by Tony Clark for the film by Anthony Hoffman.
Index:
Hoffman, Anthony
Red Planet (2000)
Technik: Spezialeffekte ~ Technology: Special Effects

#231
Clarke, Frederick S.: Beetlejuice: Effects-laden, off-the-wall supernatural comedy could make a name for director Tim Burton. In: Cinefantastique 18. 1988. No. 2/3. [March] pp. 21, 124.
Index:
Burton, Tim
Beetlejuice (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Humor ~ Humor
Wunder ~ Miracles

#232
Clarke, Frederick S.: Stop-Motion and Matte effects for They Live. In: Cinefantastique 19. 1989. No. 4. [May] p. 43.
Index:
Carpenter, John
They Live (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Matte-Painting ~ Matte-Painting

#233
Clise, Rick: Special effects: A look behind the scenes at tricks of the movie trade. - Ringwood, Victoria: Viking Kestrel / New York: Viking Penguin 1986.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#234
Clover, Joshua: The struggle for space. In: Film Quarterly 63. 2010. No. 3. [Spring] pp. 6-7.
Description:
On James Cameron’s Avatar.
Index:
Cameron, James
Avatar (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#235
Cohen, Karl: Animating Toy Story / An interview with John Lasseter. In: Animato! 1995. No. 33. [?D] pp. 20-23, 68.
Description:
Especially on the special effects by Pixar.
Index:
Lasseter, John
Toy Story (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#236
Cohen, Karl: How to animate an alien. In: Animato! 1997. No. 37. [Spring] pp. 16-17, 56.
Description:
On the computer generated special effects by ILM for Tim Burton’s Mars Attacks!.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation ~ Animation
Aliens ~ Aliens

#237
Collis, J.: Tricks for the flicks. In: Radio Times 246. 1985. No. 3201. [?D] pp. 4-5.
Description:
On the special effects artist Dennis Muren.
Index:
Muren, Dennis
Technik: Spezialeffekte ~ Technology: Special Effects

#238
Comer, Brooke: Shrinking kids meet giant grass blades. In: American Cinematographer 70. 1989. No. 12. [December] pp. 30-32.
Description:
On the special effects for Joe Johnston’s Honey, I Shrunk the Kids.
Index:
Johnston, Joe
Honey, I Shrunk the Kids (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#239
Cornea, Christine: Conclusion: The technology of science fiction cinema. In: Cornea, Christine: Science fiction cinema: Between fantasy and reality. - New Brunswick, New Jersey; London: Rutgers University Press 2007. p. ?P.
Description:
On the importance of special effects and computer graphics for contemporary science fiction film. Includes interviews with special effects technician Stan Winston and director Roland Emmerich.
Index:
Winston, Stan
Emmerich, Roland
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#240
Cosandey, Roland: Cinéma 1908, films à trucs et film d’art. In: Cinémathèque 1993. No. 3. [?D] pp. 58-71.
Description:
Two articles from French magazine "L’Illustration" published in 1908 on special effects in film and on contemporary art films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Kunst ~ Arts, The
Frankreich ~ France

#241
Cosner, Shaaron: Special effects in movies and TV. - New York: J. Messner 1985.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Fernsehen ~ Television

#242
Cotta Vaz, Mark: A giant peach in the Big Apple. In: Cinefex 1996. No. 66. [June] p. ?P.
Description:
On the special effects for Henry Selick’s James and the Giant Peach.
Index:
Selick, Henry
James and the Giant Peach (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#243
Cotta Vaz, Mark: A knight at the zoo. In: Cinefex 1992. No. 51. [August] pp. 22-69.
Description:
On the special effects for Batman Returns, especially on the work of Michael Fink.
Index:
Burton, Tim
Fink, Michael
Batman Returns (1992)
Technik: Spezialeffekte ~ Technology: Special Effects
Ritter ~ Knights

#244
Cotta Vaz, Mark: A region of shadows. In: Cinefex 2000. No. 80. [January] pp. 86-109.
Description:
On the special effects by ILM for Tim Burton’s Sleepy Hollow.
Index:
Burton, Tim
Sleepy Hollow (1999)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#245
Cotta Vaz, Mark: After the rebellion. In: Cinefex 1996. No. 65. [March] p. ?P.
Description:
On the history of special effects company Industrial Light & Magic.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#246
Cotta Vaz, Mark: An American Werewolf in Paris: Werewolf wizardry. In: Cinefex 1998. No. 73. [March] pp. 37-38, 43-44, 121-122.
Description:
On the special effects for the film by Anthony Waller.
Index:
Waller, Anthony
American Werewolf in Paris, An (1997)
Wölfe ~ Wolves
Technik: Spezialeffekte ~ Technology: Special Effects

#247
Cotta Vaz, Mark: An entomological epic. In: Cinefex 1999. No. 76. [January] pp. 41-44, 49-50, 133-134, 139-140.
Description:
On the digital special effects by Disney and Pixar for John Lasseter’s A Bug’s Life.
Index:
Lasseter, John
Bug’s Life, A (1998)
Pixar [Firma] ~ Pixar [Company]
Disney ~ Disney
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#248
Cotta Vaz, Mark: Cruising the digital backlot. In: Cinefex 1996. No. 67. [September] pp. 90-101.
Description:
On the computer generated special effects by ILM for Brian De Palma’s Mission: Impossible.
Index:
De Palma, Brian
Mission: Impossible (1996)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#249
Cotta Vaz, Mark: Dredd world. In: Cinefex 1995. No. 62. [June] pp. 58-73.
Description:
On the special effects for Danny Cannon’s Judge Dredd, especially on the work of Joss Williams and Nick Dudman.
Index:
Cannon, Danny
Williams, Joss
Dudman, Nick
Judge Dredd (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#250
Cotta Vaz, Mark / Duignan, Patricia Rose: Industrial Light & Magic: Into the digital realm. - London: Virgin Publishing 1996. (= A Del Roy Book.)
Description:
On the history of the special effects company.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology

#251
Cotta Vaz, Mark / Duncan, Jody / Martin, Kevin H.: Heroe’s journey. In: Cinefex 1999. No. 78. [July] pp. 74-79, 84-103, 108-125, 130-145.
Description:
On the special effects by ILM for the Star Wars prequel Star Wars Episode I - The Phantom Menace.
Index:
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Helden ~ Heros

#252
Cotta Vaz, Mark: Engendered species. In: Cinefex 2000. No. 82. [July] pp. 68-89.
Description:
On the digital special effects for the Disney film Dinosaur.
Index:
Leighton, Eric
Zondag, Ralph
Dinosaur (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Disney ~ Disney

#253
Cotta Vaz, Mark: Forever and a knight. In: Cinefex 1995. No. 63. [September] p. ?P.
Description:
On the special effects for Joel Schumacher’s Batman Forever, especially on the work of John Dykstra.
Index:
Schumacher, Joel
Dykstra, John
Batman Forever (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Ritter ~ Knights

#254
Cotta Vaz, Mark: Freeze frames. In: Cinefex 1997. No. 71. [September] p. ?P.
Description:
On the special effects by John Dykstra for Batman & Robin.
Index:
Schumacher, Joel
Dykstra, John
Batman & Robin (1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#255
Cotta Vaz, Mark: From Tatooine to Endor. In: Cinefex 1995. No. 61. [March] pp. 115-116.
Description:
On an exhibition on the special effects for the Star Wars films.
Index:
Star Wars (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Star Wars ~ Star Wars

#256
Cotta Vaz, Mark: Hasta la Buena Vista. In: Cinefex 1996. No. 67. [September] pp. 23-24, 134.
Description:
On the special effects of "Buena Vista" for John Carpenter’s Escape From L.A.
Index:
Carpenter, John
Escape from L.A. (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Buena Vista [Firma] ~ Buena Vista [Company]

#257
Cotta Vaz, Mark: Haunting creation. In: Cinefex 1994. No. 60. [December] pp. 70-85.
Description:
On the special effects for Mary Shelley’s Frankenstein, especially on the work of Daniel Parker and Richard Conway.
Index:
Branagh, Kenneth
Parker, Daniel
Conway, Richard
Mary Shelley’s Frankenstein (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#258
Cotta Vaz, Mark: Inside the Planet of the Apes. In: Cinefex 2001. No. 87. [Octoberl] pp. 98-121..
Description:
Discusses, among others, the makeup effects created by Rick Baker.
Index:
Burton, Tim
Baker, Rick
Planet of the Apes (2001)
Technik: Spezialeffekte ~ Technology: Special Effects

#259
Cotta Vaz, Mark: Journey to Armageddon. In: Cinefex 1998. No. 75. [October] pp. 68-93.
Description:
On the digital special effects by Dream Quest Images for the film by Michael Bay, especially on the work of Jerry Bruckheimer, Pat McClung and Richard Hoover.
Index:
Bay, Michael
Bruckheimer, Jerry
McClung, Patrick
Hoover, Richard
Armageddon (1998)
Technik: Computer ~ Technology: Computer
Dream Quest Images [Firma] ~ Dream Quest Images [Company]
Technik: Spezialeffekte ~ Technology: Special Effects

#260
Cotta Vaz, Mark: Lost in London. In: Cinefex 1998. No. 74. [July] pp. 27-30, 35-36.
Description:
On the special effects for Stephen Hopkins’s Lost in Space.
Index:
Hopkins, Stephen
Lost in Space (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
London ~ London

#261
Cotta Vaz, Mark: Martial art. In: Cinefex 1996. No. 68. [December] pp. 70-93.
Description:
On the special effects by ILM and the "Warner Digital Studio" for Tim Burton’s Mars Attacks!.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Computer ~ Technology: Computer
Warner Bros. ~ Warner Bros.
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#262
Cotta Vaz, Mark: Maximum impact. In: Cinefex 1991. No. 45. [February] p. ?P.
Description:
On the special effects by ILM for Die Hard 2, especially on the work of Al Di Sarro and Michael McAlister.
Index:
Harlin, Renny
Di Sarro, Al
McAlister, Michael
Die Hard II (1990)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#263
Cotta Vaz, Mark: Phantom visions. In: Cinefex 1999. No. 78. [July] pp. 39-41, 47-48, 53-54, 61-62, 67.
Description:
On the special effects for the Star Wars prequel Star Wars Episode I - The Phantom Menace, especially on the work of Doug Chiang.
Index:
Lucas, George
Chiang, Doug
Star Wars Episode I - The Phantom Menace (1999)
Technik: Spezialeffekte ~ Technology: Special Effects

#264
Cotta Vaz, Mark: Return to neverland. In: Cinefex 1992. No. 49. [February] pp. 4-23.
Description:
On the special effects by ILM for Steven Spielberg’s Hook, especially on the work of Michael Lantieri.
Index:
Spielberg, Steven
Lantieri, Michael
Hook (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#265
Cotta Vaz, Mark: Road to insectopia. In: Cinefex 1999. No. 76. [January] pp. 27-30, 35-36, 145-147.
Description:
On the digital special effects for Antz.
Index:
Darnell, Eric
Johnson, Tim
Antz (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#266
Cotta Vaz, Mark: Rocket blast. In: Cinefex 1991. No. 48. [November] p. ?P.
Description:
On the special effects by ILM for The Rocketeer, especially on the work of Jim Bissel and Jon G. Belyeu.
Index:
Johnston, Joe
Bissel, Jim
Belyeu, Jon G.
Rocketeer, The (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#267
Cotta Vaz, Mark: Shadow world. In: Cinefex 1994. No. 60. [December] p. ?P.
Description:
On the special effects for Russell Mulcahy’s The Shadow.
Index:
Mulcahy, Russell
Shadow, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#268
Cotta Vaz, Mark: The motion in our minds. In: Cinefex 2000. No. 80. [January] pp. 141-156.
Description:
On the special effects artist Ray Harryhausen.
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects

#269
Cotta Vaz, Mark: The thrill of the haunt. In: Cinefex 1996. No. 67. [September] p. ?P.
Description:
On the special effects for Peter Jackson’s The Frighteners.
Index:
Jackson, Peter
Frighteners, The (1996)
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects

#270
Cotta Vaz, Mark: The thrill of the hunt. In: Cinefex 1990. No. 42. [May] p. ?P.
Description:
On the special effects by ILM for John McTiernan’s The Hunt for Red October, especially on the work of effects supervisor Scott Squires.
Index:
McTiernan, John
Squires, Scott
Hunt for Red October, The (1990)
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Jagd ~ Hunt
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#271
Cotta Vaz, Mark: The whos and whys of How the Grinch Stole Christmas. In: Cinefex 2001. No. 84. [January] pp. 66-91.
Description:
Discusses, among others, the digital special effects by Digital Domain.
Index:
Howard, Ron
How the Grinch Stole Christmas (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]

#272
Cotta Vaz, Mark: Through the Stargate. In: Cinefex 1995. No. 61. [March] pp. 82-97.
Description:
On the special effects for the film by Roland Emmerich, especially on the work of Kleiser-Walczak and Patrick Tatopoulos.
Index:
Emmerich, Roland
Kleiser, Jeffrey
Walczak, Diana
Tatopoulos, Patrick
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#273
Cotta Vaz, Mark: Toy wars. In: Cinefex 1993. No. 54. [May] p. 54-73.
Description:
On the special effects for Barry Levinson’s Toys, especially on the work of Ferdinando Scarfiotti and Clayton Pinney.
Index:
Levinson, Barry
Scarfiotti, Ferdinando
Pinney, Clayton
Toys (1992)
Technik: Spezialeffekte ~ Technology: Special Effects

#274
Counts, Kyle: Child’s Play 2. In: Cinefantastique 21. 1990. No. 3. [December] pp. 12-14.
Description:
On the film by John Laffia and the special effects by Kevin Yagher.
Index:
Lafia, John
Yagher, Kevin
Child’s Play II (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#275
Counts, Kyle: Heartbeeps. In: Cinefantastique 12. 1982. No. 1. [February] pp. 42-49.
Description:
Discusses, among others, the special effects by Mel Arnold and the robot motif in the film.
Index:
Arkush, Allan
Arnold, Mel
Heartbeeps (1981)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots

#276
Counts, Kyle: Inside Chucky. In: Cinefantastique 21. 1990. No. 3. [December] pp. 15, 61.
Description:
On the special effects for Child’s Play 2.
Index:
Lafia, John
Child’s Play II (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#277
Counts, Kyle: Low budget effects for Night of the Comet. In: Cinefantastique 15. 1985. No. 2. [May] p. 48.
Index:
Eberhardt, Thom
Night of the Comet (1984)
Technik: Spezialeffekte ~ Technology: Special Effects

#278
Counts, Kyle: The Japanese left most of Coast Effects’s work for Virus on the cutting room floor. In: Cinefantastique 13/14. 1983. No. 6/1. [September] p. 102.
Description:
On Kinji Fukasaku’s Fukkatsu no hi.
Index:
Fukasaku, Kinji
Fukkatsu no hi (1980)
Technik: Spezialeffekte ~ Technology: Special Effects
Japan ~ Japan

#279
Counts, Kyle: Visual effects by Dream Quest for The Seventh Sign. In: Cinefantastique 19. 1989. No. 1/2. [January] p. 110.
Index:
Schultz, Carl
Seventh Sign, The (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Dream Quest Images [Firma] ~ Dream Quest Images [Company]

#280
Cox, Vic: Full Moon Rising. In: Cinefex 1993. No. 53. [February] p. ?P.
Description:
On the special effects company "Full Moon Entertainment"
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Full Moon Entertainment [Firma] ~ Full Moon Entertainment [Company]

#281
Cox, Vic: Ray Harryhausen - acting without the lumps. In: Cinefex 1981. No. 5. [July] pp. 4-41.
Description:
Especially on Harryhausen’s special effects for Desmomd Davis’s Clash of the Titans.
Index:
Davis, Desmomd
Harryhausen, Ray
Clash of the Titans (1981)
Technik: Spezialeffekte ~ Technology: Special Effects

#282
Coyle, Rebecca / Hayward, Philip: Texas chainsaws: Audio effect and iconicity. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Texas Chainsaw Massacre (Filmreihe)
Texas ~ Texas
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror
Musik ~ Music

#283
The crafting of Narnia: The art, creatures and weapons from Weta Workshop. - New York: HarperOne / Weta Publishing 2008.
Description:
On the special effects for Andrew Adamson’s The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and The Chronicles of Narnia: Prince Caspian.
Index:
Adamson, Andrew
Adamson, Andrew
Chronicles of Narnia (Filmreihe)
Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe (2005)
Chronicles of Narnia, The: Prince Caspian (2008)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects

#284
Craig, J. Robert: Establishing new boundaries for special effects: Robert Zemeckis’s Contact and computer-generated imagery. In: Journal of Popular Film and Television 28. 2001. No. 4. [Winter] pp. 158-165.
Index:
Zemeckis, Robert
Contact (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#285
Craig, J. Robert: Special effects and the cult of personality in fantasy film: Robert Zemeckis’s Contact as fantastic reality. In: Popular Culture Review 10. 1999. No. 1. [February] pp. 13-21.
Index:
Zemeckis, Robert
Contact (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy

#286
Craig, Jonathan / Light, Bridget: Special effects make-up artist. - Chicago, Illinois: Capstone Raintree 2014. (= The coolest jobs on the planet.)
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#287
Cram, Christopher: Digital cinema: The role of the visual effects supervisor. In: Film History 24. 2012. No. 2. pp. 169-186.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#288
Crawford, Larry: Looking, film, painting: The trickster’s in site / in sight / insight / incite. In: Wide Angle 5. 1983. No. 3. [?D] pp. 64-69.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Technik: Spezialeffekte ~ Technology: Special Effects
Kunst ~ Arts, The

#289
Crawley, Tony: Striving for an effect: Interview with Douglas Trumbull. In: Films Illustrated 7. 1978. No. ?N. [June] pp. 384-387.
Description:
On Trumbull’s work for Steven Spielberg’s Close Encounters of the Third Kind.
Index:
Spielberg, Steven
Trumbull, Douglas
Close Encounters of the Third Kind (1977)
Technik: Spezialeffekte ~ Technology: Special Effects

#290
Crisafulli, Chuck: Intruders - An effects close encounter. In: Cinefantastique 23. 1992. No. 4. [December] p. 56.
Description:
On the special effects for the film by Dan Curtis.
Index:
Curtis, Dan
Intruders (1992)
Technik: Spezialeffekte ~ Technology: Special Effects

#291
Crisafulli, Chuck: Prehysteria. In: Cinefantastique 24. 1993. No. 2. [August] pp. 31, 60.
Description:
On the film by Albert and Charles Band and on the special effects by David Allen for the video rivalry to Spielberg’s Jurassic Park.
Index:
Band, Albert
Band, Charles
Allen, David
Spielberg, Steven
Prehysteria (1992)
Jurassic Park (1993)
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects

#292
Crouchet, Bruce: Explorers complex visual effects by Industrial Light & Magic. In: Cinefantastique 15. 1986. No. 5. [January] p. 42.
Index:
Dante, Joe
Explorers (1985)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#293
Crowdus, Gary: Aliens, dragons, monsters and me. In: Cineaste 19. 1993. No. 4. [?D] p. 101.
Description:
On the special effects artist Ray Harryhausen.
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
Drachen ~ Dragons
Aliens ~ Aliens

#294
Cubitt, S.: Introduction: Le reel, c’est l’impossible: The sublime time of special effects. In: Screen 40. 1999. No. 2. [?D] pp. 123-130.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#295
Cubitt, Sean: Phalke, Méliès, and special effects today. In: Wide Angle 21. 1999. No. 1. [January] pp. 114-130.
Description:
Compares the importance of special effects in earlier films and nowadays. Discusses, among others, The Matrix.
Index:
Phalke, Dhundiraj Govinda
Méliès, Georges
Wachowski, Andy
Wachowski, Larry
Matrix, The (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#296
Cubitt, Sean: The cinema effect. - Cambridge, Massachusetts: MIT Press 2004.
Reviews:
Cubitt, Sean: Reply to Richard Misek. In: Film-Philosophy 9. 2005. No. 30. [May] p. ?P.
Misek, Richard: Analogue film, digital discourse. In: Film-Philosophy 9. 2005. No. 29. [May] p. ?P.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#297
Cueto, J.: Solo tecnología. In: Casablanca ?G 1983. No. 27. [?D] p. 4.
Description:
On films dominated by special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#298
Culhane, J.: Ray Harryhausen: Monsters great and small. In: American Film 6. 1981. No. 8. [?D] pp. 47-52.
Description:
On the career of the special effects artist.
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster

#299
Culhane, John: The remarkable visions of Peter Ellenshaw. In: American Film 4. 1979. No. 10. [?D] pp. 18-24.
Description:
On the special effects artist, especially on his work for The Black Hole.
Index:
Ellenshaw, Peter
Nelson, Gary
Black Hole, The (1979)
Technik: Spezialeffekte ~ Technology: Special Effects

#300
Culpepper, Joseph Daniel: Reception and adaptation: Magic tricks, mysteries, con games. - Toronto, Ontario: University of Toronto, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 77. 2014. No. 11. [?D].
Description:
Discusses, among others, the films of Alfred Hitchcock andPedro Almodóvar.
Index:
Hitchcock, Alfred
Almodóvar, Pedro
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic

#301
Czerkas, Stephen: The first great rivalry in visual effects: O’Brien vs Dawley. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the collaboration between stop-motion pioneer Willis O’Brien and producer Herbert M. Dawley.
Index:
O’Brien, Willis H.
Dawley, Herbert M.
Ghost of Slumber Mountain, The (1918)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#302
Dabeisein in jener Nacht": Interview "Dabeisein in jener Nacht": Interview mit dem kanadischen Titanic-Regisseur James Cameron über die Schattenseiten der modernen Technologie und die Grenzen cineastischer Computertricks. In: Der Spiegel 52. 1998. No. 3. [January 12] p. 103.
Index:
Cameron, James
Titanic (1997)
Technik ~ Technology
Technik: Spezialeffekte ~ Technology: Special Effects
Nacht ~ Night
Technik: Computer ~ Technology: Computer
Kanada ~ Canada

#303
Daiber, Jörg: "Ich gehöre eher zu den Leuten, die E.T. für einen langweiligen Film gehalten haben": Ein Interview mit Effekte-Meister Joachim Grüninger. In: Moviestar 5. 1997. No. 10(33). [October] p. 60.
Description:
Especially on the special effects for Anthony Waller’s An American Werewolf in Paris.
Index:
Waller, Anthony
Grüninger, Joachim
Spielberg, Steven
American Werewolf in Paris, An (1997)
E.T. - The Extra-Terrestrial (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#304
Daiber, Jörg: Interview mit Thomas Mulack. In: Moviestar 5. 1997. No. 6(28/29). [May/June] p. 44.
Description:
The special effects artist on his work for the Babelsberg C.O.R.E. studios.
Index:
Mulack, Thomas
C.O.R.E. [Firma] ~ C.O.R.E. [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Babelsberg ~ Babelsberg

#305
Daiber, Jörg: Kleine Geschichte der Make-up-Effekte. In: Moviestar 5. 1997. No. 4(27). [April] p. 42.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#306
Daiber, Jörg: Spezialeffekte: Die Magie des Machbaren: Das Wunder der Animatronic. In: Moviestar 5. 1997. No. 4(27). [April] pp. 38-41.
Index:
Wunder ~ Miracles
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation
Technik ~ Technology

#307
Daiber, Jörg: Spezialeffekte: Die Magie des Machbaren: Ein elektronisches Monster. In: Moviestar 5. 1997. No. 10(33). [October] pp. 56-59.
Description:
On Anthony Waller’s An American Werewolf in Paris.
Index:
Waller, Anthony
American Werewolf in Paris, An (1997)
Monster ~ Monster
Technik: Spezialeffekte ~ Technology: Special Effects

#308
Daiber, Jörg: Spezialeffekte: Die Magie des Machbaren: Supernova auf dem Bildschirm. In: Moviestar 5. 1997. No. 6(28/29). [May/June] pp. 42-47.
Description:
On the special effects for the TV series Lexx - The Dark Zone which were created at the Babelsberg C.O.R.E. studios.
Index:
Lexx - The Dark Zone (TV)
C.O.R.E. [Firma] ~ C.O.R.E. [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Babelsberg ~ Babelsberg
Fernsehen ~ Television

#309
Dalton, Dirk: Synthesized sound effects for Star Trek - The Motion Picture. In: American Cinematographer 61. 1990. No. ?N. [February] pp. 160 ff.
Index:
Wise, Robert
Star Trek - The Motion Picture (1979)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#310
Dalton, Tony / Harryhausen, Ray: Ray Harryhausen: An animated life. - London: Aurum Press 2003.
Reviews:
Bond, Jeff: Frame by frame. In: Cinefantastique 36. 2004. No. 2. [April/May] pp. 14-15.
Index:
Harryhausen, Ray
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#311
Dalton, Tony / Harryhausen, Ray: Ray Harryhausen: An animated life. - New York: Billboard Books 2004.
First edition:
[2003]
Index:
Harryhausen, Ray
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#312
Dameen, Anton: "De computer bevrijdt je van de materiële wereld": Gesprek met de effectenspecialist van Starship Troopers. In: Skrien 1998. No. 221. [March] pp. 46-47.
Description:
Interview with Phil Tippett.
Index:
Verhoeven, Paul
Tippett, Phil
Starship Troopers (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#313
Dams, Tim: Secrets of Spectre. In: Televisual 2015. No. ?N. [December] pp. 49-54.
Description:
On the special effects for Sam Mendes’s James Bond movie.
Index:
Mendes, Sam
Spectre (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
James Bond ~ James Bond

#314
Danahay, Martin: Richard Mansfield, Jekyll and Hyde and the history of special effects. In: Nineteenth Century Theatre and Film 39. 2012. No. 2. [Winter] pp. 54-72.
Index:
Mansfield, Richard
Dr. Jekyll and Mr. Hyde (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Dr. Jekyll and Mr. Hyde ~ Dr. Jekyll and Mr. Hyde
Theater ~ Theatre

#315
Das ging ins Auge. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 75-78.
Description:
On the special effects for James Cameron’s Terminator.
Index:
Cameron, James
Terminator, The (1984)
Augen ~ Eyes
Technik: Spezialeffekte ~ Technology: Special Effects

#316
Daso, D. / Lehman, P.: Special effects in Star Wars. In: Wide Angle 1. 1979. No. 1. [?D] pp. 72-77.
Description:
Interview with special effects artists Robert Blalack and Jamie Shourt.
Index:
Lucas, George
Blalack, Robert
Shourt, Jamie
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#317
Davis, Bob: Setting Noriko’s Dinner Table. In: American Cinematographer 88. 2007. No. 4. [April] pp. 12-14.
Description:
On the special effects for Shion Sono’s Noriko no shokutaku.
Index:
Sono, Shion
Noriko no shokutaku (2005)
Technik: Spezialeffekte ~ Technology: Special Effects

#318
Dawtrey, A.: Creature comforts. In: Variety 355. 1994. No. 9. [?D] p. 4.
Description:
Interview with John Stevenson on his computer generated special effects for The Flintstones.
Index:
Levant, Brian
Flintstones, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#319
Dayton, Susan: Backyard odyssey. In: Cinefex 1990. No. 41. [February] pp. 34-67.
Description:
On the special effects for Honey, I Shrunk the Kids, especially on the work of Gregg Fonseca, Peter Chesney, Phil Tippett and David Allen.
Index:
Johnston, Joe
Fonseca, Gregg
Chesney, Peter
Tippett, Phil
Allen, David
Honey, I Shrunk the Kids (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#320
de la Bretèque, François: Les contes de Georges Méliès. In: Cinémaction 2005. No. 116. [June] pp. 62-71.
Description:
On the use of fairy tale motifs and on the special effects in the films of Georges Méllès.
Index:
Méliès, Georges
Technik: Spezialeffekte ~ Technology: Special Effects
Märchen ~ Fairy Tales

#321
de Las Carreras-Kuntz, María Elena: Magical tricks and Ingmar Bergman: Referentiality in Magic in the Moonlight. In: Referentiality and the films of Woody Allen. Edited by Klara Stephanie Szlezák and D. E. Wynter. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2015. p. ?P.
Index:
Allen, Woody
Bergman, Ingmar
Magic in the Moonlight (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic

#322
de Putter, Jos: Special effect. In: Skrien 1992. No. 186. [October/November] p. 26.
Index:
Cronenberg, David
Naked Lunch (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#323
De Bernardinis, Flavio: Effetti scottanti. In: Segnocinema 17. 1997. No. 84. [March-June] pp. 25-27.
Description:
Interview with the special effects artists Paolo Zeccara and Fabio Traversari.
Index:
Zeccara, Paolo
Traversari, Fabio
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#324
De Marinis, Gualtiero: L’immagine elettronica si consola con le vecchie pellicole. In: Cineforum 27. 1987. No. 10(270). [?D] pp. 8-10.
Description:
On a conference on special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#325
De Marinis, Gualtiero: Sogni digitali. In: Cineforum 36. 1996. No. ?N(354). [May] pp. 2-6.
Description:
On digital special effects in film.
Index:
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#326
Debruge, Peter: Creaky, yes, but charming. In: Variety 401. 2005. No. 5. [December 19] p. 57.
Description:
On a DVD edition of with films in which special effect specialist Ray Harryhausen participated, among them Fred F. Sears’s Earth vs. the Flying Saucers.
Index:
Harryhausen, Ray
Sears, Fred F.
Earth vs. the Flying Saucers (1956)
Technik: Spezialeffekte ~ Technology: Special Effects
DVD ~ DVD

#327
Deckel, Larry: Jurassic Park III: Bigger, faster, meaner. In: Cinefex 2001. No. 87. [Octoberl] pp. 15-18, 23-24, 29-32, 37-40, 125-126, 131-132.
Description:
On the special effects for the film.
Index:
Johnston, Joe
Jurassic Park 3 (2001)
Technik: Spezialeffekte ~ Technology: Special Effects

#328
Dekker, P.: Triomf der techniek: Disney in computerland. In: Skoop 19. 1983. No. 1. [?D] pp. 30-31.
Description:
On the computer generated special effects for Tron.
Index:
Lisberger, Steven
Tron (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Disney ~ Disney

#329
DeLassus, Leslie Marie: Salvage historiography: Viewing, special effects, and Norman O. Dawn’s unpreserved archive. - Iowa City, Iowa: University of Iowa, Ph.D. 2016. [Abstract in: Dissertation Abstracts International A 78. 2016. No. 8. [?D].
Description:
On the early special effects cinematographer.
Index:
Dawn, Norman O.
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#330
Delmeulle, Frédéric: Le triomphe de la chair: À propos de quelques métamorphoses dans le cinéma fantastique américain. In: "1895" 1999. No. 27. [September] pp. 97-112.
Description:
On the motif of metamorphosis in Jacques Tourneur’s Cat People, Paul Schrader’s Cat People, Christian Nyby’s The Thing from Another World and John Carpenter’s The Thing.
Index:
Tourneur, Jacques
Schrader, Paul
Nyby, Christian
Carpenter, John
Cat People (1942)
Cat People (1982)
Thing from Another World, The (1951)
Thing, The (1982)
USA (United States of America) ~ USA (United States of America)
Technik: Spezialeffekte ~ Technology: Special Effects

#331
Dennis, Carl Melbourne: A critical exploration of an interactional communication’s perspective of artist-audience relationships through moving graphic symbols in animated films. - Los Angeles, California: University of Southern California, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 43. 1983. No. 12. (June) p. 3735A.]
Description:
Discusses, among others, the work of trick expert Vladimir Tytla for Ben Sharpsteen’s Dumbo, Chuck Jones’s Duck Amuck, Nedjelko Dragic’s The Diary (Dnevnik), Sara Petty’s Furies, Marcell Jankovics’s Sisyphus and Jean François Laguionine’s La traversée de l’Atlantique à la rame.
Index:
Tytla, Vladimir
Sharpsteen, Ben
Jones, Chuck
Dragic, Nedeljko
Petty, Sara
Jankovics, Marcell
Laguionie, Jean-François
Dumbo (1941)
Duck Amuck (1953)
Dnevnik (1974)
Furies (1978)
Sisyphus (1975)
Traversée de l’Atlantique à la rame, La (1978)
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#332
Dentico, Nicoletta: Münchausen design includes whale’s belly, moonscapes. In: American Cinematographer 70. 1989. No. 3. [March] pp. 32-36.
Description:
On the special effects for Terry Gilliam’s The Adventures of Baron Munchausen.
Index:
Gilliam, Terry
Adventures of Baron Munchausen, The (1988)
Technik: Spezialeffekte ~ Technology: Special Effects

#333
Denver, Chrissy: Blade Runner: The special effects. In: Photoplay 33. 1982. No. ?N. [October] pp. 50-51.
Index:
Scott, Ridley
Blade Runner (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#334
Derro, Marc: Animal house. In: Cinefex 1995. No. 61. [March] pp. 101-102.
Description:
On the special effects in creating the animals for Fluke.
Index:
Carlei, Carlo
Fluke (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Tiere ~ Animals

#335
Derro, Marc: Midair morphing. In: Cinefex 1994. No. 58. [June] p. ?P.
Description:
On the special effects for the TV series Lois & Clark: The New Adventures of Superman.
Index:
Lois & Clark: The New Adventures of Superman / New Adventures of Superman, The (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#336
DeSalle, Rob / Lindley, David: The science of Jurassic Park and the lost world, or, How to build a dinosaur. - New York: BasicBooks 1997.
Index:
Spielberg, Steven
Jurassic Park (1993)
Wissenschaft ~ Science
Dinosaurier ~ Dinosaurs
Technik: Spezialeffekte ~ Technology: Special Effects

#337
Desowitz, Bill: A breed above. In: Animation 29. 2015. No. 5. [June] pp. 82-83.
Description:
On the special effects for Colin Trevorrow’s Jurassic World.
Index:
Trevorrow, Colin
Jurassic World (2015)
Technik: Spezialeffekte ~ Technology: Special Effects

#338
Detweiler, Craig: Kicks and tricks in Christopher Nolan’s Inception. In: Journal of Religion and Film 14. 2010. No. 1. [April] pp. 1-4.
Index:
Nolan, Christopher
Inception (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion

#339
Deutelbaum, Marshall: Costuming and the color system of Leave Her to Heaven. In: Film Criticism 11. 1987. No. 3. [Spring] pp. 11-20.
Description:
On the camera work of visual effects supervisor Leon Shamroy.
Index:
Stahl, John M.
Shamroy, Leon
Leave Her to Heaven (1945)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#340
Dienstfrey, Eric: The myth of the speakers: A critical reexamination of Dolby history. In: Film History 28. 2016. No. 1. [January] pp. 167-193.
Description:
Discusses, among others, the sound effects for Francis Ford Coppola’s Apocalypse Now.
Index:
Coppola, Francis Ford
Apocalypse Now (1976-1979)
Technik: Spezialeffekte ~ Technology: Special Effects
Mythologie ~ Mythology
Musik ~ Music

#341
Dietze, Simon: Die Weiterentwicklung der Stop-Motion-Technik durch Ray Harryhausen: Special Effects im Film. - München: GRIN Verlag 2016.
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Animation ~ Animation

#342
Dillon, Mark: An elegy for the earth. In: American Cinematographer 80. 1999. No. 3. [March] pp. 66-71.
Description:
On the special effects for Don McKellar’s apocalyptic film Last Night. Discusses especially the camera work of Douglas Koch.
Index:
McKellar, Don
Koch, Douglas
Last Night (1998)
Technik: Kamera ~ Technology: Camera
Religion: Apokalypse ~ Religion: Apocalypse
Technik: Spezialeffekte ~ Technology: Special Effects

#343
Dillon, Mark: Existence, or eXistenZ? In: American Cinematographer 80. 1999. No. 5. [May] pp. 56-57.
Description:
On the special effects for David Cronenberg’s eXistenZ.
Index:
Cronenberg, David
eXistenZ (1998)
Technik: Spezialeffekte ~ Technology: Special Effects

#344
Dillon, Mark: Memory and loss. In: American Cinematographer 82. 2001. No. 6. [June] pp. 80-89.
Description:
On the special effects for Luis Mandoki’s Angel Eyes, especially on the camera work of Piotr Sobocinski.
Index:
Mandoki, Luis
Sobocinski, Piotr
Angel Eyes (2001)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#345
Dinur, Eran: The filmmaker’s guide to visual effects: The art and technique of VFX for directors, producers, editors, and cinematographers. - New York: Routledge, Taylor & Francis 2017.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera
Technik ~ Technology

#346
Disney & Spielberg: Virtuoses Doppel im Spiel mit Roger Rabbit. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 127-132.
Description:
On the special effects for Robert Zemeckis’s Who Framed Roger Rabbit.
Index:
Zemeckis, Robert
Spielberg, Steven
Who Framed Roger Rabbit (1988)
Roger Rabbit ~ Roger Rabbit
Disney ~ Disney
Technik: Spezialeffekte ~ Technology: Special Effects

#347
Dockhorn, Katharina: "Meine Filme sind prüde": Quentin Tarantino über Gewalt, Effekte und das Weltkino. In: EPD Film 20. 2003. No. 11. [November] p. 33.
Description:
Interview on occasion of the German release of Kill Bill Volume 1.
Index:
Tarantino, Quentin
Kill Bill Volume 1 (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Gewalt ~ Violence
Deutschland ~ Germany

#348
Doense, Jan: De geheimen van de filmtrucage. In: Skoop 16. 1980/1981. No. 10. [?D] pp. 32-33.
Description:
Interview with Peter Ellenshaw on his special effects for The Black Hole.
Index:
Ellenshaw, Peter
Nelson, Gary
Black Hole, The (1979)
Technik: Spezialeffekte ~ Technology: Special Effects

#349
Doherty, Thomas: Batman Returns. In: Cinefantastique 23. 1992. No. 2/3. [October] pp. 8-9, 11.
Description:
On the production history and the special effects for the film.
Index:
Burton, Tim
Batman Returns (1992)
Technik: Spezialeffekte ~ Technology: Special Effects

#350
Donnelly, K. J.: The ghostly effect revisited. In: The Routledge companion to screen music and sound. Edited by Miguel Mera, Ronald Sadoff, and Ben Winters. - New York; London: Routledge 2017. (= Routledge companions.) p. ?P.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Geister ~ Ghosts
Musik ~ Music

#351
Donovan, Pru: Dances with men and women in black T-shirts - or tools to survive the VFX experience. In: Metro 2002. No. 134. [?D] pp. 84-89.
Description:
On Australian special effects companies and studios.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Frauen ~ Women
Australien ~ Australia

#352
Dowie, Jim / Kutzera, Dale / Szebin, Frederick C.: Wild Wild West. In: Cinefantastique 31. 1999. No. 7. [August] pp. 32, 35-47.
Description:
Articles on director Barry Sonnenfeld, the costumes by Debora Lee Scott, the set decoration by Bo Welch and Cheryl Carasik, the makeup by Rick Baker, on the special effects by Michael Lantieri and ILM and on the original TV series.
Index:
Sonnenfeld, Barry
Scott, Debora Lee
Welch, Bo
Carasik, Cheryl
Baker, Rick
Lantieri, Michael
Wild Wild West (1999)
Wild, Wild West, The (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Fernsehen ~ Television

#353
Driessen, Kees: The Lord of the Rings: Elk monster een eigen gezicht. In: Skrien 33. 2001/2002. No. 10. [December/January] pp. 20-23.
Description:
On the special effects for Peter Jackson’s Lord of the Rings trilogy.
Index:
Jackson, Peter
Lord of the Rings (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster

#354
Duffy, M. S.: Becoming regionally digital: Visual effects industries and aesthetics in the 1990s. - Nottingham: University of Nottingham, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 57. 2008. No. 1. p. 14(57-115).]
Description:
Discusses especially the importance of George Lucas’s "Industrial Light & Magic" for the development of special effects.
Index:
Lucas, George
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#355
Duffy, Michael S.: "Blow up the damn ship!" Production redesign and special effects reuse in the Star Trek films. In: The influence of Star Trek on television, film and culture. Edited by Lincoln Geraghty. - Jefferson, North Carolina; London: McFarland 2008. (= Critical explorations in science fiction and fantasy 4.) pp. 137 ff.
Index:
Star Trek (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Star Trek ~ Star Trek

#356
Dumars, Denise: House of 1000 Corpses. In: Cinefantastique 33. 2001. No. 1/2. [April] pp. 18-23.
Description:
Discusses, among others, the work of director Regisseur Rob Zombie and the special effects by Wayne Toth.
Index:
Zombie, Rob
Toth, Wayne
House of 1000 Corpses (2001)
Technik: Spezialeffekte ~ Technology: Special Effects

#357
Dumars, Denise: Jurassic Park III: Special effects. In: Cinefantastique 33. 2001. No. 4. [August] pp. 42-45.
Description:
Discusses especially the work of special effects supervisor Jim Mitchell.
Index:
Johnston, Joe
Mitchell, Jim
Jurassic Park 3 (2001)
Technik: Spezialeffekte ~ Technology: Special Effects

#358
Dumars, Denise: KNB effects. In: Cinefantastique 33. 2001. No. 5. [October/November] pp. 46-47.
Index:
Carpenter, John
Ghosts of Mars / John Carpenter’s Ghost of Mars (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
KNB [Firma] ~ KNB [Company]

#359
Dumars, Denise: Philip K. Dick’s Impostor: Scriptwrighter David Twohy on adapting one of the giants of SF for the big screen. In: Cinefantastique 32. 2000. No. 3. [October] pp. 6-9.
Description:
Discusses, among others, the work of production designer Nelson Coates and the special effects by Joe Grossberg.
Index:
Fleder, Gary
Twohy, David
Coates, Nelson
Grossberg, Joe
Impostor (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#360
Duncan Jesser, Jody: Creationisms: The Tree of Life. In: Cinefex 2012. No. 128. [January] p. ?P.
Description:
On the special effects by Prime Focus, Double Negative, One of Us and Method Studios. Discusses especially the work of Douglas Trumbull and visual effects supervisor Dan Glass.
Index:
Malick, Terrence
Trumbull, Douglas
Glass, Dan
Tree of Life, The (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Method Studios [Firma] ~ Method Studios [Company]
One Of Us [Firma] ~ One Of Us [Company]
Double Negative [Firma] ~ Double Negative [Company]
Prime Focus [Firma] ~ Prime Focus [Company]

#361
Duncan Jesser, Jody: Grim fairy tale: Snow White and the Huntsman. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by Legacy Effects, Digital Domain, Double Negative, Pixomondo, Lola Visual Effects, Baseblack, The Mill and Rhythm & Hues. Discusses especially the work of visual effects supervisors Cedric Nicolas-Troyan and Phil Brennan.
Index:
Sanders, Rupert
Nicolas-Troyan, Cedric
Brennan, Phil
Snow White and the Huntsman (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Märchen ~ Fairy Tales
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Mill, The [Firma] ~ Mill, The [Company]
Baseblack [Firma] ~ Baseblack [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]

#362
Duncan Jesser, Jody: Ingenious: Mission: Impossible - Ghost Protocol. In: Cinefex 2012. No. 129. [April] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Fuel VFX, Rodeo FX and AFX Studio. Discusses especially the work of visual effects supervisor John Knoll and effects supervisor Michael Meinardus.
Index:
Bird, Brad
Knoll, John
Meinardus, Michael
Mission: Impossible - Ghost Protocol (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
AFX Studio [Firma] ~ AFX Studio [Company"
Rodeo FX [Firma] ~ Rodeo FX [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#363
Duncan Jesser, Jody: Steel works: Real Steel. In: Cinefex 2012. No. 128. [January] p. 86-117.
Description:
On the special effects by Legacy Effects, Digital Domain, Giant Studios and Video Hawks. Discusses especially the work of John Rosengrant, Glenn Derry and of effects supervisor Erik Nash.
Index:
Levy, Shawn
Rosengrant, John
Derry, Glenn
Nash, Erik
Real Steel (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Video Hawks [Firma] ~ Video Hawks [Company]
Giant Studios [Firma] ~ Giant Studios [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]

#364
Duncan Jesser, Jody: The avengers initiative: The Avengers. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by ILM and Weta Digital. Discusses especially the work of visual effects supervisor Janek Sirrs.
Index:
Whedon, Joss
Sirrs, Janek
Avengers, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Weta [Firma] ~ Weta [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#365
Duncan, Jody: 10,000 B.C.: The first hero. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
On the special effects by visual effects supervisor Karen Goulekas, the Tatopoulos Studios, The Moving Picture Company, Double Negative, The Senate, Machine FX and Magicon for Roland Emmerich’s prehistoric adventure.
Index:
Emmerich, Roland
Goulekas, Karen
10,000 B.C. (2008)
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Magicon [Firma] ~ Magicon [Company]
Machine FX [Firma] ~ Machine FX [Company]
Tatopoulos Studios [Firma] ~ Tatopoulos Studios
Technik: Spezialeffekte ~ Technology: Special Effects
Helden ~ Heros
Geschichte: Urzeit ~ History: Prehistory
Abenteuer ~ Adventure
Double Negative [Firma] ~ Double Negative [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#366
Duncan, Jody: 102 Dalmatians: Out, out, damned spot. In: Cinefex 2001. No. 84. [January] pp. 53-62, 142.
Description:
On the special effects for the film.
Index:
Lima, Kevin
102 Dalmatians (2000)
Technik: Spezialeffekte ~ Technology: Special Effects

#367
Duncan, Jody: 20th anniversary issue. In: Cinefex 2000. No. 80. [January] pp. 15-61, 135-136, 161-163.
Description:
On the history of the magazine dedicated to special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#368
Duncan, Jody: A crash in the Andes. In: Cinefex 1993. No. 55. [August] p. ?P.
Description:
On the special effects for Frank Marshall’s Alive.
Index:
Marshall, Frank
Alive (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#369
Duncan, Jody: A family affair: Captain America: Civil War. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by Ironhead Studio, Legacy Effects, Quantum Creation, Industrial Light & Magic, Luma Pictures, Method Studios, Double Negative, Base FX and Cinesite. Discusses especially the work of special effects supervisor Daniel Sudick and special makeup effects artist Bart Mixon.
Index:
Russo, Anthony
Russo, Joe
Sudick, Daniel
Mixon, Bart
First Avenger, The: Civil War (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Familie ~ Family
Cinesite [Firma] ~ Cinesite [Company]
Base FX [Firma] ~ Base FX [Company]
Double Negative [Firma] ~ Double Negative [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]

#370
Duncan, Jody: A farewell to arms: The Dark Knight Rises. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
On the special effects by Double Negative. Discusses especially the work of Chris Corbould and Paul Franklin.
Index:
Nolan, Christopher
Corbould, Chris
Franklin, Paul
Dark Knight Rises, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Double Negative [Firma] ~ Double Negative [Company]

#371
Duncan, Jody: A more perfect vision: Avengers: Age of Ultron. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
On the special effects by ILM, Double Negative, Animal Logic, Luma Pictures, Framestore and Legacy Effects. Discusses especially the work of visual effects supervisor Christopher Townsend and special effects supervisor Paul Corbould.
Index:
Whedon, Joss
Townsend, Christopher
Corbould, Paul
Avengers: Age of Ultron (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
Double Negative [Firma] ~ Double Negative [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#372
Duncan, Jody: A mud and dirt show: Game of Thrones (Season 7). In: Cinefex 2018. No. 157. [February] p. ?P.
Description:
Discusses especially the work of visual effects supervisor Joe Bauer and visual effects producer Steve Kullback.
Index:
Bauer, Joe
Kullback, Steve
Game of Thrones (TV)
Technik: Spezialeffekte ~ Technology: Special Effects

#373
Duncan, Jody: A once and future war. In: Cinefex 1991. No. 47. [August] pp. 4-59.
Description:
On the special effects for James Cameron’s Terminator 2: Judgment Day, especially on the work of Stan Winston, Dennis Muren and Gene Warren as well as Dennis and Robert Skotak.
Index:
Cameron, James
Winston, Stan
Muren, Dennis
Warren, Gene
Skotak, Dennis
Skotak, Robert
Terminator II - Judgement Day (1991)
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War

#374
Duncan, Jody: A Small Soldiers story. In: Cinefex 1998. No. 75. [October] pp. 96-117.
Description:
On the digital special effects by DreamWorks and ILM for the film by Joe Dante.
Index:
Dante, Joe
Small Soldiers (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
DreamWorks ~ DreamWorks

#375
Duncan, Jody: Alien vs. Predator: Predator and prey. In: Cinefex 2004. No. 99. [October] pp. 15-20, 25-30, 33-38.
Description:
Especially on the special effects by Alec Gillis, Tom Woodruff Jr. and John Bruno.
Index:
Anderson, Paul W. S.
Gillis, Alec
Woodruff Jr., Tom
Bruno, John
Alien vs. Predator (2004)
Technik: Spezialeffekte ~ Technology: Special Effects

#376
Duncan, Jody: Alien vs. Predator: Requiem. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
Greg and Colin Strause, the founder of the visual effects company Hydraulx, on their directing debut.
Index:
Strause, Colin
Strause, Greg
AVPR: Aliens vs Predator - Requiem / Aliens vs Predator - Requiem / Aliens vs Predator 2 (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Hydraulx [Firma] ~ Hydraulx [Company]

#377
Duncan, Jody: Aliens in the city of Angels: Battle: Los Angeles. In: Cinefex 2011. No. 125. [April] p. ?P.
Description:
On the special effects by Cinesite, Hydraulx, Luma Pictures, The Embassy, Matte World Digital, Spin VFX and Soho VFX. Discusses especially the work of visual effects supervisor Everett Burrell and makeup effects supervisor Joel Harlow.
Index:
Liebesman, Jonathan
Burrell, Everett
Harlow, Joel
Battle: Los Angeles (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Aliens ~ Aliens
Soho VFX [Firma] ~ Soho VFX [Company]";
Spin VFX [Firma] ~ Spin VFX [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Cinesite [Firma] ~ Cinesite [Company]
Los Angeles ~ Los Angeles

#378
Duncan, Jody: All sixty: A Cinefex forum on effects in television. In: Cinefex 2006. No. 105. [April] p. ?P.
Description:
Discusses the work of Kevin Blank, Tom Burman, David Carriker, Kevin Kutchaver, Kymber Lim, Mark Miller, Matthew Mungle, Sam Nicholson, Andrew Orloff, and Bruce Woloshyn.
Index:
Blank, Kevin
Burman, Tom
Carriker, David
Kutchaver, Kevin
Lim, Kymber
Miller, Mark
Mungle, Matthew
Nicholson, Sam
Orloff, Andrew
Woloshyn, Bruce
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#379
Duncan, Jody: Alone in the dark: Passengers. In: Cinefex 2017. No. 151. [February] p. ?P.
Description:
On the special effects by MPC. Discusses especially the work of visual effects supervisor Erik Nordby, visual effects producer Greg Baxter, production designer Guy Hendrix Dyas and special effects supervisor Daniel Sudick.
Index:
Tyldum, Morten
Nordby, Erik
Baxter, Greg
Dyas, Guy Hendrix
Sudick, Daniel
Passengers (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
MPC [Firma] ~ MPC [Company]

#380
Duncan, Jody: An abundant solitude: The Martian. In: Cinefex 2015. No. 144. [December] p. ?P.
Description:
On the special effects by MPC, Framestore, The Senate and others. Discusses especially the work of visual effects supervisor Richard Stammers and special effects supervisor Neil Corbould.
Index:
Scott, Ridley
Stammers, Richard
Corbould, Neil
Martian, The (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
MPC [Firma] ~ MPC [Company]

#381
Duncan, Jody: Back to Back to the Future. In: Cinefex 1990. No. 43. [August] pp. 34-68.
Description:
On the special effects by ILM for Back to the Future Part II and Back to the Future Part III, especially on the work of Michael Lantieri and Ken Ralston.
Index:
Zemeckis, Robert
Lantieri, Michael
Ralston, Ken
Back to the Future II (1989)
Back to the Future (Filmreihe)
Back to the Future III (1990)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#382
Duncan, Jody: Bad cats in a bad place. In: Cinefex 1996. No. 68. [December] pp. 35-36, 129-130, 148.
Description:
On the special effects and the design of the animals in Stephen Hopkins’s The Ghost and the Darkness.
Index:
Hopkins, Stephen
Ghost and the Darkness, The (1996)
Tiere ~ Animals
Technik: Spezialeffekte ~ Technology: Special Effects
Katzen ~ Cats

#383
Duncan, Jody: Batman grounded: The Dark Knight. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
On the special effects by Double Negative, Framestore and BUF Compagnie as well as the work of visual effects supervisor Nick Davis and special effects supervisor Chris Corbould.
Index:
Nolan, Christopher
Davis, Nick
Corbould, Chris
Dark Knight, The (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Batman ~ Batman

#384
Duncan, Jody: Beowulf. In: Cinefex 2008. No. 112. [January] p. ?P.
Description:
On the special effects by Sony Pictures Imageworks for Robert Zemeckis’s ancient mythology tale. Discusses especially the work of visual effects supervisor Jerome Chen.
Index:
Chen, Jerome
Zemeckis, Robert
Beowulf (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Sony ~ Sony
Mythologie ~ Mythology
Geschichte: Antike ~ History: Ancient Times

#385
Duncan, Jody: Blood brothers: X-Men Origins: Wolverine. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Amalgamated Dynamics Incorporated. Discusses especially the work of visual effects supervisor Patrick McClung.
Index:
Hood, Gavin
McClung, Patrick
X-Men Origins: Wolverine (2009)
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Blut ~ Blood

#386
Duncan, Jody: Blowing up baby. In: Cinefex 1992. No. 52. [November] pp. 22-53.
Description:
On the special effects for Honey, I Blew Up the Kid.
Index:
Kleiser, Randal
Honey, I Blew Up the Kid (1992)
Technik: Spezialeffekte ~ Technology: Special Effects

#387
Duncan, Jody: Bonnie and Clyde. In: Cinefex 1995. No. 63. [September] p. ?P.
Description:
On the special effects for Brett Leonard’s Hideway.
Index:
Leonard, Brett
Hideway (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#388
Duncan, Jody: Borrowed flesh. In: Cinefex 1992. No. 49. [February] p. ?P.
Description:
On the special effects for Cronenbergs Burroughs adaption Naked Lunch, especially on the work of Chris Walas for the film.
Index:
Cronenberg, David
Burroughs, William S.
Walas, Chris
Naked Lunch (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#389
Duncan, Jody: Borrowed flesh: Special effects in Naked Lunch. In: Everything is permitted: The making of Naked Lunch. Edited by Ira Silverberg. - New York: Grove Weidenfeld 1992. pp. 88-109.
Index:
Cronenberg, David
Naked Lunch (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#390
Duncan, Jody: Braving the elements: The Last Airbender. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
On the special effects by ILM and the work of visual effects supervisor Pablo Helman.
Index:
Shyamalan, M. Night
Helman, Pablo
Last Airbender, The (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#391
Duncan, Jody: Burned out and blown out. In: Cinefex 1996. No. 68. [December] p. ?P.
Description:
On the special effects for Rob Cohen’s Daylight.
Index:
Cohen, Rob
Daylight (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#392
Duncan, Jody: Burnished steel: Man of Steel. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Weta Digital, Weta Workshop, MPC, Scanline VFX and Double Negative. Discusses especially the work of visual effects supervisor John DesJardin as well as special effects supervisors Joel Whist and Allen Hall.
Index:
Snyder, Zack
DesJardin, John
Whist, Joel
Hall, Allen
Man of Steel (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Superman ~ Superman
Double Negative [Firma] ~ Double Negative [Company]
Scanline [Firma] ~ Scanline [Company]
MPC [Firma] ~ MPC [Company]
Weta [Firma] ~ Weta [Company]

#393
Duncan, Jody: Captain’s orders: Captain America: The Winter Soldier. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Scanline VFX, Legacy Effects and Quantum Creation FX. Discusses especially the work of visual effects supervisor Dan DeLeeuw and special effects supervisor Daniel Sudick.
Index:
Russo, Anthony
Russo, Joe
Whedon, Joss
DeLeeuw, Dan
Sudick, Daniel
Captain America: The Winter Soldier / Captain America 2 (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Scanline [Firma] ~ Scanline [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#394
Duncan, Jody: Cassie’s world: The 5th Wave. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
On the special effects by Shade VFX, Scanline VFX, Spin VFX, Clearcut FX, Method Studios, The Embassy and Mammal Studios. Discusses especially the work of makeup effect artist Mark James Ross.
Index:
Blakeson, J
Ross, James
5th Wave, The (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Mammal Studios [Firma] ~ Mammal Studios [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Clearcut FX [Firma] ~ Clearcut FX [Company]
Spin VFX [Firma] ~ Spin VFX [Company]
Scanline [Firma] ~ Scanline [Company]
Shade VFX [Firma] ~ Shade VFX [Company]

#395
Duncan, Jody: Charlie and the Chocolate Factory. In: Cinefex 2005. No. 103. [October] pp. 29-32.
Description:
Especially on the work of visual effects supervisor Nick Davis.
Index:
Burton, Tim
Davis, Nick
Charlie and the Chocolate Factory (2005)
Technik: Spezialeffekte ~ Technology: Special Effects

#396
Duncan, Jody: Charlotte’s Web: Arachnophilia. In: Cinefex 2007. No. 108. [January] pp. 78-84, 87-92, 95-102.
Description:
On the special effects by "Rhythm & Hues", the "Stan Winston Studio" and "Rising Sun Pictures" as well as the work of visual effects supervisor John Berton for Gary Winick’s spider film.
Index:
Winick, Gary
Berton Jr., John Andrew
Charlotte’s Web (2006)
Spinne ~ Spider
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Spinne ~ Spider

#397
Duncan, Jody: Clash of the robotitans. In: Cinefex 1991. No. 45. [February] pp. 24-45.
Description:
On the special effects for Irvin Kershner’s Robocop II, especially on the work of Jon Davison, Rob Bottin, Phil Tippett, Craig Davies, Peter Kuran, Rocco Gioffre and Paul Sammon.
Index:
Kershner, Irvin
Davison, Jon
Bottin, Rob
Tippett, Phil
Davies, Craig
Kuran, Peter
Gioffre, Rocco
Sammon, Paul M.
Robocop II (1990)
Roboter ~ Robots
Technik: Spezialeffekte ~ Technology: Special Effects

#398
Duncan, Jody: Clause and effects. In: Cinefex 1995. No. 61. [March] p. ?P.
Description:
On the special effects for John Pasquin’s The Santa Clause.
Index:
Pasquin, John
Santa Clause, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#399
Duncan, Jody: Cowboys and Indians. In: Cinefex 1995. No. 63. [September] pp. 27-28.
Description:
On the special effects for Frank Oz’s The Indian in the Cupboard.
Index:
Oz, Frank
Indian in the Cupboard, The (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#400
Duncan, Jody: Crime and banishment. In: Cinefex 1994. No. 58. [June] p. ?P.
Description:
On the special effects for Martin Campbell’s No Escape.
Index:
Campbell, Martin
No Escape (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Kriminalität ~ Crime

#401
Duncan, Jody: Dreaming in a different language: Carrie. In: Cinefex 2014. No. 136. [January] p. ?P.
Description:
On the special effects for Kimberly Peirce’s remake of Brian De Palma’s horror classic. Discusses especially the work of visual effects supervisor Dennis Berardi and the team of Mr. X.
Index:
Peirce, Kimberly
De Palma, Brian
Berardi, Dennis
Carrie (2013)
Carrie (1976)
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror
Mr. X [Firma] ~ Mr. X [Company]

#402
Duncan, Jody: Eragon: Searching for Saphira. In: Cinefex 2007. No. 108. [January] pp. 106-110, 116, 119-127,130.
Description:
On the special effects by ILM and "Weta Digital" as well as the work of visual effects supervisors Michael McAlister and John Van Vliet for Stefen Fangmeier’s dragon film.
Index:
Fangmeier, Stefen
McAlister, Michael
Van Vliet, John
Eragon (2006)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Drachen ~ Dragons

#403
Duncan, Jody: Fallen: Jurassic World: Fallen Kingdom. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by Amalgamated Dynamics Incorporated, Creature FX, Industrial Light & Magic, Image Engine, Outpost VFX, One of Us, Nvizible, Proof Inc., Important Looking Pirates, and Base FX.
Index:
Bayona, Juan Antonio
Jurassic World: Fallen Kingdom (2018)
Creature Effects [Firma] ~ Creature Effects [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Proof [Firma] ~ Proof [Company]
Outpost VFX [Firma] ~ Outpost VFX [Company]
One Of Us [Firma] ~ One Of Us [Company]
Nvizible [Firma] ~ Nvizible [Company]
Important Looking Pirates [Firma] ~ Important Looking Pirates [Company]
Image Engine [Firma] ~ Image Engine [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Base FX [Firma] ~ Base FX [Company]

#404
Duncan, Jody: Fantastic Four. In: Cinefex 2005. No. 103. [October] pp. 15-18.
Description:
Especially on the work of visual effects supervisor Kurt Williams.
Index:
Story, Tim
Williams, Kurt
Fantastic Four (2005)
Technik: Spezialeffekte ~ Technology: Special Effects

#405
Duncan, Jody: Final Fantasy: Flesh for fantasy. In: Cinefex 2001. No. 86. [Julyl] pp. 33-36, 41-44, 127-129.
Description:
On the computer generated special effects for the film.
Index:
Sakaguchi, Hironobu
Sakakibara, Moto
Final Fantasy: The Spirits Within (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Fantasy ~ Fantasy

#406
Duncan, Jody: Finding Calvin: Life. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Double Negative, One of Us, Atomic Fiction, Nvizible, Outpost VFX and Lola VFX.
Index:
Espinosa, Daniel
Life (2017)
Outpost VFX [Firma] ~ Outpost VFX [Company]
Nvizible [Firma] ~ Nvizible [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
One Of Us [Firma] ~ One Of Us [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Double Negative [Firma] ~ Double Negative [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]

#407
Duncan, Jody: Fire and ice. In: Cinefex 1994. No. 57. [March] p. ?P.
Description:
On the special effects for Demolition Man, especially on the work of Micheal McAlister.
Index:
Brambillo, Marco
McAlister, Michael
Demolition Man (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#408
Duncan, Jody: First class effects: X-Men: First Class. In: Cinefex 2011. No. 126. [July] p. ?P.
Description:
On the special effects by MPC, Cinesite, Weta Digital, Rhythm & Hues, Luma Pictures, Digital Domain, The Senate, Amalgamated Dynamics Incorporated and Spectral Motion. Discusses especially the work of visual effects designer John Dykstra and makeup artist David Elsey.
Index:
Vaughn, Matthew
Dykstra, John
Elsey, David
X-Men: First Class (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Spectral Motion [Firma] ~ Spectral Motion [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Weta [Firma] ~ Weta [Company]
Cinesite [Firma] ~ Cinesite [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#409
Duncan, Jody: From zero to hero. In: Cinefex 1994. No. 60. [December] pp. 46-65.
Description:
On the special effects for The Mask.
Index:
Russell, Charles
Mask, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Helden ~ Heros

#410
Duncan, Jody: Gentlemen brawlers: Kingsman: The Golden Circle. In: Cinefex 2017. No. 155. [October] p. ?P.
Description:
On the special effects by Framestore, Sony Pictures Imageworks, Milk, MPC, BUF, Blind LTD, The Senate, Argon and The Third Floor. Discusses especially the work of visual effects supervisor Angus Bickerton.
Index:
Vaughn, Matthew
Bickerton, Angus
Kingsman: The Golden Circle (2017)
Blind [Firma] ~ Blind [Company]
Milk Visual Effects [Firma] ~ Milk Visual Effects [Company]
BUF [Firma] ~ BUF [Company]
Argon Effects [Firma] ~ Argon Effects [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
MPC [Firma] ~ MPC [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]

#411
Duncan, Jody: Ghost Rider: Hell on wheels. In: Cinefex 2007. No. 109. [April] pp. 78-84, 87-92, 95-102.
Description:
On the special effects for the comic adaption, especially on the work of visual effects supervisor Kevin Mack.
Index:
Johnson, Mark Steven
Mack, Kevin
Ghost Rider (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion: Hölle ~ Religion: Hell
Animation: Comics ~ Animation: Comics

#412
Duncan, Jody: Ghost stories. In: Cinefex 1990. No. 44. [November] pp. 4-21.
Description:
On the special effects by Richard Edlund, Katherine Kean, Bruce Nicholson and John Van Vliet for the film
Index:
Zucker, Jerry
Edlund, Richard
Kean, Katherine
Nicholson, Bruce
Van Vliet, John
Ghost (1990)
Technik: Spezialeffekte ~ Technology: Special Effects

#413
Duncan, Jody: Gods and kings: Exodus: Gods and Kings. In: Cinefex 2015. No. 140. [January] p. ?P.
Description:
On the special effects by Double Negative, MPC, The Senate, Method Studios and The Third Floor.
Index:
Scott, Ridley
Exodus: Gods and Kings (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Third Floor, The [Firma] ~ Third Floor, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
MPC [Firma] ~ MPC [Company]
Double Negative [Firma] ~ Double Negative [Company]

#414
Duncan, Jody: Gods and monsters: Clash of the Titans. In: Cinefex 2010. No. 122. [July] p. ?P.
Description:
On Louis Letterier’s remake of the 1981 Ray Harryhausen classic. Discusses especially the special effects by The Moving Picture Company, Framestore and Cinesite as well as the work of visual effects supervisor Nick Davis and special effect expert Neil Corbould.
Index:
Leterrier, Louis
Davis, Desmomd
Harryhausen, Ray
Davis, Nick
Corbould, Neil
Clash of the Titans (2010)
Clash of the Titans (1981)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Monster ~ Monster
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#415
Duncan, Jody: Gorilla warfare. In: Cinefex 1995. No. 62. [June] pp. 34-62.
Description:
On the special effects by ILM for Frank Marshall’s Congo, especially on the creation of the animals and on the work of Michael Lantieri.
Index:
Marshall, Frank
Lantieri, Michael
Congo (1995)
Tiere ~ Animals
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Krieg ~ War
Technik: Spezialeffekte ~ Technology: Special Effects

#416
Duncan, Jody: Heart and soul. In: Cinefex 1996. No. 66. [June] p. ?P.
Description:
On the special effects by ILM for Dragonheart.
Index:
Cohen, Rob
Dragonheart (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#417
Duncan, Jody: Heavy metal: Transformers: Revenge of the Fallen. In: Cinefex 2009. No. 119. [October] p. 88-118.
Description:
On the special effects, especially the creation of the robots, by Industrial Light & Magic and Digital Domain.
Index:
Bay, Michael
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]

#418
Duncan, Jody: Hellboy: To hell and back. In: Cinefex 2004. No. 97. [April] pp. 56-77.
Description:
On the special effects for the film by Guillermo del Toro.
Index:
del Toro, Guillermo
Hellboy (2004)
Religion: Hölle ~ Religion: Hell
Technik: Spezialeffekte ~ Technology: Special Effects

#419
Duncan, Jody: Hide it in shadow, hide it in light. In: Cinefex 1998. No. 74. [July] pp. 112-135.
Description:
On the special effects for Rob Bowmans X-Files feature film, especially on the work of Mat Beck.
Index:
Bowman, Rob
Beck, Mat
X-Files, The / X-Files: The Movie (1998)
Technik: Spezialeffekte ~ Technology: Special Effects

#420
Duncan, Jody: Hitchcock homage. In: Cinefex 2000. No. 83. [October] pp. 59-66, 154.
Description:
On the special effects for What Lies Beneath.
Index:
Zemeckis, Robert
Hitchcock, Alfred
What Lies Beneath (2000)
Technik: Spezialeffekte ~ Technology: Special Effects

#421
Duncan, Jody: Holy warriors: Priest. In: Cinefex 2011. No. 126. [July] p. ?P.
Description:
On the special effects by Svengali FX, Tippett Studio, The Senate, Spin VFX, Zoic Studios and the KNB EFX Group. Discusses especially the work of visual effects supervisor Jonathan Rothbart.
Index:
Stewart, Scott Charles
Rothbart, Jonathan
Priest (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Krieg ~ War
KNB [Firma] ~ KNB [Company]
Zoic Studios [Firma] ~ Zoic Studios [Company]
Spin VFX [Firma] ~ Spin VFX [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Tippett Studio [Firma] ~ Tippett Studio [Company]
Svengali FX [Firma] ~ Svengali FX [Company]

#422
Duncan, Jody: I Am Legend. In: Cinefex 2008. No. 112. [January] p. ?P.
Description:
Especially on the representation of a post-apocalyptic New York, on the special effects by Sony Pictures Imageworks and on the work of visual effects supervisor Janek Sirrs.
Index:
Lawrence, Francis
Sirrs, Janek
I Am Legend (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Sony ~ Sony
New York ~ New York
Religion: Apokalypse ~ Religion: Apocalypse

#423
Duncan, Jody: I, Robot: Ghosts in the machine. In: Cinefex 2004. No. 99. [October] pp. 94-108, 113-118, 126.
Description:
Especially on the computer generated special effects by Digital Domain and Weta Digital.
Index:
Proyas, Alex
I, Robot (2004)
Weta [Firma] ~ Weta [Company]
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Geister ~ Ghosts
Digital Domain [Firma] ~ Digital Domain [Company]

#424
Duncan, Jody: In a mirror, darkly: Doctor Strange. In: Cinefex 2016. No. 150. [December] p. ?P.
Description:
On the special effects by ILM, Framestore, Luma Pictures, Method Studios and The Third Floor. Discusses especially the work of Paul Corbould and visual effects supervisor Stephane Ceretti.
Index:
Derrickson, Scott
Corbould, Paul
Ceretti, Stephane
Doctor Strange (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Spiegel ~ Mirror
Third Floor, The [Firma] ~ Third Floor, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#425
Duncan, Jody: Indominus: Jurassic World. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
On the special effects by ILM and Stan Winston Studio. Discusses especially the work of Phil Tippett.
Index:
Trevorrow, Colin
Tippett, Phil
Jurassic World (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#426
Duncan, Jody: Into inkworld: Inkheart. In: Cinefex 2009. No. 117. [April] p. ?P.
Description:
On the special effects by Double Negative, The Senate, Cinesite, Rainmaker, Peerless Camera Company and Mattes & Miniatures for Iain Softley’s fantasy adventure. Discusses especially the work of visual effects supervisor Angus Bickerton and special effects supervisor Paul Corbould.
Index:
Softley, Iain
Bickerton, Angus
Corbould, Paul
Inkheart (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy
Abenteuer ~ Adventure
Mattes & Miniatures [Firma] ~ Mattes & Miniatures [Company]";
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
Rainmaker [Firma] ~ Rainmaker [Company]
Cinesite [Firma] ~ Cinesite [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Double Negative [Firma] ~ Double Negative [Company]

#427
Duncan, Jody: Invasion of the body snatchers: Cowboys & Aliens. In: Cinefex 2011. No. 127. [October] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Legacy Effects, The Embassy, Shade VFX, New Deal Studios, Fuel VFX and Kerner Optical. Discusses especially the work of Daniel Sudick.
Index:
Favreau, Jon
Sudick, Daniel
Cowboys & Aliens (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Kerner Optical [Firma] ~ Kerner Optical [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
New Deal Studios [Firma] ~ New Deal Studios [Company]
Shade VFX [Firma] ~ Shade VFX [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#428
Duncan, Jody: Iron clad: Iron Man 2. In: Cinefex 2010. No. 122. [July] p. ?P.
Description:
On the special effects by Legacy Effects (the former Stan Winston Studio), ILM, Whiplash, Double Negative and Fuel VFX.
Index:
Favreau, Jon
Iron Man 2 (2010)
Whiplash [Firma] ~ Whiplash [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company]
Double Negative [Firma] ~ Double Negative [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]

#429
Duncan, Jody: It’s a jungle out there: Jumanji: Welcome to the Jungle. In: Cinefex 2018. No. 157. [February] p. ?P.
Description:
On the special effects by MPC, Rodeo FX, Iloura and Ollin Studio. Discusses especially the work of visual effects supervisor Jerome Chen and special effects supervisor J. D. Schwalm.
Index:
Kasdan, Jake
Chen, Jerome
Schwalm, J. D.
Jumanji: Welcome to the Jungle (2017)
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company]
MPC [Firma] ~ MPC [Company]
Iloura [Firma] ~ Iloura [Company]
Dschungel ~ Jungle

#430
Duncan, Jody: Joe Bauer on Get Smart. In: Cinefex 2008. No. 114. [July] p. ?P.
Description:
Visual effects supervisor Joe Bauer and special effects supervisor Michael Lantieri on the big screen version of the 1960s cult TV series.
Index:
Segal, Peter
Bauer, Joe
Lantieri, Michael
Get Smart (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#431
Duncan, Jody: Joseph Viskocil. In: Cinefex 1992. No. 50. [May] p. ?P.
Description:
On the special effects artist
Index:
Viskocil, Joseph
Technik: Spezialeffekte ~ Technology: Special Effects

#432
Duncan, Jody: Journey to the Center of the Earth 3D. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
Interview with visual effects supervisor Eric Brevig on his directorial debut.
Index:
Brevig, Eric
Journey to the Center of the Earth (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
3-D Films

#433
Duncan, Jody: Keeping it real: Mission: Impossible - Rogue Nation. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
On the special effects by Double Negative. Discusses especially the work of stunt coordinator Wade Eastwood, special effects supervisor Dominic Tuohy and visual effects supervisor David Vickery.
Index:
McQuarrie, Christopher
Eastwood, Wade
Tuohy, Dominic
Vickery, David
Mission: Impossible - Rogue Nation (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Double Negative [Firma] ~ Double Negative [Company]

#434
Duncan, Jody: Lady in the Water. In: Cinefex 2006. No. 107. [October] pp. 25-29.
Description:
On the special effects by "Spectral Motion" and ILM and on the work of creature effects supervisor Mike Elizalde and visual effects supervisor Ed Hirsh.
Index:
Shyamalan, M. Night
Elizalde, Mike
Hirsh, Ed
Lady in the Water (2006)
Spectral Motion [Firma] ~ Spectral Motion [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#435
Duncan, Jody: Launching Apollo 13. In: Cinefex 1995. No. 63. [September] p. ?P.
Description:
On the special effects by Digital Domain for the film by Ron Howard, especially on the work of Robert Legato and Matt Sweeney.
Index:
Howard, Ron
Legato, Robert
Sweeney, Matt
Apollo 13 (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]

#436
Duncan, Jody: Legacy system: TRON: Legacy. In: Cinefex 2011. No. 124. [January] p. ?P.
Description:
On the special effects by Digital Domain, Mr. X, Ollin Studio, Prime Focus, Whiskytree and Quantum Creation for the cyberspace remake by director Joseph Kosinski. Discusses especially the work of visual effects supervisor Eric Barba.
Index:
Kosinski, Joseph
Barba, Eric
Tron: Legacy (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Cyberspace ~ Cyberspace
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Whiskytree [Firma] ~ Whiskytree [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company]
Mr. X [Firma] ~ Mr. X [Company]
Digital Domain [Firma] ~ Digital Domain [Company]

#437
Duncan, Jody: Lemony Snicket’s A Series of Unfortunate Events: A series of persnickety effects. In: Cinefex 2005. No. 100. [January] pp. 140-164, 172, 174.
Description:
On the special effects by ILM and the makeup effects by Bill Corso.
Index:
Silberling, Brad
Corso, Bill
Lemony Snicket’s A Series of Unfortunate Events (2004)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#438
Duncan, Jody: Love & war. In: Cinefex 2002. No. 90. [July] pp. 60-119.
Description:
On the special effects for Star Wars Episode II: Attack of the Clones.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War

#439
Duncan, Jody: Making Movie Magic. In: Cinefex 1993. No. 56. [November] p. ?P.
Description:
On the TV series dedicated to special effects in film.
Index:
Movie Magic (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#440
Duncan, Jody: Making the Crow fly. In: Cinefex 1994. No. 58. [June] p. ?P.
Description:
On the special effects for Alex Proyas’s The Crow.
Index:
Proyas, Alex
Crow, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#441
Duncan, Jody: Matte World Digital: A company of artists. In: Cinefex 2004. No. 97. [April] pp. 41-51.
Description:
On the special effects company.
Index:
Matte World Digital [Firma] ~ Matte World Digital [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Matte-Painting ~ Matte-Painting

#442
Duncan, Jody: Maximum Speed. In: Cinefex 1994. No. 59. [September] pp. 89-92.
Description:
On the special effects for the film.
Index:
De Bont, Jan
Speed (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#443
Duncan, Jody: Military maneuvers: G.I. Joe: The Rise of Cobra. In: Cinefex 2009. No. 119. [October] p. ?P.
Description:
On the special effects by the Stan Winston Studio. Discusses especially the work of visual effects supervisor Boyd Shermis.
Index:
Sommers, Stephen
Shermis, Boyd
G.I. Joe: The Rise of Cobra (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Krieg ~ War

#444
Duncan, Jody: Monsters, Inc.: Monsters in the closet. In: Cinefex 2002. No. 88. [January] pp. 15-18, 23-26, 113-114.
Description:
On Pixar’s digital special effects for the film.
Index:
Docter, Pete
Silverman, David
Unkrich, Lee
Monsters, Inc. (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Monster ~ Monster

#445
Duncan. Jody: Next. In: Cinefex 2007. No. 110. [July] pp. 25-30.
Description:
Visual effects supervisor John Sullivan and special effects supervisor Clayton Pinney on the Stephen King filming.
Index:
Tamahori, Lee
Sullivan, John
King, Stephen
Pinney, Clayton
Next (2007)
Technik: Spezialeffekte ~ Technology: Special Effects

#446
Duncan, Jody: Nightmares and dreamscapes: Sucker Punch. In: Cinefex 2011. No. 125. [April] p. ?P.
Description:
On the special effects by Animal Logic, The Moving Picture Company, Pixomondo, Prime Focus and Quantum Creation. Discusses especially the work of production designer Rick Carter and visual effects supervisor John DesJardin.
Index:
Carter, Rick
DesJardin, John
Snyder, Zack
Sucker Punch (2011)
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Animal Logic [Firma] ~ Animal Logic [Company]

#447
Duncan, Jody: Oh, the shark, babe: The Meg. In: Cinefex 2018. No. 161. [October] p. ?P.
Description:
On the special effects by Scanline VFX, DNEG, Sony Pictures Imageworks, Image Engine, Soho VFX, Umedia, Unit 11, Halon Entertainment and Glasshammer Visual Effects. Discusses especially the work of visual effects supervisor Adrian de Wet, visual effects producer Steve Garard, and special effects supervisor Steve Ingram.
Index:
Turteltaub, Jon
de Wet, Adrian
Garard, Steve
Ingram, Steve
Meg, The (2018)
Unit 11 [Firma] ~ Unit 11 [Company]
Umedia VFX [Firma] ~ Umedia VFX [Company]
Glasshammer Visual Effects [Firma] ~ Glasshammer Visual Effects [Company]
DNEG [Firma] ~ DNEG [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Soho VFX [Firma] ~ Soho VFX [Company]
Scanline [Firma] ~ Scanline [Company]
Image Engine [Firma] ~ Image Engine [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]

#448
Duncan, Jody: On the shoulders of giants. In: Cinefex 1997. No. 70. [June] pp. 72-109.
Description:
On the special effects by ILM and the work of Stan Winston, Dennis Muren and Michael Lantieri for Steven Spielberg’s The Lost World: Jurassic Park.
Index:
Spielberg, Steven
Winston, Stan
Muren, Dennis
Lantieri, Michael
Lost World, The: Jurassic Park (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#449
Duncan, Jody: Perfecting the storm. In: Cinefex 2000. No. 82. [July] pp. 94-113.
Description:
On the special effects by ILM for Wolfgang Petersen’s The Perfect Storm, especially on the work of John Frazier.
Index:
Petersen, Wolfgang
Frazier, John
Perfect Storm, The (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#450
Duncan, Jody: Peter Kuran. In: Cinefex 1993. No. 54. [May] p. 88.
Description:
On the F/X artist and his company "Visual Concepts Engineering".
Index:
Kuran, Peter
V.C.E. (Visual Concept Engineering) ~ V.C.E. (Visual Concept Engineering)
Technik: Spezialeffekte ~ Technology: Special Effects

#451
Duncan, Jody: Peter Pan: New toys for lost boys. In: Cinefex 2004. No. 96. [January] pp. 35-42, 47-51.
Description:
On the computer generated special effects.
Index:
Hogan, P. J.
Peter Pan (2003)
Spielzeuge ~ Toys*
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#452
Duncan, Jody: Playing with Flubber. In: Cinefex 1998. No. 73. [March] pp. 13-14, 19-20, 126-128.
Description:
On the computer generated animation effects for the film by Les Mayfield.
Index:
Mayfield, Les
Flubber (1997)
Technik: Computer ~ Technology: Computer
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#453
Duncan, Jody: Poseidon: Wipeout. In: Cinefex 2006. No. 106. [July] pp. 106-120, 123-128, 131-134, 140, 142.
Description:
On Wolfgang Petersen’s remake of Ronald Neame’s 70’s catastrophe film The Poseidon Adventure. Discusses the special effects by ILM, "Giant Killer Robots", "The Moving Picture Company", "CIS Hollywood", and "Hydraulx" as well a the work of visual effects supervisor Boyd Shermis and practical effects specialist John Frazier.
Index:
Petersen, Wolfgang
Neame, Ronald
Shermis, Boyd
Frazier, John
Poseidon (2006)
Poseidon Adventure, The (1972)
Hydraulx [Firma] ~ Hydraulx [Company]
Giant Killer Robots [Firma] ~ Giant Killer Robots [Company]
CIS Hollywood [Firma] ~ CIS Hollywood [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Katastrophen ~ Disasters
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#454
Duncan, Jody: Puppy proliferation. In: Cinefex 1997. No. 69. [March] p. ?P.
Description:
On the special effects for Stephen Herek’s 101 Dalmations.
Index:
Herek, Stephen
101 Dalmatians (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Animation: Puppen ~ Animation: Puppets

#455
Duncan, Jody: Q & A: George Lucas. In: Cinefex 2005. No. 102. [July] pp. 57-64.
Description:
Interview with the director on the completing of the Star Wars series and on his special effects company ILM.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#456
Duncan, Jody: Q&A: Eli Sasich. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On Eli Sasich’s sf short film HENRi. Discusses especially the work of special effects expert Clark Schaffer, director of miniature photography Tim Angulo, producer Jefferson Richard and visual effects supervisor Matt Hoffman of BluFire Studios.
Index:
Sasich, Eli
Schaffer, Clark
Angulo, Tim
Richard, Jefferson
Hoffman, Matt
HENRi (2012)
Fotografie ~ Photography
Technik: Spezialeffekte ~ Technology: Special Effects
BluFire Studios [Firma] ~ BluFire Studios [Company]

#457
Duncan, Jody: Rage against the machines: Terminator Salvation. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Stan Winston Studio, Asylum Effects and Matte World Digital. Discusses especially the work of visual effects supervisor Charles Gibson.
Index:
McGinty Nichol, Joseph [Pseudonym: McG]
Gibson, Charles
Terminator Salvation (2009)
Asylum Models and Effects [Firma] ~ Asylum Models and Effects [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#458
Duncan, Jody: Recall redux: Total Recall. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
On the special effects by Double Negative, The Senate, Baseblack, Prime Focus, Lipsync VFX, MPC and Legacy Effects.
Index:
Wiseman, Len
Total Recall (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Lipsync VFX [Firma] ~ Lipsync VFX [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Baseblack [Firma] ~ Baseblack [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Double Negative [Firma] ~ Double Negative [Company]

#459
Duncan, Jody: RoboCop retooled: RoboCop. In: Cinefex 2014. No. 137. [April] p. ?P.
Description:
On the special effects by Legacy Effects, Framestore, Method Studios, Soho VFX, Mr. X, Modus FX and Cinesite for José Padilha’s remake of Paul Verhoevens science fiction classic.
Index:
Padilha, José
Verhoeven, Paul
RoboCop (2014)
Robocop (1987)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Robocop ~ Robocop
Cinesite [Firma] ~ Cinesite [Company]
Modus FX [Firma] ~ Modus FX [Company]
Mr. X [Firma] ~ Mr. X [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]

#460
Duncan, Jody: RoboDog: A.X.L.. In: Cinefex 2018. No. 161. [October] p. ?P.
Description:
On the special effects by Legacy Effects, Iloura, Cutting Edge and SuperVixen.
Index:
Daly, Oliver
A-X-L (2018)
SuperVixen [Firma] ~ SuperVixen [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Iloura [Firma] ~ Iloura [Company]
Hunde ~ Dogs
Cutting Edge [Firma] ~ Cutting Edge [Company]

#461
Duncan, Jody: Rough around the edges: Iron Man 3. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Weta Digital, Digital Domain, Scanline VFX, Luma Pictures, Framestore, Method Studios, Trixter Film, Capital T and Cantina Creative. Discusses especially the work of visual effects supervisor Christopher Townsend.
Index:
Black, Shane
Townsend, Christopher
Iron Man 3 (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Cantina Creative [Firma] ~ Cantina Creative [Company]
Capital T [Firma] ~ Capital T [Company]
Trixter Film [Firma] ~ Trixter Film [Company]
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Scanline [Firma] ~ Scanline [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Weta [Firma] ~ Weta [Company]

#462
Duncan, Jody: Rules of robotics: Chappie. In: Cinefex 2015. No. 141. [April] p. ?P.
Description:
On the special effects by Weta Workshop, Image Engine, Ollin VFX Studio and The Embassy VFX. Discusses especially the work of special effects supervisor Max Poolman.
Index:
Blomkamp, Neill
Poolman, Max
Chappie (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
Embassy, The [Firma] ~ Embassy, The [Company]
Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company]
Image Engine [Firma] ~ Image Engine [Company]
Weta [Firma] ~ Weta [Company]

#463
Duncan, Jody: Send in the clown: It. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
On the special effects by Rodeo FX, Atomic Arts, Make FX, Hollywood VFX and Cubica. Discusses especially the work of visual effects supervisor Nick Brooks, visual effects producer Ken Wallace and special effects supervisor Warren Appleby.
Index:
Muschietti, Andrés
Brooks, Nick
Wallace, Ken
Appleby, Warren
It (2017)
Make VFX [Firma] ~ Make VFX [Company]
Cubica [Firma] ~ Cubica [Company]
Atomic Arts [Firma] ~ Atomic Arts [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
Hollywood ~ Hollywood

#464
Duncan, Jody / Shay, Don: 2001: A time capsule. In: Cinefex 2001. No. 85. [April] pp. 73-117.
Description:
Special section on Kubrick’s science fiction classic, especially on Douglas Trumbull and on the special effects for the film.
Index:
Kubrick, Stanley
Trumbull, Douglas
2001 - A Space Odyssey (1968)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#465
Duncan, Jody / Shay, Don: L’album Jurassic Park: Tout le secrets du tournage et des effects spéciaux. Traduction de Jacques Collin et Jean-Jacques Schakmundes. - Paris: Édition Hors Collection 1993.
First edition:
[The making of Jurassic Park. - London: Boxtree 1993]
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#466
Duncan, Jody / Shay, Estelle: Trekking into the Klaatu nebula. In: Cinefex 2000. No. 81. [April] pp. 108-123.
Description:
On the computer generated special effects by ILM for Galaxy Quest.
Index:
Parisot, Dean
Galaxy Quest (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#467
Duncan, Jody: Sin City: Cool cars, hot women and hard bastard men. In: Cinefex 2005. No. 102. [July] pp. 15-30.
Description:
On the filmic adaption of Frank Miller’s graphic novels, discusses the special and the makeup effects by "Hybride", "The Orphanage", "CaféFX" and "KNB FX".
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Hybride [Firma] ~ Hybride [Company]
CaféFX [Firma] ~ CaféFX [Company]
KNB [Firma] ~ KNB [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Frauen ~ Women
Animation: Comics ~ Animation: Comics

#468
Duncan, Jody: Songs of ice and fire: Game of Thrones. In: Cinefex 2014. No. 137. [April] p. ?P.
Description:
On the special effects by Pixomondo, BlueBolt, Screen Scene, Spin VFX, Gradient VFX, Entity VFX, Look Effects and Peanut FX for the TV series. Discusses especially the work of visual effects supervisor Joe Bauer.
Index:
Bauer, Joe
Game of Thrones (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television
Peanut FX [Firma] ~ Peanut FX [Company]
LOOK Effects [Firma] ~ LOOK Effects [Firma]
Entity FX [Firma] ~ Entity FX [Company]
Gradient Effects [Firma] ~ Gradient Effects [Company]
Spin VFX [Firma] ~ Spin VFX [Company]
Screen Scene [Firma] ~ Screen Scene [Company]
BlueBolt [Firma] ~ BlueBolt [Company]
Pixomondo [Firma] ~ Pixomondo [Company]

#469
Duncan, Jody: Spider-Man 3: The enemy within. In: Cinefex 2007. No. 110. [July] pp. 82-88, 91-96, 99-104,107-111, 114.
Description:
On the work of visual effects supervisor Scott Stokdyk, special effects supervisor John Frazier and "Sony Pictures Imageworks" for the third part of the comic filming.
Index:
Raimi, Samuel M.
Stokdyk, Scott
Frazier, John
Spider-Man 3 (2007)
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Animation: Comics ~ Animation: Comics

#470
Duncan, Jody: Spy Kids: Working at the speed of thought. In: Cinefex 2003. No. 92. [January] pp. 15-20, 25-32, 37-41.
Description:
On the special effects for the film by Robert Rodriguez and the sequel Spy Kids 2: The Island of Lost Dreams.
Index:
Rodriguez, Robert
Spy Kids (2001)
Spy Kids 2: The Island of Lost Dreams (2002)
Technik: Spezialeffekte ~ Technology: Special Effects

#471
Duncan, Jody: Standing the heat. In: Cinefex 1991. No. 48. [November] p. ?P.
Description:
On the special effects by ILM for Ron Howard’s Backdraft, especially on the work of Allen Hall.
Index:
Howard, Ron
Hall, Allen
Backdraft (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#472
Duncan, Jody: Star Wars Episode II: Attack of the Clones. In: Cinefex 2002. No. 90. [July] p. ?P.
Description:
Especially on the special effects by ILM.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#473
Duncan, Jody: Star Wars Episode III: Revenge of the Sith: Toward a new hope. In: Cinefex 2005. No. 102. [July] pp. 66-76, 79-93, 120, 122.
Description:
On the special effects by ILM and visual effects supervisors John Knoll and Roger Guyett.
Index:
Lucas, George
Knoll, John
Guyett, Roger
Star Wars Episode III - Revenge of the Sith (2005)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#474
Duncan, Jody: Star Wars, mythmaking: Behind the scenes of Attack of the Clones. - New York: Ballantine 2002. (= A Del Rey book.)
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Mythologie ~ Mythology
Technik: Spezialeffekte ~ Technology: Special Effects

#475
Duncan, Jody: Stardust: Starstruck. In: Cinefex 2007. No. 111. [October] pp. 43-46, 49-52, 55-60.
Description:
Especially on the work of visual effects supervisor Peter Chiang and on the makeup effects by Nik Williams.
Index:
Vaughn, Matthew
Chiang, Peter
Williams, Nik
Stardust (2007)
Technik: Spezialeffekte ~ Technology: Special Effects

#476
Duncan, Jody: State of the business: A Cinefex 25th anniversary forum. In: Cinefex 2005. No. 101. [April] pp. 15-49, 115-118.
Description:
On the history and the future of filmic special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#477
Duncan, Jody: Stealth effects. In: Cinefex 1995. No. 64. [December] p. ?P.
Description:
On the special effects for John Woo’s Broken Arrow.
Index:
Wu Su-Yum [Pseudonym: Woo, John]
Broken Arrow (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#478
Duncan, Jody: Stealth: Gamer cool. In: Cinefex 2005. No. 103. [October] pp. 42-48, 51-54, 57-63, 116.
Description:
On the special effects by "Digital Domain" and the work of visual effects supervisor Joel Hynek as well as physical effects supervisor John Frazier.
Index:
Cohen, Rob
Hynek, Joel
Frazier, John
Stealth (2005)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]

#479
Duncan, Jody: Sunshine. In: Cinefex 2007. No. 111. [October] pp. 25-30.
Description:
Especially on the visual effects by Tom Wood and "The Moving Picture Company".
Index:
Boyle, Danny
Wood, Tom
Sunshine (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#480
Duncan, Jody: Tempests and teapots: Oz: The Great and Powerful. In: Cinefex 2013. No. 133. [April] p. ?P.
Description:
On the special effects by Sony Pictures Imageworks, Luma Pictures and Evil Eye. Discusses especially the work of special effects supervisor John Frazier and visual effects supervisor Scott Stokdyk.
Index:
Raimi, Samuel M.
Frazier, John
Stokdyk, Scott
Oz the Great and Powerful (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Evil Eye Pictures [Firma] ~ Evil Eye Pictures [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]

#481
Duncan, Jody: Terminal effects. In: Cinefex 1994. No. 59. [September] pp. 17-18.
Description:
On the special effects for Terminal Velocity.
Index:
Sarafian, Deran
Terminal Velocity (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#482
Duncan, Jody: That our feet may leave: Interstellar. In: Cinefex 2015. No. 140. [January] p. ?P.
Description:
On the special effects by Double Negative and New Deal Studios. Discusses especially the work of Scott Fisher.
Index:
Nolan, Christopher
Fisher, Scott
Interstellar (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
New Deal Studios [Firma] ~ New Deal Studios [Company]
Double Negative [Firma] ~ Double Negative [Company]

#483
Duncan, Jody: The beauty in the beasts. In: Cinefex 1993. No. 55. [August] pp. 42-101.
Description:
On the dinosaur effects forJurassic Park, especially on the work of Dennis Muren, Stan Winston, Phil Tippett and Michael Lantieri.
Index:
Spielberg, Steven
Muren, Dennis
Winston, Stan
Tippett, Phil
Lantieri, Michael
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs

#484
Duncan, Jody: The calculus of Pi: Life of Pi. In: Cinefex 2013. No. 132. [January] p. ?P.
Description:
On the special effects by Rhythm & Hues, Legacy Effects, MPC, Crazy Horse Effects, LOOK Effects, Christov Effects, Buf, Lola VFX and Halon Entertainment. Discusses especially the work of visual effects supervisor Bill Westenhofer.
Index:
Lee Ang
Westerhofer, Bill
Life of Pi (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Christov Effects [Firma] ~ Christov Effects [Company]
LOOK Effects [Firma] ~ LOOK Effects [Firma]
Crazy Horse [Firma] ~ Crazy Horse [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]

#485
Duncan, Jody: The care and feeding of Audrey II. In: Cinefex 1987. No. 30. [May] pp. 4-29.
Description:
On the special effects for Frank Oz’s Little Shop of Horrors.
Index:
Oz, Frank
Little Shop of Horrors (1986)
Technik: Spezialeffekte ~ Technology: Special Effects

#486
Duncan, Jody: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe: Deep magic. In: Cinefex 2006. No. 104. [January] pp. 86-92, 97-104, 107-111, 115-119, 124, 126.
Description:
On the special effects by ILM, "Sony Pictures Imageworks" and "Rhythm & Hues" as well as on the work of Andrew Adamson.
Index:
Adamson, Andrew
Adamson, Andrew
Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe (2005)
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony ~ Sony
Magie ~ Magic
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#487
Duncan, Jody: The Day After Tomorrow: Freeze frames. In: Cinefex 2004. No. 98. [July] pp. 70-80, 85-93, 126.
Description:
Especially on the computer generated special effects by Karen Goulekas and on the design of the disaster scenes in the film.
Index:
Emmerich, Roland
Goulekas, Karen
Day After Tomorrow, The (2004)
Technik: Computer ~ Technology: Computer
Katastrophen ~ Disasters
Technik: Spezialeffekte ~ Technology: Special Effects

#488
Duncan, Jody: The Exorcism of Emily Rose. In: Cinefex 2006. No. 104. [January] pp. 35-38.
Description:
On the work of visual effects supervisor Michael Shelton.
Index:
Derrickson, Scott
Shelton, Michael
Exorcism of Emily Rose, The (2005)
Technik: Spezialeffekte ~ Technology: Special Effects

#489
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl.
Index:
Russo, Anthony
Russo, Joe
DeLeeuw, Dan
Underdahl, Jen
Avengers: Infinity War (2018)
Technik: Computer ~ Technology: Computer
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Cinesite [Firma] ~ Cinesite [Company]

#490
Duncan, Jody: The ghost and Mr. Muren. In: Cinefex 1995. No. 63. [September] p. 13-16.
Description:
On the special effects for Brad Silberling’s Casper.
Index:
Silberling, Brad
Casper (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Geister ~ Ghosts

#491
Duncan, Jody: The good, the bad and the dusty: Rango. In: Cinefex 2011. No. 125. [April] p. ?P.
Description:
On the special effects by visual effects supervisors John Knoll and Tim Alexander as well as production designer Mark McCreery.
Index:
Verbinski, Gore
Knoll, John
Alexander, Tim
McCreery, Mark ""Crash""
Rango (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Gute, Das ~ Good

#492
Duncan, Jody: The Island. In: Cinefex 2005. No. 103. [October] pp. 21-24.
Description:
On the special effects by ILM and the work of visual effects supervisor Eric Brevig.
Index:
Bay, Michael
Brevig, Eric
Island, The (2005)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#493
Duncan, Jody: The Island of Dr. Moreau: Moreau’s menagerie. In: Cinefex 1996. No. 68. [December] pp. 59-60, 64-65, 123-124, 142.
Description:
On the special effects for the film by John Frankenheimer.
Index:
Frankenheimer, John
Island of Dr. Moreau, The (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#494
Duncan, Jody: The kid underneath the suit: Spider-Man: Homecoming. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
On the special effects by Digital Domain, Luma, Method Studios, Sony Pictures Imageworks and Iloura. Discusses especially the work of special effects supervisor Daniel Sudick.
Index:
Watts, Jon
Sudick, Daniel
Spider-Man: Homecoming (2017)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Method Studios [Firma] ~ Method Studios [Company]
Iloura [Firma] ~ Iloura [Company]
Digital Domain [Firma] ~ Digital Domain [Company]

#495
Duncan, Jody: The Legend of Zorro. In: Cinefex 2006. No. 104. [January] pp. 17-20.
Description:
On the work of visual effects supervisor Kent Houston.
Index:
Campbell, Martin
Houston, Kent
Legend of Zorro, The (2005)
Technik: Spezialeffekte ~ Technology: Special Effects

#496
Duncan, Jody: The longest day: Edge of Tomorrow. In: Cinefex 2014. No. 139. [?D] p. ?P.
Description:
On the special effects by Framestore, Cinesite, Sony Pictures Imageworks, MPC and Rodeo FX. Discusses especially the work of special effects supervisor Dominic Tuohy.
Index:
Liman, Doug
Tuohy, Dominic
Edge of Tomorrow (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
MPC [Firma] ~ MPC [Company]
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]

#497
Duncan, Jody: The Lord of the Rings: Ring masters. In: Cinefex 2002. No. 89. [April] pp. 64-131.
Description:
Especially on the special effects for the film by Peter Jackson.
Index:
Jackson, Peter
Lord of the Rings, The: The Fellowship of the Ring (2001)
Technik: Spezialeffekte ~ Technology: Special Effects

#498
Duncan, Jody: The making of a rockbuster. In: Cinefex 1994. No. 58. [June] pp. 34-64.
Description:
On the special effects by ILM for The Flintstones, especially on the work of Michael Lantieri.
Index:
Levant, Brian
Lantieri, Michael
Flintstones, The (1994)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#499
Duncan, Jody: The man in the iron mask: Iron Man. In: Cinefex 2008. No. 114. [July] p. ?P.
Description:
On the special effects by Stan Winston Studios, Industrial Light & Magic and The Orphanage and especially on the work of visual effects supervisor John Nelson for for the comic book filming.
Index:
Favreau, Jon
Nelson, John
Iron Man (2008)
Masken ~ Masks
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Orphanage, The [Firma] ~ Orphanage, The [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation: Comics ~ Animation: Comics

#500
Duncan, Jody: The Mist. In: Cinefex 2008. No. 112. [January] p. ?P.
Description:
On the special effects by Greg Nicotero and Everett Burrell for the Stephen King filming.
Index:
Darabont, Frank
Nicotero, Greg
Burrell, Everett
King, Stephen
Mist, The / Stephen King’s The Mist (2007)
Technik: Spezialeffekte ~ Technology: Special Effects

#501
Duncan, Jody: The Nutty Professor: Pleasingly Klump. In: Cinefex 1996. No. 67. [September] pp. 15-16, 127-128, 133-134.
Description:
On the special effects for the film by Tom Shadyac, especially on the work of the special effects artists Rick Baker and Jon Farhat.
Index:
Shadyac, Tom
Baker, Rick
Farhat, Jon
Nutty Professor, The (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#502
Duncan, Jody: The Passion of the Christ: Passion play. In: Cinefex 2004. No. 97. [April] pp. 27-37.
Description:
On the makeup effects by Keith Vanderlaan for Mel Gibson’s Jesus film.
Index:
Gibson, Mel
Vanderlaan, Keith
Passion of the Christ, The (2004)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion

#503
Duncan, Jody: The rocket files: Guardians of the Galaxy. In: Cinefex 2014. No. 139. [?D] p. ?P.
Description:
On the special effects by Framestore, MPC and Luma Pictures. Discusses especially the work of special makeup designer David White.
Index:
Gunn, James
White, David
Guardians of the Galaxy (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Luma Pictures [Firma] ~ Luma Pictures [Company]
MPC [Firma] ~ MPC [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]

#504
Duncan, Jody: The seduction of reality: Avatar. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
On the special effects by Weta Digital, Industrial Light & Magic, Framestore, Frantic Films, Hybride, Weta Workshop and the Stan Winston Studio.
Index:
Cameron, James
Avatar (2009)
Verführung ~ Seduction
Frantic Films [Firma] ~ Frantic Films [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hybride [Firma] ~ Hybride [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]

#505
Duncan, Jody: The stuff of children’s nightmares: Miss Peregrine’s Home for Peculiar Children. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
On the special effects by Rodeo FX, Double Negative, One of Us, MPC, Scanline and MELS Studios. Discusses especially the work of special effects supervisor Neil Corbould and special makeup effect artis David White.
Index:
Burton, Tim
Corbould, Neil
White, David
Miss Peregrine’s Home for Peculiar Children (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Jugend ~ Youth
Traum ~ Dreams
Mels Studios [Firma] ~ Mels Studios [Company]
Scanline [Firma] ~ Scanline [Company]
MPC [Firma] ~ MPC [Company]
One Of Us [Firma] ~ One Of Us [Company]
Double Negative [Firma] ~ Double Negative [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]

#506
Duncan, Jody: The Tippett touch. In: Cinefex 2010. No. 121. [April] p. ?P.
Description:
On the special effects company "Tippett Studio".
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Tippett Studio [Firma] ~ Tippett Studio [Company]

#507
Duncan, Jody: The unusual birth of Benjamin Button: The Curious Case of Benjamin Button. In: Cinefex 2009. No. 116. [January] p. ?P.
Description:
On the work of visual effects supervisor Eric Barba and the special effects by Digital Domain, Matte World Digital, Asylum, Hydraulx and Lola VFX.
Index:
Fincher, David
Barba, Eric
Curious Case of Benjamin Button, The (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Geburt ~ Birth
Hydraulx [Firma] ~ Hydraulx [Company]
Asylum Models and Effects [Firma] ~ Asylum Models and Effects [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]

#508
Duncan, Jody: The Winston effect: The art and history of Stan Winston Studio. Foreword by James Cameron. - ?O: Titan Books 2006.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, January 2008.
Newman, Kim: [untitled] In: Sight and Sound NS 17. 2007. No. 1. [January] pp. 94-95.
Index:
Winston, Stan
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Technik ~ Technology

#509
Duncan, Jody: There and back again: The Hobbit: An Unexpected Journey. In: Cinefex 2013. No. 132. [January] p. ?P.
Description:
On the special effects by Weta Digital and Weta Workshop.
Index:
Jackson, Peter
Hobbit, The: An Unexpected Journey (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Weta [Firma] ~ Weta [Company]

#510
Duncan, Jody: These violent delights: Westworld. In: Cinefex 2017. No. 151. [February] p. ?P.
Description:
On the special effects for the TV series by Tinsley Studio and Important Looking Pirates. Discusses especially the work of Michael Lantieri and Jay Worth.
Index:
Joy, Lisa
Nolan, Jonathan
Lantieri, Michael
Worth, Jay
Westworld (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Gewalt ~ Violence
Fernsehen ~ Television
Important Looking Pirates [Firma] ~ Important Looking Pirates [Company]
Tinsley Studios [Firma] ~ Tinsley Studios [Company]

#511
Duncan, Jody: Titanic aftermath. In: Cinefex 1997. No. 72. [December] pp. 137-176.
Description:
On the computer generated special effects for the film by James Cameron.
Index:
Cameron, James
Titanic (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#512
Duncan, Jody: Training film. In: Cinefex 1995. No. 64. [December] p. ?P.
Description:
On the special effects for Joseph Ruben’s Money Train.
Index:
Ruben, Joseph
Money Train (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#513
Duncan, Jody: Transformers: Bots & bayhem. In: Cinefex 2007. No. 111. [October] pp. 64-70, 75-78, 81-87, 116.
Description:
Especially on the robot design by ILM and on the special effects by Digital Domain and Kerner Optical.
Index:
Bay, Michael
Transformers (2007)
Kerner Optical [Firma] ~ Kerner Optical [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]

#514
Duncan, Jody: Urban renewal: Changeling. In: Cinefex 2009. No. 117. [April] p. ?P.
Description:
On the work of visual effects supervisor Michael Owens for Clint Eastwood’s period drama.
Index:
Eastwood, Clint
Owens, Michael
Changeling (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City

#515
Duncan, Jody: Van Helsing: Man made monsters. In: Cinefex 2004. No. 98. [July] pp. 98-106, 111-118, 123-124.
Description:
Especially on the computer generated special effects by ILM.
Index:
Sommers, Stephen
Van Helsing (2004)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#516
Duncan, Jody: Visions of the Hereafter. In: Cinefex 2011. No. 124. [January] p. ?P.
Description:
On the special effects by Scanline. Discusses especially the work of visual effects supervisors Michael Owens, Stephan Trojansky and Bryan Grill.
Index:
Eastwood, Clint
Owens, Michael
Trojansky, Stephan
Grill, Bryan
Hereafter (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]

#517
Duncan, Jody: War machine: The Great Wall. In: Cinefex 2017. No. 152. [April] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Base FX, Hybride Technologies, Animal Logic, Weta Workshop and Quantum Creation FX. Discusses especially the work of Phil Brennan.
Index:
Zhang Yimou
Brennan, Phil
Great Wall, The (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Weta [Firma] ~ Weta [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
Hybride [Firma] ~ Hybride [Company]
Base FX [Firma] ~ Base FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#518
Duncan, Jody: What would Roland Emmerich do? Independence Day: Resurgence. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Uncharted Territory, Weta Digital, Scanline VFX, MPC, Image Engine, Digital Domain and Cinesite. Discusses especially the work of visual effects supervisors Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
Independence Day: Resurgence (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Weta [Firma] ~ Weta [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]

#519
Duncan, Jody: With a little help from our friends. In: Cinefex 1997. No. 71. [September] pp. 90-109.
Description:
On the special effects by ILM for Mark A. Z. Dippé’s Spawn.
Index:
Dippé, Mark A. Z.
Spawn (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#520
Duncan, Jody: Wrinkles in time: Terminator Genisys. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
On the special effects by Double Negative, MPC, Lola VFX, One of Us, Method Studios and Legacy Effects. Discusses especially the work of visual effects supervisor Janek Sirrs and special effects supervisor Mark Hawker.
Index:
Taylor, Alan
Sirrs, Janek
Hawker, Mark
Terminator Genisys (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Method Studios [Firma] ~ Method Studios [Company]
One Of Us [Firma] ~ One Of Us [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
MPC [Firma] ~ MPC [Company]
Double Negative [Firma] ~ Double Negative [Company]

#521
Duncan, Jody: X-Men: The Last Stand: Dark phoenix rising. In: Cinefex 2006. No. 106. [July] pp. 36-42, 47-50, 53-65.
Description:
On the special effects by "Spectral Motion" and the work of visual effects supervisor John Bruno and special effects specialist Mike Vezina.
Index:
Ratner, Brett
Bruno, John
Vezina, Mike
X-Men: The Last Stand (2006)
Spectral Motion [Firma] ~ Spectral Motion [Company]
Technik: Spezialeffekte ~ Technology: Special Effects

#522
Duncan, Jody: Zathura. In: Cinefex 2006. No. 105. [April] pp. 23-28.
Description:
On the work of visual effects supervisor Joe Bauer.
Index:
Favreau, Jon
Bauer, Joe
Zathura: A Space Adventure (2005)
Technik: Spezialeffekte ~ Technology: Special Effects

#523
Duncan, Jody: Zodiac: The streets of San Francisco. In: Cinefex 2007. No. 109. [April] pp. 49-52, 55-60.
Description:
On the special effects by Matte World Digital and Digital Domain for David Fincher’s historical serial killer drama.
Index:
Fincher, David
Zodiac (2007)
Technik: Computer ~ Technology: Computer
Matte-Painting ~ Matte-Painting
Technik: Spezialeffekte ~ Technology: Special Effects
San Francisco ~ San Francisco
Mord ~ Murder
Digital Domain [Firma] ~ Digital Domain [Company]

#524
Duncan, Jody: Zombie wars: World War Z. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Framestore, Cinesite and MPC. Discusses especially the work of visual effects supervisor Scott Farrar, special effects supervisor Neil Corbould, makeup designer Mark Coulier, Legacy Effects design supervisor John Rosengrant, and animatronics supervisor Darren Robinson.
Index:
Forster, Marc
Farrar, Scott
Corbould, Neil
Coulier, Mark
Rosengrant, John
Robinson, Darren
World War Z (2013)
Zombies ~ Zombies
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Animation ~ Animation
Legacy Effects [Firma] ~ Legacy Effects [Company]
MPC [Firma] ~ MPC [Company]
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]

#525
Duncan, Pamela: Silent Running. In: Cinefex 1982. No. 8. [April] pp. 36-71.
Description:
On the special effects for the film.
Index:
Trumbull, Douglas
Silent Running (1972)
Technik: Spezialeffekte ~ Technology: Special Effects

#526
Dworschak, Manfred: "Wir sehen nur, was wir hören". In: Der Spiegel 54. 2000. No. 18. [May 1] pp. 226-231.
Description:
On digital sound effects in film.
Index:
Musik ~ Music
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#527
Dykstra, J.: Miniature and mechanical special effects for Star Wars. In: American Cinematographer 58. 1977. No. ?N. [July] pp. 702-705.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#528
Ebinger, Inken / Tschiedert, Markus: Effekte, Sex & Action: Species II. In: Moviestar 6. 1998. No. 8(43). [?D] pp. 42-49.
Description:
Articles on film; includes an interview with Natasha Henstridge.
Index:
Medak, Peter
Henstridge, Natasha
Species II (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Sexualität ~ Sexuality
Action ~ Action

#529
Eby, Douglas: Alien Nation: Dark Horizon: Effects. In: Cinefantastique 25. 1994. No. 5. [October] p. 51.
Description:
Especially on the alien designer Brenton Swift.
Index:
Johnson, Kenneth
Swift, Brenton
Alien Nation - Dark Horizon (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Aliens ~ Aliens

#530
Eby, Douglas: Dr. Seuss’ How The Grinch Stole Christmas. In: Cinefantastique 32. 2000. No. 4/5. [December] pp. 8-15.
Description:
Articles on director Ron Howard, on the set design by Michael Corenblith, on actress Christine Baranski and on the CGI effects by Digital Domain.
Index:
Howard, Ron
Corenblith, Michael
Baranski, Christine
How the Grinch Stole Christmas (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
Technik: Computer ~ Technology: Computer

#531
Eby, Douglas: Frost: Troy Miller on directing Michael Keaton in a christmas fable with effects charm. In: Cinefantastique 30. 1999. No. 12. [January] pp. 36-39.
Index:
Miller, Troy
Jack Frost (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion

#532
Eby, Douglas: Hannibal. In: Cinefantastique 32. 2001. No. 6. [February] pp. 8-15.
Description:
Articles on director Ridley Scott, on the actors Anthony Hopkins, Francesca Neri and Julianne Moore, on producer Dino DeLaurentiis, on the underlying novel by Thomas Harris and on the special effects for the film.
Index:
Harris, Thomas
Scott, Ridley
Hopkins, Anthony
Neri, Francesca
Moore, Julianne
DeLaurentiis, Dino
Hannibal (2001)
Hannibal (Literatur ~ Literature)
Technik: Spezialeffekte ~ Technology: Special Effects

#533
Eby Douglas / Hughes, David / Larson, Randall R. / Vitaris, Paula / Warlick, Debra: The X-Files. In: Cinefantastique 30. 1998. No. 7/8. [October] pp. 26-51, 124.
Description:
Articles on the TV series. Discusses, among others, the work of Charles Cioffi, Mitch Pileggi, Veronica Cartwright, Toby Lindala and the music and special effects for the series. Includes an episode guide.
Index:
Cioffi, Charles
Pileggi, Mitch
Cartwright, Veronica
Lindala, Toby
X-Files, The (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Fernsehen ~ Television