The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Technology

number of items: 4546

#1
Aas, N. K.: De vanskelige ordene. In: Film & Kino 47. 1979. No. 7. [?D] pp. 242-248.
Description:
Glossary on special effects. Text in Norwegian.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Norwegen ~ Norway

#2
Aas, N. K.: Laserstråler og romjagere. In: Film & Kino 47. 1979. No. 7. [November] pp. 264-265.
Description:
On the special effects for the fighting scenes in George Lucas’s Star Wars.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#3
Aas, N. K.: Utfordringen er å skape den perfekte illusjon. In: Film & Kino 47. 1979. No. 7. [?D] pp. 240-241.
Description:
Interview with Petter Borgli on the special effects for Norwegian film and for some scenes of The Empire Strikes Back which were shot in Norway.
Index:
Kershner, Irvin
Borgli, Petter J.
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Norwegen ~ Norway

#4
Abbott, H. Porter: Garden paths and ineffable effects: Abandoning representation in literature and film. In: Toward a cognitive theory of narrative acts. Edited by Frederick Luis Aldama. - Austin, Texas: Texas University Press 2010. (= Cognitive approaches to literature and culture.) pp. 205-226.
Description:
Discusses, among others, M. Night Shyamalan’s The Sixth Sense.
Index:
Shyamalan, M. Night
Sixth Sense, The (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
Literatur ~ Literature

#5
Abbott, Stacey: Final frontiers: Computer-generated imagery and the science fiction film. In: Science Fiction Studies 33. 2006. No. 1(?N). [March] pp. 89-108.
Description:
Discusses, among others, Stephen Norrington’s Blade and Peter Jackson’s Lord of the Rings trilogy.
Index:
Norrington, Stephen
Jackson, Peter
Blade (1998)
Lord of the Rings (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#6
Abbott, Stacey: Special makeup effects and exploding vampires. In: Abbott, Stacey: Celluloid vampires: Life after death in the modern world. - Austin, Texas: University of Texas Press 2007. p. ?P.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Vampire ~ Vampires

#7
Abbott, Stacey: Spectral vampires: Nosferatu in the light of new technology. In: Horror film: Creating and marketing fear. Edited by Steffen Hantke. - Jackson: University Press of Mississippi 2004. p. ?P.
Index:
Technik ~ Technology
Vampire ~ Vampires
Horror ~ Horror

#8
Abbott, Stacey: The cinematic spectacle of vampirism: Nosferatu in the light of new technology. In: Abbott, Stacey: Celluloid vampires: Life after death in the modern world. - Austin, Texas: University of Texas Press 2007. p. ?P.
Index:
Technik ~ Technology
Vampire ~ Vampires

#9
Abbott, Stacey: TV special effects. In: Critical Studies in Television 8. 2013. No. 3. [Autumn] pp. vii-xii.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#10
Abenteuerliche Reise durch die Welt der Special Effects. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 133-138.
Description:
On the special effects for Terry Gilliam’s The Adventures of Baron Munchausen.
Index:
Gilliam, Terry
Adventures of Baron Munchausen, The (1988)
Abenteuer ~ Adventure
Technik: Spezialeffekte ~ Technology: Special Effects

#11
Abrams, Janet: Beginnings, endings and the stuff in between. In: Sight and Sound NS 4. 1994. No. 12. [December] pp. 22-25.
Description:
On the special effects artists Randy Balsmeyer and Mimi Everett and their work for Cronenberg’s Dead Ringers, Naked Lunch and M. Butterfly.
Index:
Balsmeyer, Randy
Everett, Mimi
Cronenberg, David
Dead Ringers (1988)
Naked Lunch (1991)
M. Butterfly (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Balsmeyer & Everett [Firma] ~ Balsmeyer & Everett [Company]

#12
Abrams, Janet: Excape from gravity. In: Sight and Sound NS 5. 1995. No. 5. [May] pp. 14-19.
Description:
On the special effect expert Douglas Trumbull, especially on his work for 2001, Blade Runner and Back to the Future.
Index:
Trumbull, Douglas
2001 - A Space Odyssey (1968)
Blade Runner (1982)
Back to the Future (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#13
Abrams, Jerold J.: A technological galaxy: Heidegger and the philosophy of technology in Star Wars. In: Star Wars and philosophy: More powerful than you can possibly imagine. Edited by Kevin S. Decker and Jason T. Eberl. - Chicago, Illinois: Open Court 2005. (= Popular culture and philosophy 12.) pp. 107-19.
Index:
Heidegger, Martin
Lucas, George
Star Wars (Filmreihe)
Technik ~ Technology
Weltraum ~ Space
Philosophie ~ Philosophy

#14
Abruzzese, A. / Cherchi Usai, P.: Le occasioni del fantasy: I predatori dell’impossible. In: Segnocinema 1. 1981. No. 2. [?D] pp. 2-11.
Description:
On modern fantastic cinema and its special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy
Technik ~ Technology

#15
Ackerman, Forrest J.: Mr. Monster’s movie favorites. Edited by Hank Stine. - Virginia Beach: Donning 1981.
Index:
Ackerman, Forrest J.
Monster ~ Monster
Technik ~ Technology

#16
Acland, Charles R.: The crack in the electric window. In: Cinema Journal 51. 2012. No. 2. [Winter] pp. 167-171.
Description:
A philosophical examination of the term "screen".Discusses, among others, James Cameron’s use of a virtual camera for Avatar.
Index:
Cameron, James
Avatar (2009)
Technik: Kamera ~ Technology: Camera
Philosophie ~ Philosophy
Fenster ~ Windows
Cyberspace ~ Cyberspace

#17
Action auf dem Dia: Die Bilder lernen laufen beim Duell im All. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 55-60.
Description:
On the special effects for Peter Hyam’s Outland.
Index:
Hyams, Peter
Outland (1981)
Action ~ Action
Technik: Spezialeffekte ~ Technology: Special Effects

#18
Adachi, Noriko: Special effects und filmische Grausamkeit. In: Das Verstehen von Hören und Sehen: Aspekte der Medienästhetik. Hrsg. von Josef Fürnkäs, Peter Richter, Ralf Schnell und Shigeru Yoshijima. - Bielefeld: Aisthesis Verlag 1993. pp. 133-147.
Description:
On shock and horror effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Gewalt ~ Violence
Angst ~ Fear
Horror ~ Horror

#19
Adam, Ken / Frayling, Christopher: Ken Adam designs the movies: James Bond and beyond. - New York: Thames & Hudson 2008.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, December 2008.
Index:
Adam, Ken
James Bond ~ James Bond
Technik: Spezialeffekte ~ Technology: Special Effects

#20
Adamson, Joe: Byron Haskin. - Metuchen, New Jersey: The Directors Guild of America / Scarecrow Press 1984.
Description:
On the special effects creator.
Index:
Haskin, Byron
Technik: Spezialeffekte ~ Technology: Special Effects

#21
Albee, Timothy: CGI filmmaking: The creation of Ghost Warrior. - Plano, Texas: Wordware Publishing 2004.
Index:
Albee, Timothy
Kaze, Ghost Warrior (2004)
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#22
Alberganti, Michel: Cosmétique digitale et illumination globale. In: Cahiers du Cinéma 2007. No. 627. [October] p. 55.
Description:
On the technoligical progress in making the three Shrek films.
Index:
Adamson, Andrew
Jenson, Vicky
Asbury, Kelly
Vernon, Conrad
Hui, Raman
Miller, Chris
Shrek (Filmreihe)
Shrek (2001)
Shrek 2 (2004)
Shrek the Third (2007)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#23
Albers, Margret: Nur über meine Leiche: Zombie, Truthahn & Mauerblümchen: Eine deutsche Fantasy-Kommödie mit Witz und Tricks. In: Moviestar 3. 1995. No. 15. [?D] pp. 18-21.
Description:
On the film by Rainer Matsutani.
Index:
Matsutani, Rainer
Nur über meine Leiche (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Humor ~ Humor
Fantasy ~ Fantasy
Zombies ~ Zombies
Deutschland ~ Germany

#24
Albrecht, Gudrun / Lissarrague, Nicolas / Romani, Lucia / Saini, Laura: A new system for stop motion camera movements. In: Animation Practice 2. 2012. No. 1/2. [December] pp. 151-187.
Index:
Technik: Kamera ~ Technology: Camera
Animation ~ Animation

#25
Albrecht, Jörg: Körper-nach-dem-Territorium: Wie David Lynch Fluchtlinien zieht, in der Kamera. In: F.LM - Texte zum Film. Online edition, April 2006.
Index:
Lynch, David
Technik: Kamera ~ Technology: Camera
Körper ~ Bodies

#26
Aldred, Jessica: All aboard The Polar Express: A "playful" change of address in the computer-generated blockbuster. In: Animation [Farnham] 1. 2006. No. 2. [?D] pp. 153-172.
Index:
Zemeckis, Robert
Polar Express, The (2004)
Technik: Computer ~ Technology: Computer

#27
Aldred, Jessica L.: From synthespian to convergence character: Reframing the digital human in contemporary Hollywood cinema. - Ottawa, Ontario: Carleton University, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 10. (April) p. ?P.]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood
Animation ~ Animation

#28
Aldred, Sophie / Tucker, Mike: Ace!: The inside story of the end of an era. - London: Doctor Who Books 1996. (= TV tie in.)
Description:
On the last three years of the TV series Doctor Who; especially on the work of visual effects designer Mike Tucker.
Index:
Tucker, Mike
Doctor Who (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#29
Ein Alien an der Angel. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 83-86.
Description:
On the special effects for John McTiernan’s Predator.
Index:
McTiernan, John
Predator (1987)
Aliens ~ Aliens
Technik: Spezialeffekte ~ Technology: Special Effects

#30
Allen, D.: Motion control. In: Listener 113. 1985. No. 2892. [January 17] p. 33.
Description:
On the use of computers for creating special effects, especially in the science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#31
Allen, Glen Scott: Master mechanics and evil wizards: Science and the American imagination from Frankenstein to Sputnik. In: Massachusetts Review 33. 1992/1993. No. 4. [?D] pp. 505-558.
Index:
USA (United States of America) ~ USA (United States of America)
Wissenschaft ~ Science
Böse, Das ~ Evil, The
Technik ~ Technology
Frankenstein ~ Frankenstein

#32
Allenbach, Thomas: Die Kunstform des digitalen Zeitalters. In: Zoom ?G. 2001. No. 6/7. [June/July] pp. 23-26.
Description:
Interview with the American journalist Henry Jenkins on filmic adaptions of computer games, especially on the Tomb Raider series.
Index:
Jenkins, Henry
Lara Croft: Tomb Raider (Filmreihe)
Journalismus ~ Journalism
USA (United States of America) ~ USA (United States of America)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Kunst ~ Arts, The

#33
Alles nur Kulisse?! Filmräume aus der Traumfabrik Babelsberg. Hrsg. von Annette Dorgerloh und Marcus Becker. - Weimar: VDG Verlag und Datenbank für Geisteswissenschaften 2015. (= Scenographica 1.)
Index:
Technik ~ Technology
Technik: Spezialeffekte ~ Technology: Special Effects
Babelsberg ~ Babelsberg

#34
Allison, Tanine: More than a man in a monkey suit: Andy Serkis, motion capture, and digital realism. In: Quarterly Review of Film and Video 28. 2011. No. 4. [July] pp. 325-341.
Index:
Jackson, Peter
Serkis, Andy
King Kong (2005)
Technik: Computer ~ Technology: Computer
Affen ~ Apes
Technik: Spezialeffekte ~ Technology: Special Effects

#35
Altman, Mark A.: Babylon 5: Foundation imaging. In: Cinefantastique 25. 1994. No. 2. [April] pp. 32-34.
Description:
On the computer generated special effects for the TV series.
Index:
Babylon 5 (TV)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#36
Altman, Mark A.: Babylon 5: It came from the video toaster. In: Cinefantastique 25. 1994. No. 2. [April] p. 29.
Description:
On computer generated special effects for the TV series.
Index:
Babylon 5 (TV)
Technik: Computer ~ Technology: Computer
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#37
Altman, Mark A.: Babylon 5: Makeup effects. In: Cinefantastique 25. 1994. No. 2. [April] pp. 40-41, 61.
Index:
Babylon 5 (TV)
Technik: Spezialeffekte ~ Technology: Special Effects

#38
Altman, Mark A. / Dawidziak, Mark / Doherty, Thomas / Kimmel, Daniel M.: Star Trek: Behind the scenes of The Next Generation. In: Cinefantastique 19. 1989. No. 3. [March] pp. 24-35, 60.
Description:
Discusses, among others, the role of actor LeVar Burton and the special effects for the TV series.
Index:
Burton, LeVar
Star Trek - The Next Generation (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#39
Altman, Mark A.: Star Trek - The Next Generation: The special effects of Star Trek. In: Cinefantastique 22. 1991. No. 2. [October] pp. 31-33, 34.
Index:
Star Trek - The Next Generation (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Star Trek ~ Star Trek

#40
Altman, Mark A.: Star Trek: Deep Space Nine: Filming on the new frontier. In: Cinefantastique 23. 1993. No. 6. [April] pp. 24-25.
Description:
On trick film techniques for the TV series.
Index:
Star Trek - Deep Space Nine (TV)
Technik ~ Technology
Fernsehen ~ Television

#41
Altman, Mark A.: Star Trek: The Next Generation: Cinematographer Marvin Rush. In: Cinefantastique 23. 1992. No. 2/3. [October] pp. 68-69.
Index:
Rush, Marvin
Star Trek - The Next Generation (TV)
Technik: Kamera ~ Technology: Camera

#42
Altman, Mark A.: Star Trek: The Next Generation: Technobabble’s main man. In: Cinefantastique 24. 1993. No. 3/4. [October] pp. 79-82.
Description:
On the scientific advisor Naren Shankar.
Index:
Shankar, Naren
Star Trek - The Next Generation (TV)
Technik ~ Technology
Wissenschaft ~ Science

#43
Alvarez, Max J.: Nemesis effects: Gene Warren’s Fantasy II delivers budget animation. In: Imagi-Movies 1. 1993. No. 1. [Fall] pp. 46, 61.
Index:
Pyun, Albert
Warren, Gene
Nemesis (1992)
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy
Animation ~ Animation

#44
Alvarez, Mike: Technocratic death denial as disavowal of life: Lessons from Brave New World and The Abolition of Man. In: Science fiction and the Abolition of Man: Finding C. S. Lewis in sci-fi film and television. Edited by Mark J. Boone and Kevin C. Neece. - Eugene, Oregon: Pickwick Publications 2017. p. ?P.
Index:
Huxley, Aldous Leonard
Lewis, C[live] S[taples]
Tod ~ Death
Technik ~ Technology
Brave New World (Literatur ~ Literature)
Abolition of Man, The (Literatur ~ Literature)
Fernsehen ~ Television
Science Fiction ~ Science Fiction

#45
Amato, M.: HOMER: Hybrid optical montage electronically reproduced. In: American Cinematographer 66. 1985. No. 2. [February] pp. 79-80.
Description:
On computer generated special effects and animations.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#46
Amidi, Amid: The art of Robots. Preface by William Joyce. foreword by Chris Wedge. - San Francisco: Chronicle Books 2005.
Description:
Discusses most of all the special effects and the robot design for the animated film.
Index:
Wedge, Chris
Robots (2004)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
Animation ~ Animation

#47
Amondaray, Milagros / Garcia, Santiago: Esperando el desastre / La ira de Dios. In: El Amante Cine 13. 2004. No. 146. [June] pp. 29-31.
Description:
On the special effects for contemporary disaster films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Katastrophen ~ Disasters

#48
Andergassen, Lisa / Distelmeyer, Jan / Werdich, Nora Johanna: Eroberung der Realität - 3D und André Bazin: Eine Einleitung. In: Raumdeutung: Zur Wiederkehr des 3D-Films. Hrsg. von Jan Diestelmeyer, Lisa Andergassen und Nora Werdich. - Bielefeld: Transcript 2012. (= Metabasis 9.) pp. 7 ff.
Index:
Bazin, André
3-D Films
Technik ~ Technology

#49
Andersen, Jesper: At male med lys: Norman McLaren: Animation uden kamera. In: Kosmorama 53. 2007. No. 239. [Summer] pp. 67-76.
Description:
On the experimental animator and his technique of directly drawing on film. Discusses especially Love on the Wing, Begone Dull Care (together with Evelyn Lambert) and Blinkity Blank.
Index:
McLaren, Norman
Lambart, Evelyn
Love on the Wing (1939)
Begone Dull Care (1949)
Blinkity Blank (1955)
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Experimentalfilme ~ Experimental Films
Animation ~ Animation

#50
Andersen, Kara Lynn: Immaterial materiality: Collecting in live-action film, animation, and digital games. - Pittsburgh, Pennsylvania: University of Pittsburgh, Ph.D. 2009. [Abstract in: Dissertation Abstracts International A 71. 2010. No. 3. (September).]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#51
Andersen, Yvonne: Make your own animated movies and videotapes: Film and video techniques from the Yellow Ball Workshop. - Boston: Little, Brown 1991.
Index:
Video ~ Video
Technik ~ Technology
Animation ~ Animation

#52
Anderson, Kay: Star Trek III: Bob Dawson, special effects supervisor. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 75.
Index:
Nimoy, Leonard
Dawson, Bob
Star Trek III - The Search for Spock (1984)
Technik: Spezialeffekte ~ Technology: Special Effects

#53
Anderson, Kay: Star Trek III: Charles Correll, director of photography. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 52.
Index:
Nimoy, Leonard
Correll, Charles
Star Trek III - The Search for Spock (1984)
Technik: Kamera ~ Technology: Camera

#54
Andrae, Thomas: Making way for modernity: Work, technology, and masculinity in the animation of Carl Barks. In: Animation Journal 5. 1997. No. 2. [Spring] pp. 4-35.
Description:
On the animator and comic painter, especially on the "Mickey Mouse" and the "Donald Duck" characters.
Index:
Barks, Carl
Kunst ~ Arts, The
Technik ~ Technology
Animation: Comics ~ Animation: Comics
Mickey Mouse ~ Mickey Mouse
Donald Duck ~ Donald Duck
Männer ~ Men
Animation ~ Animation

#55
André, Bernd: Zurück in die Zukunft: Neue digitale Restaurierungstechniken für Ernst Lubitschs Das Weib des Pharao. In: Film-Dienst 57. 2004. No. 25. [December 9] pp. 45-47.
Index:
Lubitsch, Ernst
Weib des Pharao, Das (1922)
Technik: Computer ~ Technology: Computer

#56
Andreeva, Nellie: Teaching old wolf new tricks. In: Hollywood Reporter 411. 2009. No. 16. [September 1] p. 3.
Description:
On the TV series Teen Wolf, a remake of Rod Daniel’s 1985 werewolf film.
Index:
Daniel, Rod
Teen Wolf (TV)
Teen Wolf (1985)
Pädagogik ~ Paedagogy
Wölfe ~ Wolves
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#57
Animago: Award & conference: Höhepunkt, Know-how, Background. Freie Mitarbeit: Matthias J. Lange. - München: ATEC Business Information GmbH 2010. (= Digital production Special.)
Index:
Technik ~ Technology
Animation ~ Animation
Festival ~ Festival

#58
Animated machines: On the Terminator, Robocop and Blade Runner: Workshop reports. In: Artificial humans - manic machines - controlled bodies. Edited by Rolf Aurich, Wolfgang Jacobsen and Gabriele Jatho. - Berlin: Jovis Verlagsbüro 2000. pp. 51-53.
Index:
Cameron, James
Verhoeven, Paul
Scott, Ridley
Terminator, The (1984)
Robocop (1987)
Blade Runner (1982)
Technik ~ Technology
Roboter ~ Robots

#59
Anker, Roy M.: Lights, camera, Jesus. In: Christianity Today 44. 2000. No. 6. [May 22] pp. 58 ff.
Description:
On Jesus films.
Index:
Technik: Kamera ~ Technology: Camera
Religion ~ Religion

#60
Anthony, Albert: Menacing technologies: Counerfeit women and the mutability of nature in science fiction cinema. In: Femspec 5. 2004. No. 1. [?D] pp. 1-17.
Index:
Technik ~ Technology
Science Fiction ~ Science Fiction
Natur ~ Nature
Frauen ~ Women

#61
Appelbaum, Ralph: An interview with Michael Crichton. In: Filmmakers Monthly 14. 1981. No. 8. [?D] pp. 48-55.
Description:
Especially on the special effects for Looker.
Index:
Crichton, Michael
Looker (1981)
Technik: Spezialeffekte ~ Technology: Special Effects

#62
Appelbaum, Ralph: Magicam works magic for Cosmos. In: Filmmakers Monthly 13. 1980. No. 12. [?D] pp. 28-35.
Description:
On the special effects for the TV series.
Index:
Malone, Adrian
Cosmos (TV)
Magie ~ Magic
Magicam [Firma] ~ Magicam [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#63
Appelbaum, Ralph: Techniques of the horror film. In: Filmmakers Monthly 13. 1980. No. 11. [September] pp. 19-41.
Description:
Joe Dante, Brian De Palma and Robert Wise on the horror film, especially on Dressed to Kill.
Index:
Dante, Joe
De Palma, Brian
Wise, Robert
Dressed to Kill (1980)
Technik ~ Technology
Horror ~ Horror

#64
Appleyard, Rodney: Breaking the limits. In: Inside Film 2009. No. 127. [December] pp. 30-31.
Description:
On the special effects by ILM for Michael Bay’s Transformers and Transformers: Revenge of the Fallen.
Index:
Bay, Michael
Transformers (2007)
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#65
Appleyard, Rodney: Interstellar effects on District 9. In: Inside Film 2009. No. 127. [December] pp. 32-34.
Index:
Blomkamp, Neill
District 9 (2009)
Technik: Spezialeffekte ~ Technology: Special Effects

#66
Archer, Steve: Willis O’Brien: Maître des effets spéciaux. Trad. de l’américain par Pierre Veck. - Paris: Dreamland Edition 1996. (= Image par image pocket.)
First edition:
[Jefferson, North Carolina; London: McFarland & Company 1993]
Description:
On the trick filmer who worked for Harry O. Hoyt’s The Lost World.
Index:
O’Brien, Willis H.
Hoyt, Harry O.
Lost World, The (1925)
Technik: Spezialeffekte ~ Technology: Special Effects
USA (United States of America) ~ USA (United States of America)
Technik ~ Technology

#67
Archer, Steve: Willis O’Brien: Special effects genius. - Jefferson, North Carolina; London: McFarland & Company 1993.
Description:
On the trick filmer who worked for Harry O. Hoyt’s The Lost World.
Index:
O’Brien, Willis H.
Hoyt, Harry O.
Lost World, The (1925)
Technik: Spezialeffekte ~ Technology: Special Effects

#68
Arellano, Carlo / Boutte, Phillip / Sekeris, Constantine: Costume design & illustration: For film, video games and animation. - Culver City, California: Design Studio Press 2013.
Index:
Video ~ Video
Technik ~ Technology
Animation ~ Animation

#69
Argie, Stephanie: An eye-popping adventure. In: American Cinematographer 89. 2008. No. 8. [August] pp. 58-69.
Description:
On the 3-D effects for Eric Brevig’s Journey to the Center of the Earth.
Index:
Brevig, Eric
Journey to the Center of the Earth (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
3-D Films
Abenteuer ~ Adventure

#70
Argy, Stephanie: Cinematography’s computer age. In: American Cinematographer 80. 1999. No. 8. [August] pp. 75-80.
Description:
On the importance of computer technologies for the development of special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#71
Argy, Stephanie: Deep trouble. In: American Cinematographer 86. 2005. No. 8. [August] pp. 58-65.
Description:
On Ross Emery’s camera work for Bruce Hunt’s The Cave.
Index:
Hunt, Bruce
Emery, Ross
Cave, The (2005)
Technik: Kamera ~ Technology: Camera

#72
Argy, Stephanie: Fingers of doom. In: American Cinematographer 80. 1999. No. 4. [April] pp. 64-73.
Description:
On the special effects for Rodman Flender’s Idle Hands; especially on the camera work of Chris Baffa.
Index:
Flender, Rodman
Baffa, Chris
Idle Hands (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#73
Argy, Stephanie: Painting with (virtual) light. In: American Cinematographer 82. 2001. No. 3. [March] pp. 80-89.
Description:
On digital special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Kunst ~ Arts, The

#74
Arnold, Frank: "Wichtig ist die Balance": Interview mit Chris Wedge und Production Designer Steve Martino. In: EPD Film 22. 2005. No. 4. [April] p. 49.
Description:
On the special effects for Chris Wedge’s Robots.
Index:
Wedge, Chris
Martino, Steve
Robots (2004)
Technik: Spezialeffekte ~ Technology: Special Effects

#75
Arnold, Frank: Flutsch und weg: Computeranimiert: Aardman-Knetmäuse in London. In: EPD Film 23. 2006. No. 12. [December] p. 48.
Description:
On Flushed Away by David Bowers and Sam Fell.
Index:
Bowers, David
Fell, Sam
Flushed Away (2006)
Technik: Computer ~ Technology: Computer
London ~ London
Animation ~ Animation
Aardman Animations [Firma] ~ Aardman Animations [Company]

#76
Arnold, Frank: Ideenwerkstatt: Die Ausstellung "Bigger Than Life" im Berliner Filmmuseum zeigt das Werk des legendären Filmarchitekten Ken Adam und ordnet es motivisch und biografisch. In: EPD Film 32. 2015. No. 1. [January] p. 26.
Index:
Adam, Ken
Technik ~ Technology
Berlin ~ Berlin
Architektur ~ Architecture

#77
Arnold, Frank: Schwerpunkt Computeranimation: 9. Cartoon Movie in Potsdam. In: EPD Film 24. 2007. No. 6. [June] p. 15.
Description:
Festival report.
Index:
Technik: Computer ~ Technology: Computer
Potsdam ~ Potsdam
Festival ~ Festival
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#78
Arnold, Frank: Terkel in Trouble: Computeranimation aus Dänemark. In: EPD Film 22. 2005. No. 12. [December] p. 46.
Description:
On Terkel i knibe by Stefan Fjeldmark, Kresten Vestbjerg Andersen and Thorbjorn Christofferson.
Index:
Christofferson, Thorbjorn
Fjeldmark, Stefan
Vestbjerg Andersen, Kresten
Terkel i knibe (2004)
Technik: Computer ~ Technology: Computer
Dänemark ~ Denmark
Animation ~ Animation

#79
Arnold, Frank: Von vorne! Neu auf Blu-Ray erschienene Disney-Filme ermöglichen einen Streifzug durch die Welt der Special Effects. In: EPD Film 30. 2013. No. 8. [August] p. 58.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Disney ~ Disney
Blu-Ray Disk ~ Blu-Ray Disc

#80
Arnold, Frank: Wie haben Sie das animiert? Nicht nur Computer: Das Handwerk des Animationsfilms. In: EPD Film 23. 2006. No. 7. [July] p. 50.
Description:
On new DVD editions of animated films.
Index:
Technik: Computer ~ Technology: Computer
DVD ~ DVD
Animation ~ Animation

#81
Aronson, Ian David: DV filmmaking: From start to finish. - Beijing; Sebastopol, California: O’Reilly 2006. (= O’Reilly digital studio.)
Index:
Technik ~ Technology
Animation ~ Animation
Technik: Computer ~ Technology: Computer

#82
Arthur, Marvis E. / Caruso, James R.: Video lightning and special effects. - Englewood Cliffs, New Jersey: Prentice Hall / London: Prentice Hall International 1991.
Description:
On special effects for TV productions.
Index:
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#83
Arthur, Paul: The four last things: History, technology, Hollywood, apocalypse. In The end of cinema as we know it: American film in the nineties. Edited by Jon Lewis. - New York: New York University Press 2001. pp. 342-355.
Index:
Technik ~ Technology
Geschichte ~ History
Hollywood ~ Hollywood
Religion: Apokalypse ~ Religion: Apocalypse
USA (United States of America) ~ USA (United States of America)

#84
Artificial humans - manic machines - controlled bodies. Edited by Rolf Aurich, Wolfgang Jacobsen and Gabriele Jatho. - Berlin: Jovis Verlagsbüro 2000.
Reviews:
Gerle, Jörg: [untitled] In: Film-Dienst 53. 2000. No. 7. [March 28] p. 38.
Description:
English excerpts from the German book "Künstliche Menschen - Manische Maschinen - Kontrollierte Körper" on the retrospective of the 50. Berlin Film Festival. Contents articles on androids, cyborgs and robots as well as the Frankenstein and the Golem figur in film. Includes an annotated selective bibliography.
Index:
Festival ~ Festival
Technik ~ Technology
Körper ~ Bodies
Golem ~ Golem
Frankenstein ~ Frankenstein
Berlin ~ Berlin
Roboter ~ Robots

#85
Artiukh, Anzhelika: Kiborgi bol’sie i malye. In: Iskusstvo Kino 2000. No. 7. [July] pp. 83-88.
Description:
On the retrospective "Künstliche Menschen - Manische Maschinen - Kontrollierte Körper" ("Artificial humans - manic machines - controlled bodies") at the Berlinale 2000.
Index:
Technik ~ Technology
Roboter ~ Robots
Körper ~ Bodies
Berlin ~ Berlin

#86
Asahina, Robert: Mixed effects. In: New Leader 65. 1982. No. ?N. [July 12] pp. 19-20.
Index:
Scott, Ridley
Meyer, Nicholas
Blade Runner (1982)
Star Trek II - The Wrath of Khan (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#87
Ashton, Stephen: Phenomenon dazzles the eye. In: American Cinematographer 77. 1996. No. 7. [July] pp. 62-68.
Description:
Especially on the camera work of Phedon Papamichael.
Index:
Turteltaub, Jon
Papamichael, Phedon
Phenomenon (1996)
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes

#88
Ashworth, Mark: The no-muppet show! In: Eyeball 1989. No. 1. [Autumn] pp. 5-6.
Description:
Interview with Michele Soavi on the special effects for La chiesa and on his work as directing assistant for Dario Argento, Lucio Fulci and Terry Gilliam.
Index:
Soavi, Michele
Argento, Dario
Fulci, Lucio
Gilliam, Terry
chiesa, La (1989)
Technik: Spezialeffekte ~ Technology: Special Effects
Muppets ~ Muppets

#89
Asper, Helmut G.: Moderne Zauberer: Kameratricks und Spezialeffekte bei Metropolis. In: Film-Dienst 63. 2010. No. 7. [April 1] pp. 14-15.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera

#90
Assayas, Olivier: Entretien avec Douglas Trumbull. In: Cahiers du Cinéma 1982. No. 334/335. [?D] pp. 102-105, 107.
Description:
Especially on the development of special effects techniques.
Index:
Trumbull, Douglas
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#91
Assayas, Olivier: L’esprit de Belize. In: Cahiers du Cinéma 1982. No. 334/335. [?D] pp. 97-99, 101.
Description:
On special effects companies.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#92
Assayas, Olivier: SFPX: News ou situation du cinéma de science-fiction envisagé comme secteur de pointe. In: Cahiers du Cinéma 1980. No. 316. [?D] pp. 36-40.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#93
Assayas, Olivier: SFPX: News ou situation du cinéma de science-fiction envisagé comme secteur de pointe. In: Cahiers du Cinéma 1980. No. 317. [?D] pp. 23-33.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#94
Assayas, Olivier: SFPX: News ou situation du cinéma de science-fiction envisagé comme secteur de pointe. In: Cahiers du Cinéma 1980. No. 318. [?D] pp. 34-40.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#95
Assayas, Olivier: SFX news ou situation du cinéma de science-fiction envisagé en tant que secteur de pointe (3e partie). In: Cahiers du Cinéma 1980. No. 317. [?D] pp. 23-33.
Description:
On the development of special effects in science fiction film. Discusses especially the relation between comic strips and science fiction. Includes interviews with special effects artists Alejandro Jodorowsky, Moebius, Derek Meddings and Zoran Perisic as well as articles on Willis O’Brien, Ray Harryhausen, Douglas Trumbull and John Dykstra.
Index:
Jodorowsky, Alejandro
Giraud, Jean [Pseudonym: Moebius]
Meddings, Derek
Perisic, Zoran
O’Brien, Willis H.
Harryhausen, Ray
Trumbull, Douglas
Dykstra, John
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction
Animation: Comics ~ Animation: Comics

#96
Assayas, Olivier: SFX news ou situation du cinéma de science-fiction envisagé en tant que secteur de pointe (2e partie). In: Cahiers du Cinéma 1980. No. 316. [?D] pp. 36-40.
Description:
On the development of special effects in science fiction film. Discusses especially Richard Donner’s Superman.
Index:
Donner, Richard
Superman (1978)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#97
Assayas, Olivier: SFX news ou situation du cinéma de science-fiction envisagé en tant que secteur de pointe. In: Cahiers du Cinéma 1980. No. 318. [?D] pp. 34-40.
Description:
On the development of special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#98
Assayas, Olivier: SPFX news. In: Cahiers du Cinéma 1980. No. 315. [?D] pp. 18-27.
Description:
On the special effects for contemporary films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#99
Atkins, Barry: More than a game: The computer game as fictional form. - Manchester; New York: Manchester University Press 2003.
Reviews:
Burrill, Derek A.: [untitled] In: Children’s Literature Association Quarterly 29. 2004. No. 4. [?D] pp. 382-384.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#100
Atkinson, David: Hitchcock’s techniques tell Rear Window story. In: American Cinematographer 71. 1990. No. 1. [January] pp. 34-40.
Index:
Hitchcock, Alfred
Rear Window (1954)
Technik ~ Technology

#101
Atkinson, Michael: Collective preconscious. In: Film Comment 29. 1993. No. 6. [November/December] pp. 78-79, 81-83.
Description:
On the usage of "found footage" techniques for the experimental film.
Index:
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#102
Aurich, Rolf / Jacobsen, Wolfgang / Jatho, Gabriele: Manic machines: Controlled bodies: A foreword. In: Artificial humans - manic machines - controlled bodies. Edited by Rolf Aurich, Wolfgang Jacobsen and Gabriele Jatho. - Berlin: Jovis Verlagsbüro 2000. pp. 7-8.
Index:
Technik ~ Technology
Körper ~ Bodies
Roboter ~ Robots

#103
Aurich, Rolf / Jacobsen, Wolfgang / Jatho, Gabriele: Manische Maschinen: Kontrollierte Körper: Ein Vorwort. In: Künstliche Menschen - Manische Maschinen - Kontrollierte Körper. Hrsg. von Rolf Aurich, Wolfgang Jacobsen und Gabriele Jatho. - Berlin: Filmmuseum Berlin - Deutsche Kinemathek / Berlin: Jovis Verlagsbüro 2000. pp. 7-8.
Index:
Technik ~ Technology
Körper ~ Bodies
Roboter ~ Robots

#104
Automatenfrauen: Maschinen-Maria und Casanovas Puppe: Abenteuer und Berichte. In: Künstliche Menschen - Manische Maschinen - Kontrollierte Körper. Hrsg. von Rolf Aurich, Wolfgang Jacobsen und Gabriele Jatho. - Berlin: Filmmuseum Berlin - Deutsche Kinemathek / Berlin: Jovis Verlagsbüro 2000. pp. 147-152.
Description:
On Fritz Lang’s Metropolis and Federico Fellinis Il Casanova di Fellini.
Index:
Lang, Fritz
Fellini, Federico
Casanova, Giacomo Girolamo
Metropolis (1925/1926)
Casanova di Fellini, Il (1976)
Frauen ~ Women
Technik ~ Technology
Animation: Puppen ~ Animation: Puppets
Abenteuer ~ Adventure
Roboter ~ Robots

#105
The automatic camera effects system (ACES). In: American Cinematographer 61. 1980. No. 1. [January] pp. 60-61, 81.
Description:
On a special camera technique for producing special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#106
Avatar to revive film firm’s fortunes. In: China Daily, January 27, 2010. p. 16.
Description:
On the Japanese Arisawa Manifacturing company specialized in 3-D-technology.
Index:
Cameron, James
Avatar (2009)
Technik ~ Technology
Japan ~ Japan
3-D Films

#107
B., Benjamin: Ancient aliens. In: American Cinematographer 93. 2012. No. 7. [July] pp. 30-41.
Description:
On Dariusz Wolski’s camera work for Ridley Scott’s Prometheus.
Index:
Scott, Ridley
Wolski, Dariusz
Prometheus (2012)
Technik: Kamera ~ Technology: Camera
Geschichte: Antike ~ History: Ancient Times
Aliens ~ Aliens

#108
B., Benjamin: Battle tested. In: American Cinematographer 97. 2016. No. 1. [January] pp. 70-81.
Description:
Interview with cinematographer Adam Arkapaw on his work for Justin Kurzel’s Macbeth.
Index:
Kurzel, Justin
Arkapaw, Adam
Macbeth (2015)
Technik: Kamera ~ Technology: Camera

#109
B., Benjamin: Blood relatives. In: American Cinematographer 93. 2012. No. 6. [June] pp. 62-73.
Description:
On Bruno Delbonnel’s camera work for Tim Burton’s Dark Shadows.
Index:
Burton, Tim
Delbonnel, Bruno
Dark Shadows (2012)
Technik: Kamera ~ Technology: Camera
Blut ~ Blood

#110
B., Benjamin: Brain power. In: American Cinematographer 95. 2014. No. 9. [September] pp. 54-69.
Description:
On Thierry Arbogast’s camera work for Luc Besson’s Lucy.
Index:
Besson, Luc
Arbogast, Thierry
Lucy (2014)
Technik: Kamera ~ Technology: Camera
Gehirn ~ Brain

#111
B., Benjamin: Cosmic questions. In: American Cinematographer 92. 2011. No. 8. [August] pp. 34-35.
Description:
On Emmanuel Lubezki’s camera work for Terrence Malick’s The Tree of Life.
Index:
Malick, Terrence
Lubezki, Emmanuel
Tree of Life, The (2011)
Technik: Kamera ~ Technology: Camera

#112
B., Benjamin: Facing the void. In: American Cinematographer 94. 2013. No. 11. [November] pp. 36-49.
Description:
On Emmanuel Lubezki’s camera work for Alfonso Cuarón’s Gravity.
Index:
Cuarón, Alfonso
Lubezki, Emmanuel
Gravity (2013)
Technik: Kamera ~ Technology: Camera

#113
B., Benjamin: Grand battles. In: American Cinematographer 94. 2013. No. 12. [December] pp. 68-83.
Description:
On Kramer Morgenthau’s camera work for Alan Taylor’s Thor: The Dark World.
Index:
Taylor, Alan
Thor: The Dark World (2013)
Technik: Kamera ~ Technology: Camera

#114
B., Benjamin: Khondij on Allen. In: American Cinematographer 93. 2012. No. 8. [August] pp. 22-26.
Description:
Interview with cinematographer Darius Khondij on his work for Woody Allen’s Midnight in Paris.
Index:
Allen, Woody
Khondij, Darius
Midnight in Paris (2011)
Technik: Kamera ~ Technology: Camera

#115
B., Benjamin: Letting go. In: American Cinematographer 92. 2011. No. 1. [January] pp. 30-36, 39-41.
Description:
Interview with cinematographer Rodrigo Prieto on his work for Alejandro González Iñárritu’s Biutiful.
Index:
Iñárritu, Alejandro González
Prieto, Rodrigo
Biutiful (2010)
Technik: Kamera ~ Technology: Camera

#116
B., Benjamin: Sinister sect. In: American Cinematographer 96. 2015. No. 11. [November] pp. 34-47.
Description:
On Hoyte van Hoytema’s camera work for Sam Mendes’s Spectre.
Index:
Mendes, Sam
van Hoytema, Hoyte
Spectre (2015)
Technik: Kamera ~ Technology: Camera

#117
B., Benjamin: Super sleuth. In: American Cinematographer 91. 2010. No. 1. [January] pp. 60-71.
Description:
On Philippe Rousselot’s camera work for Guy Ritchie’s Sherlock Holmes.
Index:
Ritchie, Guy
Rousselot, Philippe
Sherlock Holmes (2009)
Technik: Kamera ~ Technology: Camera

#118
B., Benjamin: Very French revenge. In: American Cinematographer 91. 2010. No. 6. [June] pp. 52-63.
Description:
On Tetsuo Nagata’s camera work for Jean-Pierre Jeunet’s Micmacs à tire-larigot.
Index:
Jeunet, Jean-Pierre
Nagata, Tetsuo
Micmacs à tire-larigot (2009)
Technik: Kamera ~ Technology: Camera
Frankreich ~ France

#119
B., Benjamin: Wild planet. In: American Cinematographer 94. 2013. No. 7. [July] pp. 44-55.
Description:
On Peter Suschitzky’s camera work for Shyamalan’s After Earth.
Index:
Shyamalan, M. Night
Suschitzky, Peter
After Earth (2013)
Technik: Kamera ~ Technology: Camera

#120
B., Benjamin / Witmer, Jon D.: Rebel assault. In: American Cinematographer 98. 2017. No. 2. [February] pp. 30-53.
Description:
On Greig Fraser’s camera work for Gareth Edwards’s Rogue One: A Star Wars Story.
Index:
Edwards, Gareth
Fraser, Greig
Rogue One (2016)
Technik: Kamera ~ Technology: Camera

#121
Babelsberg Studiotour Cinefantastic. Eine Publikation der Babelsberg-Studiotour-GmbH, Potsdam in Zusammenarbeit mit der Stiftung Deutsche Kinemathek, Berlin. Leitung: Rolf Giesen. Redaktion: Helga Belach und Wolfgang Jacobsen. - Berlin: Argon Verlag 1994.
Description:
Exhibition catalogue on the history of special effects at Babelsberg.
Index:
Potsdam ~ Potsdam
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Babelsberg ~ Babelsberg
Deutschland ~ Germany

#122
Bacal, Simon: The giant buffalo of Rick Lazzarini’s character shop. In: Cinefantastique 23. 1992. No. 1. [August] pp. 58-59.
Description:
On the special effects for Radio Flyer.
Index:
Donner, Richard
Lazzarini, Rick
Radio Flyer (1992)
Technik: Spezialeffekte ~ Technology: Special Effects

#123
Bachmann, Holger: Introduction I: The production and contemporary reception of Metropolis. In: Fritz Lang’s Metropolis: Cinematic views of technology and fear. Edited by Michael Minden and Holger Bachmann. - Rochester: Camden House 2000. (= Studies in German Literature, Linguistics, and Culture.) pp. 3-45.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik ~ Technology

#124
Backe, Hans-Joachim: Narrative feedback: Computer games, comics, and the James Bond franchise. In: The cultures of James Bond. Edited by Joachim Frenk and Christian Krug. - Trier: Wissenschaftlicher Verlag Trier 2011. pp. 221 ff.
Index:
James Bond (Filmreihe)
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
James Bond ~ James Bond

#125
Bade, James N.: Murnau’s The Last Laugh and Hitchcock’s subjective camera. In: Quarterly Review of Film and Video 23. 2006. No. 3. [?D] pp. 257-266.
Description:
How Hitchcock learned from the German director by visiting him in Berlin in 1924.
Index:
Hitchcock, Alfred
Murnau, Friedrich Wilhelm
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany
Berlin ~ Berlin

#126
Badiou, Alain / Benatouil, Thomas / During, Elie / Maniglier, Patrice / Rabouin, David / Zarader, Jean-Pierre: Matrix, machine philosophique. - Paris: Ellipses 2003.
Reviews:
Chesney, Duncan: Spinoza and the politics of The Matrix. In: Film-Philosophy 8. 2004. No. 25. [August] p. ?P.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Technik ~ Technology
Philosophie ~ Philosophy

#127
Baer, Volker: Außenräume - Innenräume: Die "Production Design"-Ausstellung im Filmmuseum Berlin. In: Film-Dienst 58. 2005. No. 5. [March 3] pp. 42-43.
Index:
Technik ~ Technology
Berlin ~ Berlin

#128
Baer, Volker: Ein Jahrhundert im Blick: Filmmuseum der Stiftung Deutsche Kinemathek in Berlin eröffnet. In: Film-Dienst 53. 2000. No. 20. [September 26] pp. 44-47.
Description:
Discusses especially the collection on fantastic issues and special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Berlin ~ Berlin

#129
Baglivi, Fulvio / Ercole, Federico / Esposito, Lorenzo / Fumarola, Donatello: L’Inland Empire dei sensi. In: Filmcritica 57. 2007. No. 571/572. [January/February] pp. 42-46.
Description:
Interview with David Lynch on the use of digital camera technique in shooting Inland Empire.
Index:
Lynch, David
Inland Empire (2006)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#130
Bahn, Andreas: Informations- und Kommunikationstechnologien in literarischen und filmischen Dystopien der Gegenwart: Schwarmintelligenz und "Ubiquitous Computing" bei Philipp Kerr, Frank Schätzing und James Cameron. In: Technik in Dystopien. Hrsg. von Viviana Chilese und Heinz-Peter Preusser. Redaktion: Andreas Ammann und David Marcel Gröger. - Heidelberg: Winter 2013. (= Jahrbuch Literatur und Politik 7.) pp. 113 ff.
Description:
Discusses Philip Kerr’s Gridiron, Frank Schätzing’s Der Schwarm and James Cameron’s Avatar.
Index:
Schätzing, Frank
Kerr, Philip
Cameron, James
Avatar (2009)
Schwarm, Der (Literatur ~ Literature)
Gridiron (Literatur ~ Literature)
Technik ~ Technology
Utopie ~ Utopia

#131
Bahng, Aimee: Queering The Matrix: Hacking the digital divide and slashing into the future. In: The Matrix in theory. Edited by Myriam Diocaretz and Stefan Herbrechter. - Amsterdam; New York: Rodopi 2006. (= Critical Studies 29.) pp. 167 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Utopie ~ Utopia
Technik: Computer ~ Technology: Computer

#132
Bähr, Ulrich: Der Determinator: Nonne und Aufklärerin, Maschine und Mensch, B-Movie und Blockbuster - Die Verwandlungen eines Filmstoffs: The Terminator (1984), Terminator 2: Judgment Day (1991). In: Mythen, Mütter, Maschinen - Das Universum des James Cameron. Hrsg. von Eckhard Pabst. - Kiel: Verlag Ludwig 2005. pp. 44 ff.
Index:
Cameron, James
Terminator, The (1984)
Terminator II - Judgement Day (1991)
Technik ~ Technology
Religion ~ Religion
B-Filme ~ B Films

#133
Bailey, John / Deschanel, Caleb / Pizzello, Stephen: A savior’s pain. In: American Cinematographer 85. 2004. No. 3. [March] pp. 48-61.
Description:
Interview with cinematographer Caleb Deschanel on his work for Mel Gibson’s Jesus movie The Passion of the Christ.
Index:
Gibson, Mel
Deschanel, Caleb
Passion of the Christ, The (2004)
Technik: Kamera ~ Technology: Camera
Religion ~ Religion

#134
Baker, Alan: Robot Wars technical manual. - London: Boxtree 1999.
Description:
On the TV series.
Index:
Robot Wars (TV)
Technik ~ Technology
Fernsehen ~ Television

#135
Baker, Bill: Living on in digital: The imaginative web strips based on The Matrix offer diverse takes on a subject-rich realm. In: Cinefantastique 35. 2003. No. 3. [June/July] p. 52.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Technik: Computer ~ Technology: Computer

#136
Baker, Christopher W.: How do they do it? Computer illusion in film & TV. - Indianapolis, Indiana: Alpha Books 1994.
Reviews:
Prince, Stephen: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 61-62.
Turner, George: [untitled] In: American Cinematographer 75. 1994. No. 9. [September] p. 97.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Fernsehen ~ Television

#137
Baker, Robin: Computer technology and special effects in contemporary cinema. In: Future visions: New technologies of the screen. Edited by Philip Hayward and Tana Wollen. - London: British Film Institute Publishing 1993. pp. 31-45.
Description:
Discusses, among others, Ridley Scott’s Alien, Jetsons - The Movie by William Hanna and Joseph Barbera, James Cameron’s Terminator II - Judgement Day, Steven Lisberger’s Tron and Robert Zemeckis’s Who Framed Roger Rabbit.
Index:
Scott, Ridley
Hanna, William
Barbera, Joseph
Cameron, James
Lisberger, Steven
Zemeckis, Robert
Alien (1979)
Jetsons - The Movie (1990)
Terminator II - Judgement Day (1991)
Tron (1982)
Who Framed Roger Rabbit (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Utopie ~ Utopia
Technik ~ Technology

#138
Balanzategui, Jessica: Haunted nostalgia and the aesthetics of technological decay: Hauntology and Super 8 in Sinister. In: Horror Studies 7. 2016. No. 2. [October] pp. 235-251.
Index:
Derrickson, Scott
Sinister (2012)
Technik ~ Technology

#139
Balinisteanu, Tudor: Goddess cults in techno-worlds: Tank Girl and the Borg Queen. In: Journal of Feminist Studies in Religion 28. 2012. No. 1. [?D] pp. 5-24.
Index:
Talalay, Rachel
Tank Girl (1995)
Star Trek (Filmreihe)
Technik ~ Technology
Frauen ~ Women
Religion ~ Religion
Star Trek ~ Star Trek

#140
Balinistianu, Tudor: The cyborg goddess: Social myths of women as goddesses of technologized otherworlds. In: Feminist Studies 33. 2007. No. 2. [?D] pp. 394-424.
Description:
Discusses, among others, the representation of women in the Star Trek series.
Index:
Star Trek (Filmreihe)
Technik ~ Technology
Roboter ~ Robots
Religion ~ Religion
Mythologie ~ Mythology
Frauen ~ Women

#141
Ball, Claudia: Untersuchung zu dramaturgischen Besonderheiten der Literaturverfilmung Die Blechtrommel und die Kameraarbeit im Film. - Potsdam: Hochschule für Film und Fernsehen "Konrad Wolf", Fachrichtung Kamera, Fachschulabschlußarbeit 1992.
Index:
Schlöndorff, Volker
Blechtrommel, Die / tambour, Le (1978)
Technik: Kamera ~ Technology: Camera
Literatur ~ Literature

#142
Ball, Ryan: Return of the lean, green machines. In: Animation 21. 2007. No. 4. [April] pp. 6-7.
Description:
On Kevin Munroe’s T.M.N.T..
Index:
Munroe, Kevin
T.M.N.T. / Teenage Mutant Ninja Turtles (2007)
Technik ~ Technology

#143
Ball, Ryan: Vfx from A to Zathura. In: Animation 19. 2005. No. 12. [December] pp. 44-45.
Index:
Favreau, Jon
Zathura: A Space Adventure (2005)
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#144
Ball, Steven: Tractor, experiments in digital media. In: Cantrills Filmnotes 1998. No. 91/92. [December] pp. 14-22.
Description:
The experimental filmmaker on the importance of digital technique for his work.
Index:
Ball, Steven
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#145
Balla, P.: Cinema della radicalità. In: Filmcritica 35. 1984. No. 345. [June] pp. 240-344.
Description:
Compars the cinematographic techniques of Alfred Hitchcock’s The Rope and Klassenverhältnisse by Danièle Huillet and Jean-Marie Straub.
Index:
Hitchcock, Alfred
Huillet, Danièle
Straub, Jean-Marie
Rope, The (1948)
Klassenverhältnisse (1984)
Technik: Kamera ~ Technology: Camera

#146
Ballhaus, Michael: "Deutschland braucht das Unterhaltungskino". In: Cinema [Hamburg] 1994. No. 1(188). [?D] p. 43.
Description:
Interview with the cinematographer.
Index:
Ballhaus, Michael
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#147
Ballhausen, Thomas: Auge, Körper, Kamera: Mit Peeping Tom im (freudianischen) Schreckensarchiv. In: Horror und Ästhetik: Eine interdisziplinäre Spurensuche. Hrsg. von Claudio Biedermann und Christian Stiegler. - Konstanz: UVK-Verlagsgesellschaft 2008. pp. 11 ff.
Index:
Powell, Michael
Freud, Sigmund
Peeping Tom (1959)
Technik: Kamera ~ Technology: Camera
Körper ~ Bodies
Augen ~ Eyes
Angst ~ Fear
Psychologie ~ Psychology
Horror ~ Horror

#148
Balsamo, Anne: Gendering the technological imagination (2011). In: Science fiction and cultural theory: A reader. Edited by Sherryl Vint. - Milton Park, Abingdon, Oxon; New York: Routledge 2016. (= Routledge literature readers.) p. ?P.
Index:
Technik ~ Technology
Sexualität ~ Sexuality
Science Fiction ~ Science Fiction

#149
Balsamo, Anne: Technologies of the gendered body: Reading cyborg women. - Durham, North Carolina; London: Duke University Press 1996.
Reviews:
Cubitt, Sean: [untitled] In: Screen 38. 1997. No. 3. [?D] pp. 296-301.
Description:
Feminist analysis of the representation of the body in American popular culture of the 1980s and 1990s. Discusses also the popular film.
Index:
Tod ~ Death
Postmoderne ~ Postmodern
Männer ~ Men
Literatur ~ Literature
Fernsehen ~ Television
Cyberspace ~ Cyberspace
Technik ~ Technology
Geschichte ~ History
Natur ~ Nature
USA (United States of America) ~ USA (United States of America)
Körper ~ Bodies
Frauen ~ Women
Sexualität ~ Sexuality
Roboter ~ Robots

#150
Balzola, Andrea: La macchina e il mostro ombre dell’uomo estinto. In: Cinema Nuovo 29. 1980. No. 268. [?D] pp. 21-24.
Description:
On the increasing importance of special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Monster ~ Monster

#151
Banash, David: The Blair Witch Project: Technology, repression, and the evisceration of mimesis. In: Nothing that is: Millennial cinema and the Blair Witch controversies. Edited by Sarah L. Higley and Jeffrey A. Weinstock. - Detroit, Michigan: Wayne State University Press 2003. (= Contemporary film and television.) pp. 111-123.
Index:
Blair Witch (Filmreihe)
Technik ~ Technology

#152
Banks, Jane / Tankel, Jonathan David: Science as fiction: Technology in prime time television. In: Critical Studies in Mass Communication 7. 1990. No. 1. [?D] pp. 24-36.
Description:
Discusses especially Star Trek: The Next Generation.
Index:
Star Trek - The Next Generation (TV)
Wissenschaft ~ Science
Technik ~ Technology
Fernsehen ~ Television

#153
Bankston, Douglas: A deadly connection. In: American Cinematographer 83. 2002. No. 9. [September] pp. 60-73.
Description:
On the special effects for William Malone’s cyber thriller FearDotCome, especially on the camera work of Christian Sebaldt.
Index:
Malone, William
Sebaldt, Christian
FearDotCome (2002)
Technik: Kamera ~ Technology: Camera
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Cyberspace ~ Cyberspace

#154
Bankston, Douglas: A familiar fiend. In: American Cinematographer 83. 2002. No. 10. [October] pp. 48-61.
Description:
On the Hannibal Lecter films Red Dragon and Manhunter, especially on the camera work of Dante Spinotti.
Index:
Ratner, Brett
Spinotti, Dante
Mann, Michael
Red Dragon (2002)
Manhunter (1986)
Technik: Kamera ~ Technology: Camera

#155
Bankston, Douglas: A hostile lodging. In: American Cinematographer 83. 2002. No. 4. [April] pp. 36-47.
Description:
On the usage of digital cameras for Mike Figgis’s experimental film Hotel.
Index:
Figgis, Mike
Hotel (2001)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#156
Bankston, Douglas: A pound of flesh. In: American Cinematographer 82. 2001. No. 2. [February] pp. 36-49.
Description:
On John Mathieson’s camera work for Ridley Scott’s Hannibal.
Index:
Scott, Ridley
Mathieson, John
Hannibal (2001)
Technik: Kamera ~ Technology: Camera

#157
Bankston, Douglas: All the rage. In: American Cinematographer 84. 2003. No. 7. [July] pp. 82-84, 86-90.
Description:
On the special effects for Danny Boyle’s 28 Days Later, especially on the camera work of Anthony Dod Mantle.
Index:
Boyle, Danny
Mantle, Anthony Dod
28 Days Later (2002)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#158
Bankston, Douglas: An old soul. In: American Cinematographer 90. 2009. No. 1. [January] pp. 42-57.
Description:
On Claudio Miranda’s camera work for David Fincher’s The Curious Case of Benjamin Button.
Index:
Fincher, David
Miranda, Claudio
Curious Case of Benjamin Button, The (2008)
Technik: Kamera ~ Technology: Camera

#159
Bankston, Douglas: Death or glory. In: American Cinematographer 81. 2000. No. 5. [May] pp. 34-38, 41-45.
Description:
On John Mathieson’s camera work for Ridley Scott’s Gladiator.
Index:
Scott, Ridley
Mathieson, John
Gladiator (2000)
Technik: Kamera ~ Technology: Camera
Tod ~ Death

#160
Bankston, Douglas: Infinite kills. In: American Cinematographer 95. 2014. No. 7. [July] pp. 60-69.
Description:
On Dion Beebe’s camera work for Doug Liman’s Edge of Tomorrow.
Index:
Liman, Doug
Beebe, Dion
Edge of Tomorrow (2014)
Technik: Kamera ~ Technology: Camera

#161
Bankston, Douglas: Into the virtual woods. In: American Cinematographer 87. 2006. No. 4. [April] pp. 54-67.
Description:
Interview with cinematographer David Stump on Randal Kleiser’s Red Riding Hood.
Index:
Kleiser, Randal
Stump, David
Red Riding Hood (2004)
Technik: Kamera ~ Technology: Camera

#162
Bankston, Douglas: Monster hunter. In: American Cinematographer 85. 2004. No. 5. [May] pp. 36-51.
Description:
On Allen Daviau’s camera work for Stephen Sommers’s Van Helsing.
Index:
Sommers, Stephen
Daviau, Allen
Van Helsing (2004)
Technik: Kamera ~ Technology: Camera
Monster ~ Monster
Jagd ~ Hunt

#163
Bankston, Douglas: Space cases. In: American Cinematographer 95. 2014. No. 9. [September] pp. 38-53.
Description:
On Ben Davis’s camera work for James Gunn’s Guardians of the Galaxy.
Index:
Gunn, James
Davis, Ben
Guardians of the Galaxy (2014)
Weltraum ~ Space
Technik: Kamera ~ Technology: Camera

#164
Bankston, Douglas: Spinning a wider web. In: American Cinematographer 95. 2014. No. 6. [June] pp. 54-71.
Description:
On Dan Mindel’s camera work for Marc Webb’s The Amazing Spider-Man 2.
Index:
Webb, Marc
Mindel, Dan
Amazing Spider-Man 2, The (2014)
Technik: Kamera ~ Technology: Camera

#165
Bankston, Douglas: Terror on the tracks. In: American Cinematographer 90. 2009. No. 7. [July] pp. 52-58.
Description:
On Tobias Schliessler’s camera work for Tony Scott’s The Taking of Pelham 1 2 3.
Index:
Scott, Tony
Schliessler, Tobias
Taking of Pelham 1 2 3, The (2009)
Technik: Kamera ~ Technology: Camera

#166
Bankston, Douglas: The final frontier. In: American Cinematographer 82. 2001. No. 11. [November] pp. 66-73.
Description:
On Marvin Rush’s camera work for the Star Trek TV series Enterprise.
Index:
Rush, Marvin
Enterprise / Star Trek: Enterprise (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television
Star Trek ~ Star Trek

#167
Bankston, Douglas: Worlds apart. In: American Cinematographer 94. 2013. No. 9. [September] pp. 34-49.
Description:
On Trent Opaloch’s camera work for Neill Blomkamp’s Elysium.
Index:
Blomkamp, Neill
Elysium (2013)
Technik: Kamera ~ Technology: Camera

#168
Barbano, Nicolas: Exelence med fiskesnøre og legetøj. In: Kosmorama 42. 1996. No. 218. [Winter] pp. 39-43.
Description:
Interview with Volker Engel on the special effects for Roland Emmerich’s Independence Day and on his appearance in Ben Burtt’s Special Effects: Anything Can Happen.
Index:
Engel, Volker
Emmerich, Roland
Burtt, Ben
Independence Day (1996)
Special Effects: Anything Can Happen (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#169
Barbano, Nicolas / Kaspersen, F. / Schapiro, P.: Skraekfilmen - er vor sidste protest film. In: Kosmorama 35. 1989. No. 190. [?D] pp. 32-43.
Description:
On modern horror films seen as a form of protest by the human subconciousness, on David Cronenberg and on makeup techniques for horror films.
Index:
Cronenberg, David
Technik ~ Technology
Horror ~ Horror

#170
Barbano, Nicolas: Makeup’ens mange anisgter. In: Kosmorama 35. 1989. No. 190. [Winter] pp. 40-43.
Description:
On the importance of makeup effects for the cinema, especially for the horror film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Horror ~ Horror

#171
BARBARA FLÜCKIGER: Emotion Capture: Wie es einer digitalen Figur gelingt, Emotionen zu wecken. In: Audiovisuelle Emotionen: Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Hrsg. von Anne Bartsch, Jens Eder und Kathrin Fahlenbrach. - Köln: Halem 2007. pp. 402 ff.
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#172
Barbera, Alessandro: Camerata topolino: L’ideologia di Walt Disney. - Roma: Stampa Alternativa 2001. (= Eretica.)
Index:
Disney, Walt
Technik: Kamera ~ Technology: Camera
Disney ~ Disney

#173
Bardini, Thierry: A (brave new) world is more than a few gizmos crammed together: Science fiction and cyberculture. In: Science fiction and computing: Essays on interlinked domains. Edited by David L. Ferro and Eric G. Swedin. - Jefferson, North Carolina; London: McFarland 2011. pp. 167-188.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction
Cyberspace ~ Cyberspace

#174
Barg, Werner C.: Grenzenlose Phantasie!? 100 Jahre Kino - Auf dem Weg zum synthetischen Film. In: Fischer Film Almanach 1995: Filme, Festivals, Tendenzen. Hrsg. von Horst Schäfer und Walter Schobert. - Frankfurt/Main: Fischer Taschenbuch Verlag 1995. (= Fischer Taschenbuch 12762.) pp. 480-490.
Index:
Phantasie ~ Fantasy
Festival ~ Festival
Technik ~ Technology

#175
Bargain, Erwan: Un homme parmi les monstres. In: L’Écran Fantastique 2002. No. 221. [May] pp. 24-25.
Description:
On the special effects for George Lucas’s Star Wars Episode II - Attack of the Clones.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster

#176
Barker, Lynn / Skotak, Robert: Klushantsev: Russias’s wizard of "fantastika". Part 2. Translations by Gregory Wain and Buck Shomo. In: American Cinematographer 75. 1994. No. 7. [July] pp. 77-82.
Description:
On the Russian special effects pioneer and director Pavel Klusancev.
Index:
Klusancev, Pavel
Technik: Spezialeffekte ~ Technology: Special Effects
Russland ~ Russia

#177
Barker, Lynn / Skotak, Robert: Klushantsev: Russias’s wizard of "fantastika". Part 1. Translations by Gregory Wain and Buck Shomo. In: American Cinematographer 75. 1994. No. 6. [June] pp. 78-83.
Description:
On the Russian special effects pioneer and director Pavel Klusancev.
Index:
Klusancev, Pavel
Technik: Spezialeffekte ~ Technology: Special Effects
Russland ~ Russia

#178
Barnes, Brooks:Theaters not yet ready for Hollywood’s 3-D love affair. In: International Herald Tribune, January 13, 2009. p. 11.
Index:
Technik ~ Technology
Hollywood ~ Hollywood
3-D Films

#179
Barney, Chuck: Make us care. In: Sunday Morning Post [HK], July 13, 2008. p. 4.
Description:
On the Pixar animation company.
Index:
Technik ~ Technology
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#180
Barnier, Martin: L’effets discrets de Zelig. In: "1895" 1999. No. 27. [September] pp. 151-157.
Index:
Allen, Woody
Zelig (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#181
Baron, Jaimie: The experimental film remake and the digital archive effect: A Movie by Jen Proctor and Man with a Movie Camera: The Global Remake. In: Framework 53. 2012. No. 2. [Fall] pp. 467-490.
Index:
Proctor, Jennifer
Bard, Perry
Movie by Jen Proctor, A (2010)
Man with a Movie Camera: The Global Remake (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#182
Barron, Craig / Cotta Vaz, Mark: The invisible art: The legends of movie matte painting. - ?O: Chronicle Books 2002.
Reviews:
Romney, Jonathan: Through a glass darkly. In: Sight and Sound NS 12. 2002. No. 8. [August] pp. 10-11.
Index:
Technik ~ Technology
Matte-Painting ~ Matte-Painting

#183
Barth, Ariane: "Hier ist was von Wildwest". Teil 2: Kameraleute und Schauspieler. In: Der Spiegel 47. 1993. No. 23. [June 7] pp. 120-142.
Description:
Discusses, among others, the work of cinematographer Michael Ballhaus for Fracis Ford Coppola’s Bram Stoker’s Dracula, and the roles of actor Ralf Moeller in Roland Emmerich’s Universal Soldier and Robert Radler’s The Best of the Best II.
Index:
Ballhaus, Michael
Coppola, Francis Ford
Moeller, Ralf
Emmerich, Roland
Radler, Robert
Bram Stoker’s Dracula (1992)
Universal Soldier (1992)
Best of the Best II, The (1993)
Technik: Kamera ~ Technology: Camera

#184
Bartl, Andreas / Peipp, Matthias: Filme der Imagination: Interview mit Ray Harryhausen. In: Film-Dienst 46. 1993. No. 24. [November 23] pp. 38-41.
Description:
On the special effects artist
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects

#185
Barwenczik, Lucas: Maschinen. Menschen. Götter.: Das Kino des Ridley Scott. In: Film-Dienst 70. 2017. No. 24. [November 23] pp. 16-19.
Index:
Scott, Ridley
Technik ~ Technology

#186
Bassan, Raphaël: Savants fous ou science omniprésente? In: La Revue du Cinéma 1991. No. 467. [?D] pp. 68-70.
Description:
On the negative representation of science and technique in film as shown in Total Recall, Flatliners, Re-Animator 2 and Darkman.
Index:
Darkman (1990)
Flatliners (1990)
Bride of Re-Animator / Re-Animator 2 (1990)
Total Recall (1990)
Wissenschaft ~ Science
Technik ~ Technology

#187
Bassom, David / Garcia, Frank / Garcia, Robert T. / Uram, Sue: Babylon 5. In: Cinefantastique 31/32. 2000. No. 12/1. [June] pp. 32-117.
Description:
Articles on the TV series. Discusses, among others, the work of Bruce Boxleitner, Claudia Christian, Walter Koenig, Julie Caitlin Brown, Andrea Thompson, Patricia Tallman, and Bill Mumy, of the composer Christopher Franke, the designer John Iacovelli, the series founder J. Michael Straczynski, of cinematographer John C. Flinn, the makeup by John Vulich, the costumes by Anne Bruice-Aling, the CGI special effects and single episodes. Includes an episode guide.
Index:
Boxleitner, Bruce
Christian, Claudia
Koenig, Walter
Brown, Julie Caitlin
Thompson, Andrea
Tallman, Patricia
Franke, Christopher
Iacovelli, John
Straczynski, J. Michael
Flinn, John C.
Vulich, John
Bruice-Aling, Anne
Babylon 5 (TV)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#188
Batchelor, D.: Films without a camera. In: Stills ?G. 1986. No. 24. [?D] pp. 20-21.
Description:
On new technical developments in computer animation and special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#189
Bates, Dan / Drake, C. V.: Robocop. In: Cinefantastique 18. 1987. No. 1. [December] pp. 16-25.
Description:
Discusses, among others, the work of designer Rob Bottin, of producer Jon Davison and the special effects by Phil Tippett.
Index:
Verhoeven, Paul
Bottin, Rob
Davison, Jon
Tippett, Phil
Robocop (1987)
Technik: Spezialeffekte ~ Technology: Special Effects

#190
Bates, Dan: Robocop. In: Cinefantastique 17. 1987. No. 3/4. [June] pp. 6-7, 119.
Description:
Especially on the creation of the robot by Rob Bottin.
Index:
Verhoeven, Paul
Bottin, Rob
Robocop (1987)
Technik ~ Technology
Roboter ~ Robots
Animation ~ Animation

#191
Baur, T,: Special effects & stunts guide. - ?O: Lone Eagle 1989.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#192
Baybrook, Loren P.Q. / Miller, Cynthia J. / Van Riper, A. Bowdoin: Visions of science and technology, Part 2. In: Film & History 40. 2010. No. 2. [Fall] pp. 4-5.
Description:
Introduction to a special section.
Index:
Wissenschaft ~ Science
Technik ~ Technology

#193
Bazin, André / Cardullo, Bert: André Bazin on film technique: Two seminal essays. In: Film Criticism 25. 2000/2001. No. 2. [?D] pp. 40-62.
Index:
Bazin, André
Technik ~ Technology

#194
Beach, Christopher: A hidden history of film style: Cinematographers, directors, and the collaborative process. - Oakland, California: University of California Press 2015.
Description:
Includes chapters on the visual style of film noir, on Alfred Hitchcock and Robert Burks and on cinematography in the digital age.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Film Noir ~ Film Noir

#195
Bealing, S.: Little devils. In: Films and Filming ?G. 1987. No. ?N(393). [June] p. 29.
Description:
Interview with Randall Cook on the special effects for Tibor Takács’s The Gate.
Index:
Takács, Tibor
Cook, Randall
Gate, The (1987)
Religion: Teufel ~ Religion: Devil
Technik: Spezialeffekte ~ Technology: Special Effects

#196
Bealmear, Robert: Eerie effects for Lifeforce. In: American Cinematographer 66. 1985. No. 6. [June] pp. 60-67.
Index:
Hooper, Tobe
Lifeforce (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#197
Beau, Frank: Chronique d’une mutation annoncée. In: Cahiers du Cinéma 1996. No. 503. [?D] pp. 66-72.
Description:
On the development of special effects techniques since the 1970s.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#198
Bebrillte Männer vor piepsenden Kisten. In: EPD Film 30. 2013. No. 11. [November] pp. 24-30.
Description:
Special section on the representation of the computer in film.
Index:
Technik ~ Technology
Männer ~ Men
Technik: Computer ~ Technology: Computer

#199
Beck, Jerry: Animation art from pencil to pixel: The history of cartoon, anime, and CGI. - New York: HarperCollins 2004.
Index:
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#200
Becker, Jörg: Momentfotografie im Film. In: Babelsberg: Ein Filmstudio 1912-1992. Hrsg. von Wolfgang Jacobsen. - Berlin: Argon 1992. pp. 91-106.
Description:
On early film technique as used at the Babelsberg Film Studios. Discusses especially Friedrich Wilhelm Murnau’s Faust.
Index:
Murnau, Friedrich Wilhelm
Faust - Eine deutsche Volkssage (1926)
Fotografie ~ Photography
Technik ~ Technology
Babelsberg ~ Babelsberg

#201
Becker, Marcus: Die Sache mit dem Weltniveau: Die DEFA-Science-Fiction und das Szenenbild eines Filmgenres. In: Alles nur Kulisse?! Filmräume aus der Traumfabrik Babelsberg. Hrsg. von Annette Dorgerloh und Marcus Becker. - Weimar: VDG Verlag und Datenbank für Geisteswissenschaften 2015. (= Scenographica 1.) p. ?P.
Index:
Technik ~ Technology
Science Fiction ~ Science Fiction
DEFA ~ DEFA
Technik: Spezialeffekte ~ Technology: Special Effects
Babelsberg ~ Babelsberg

#202
Beckerman, H.: Animation kit: Animator and editor - not so different. In: Filmmakers Monthly 13. 1980. No. 3. [?D] pp. 46-47.
Description:
Compares the work of editor Ralph Rosenbaum with animation techniques.
Index:
Rosenbaum, Ralph
Technik ~ Technology
Animation ~ Animation

#203
Bednarz, Christina / Orlin, Scott: Stuntmen - Stars ohne Glanz und Ruhm. In: Cinema [Hamburg] 1992. No. 9(172). [?D] pp. 84-90.
Index:
Technik ~ Technology

#204
Beeler, Michael D.: Henson’s new, lean, mean green machine. In: Cinefantastique 23. 1993. No. 5. [February] pp. 10-11.
Description:
On the Henson puppt fabrication.
Index:
Henson, Jim
Animation: Puppen ~ Animation: Puppets
Technik ~ Technology

#205
Beeler, Michael: Ghost in the Machine. In: Cinefantastique 25. 1994. No. 2. [April] pp. 56-57.
Description:
On the film by Rachel Tallalay and the video special effects by Richard Hollander.
Index:
Talalay, Rachel
Hollander, Richard
Ghost in the Machine (1993)
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects

#206
Beeler, Michael: Hellraiser IV: Bloodline: Makeup effects. In: Cinefantastique 26. 1995. No. 3. [April] p. 39.
Index:
Yagher, Kevin [Pseudonym: Smithee, Alan]
Capelle, Joe
Hellraiser: Bloodline / Hellraiser IV (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#207
Beeler, Michael: Henson’s fantasia: Using old-world puppetry with state-of-the-art effects. In: Cinefantastique 28. 1997. No. 9. [March] p. 42.
Description:
On the special effects for Peter MacDonald’s Die unendliche Geschichte 3.
Index:
MacDonald, Peter
Henson, Jim
unendliche Geschichte 3, Die (1994)
Animation: Puppen ~ Animation: Puppets
Technik: Spezialeffekte ~ Technology: Special Effects

#208
Beeler, Michael: John Alonzo. In: Cinefantastique 26. 1995. No. 2. [February] p. 27.
Description:
On the cinematographer.
Index:
Alonzo, John
Star Trek - Generations (1994)
Star Trek (Filmreihe)
Technik: Kamera ~ Technology: Camera
Star Trek ~ Star Trek

#209
Beeler, Michael: The Crow: Salvation. In: Cinefantastique 32. 2001. No. 6. [February] pp. 46-47.
Description:
Discusses, among others, the special effects for the film.
Index:
Nalluri, Bharat
Crow, The: Salvation (2000)
Technik: Spezialeffekte ~ Technology: Special Effects

#210
Beeler, Michael: The Flintstones: Jim Henson’s creature shop. In: Cinefantastique 25. 1994. No. 3. [June] pp. 15-18.
Description:
On the special effects by puppet animator Jim Henson and his crew.
Index:
Levant, Brian
Henson, Jim
Flintstones, The (1994)
Animation ~ Animation
Jim Henson’s Creature Shop [Firma] ~ Jim Henson’s Creature Shop [Company]
Animation: Puppen ~ Animation: Puppets
Technik: Spezialeffekte ~ Technology: Special Effects

#211
Beeler, Stan: Sanctuary: A paradigm for television in the age of the Internet. In: Critical Studies in Television 8. 2013. No. 3. [Autumn] pp. 78-91.
Index:
Sanctuary (TV)
Internet ~ Internet
Fernsehen ~ Television
Technik: Spezialeffekte ~ Technology: Special Effects

#212
Beeler, Stan: Songs for the older set: Music and multiple demographics in Shrek, Madagascar and Happy Feet. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Adamson, Andrew
Jenson, Vicky
Darnell, Eric
McGrath, Tom
Miller, George
Shrek (2001)
Madagascar (2005)
Happy Feet (2006)
Musik ~ Music
Animation ~ Animation
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#213
Begegnung der grünen Art. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 71-74.
Description:
On the special effects for Joe Dante’s Explorers.
Index:
Dante, Joe
Explorers (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#214
Begy, Jason / Fierro, Generoso: Design and speculative technology of MST3K: Joel Hodgson and Trace Beaulieu at MIT. In: In the peanut gallery with Mystery Science Theater 3000: Essays on film, fandom, technology, and the culture of riffing. Edited by Robert G. Weiner and Shelley E. Barba. Forewords by Kevin Murphy and Robert Moses Peaslee. Afterword by Mary Jo Pehl. - Jefferson, North Carolina: McFarland 2011. p. ?P.
Index:
Mystery Science Theater 3000 (TV)
Technik ~ Technology

#215
Behind the camera on The Nude Bomb. In: American Cinematographer 61. 1980. No. 3. [March] pp. 236-239.
Description:
Interview with cinematographer Harry Wolf.
Index:
Donner, Clive
Wolf, Harry
Nude Bomb, The (1980)
Technik: Kamera ~ Technology: Camera

#216
Behind the scenes of The Empire Strikes Back. In: American Cinematographer 61. 1980. No. 6. [June] pp. 546 ff.
Description:
Special section on the special effects for the film.
Index:
Kershner, Irvin
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#217
Behrens, Ulrich: Vogel-Horror ohne digitale Effekte: Die Vögel. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#218
Behringer, Marco: Green and clean? Alternative Energiequellen in Science Fiction und Utopie. - Marburg: Tectum Verlag 2017.
Index:
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Natur ~ Nature
Technik ~ Technology

#219
Behringer, Marco: Green and clean? Alternative Energiequellen in Science Fiction und Utopie. - Würzburg: Julius-Maximilians-Universität Würzburg, Dissertation 2016.
Index:
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Natur ~ Nature
Technik ~ Technology

#220
Beier, Lars-Olav: Die Ausputzer. In: Der Spiegel 67. 2013. No. 35. [August 26] pp. 102-103.
Description:
On the economic crisis of the FX industry.
Index:
Wirtschaft ~ Economy
Technik ~ Technology

#221
Beier, Lars-Olav: Digitaler Höhenflug. In: Der Spiegel 60. 2006. No. 42. [October 16] pp. 214-219.
Description:
On the international reputation of German special effects artists, especially on the work of Rainer Gombros.
Index:
Gombros, Rainer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Deutschland ~ Germany

#222
Beier, Lars-Olav / Hornig, Frank / Schulz, Thomas: Treibjagd auf Bambi. In: Der Spiegel 59. 2005. No. 51. [December 19] pp. 98-100.
Description:
On the recent boom of computer generated Hollywood animation films following the pattern of Shrek and Finding Nemo.
Index:
Adamson, Andrew
Jenson, Vicky
Shrek (2001)
Finding Nemo (2003)
Technik: Computer ~ Technology: Computer
Hollywood ~ Hollywood
Animation ~ Animation

#223
Beier, Lars-Olav / Midding, Gerhard: "Die Studioszenen sahen am besten aus, einfach weil man da für die Kamera bauen kann": Gespräch mit Henry Bumstead. In: Filmbulletin 34. 1992. No. 1(180). [?D] pp. 28-40.
Description:
On the set decorator who worked for many Hitchcock films and for Martin Scorsese’s Cape Fear. Plus a filmography.
Index:
Bumstead, Henry
Hitchcock, Alfred
Scorsese, Martin
Cape Fear (1991)
Technik: Kamera ~ Technology: Camera

#224
Beier, Lars-Olav / Midding, Gerhard: "Man muß die dritte Dimension erst schaffen, mit Licht, mit Schatten, mit Farbe": Gespräch mit dem Kameramann Vilmos Zsigmont. In: Filmbulletin 32. 1990. No. 2(170). [?D] pp. 18-25.
Description:
On the cinematographer who worked for many fantastic films, among them several films of Al Adamson, Brian De Palma’s Obsession, Spielberg’s Close Encounters of the Third Kind and George Miller’s The Witches of Eastwick.
Index:
Zsigmond, Vilmos
Adamson, Al
De Palma, Brian
Spielberg, Steven
Miller, George
Obsession (1976)
Close Encounters of the Third Kind (1977)
Witches of Eastwick, The (1987)
Technik: Kamera ~ Technology: Camera

#225
Beier, Lars-Olav / Midding, Gerhard: Teamwork in der Traumfabrik: Werkstattgespräche. - Berlin: Henschel Verlag 1993.
Reviews:
Baer, Volker: [untitled] In: Film-Dienst 47. 1994. No. 14. [July 5] p. 32.
Fließ, Ingo: [untitled] In: EPD Film 11. 1994. No. 3. [March] p. 8.
Description:
Interviews with Hollywood directors, actors, cinematographers and set designers. Discusses, among others, Martin Scorsese’s Cape Fear.
Index:
Scorsese, Martin
Cape Fear (1991)
Technik: Kamera ~ Technology: Camera
Traum ~ Dreams
Hollywood ~ Hollywood

#226
Beier, Lars-Olav / Müller, Robert: Bilder aus erster Hand: Ein Werkstattgespräch mit dem Kameramann Jost Vacano. In: Steadycam 1998. No. 1(35). [?D] pp. 38-57, 60-69.
Description:
Discusses, among others, Vacano’s work for Wolfgang Petersen’s Die unendliche Geschichte as well as Paul Verhoeven’s Robocop, Total Recall and Starship Troopers. Includes a filmography.
Index:
Vacano, Jost
Petersen, Wolfgang
Verhoeven, Paul
unendliche Geschichte, Die (1984)
Robocop (1987)
Total Recall (1990)
Starship Troopers (1997)
Technik: Kamera ~ Technology: Camera

#227
Beier, Lars-Olav / Oehmke, Philipp: "All der Mist passiert passiert wirklich". In: Der Spiegel 65. 2011. No. 1. [January 3] pp. 109-112.
Description:
Interview with director James Cameron on the history and the future of Hollywood and how his new acting technique "Performance Capture", as used for Avatar, will change the process of filmmaking.
Index:
Cameron, James
Avatar (2009)
Technik ~ Technology
Hollywood ~ Hollywood

#228
Beier, Lars-Olav: Terra incognita. In: Steadycam 1998. No. 2(36). [?D] pp. 89, 126-129.
Description:
On cinematographer John Seale.
Index:
Seale, John
Technik: Kamera ~ Technology: Camera

#229
Beierle, Felix: Ewiger Fetisch Skopophilie: Nimród Antals Vacancy (2007) als Psycho-Update im Zeitalter digitaler Camcorder. In: Dawn of an evil millennium: Horror/Kultur im neuen Jahrtausend. Hrsg. von Jörg van Bebber. - Darmstadt: Büchner-Verlag 2011. pp. 374 ff.
Index:
Antal, Nimród
Vacancy (2007)
Sexualität ~ Sexuality
Technik: Computer ~ Technology: Computer
Psychologie ~ Psychology
Böse, Das ~ Evil, The
Horror ~ Horror

#230
Beke, L. [et al.]: A kompjuter nelkuli ember. In: Filmkultura 23. 1987. No. 7. [?D] pp. 3-30.
Description:
On computer backed film productions from the USA and from Hungary.
Index:
Technik: Computer ~ Technology: Computer
USA (United States of America) ~ USA (United States of America)
Ungarn ~ Hungary
Technik ~ Technology

#231
Belanger, Denis: Metier: Coordonnateur d’effets speciaux. In: Ciné-Bulles 8. 1988. No. 1. [?D] pp. 40-43.
Description:
On special effects expert Louis Craig.
Index:
Craig, Louis
Technik: Spezialeffekte ~ Technology: Special Effects

#232
Belebte Maschinen: Über Terminator, Robocop und Blade Runner: Werkstattberichte. In: Künstliche Menschen - Manische Maschinen - Kontrollierte Körper. Hrsg. von Rolf Aurich, Wolfgang Jacobsen und Gabriele Jatho. - Berlin: Filmmuseum Berlin - Deutsche Kinemathek / Berlin: Jovis Verlagsbüro 2000. pp. 55-57.
Index:
Cameron, James
Verhoeven, Paul
Scott, Ridley
Terminator, The (1984)
Robocop (1987)
Blade Runner (1982)
Technik ~ Technology
Roboter ~ Robots

#233
Belisle, Brooke: Depth readings: Ken Jacobs’s digital, stereographic films. In: Cinema Journal 53. 2014. No. 2. [Winter] pp. 1-26.
Index:
Jacobs, Ken
Technik: Computer ~ Technology: Computer

#234
Bell, David: An introduction to cybercultures. - London; New York: Routledge 2001.
Reviews:
Marsching, Jane D.: [untitled.] In: Afterimage 29. 2002. No. 5. [March/April] p. 16.
Description:
Includes a chapter on digital special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#235
Bell, James: Computer love. In: Sight and Sound NS 24. 2014. No. 1. [January] pp. 20-25.
Description:
On Spike Jonze’s Her.
Index:
Jonze, Spike
Her (2013)
Technik: Computer ~ Technology: Computer

#236
Bell, James: Magic realism. In: Sight and Sound NS 23. 2013. No. 1. [January] p. 29.
Description:
Interview with visual effects supervisor Bill Westerhofer on the special effects for Life of Pi.
Index:
Lee Ang
Westerhofer, Bill
Life of Pi (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic

#237
Beller, Jonathan L.: Desiring the involuntary: Machinic assemblage and transnationalism in Deleuze and Robocop 2. In: Global/local: Cultural production and the transnational imaginary. Edited by Rob Wilson and Wimal Dissanayake. - Durham, North Carolina: Duke University Press 1996. pp. 193-218.
Index:
Kershner, Irvin
Deleuze, Gilles
Robocop II (1990)
Technik ~ Technology

#238
Bellin, Joshua David: "I don’t know how it works": The Wizard of Oz and the technology of alienation. In: Arizona Quarterly 60. 2004. No. 4. [Winter] pp. 65-97.
Index:
Fleming, Victor
Wizard of Oz, The (1939)
Technik ~ Technology

#239
Bellour, Raymond: Ideal Hadaly. In: Camera Obscura 1986. No. 15. [Fall] pp. 110-136.
Description:
On the motif of an ideal mechanical man, beginning with Villiers de L’Isle-Adam’s novel L’Eve future, and on the representation of this idea in science, technique, the arts and in film.
Index:
Villiers de L’Isle-Adam, Jean-Marie Mathias Philippe-Auguste, Comte
Wissenschaft ~ Science
Technik ~ Technology
Kunst ~ Arts, The
Frauen ~ Women
Science Fiction ~ Science Fiction
Roboter ~ Robots
Eve future, L’ (Literatur ~ Literature)

#240
Bellour, Raymond: Ideal Hadaly. In: Close encounters: Film, feminism, and science fiction. Edited by Janet Bergstrom, Elisabeth Lyon, Constance Penley and Lynn Spigel. - Minneapolis, Minnesota; Oxford: University of Minnesota Press 1991. (= Camera Obscura Book.) pp. 107-130.
Description:
On the motif of an ideal mechanical man, beginning with Villiers de L’Isle-Adam’s novel L’Eve future, and on the representation of this idea in science, technique, the arts and in film.
Index:
Villiers de L’Isle-Adam, Jean-Marie Mathias Philippe-Auguste, Comte
Wissenschaft ~ Science
Technik ~ Technology
Kunst ~ Arts, The
Frauen ~ Women
Science Fiction ~ Science Fiction
Roboter ~ Robots
Eve future, L’ (Literatur ~ Literature)

#241
Belton, John: Digital 3D cinema: Digital cinema’s missing novelty phase. In: Film History 24. 2012. No. 2. pp. 187-195.
Description:
Discusses, among others, James Cameron’s Avatar, Tim Burton’s Alice in Wonderland and Lee Unkrich’s Toy Story 3.
Index:
Cameron, James
Burton, Tim
Unkrich, Lee
Avatar (2009)
Alice in Wonderland (2010)
Toy Story 3 (2010)
Technik ~ Technology
3-D Films
Technik: Computer ~ Technology: Computer

#242
Belton, John: Introduction: Digital cinema. In: Film History 24. 2012. No. 2. pp. 131-134.
Index:
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#243
Bem, Caroline: Mediality, materiality, narrative: Successive incarnations of a special effect in Vanishing Point and Death Proof. In: Screen 57. 2016. No. 1. [Spring] pp. 52-70.
Index:
Sarafian, Richard
Tarantino, Quentin
Vanishing Point (1971)
Death Proof (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#244
Bendazzi, Giannalberto: The Italians who invented the drawn-on-film technique. In: Animation Journal 4. 1996. No. 2. [Spring] pp. 69-77.
Description:
On the animation filmmaker Arnaldo Ginna and Bruno Corra and her work during the era of silent film.
Index:
Ginna, Arnaldo
Corradini, Bruno Gianni [Pseudonym: Corra, Bruno]
Stummfilm ~ Silent Film
Technik ~ Technology
Italien ~ Italy
Animation ~ Animation

#245
Bender, Stuart / Palmer, Lorrie: Blood in the corridor: The digital mastery of hero run shoot-outs in Kick-Ass and Wanted. In: Journal of Popular Film and Television 45. 2017. No. 1. [January-March] pp. 26-39.
Index:
Vaughn, Matthew
Bekmambetov, Timur
Kick-Ass (2010)
Wanted (2008)
Technik: Computer ~ Technology: Computer
Helden ~ Heros
Blut ~ Blood

#246
Bender, Stuart / Palmer, Lorrie: The digital aesthetic of violence: Introducing the special issue. In: Journal of Popular Film and Television 45. 2017. No. 1. [January-March] pp. 2-3.
Index:
Technik: Computer ~ Technology: Computer
Gewalt ~ Violence

#247
Bendus, Maryana: The semantics and pragmatics of translating culture-bound references in film dubbing. - West Lafayette, Indiana: Purdue University, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 74. 2013. No. 3. (September).]
Description:
Examines the dubbing of five computer animated comedies from English into Ukrainian: Ratatouille, Ice Age: Dawn of the Dinosaurs, How to Train Your Dragon, Shrek Forever After and Cars 2.
Index:
Bird, Brad
Pinkava, Jan
Saldanha, Carlos
Thurmeier, Mike
Deblois, Dean
Sanders, Chris
Mitchell, Mike
Lasseter, John
Lewis, Brad
Ratatouille (2007)
Ice Age: Dawn of the Dinosaurs (2009)
How to Train Your Dragon (2010)
Shrek Forever After (2010)
Cars 2 (2011)
Ukraine ~ Ukraine
Technik: Computer ~ Technology: Computer
Humor ~ Humor
Animation ~ Animation

#248
Bénédict, Sébastien: Techno tragédie. In: Cahiers du Cinéma 2002. No. 569. [June] pp. 79-80.
Description:
On Guillermo del Toro’s Blade 2.
Index:
del Toro, Guillermo
Blade 2 (2002)
Technik ~ Technology

#249
Benesch, Klaus: Technology, art, and the cybernetic body: The cyborg as cultural other in Fritz Lang’s Metropolis and Philip K. Dick’s Do Androids Dream of Electric Sheep?. In: Amerikastudien 44. 1999. No. 3. [?D] pp. 379-92.
Index:
Lang, Fritz
Dick, Philip K[indred]
Metropolis (1925/1926)
Technik ~ Technology
Roboter ~ Robots
Körper ~ Bodies
Cyberspace ~ Cyberspace
Do Androids Dream of Electric Sheep? (Literatur ~ Literature)

#250
Beney, Christophe: Games over. In: Cahiers du Cinéma 2006. No. 617. [November] p. 56.
Description:
On films based on computer games.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#251
Benidt, Jennifer / Pourroy, Janine: Fright Night. In: Cinefex 1986. No. 25. [February] pp. 54-71.
Description:
On the special effects by Richard Edlund.
Index:
Holland, Tom
Edlund, Richard
Fright Night (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#252
Benidt, Jennifer: The Terminator. In: Cinefex 1985. No. 21. [April] pp. 4-23.
Description:
On the robot motif and the special effects for the film by James Cameron.
Index:
Cameron, James
Terminator, The (1984)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots

#253
Benjumea, Gustavo Cerquera: Amazonian visions: Animating ghosts. - Toronto, Ontario: Ontario College of Art & Design, M.F.A. 2013. [Abstract in: Masters Abstracts International 52. 2014. No. 4. [August] p. ?P.]
Description:
Compares the concept of expanded animation to the effects of the Amazonian psychedelic brew "ayahuasca".
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Psychologie ~ Psychology
Geister ~ Ghosts
Animation ~ Animation
Amazonas ~ Amazon
Drogen ~ Drugs

#254
Bennett, Bruce: Children, robots, cinephilia and technophobia. In: Cinema and technology: Cultures, theories, practices. Edited by Bruce Bennett, Marc Furstenau and Adrian Mackenzie. - Basingstoke; New York: Palgrave Macmillan 2008. p. ?P.
Index:
Roboter ~ Robots
Jugend ~ Youth
Technik ~ Technology

#255
Bennett, Bruce: The normativity of 3D: Cinematic journeys, "imperial visuality" and unchained cameras. In: Jump Cut 2013. No. 55. [Fall] pp. 44.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
3-D Films

#256
Bennett, Richard: Peach Cam’ brings a little new technology to an old technique. In: American Cinematographer 77. 1996. No. 5. [May] p. 60.
Description:
On the special effects for Henry Selick’s James and the Giant Peach.
Index:
Selick, Henry
James and the Giant Peach (1996)
Technik ~ Technology
Technik: Spezialeffekte ~ Technology: Special Effects

#257
Benson-Allott, Caetlin: Dangerous illusions. In: Film Quarterly 65. 2012. No. 4. [Summer] pp. 10-11.
Description:
On the CGI effects for Gary Ross’s The Hunger Games.
Index:
Ross, Gary
Hunger Games, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#258
Berens, Philipp: Unsichtbare Revolution: Computer im Schneideraum. In: Cinema [Hamburg] 1992. No. 1(164). [?D] p. 98.
Description:
On new digital film cut techniques for Carl Schenkel’s Knight Moves.
Index:
Schenkel, Carl
Knight Moves / Face to Face (1991)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#259
Berger, Adam: A full bag of tricks for Real Genius. In: American Cinematographer 66. 1985. No. 12. [December] pp. 89-92.
Description:
On the special effects for the film.
Index:
Coolidge, Martha
Real Genius (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#260
Berger, Jacob / Ferguson, Kyle: "You gotta listen to how people talk": Machines and natural language. In: Terminator and philosophy: I’ll be back, therefore I am. Edited by Richard Brown and Kevin Decker. - Chichester; Hoboken, New Jersey: John Wiley & Sons 2009. (= Blackwell philosophy and pop culture.) pp. 239 ff.
Index:
Terminator (Filmreihe)
Roboter ~ Robots
Technik ~ Technology
Philosophie ~ Philosophy

#261
Berger, Jürgen: Die Technik des Puppentricks. In: Jirí Trnka: Der Pupppenfilmer aus Prag: Ausstellung vom 15.3.-2.5.1987. Redaktion: Jürgen Berger. - Frankfurt/Main: Deutsches Filmmuseum 1987. (= Schriftenreihe des Deutschen Filmmuseums Frankfurt am Main.) pp. 18-24.
Description:
On the work of the czech animation filmmaker.
Index:
Trnka, Jirí
Tschechien ~ Czech
Technik: Spezialeffekte ~ Technology: Special Effects
Prag ~ Prague
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation

#262
Bergery, Benjamin: A boy’s will. In: American Cinematographer 86. 2005. No. 9. [September] pp. 30-41.
Description:
On Pawel Edelman’s camera work for Roman Polanski’s Oliver Twist.
Index:
Polanski, Roman
Edelman, Pawel
Oliver Twist (2005)
Technik: Kamera ~ Technology: Camera

#263
Bergery, Benjamin: A golden ticket. In: American Cinematographer 86. 2005. No. 7. [July] pp. 36-49.
Description:
On Philippe Rousselot’s camera work for Tim Burton’s Charlie and the Chocolate Factory.
Index:
Burton, Tim
Rousselot, Philippe
Charlie and the Chocolate Factory (2005)
Technik: Kamera ~ Technology: Camera

#264
Bergery, Benjamin: A nymph in our midst. In: American Cinematographer 87. 2006. No. 8. [August] pp. 38-51.
Description:
On Christopher Doyle’s camera work for M. Night Shyamalan’s Lady in the Water.
Index:
Shyamalan, M. Night
Doyle, Christopher
Lady in the Water (2006)
Technik: Kamera ~ Technology: Camera

#265
Bergery, Benjamin / Bosley, Rachael K.: Digital cinema, by George. In: American Cinematographer 82. 2001. No. 9. [September] pp. 66-75.
Description:
Interview with George Lucas on new special effects techniques and his work for Star Wars: Episode II.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#266
Bergery, Benjamin: Framing the future. In: American Cinematographer 82. 2001. No. 9. [September] pp. 76-83.
Description:
On George Lucas’s work for Star Wars, Episode II, especially on the cinematographer David Tattersall.
Index:
Lucas, George
Tattersall, David
Star Wars Episode II - Attack of the Clones (2002)
Technik: Kamera ~ Technology: Camera
Utopie ~ Utopia

#267
Bergery, Benjamin: Friends, Romans and countrymen. In: American Cinematographer 80. 1999. No. 5. [May] pp. 62-71.
Description:
On the special effects for Asterix and Obelix versus Caesar; especially on the camera work of Tony Pierce-Roberts.
Index:
Zidi, Claude
Pierce-Roberts, Tony
Astérix et Obélix contre César (1999)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#268
Bergery, Benjamin: Henri Alekan: The doyen of French cinematography. In: American Cinematographer 77. 1996. No. 3. [March] pp. 46-52.
Index:
Alekan, Henri
Technik: Kamera ~ Technology: Camera
Frankreich ~ France

#269
Bergery, Benjamin: Humanity’s last hope. In: American Cinematographer 87. 2006. No. 12. [December] pp. 60-75.
Description:
On Emmanuel Lubezki’s camera work for Alfonso Cuarón’s SF drama Children of Men.
Index:
Cuarón, Alfonso
Lubezki, Emmanuel
Children of Men (2006)
Technik: Kamera ~ Technology: Camera
Science Fiction ~ Science Fiction

#270
Bergery, Benjamin: Imaging the impossible. In: American Cinematographer 77. 1996. No. 6. [June] pp. 42-50.
Description:
On Brian De Palma’s Mission: Impossible; especially on the work of cinematographer Stephen Burum.
Index:
De Palma, Brian
Burum, Stephen
Mission: Impossible (1996)
Technik: Kamera ~ Technology: Camera

#271
Bergery, Benjamin: Timing Alexander. In: American Cinematographer 85. 2004. No. 11. [November] pp. 44-45.
Description:
Interview with cinematographer Rodrigo Prieto on Oliver Stone’s Alexander.
Index:
Stone, Oliver
Prieto, Rodrigo
Alexander (2004)
Technik: Kamera ~ Technology: Camera

#272
Bergfelder, Tim: Film architecture and the transnational imagination: Set design in 1930s European cinema. - Amsterdam: Amsterdam University Press / Chicago, Illinois: University of Chicago Press 2007.
Index:
Europa ~ Europe
Architektur ~ Architecture
Technik ~ Technology

#273
Berkemeier, Christian: Kingdoms of the blind: Technology and vision in Douglas Coupland’s Girlfriend in a Coma and Stephen Spielberg’s Minority Report. In: The holodeck in the garden: Science and technology in contemporary American fiction. Edited by Peter Freese and Charles B. Harris. - Normal, Illinois: Dalkey Archive Press 2004. (= Dalkey Archive scholary.) pp. 100-109.
Index:
Coupland, Douglas
Spielberg, Steven
Minority Report (2002)
Technik ~ Technology
Wissenschaft ~ Science
USA (United States of America) ~ USA (United States of America)
Blindheit ~ Blindness
Girlfriend in a Coma (Literatur ~ Literature)

#274
Bernardo, M.: In cammino col digitale. In: Bianco e Nero 49. 1988. No. 1. [?D] pp. 77-85.
Description:
On new technical developments in filmic special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#275
Berndt, Sven / Buchholz, Johannes / Schweer, Thomas: Hinter der Kamera: Peter Baumgartner. In: Splatting Image 1990. No. 4. [August] pp. 27-30.
Description:
Includes a filmography.
Index:
Baumgartner, Peter
Technik: Kamera ~ Technology: Camera

#276
Berndt, Sven / Schweer, Thomas: Kondom des Grauens. In: Splatting Image 1996. No. 26. [June] pp. 41-43.
Description:
Interview with special effect artist Jörg Buttgereit.
Index:
Walz, Martin
Buttgereit, Jörg
Kondom des Grauens (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#277
Bernink, Mieke / Leacock, Richard: Master home movies. In: Skrien 1994. No. 194. [February/March] pp. 7-13.
Description:
Article on and interviews with Jonas Mekas and Richard Leacock on the importance of digital technology for their films.
Index:
Mekas, Jonas
Leacock, Richard
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#278
Berns, Jörg Jochen: Himmelsmaschinen - Höllenmaschinen: Zur Technologie der Ewigkeit. - Berlin: Semele-Verlag 2007.
Reviews:
Isermann, Thomas: [untitled.] In: Medienwissenschaft 2008. No. 3. pp. 283-286.
Index:
Technik ~ Technology
Religion: Hölle ~ Religion: Hell
Religion ~ Religion

#279
Berns, Jörg Jochen: Technomonster: Zur Geschichte der Menschtiermaschinen. In:
Berns, Jörg Jochen: Die Jagd auf die Nymphe Echo: Zur Technisierung der Wahrnehmung in der frühen Neuzeit. - Bremen: Edition Lumière 2011. (= Presse und Geschichte 53.) pp. 457 ff.
Index:
Tiere ~ Animals
Technik ~ Technology
Roboter ~ Robots
Monster ~ Monster

#280
Bertellini, Giorgio: Restoration, genealogy and palimpsets: On some historiographical questions. In: Fritz Lang’s Metropolis: Cinematic views of technology and fear. Edited by Michael Minden and Holger Bachmann. - Rochester: Camden House 2000. (= Studies in German Literature, Linguistics, and Culture.) pp. 140-157.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik ~ Technology

#281
Berthomé, Jean-Pierre / Rhomas, François: Sept années en noir et blanc: Entretien avec Edmond Richard, directeur de la photographie. In: Positif 1992. No. 378. [July/August] pp. 36-48.
Description:
On the cinematographer and his work for Orson Welles. Discusses, among others, his participation in The Trial and Chimes at Midnight.
Index:
Richard, Edmond
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Campanadas a medianoche / Chimes at Midnight (1965)
Technik: Kamera ~ Technology: Camera

#282
Bertoncini, Marco: Ouando lo schermo esplode: Note sull’uso del grandangolo nel cinema di Welles e di Kubrick. In: Cineforum 46. 2006. No. ?N(451). [January/February] pp. 46-53.
Description:
On both director’s use of wide-angle lenses.
Index:
Welles, Orson
Kubrick, Stanley
Technik ~ Technology

#283
Bethge, Philip: Seifenoper der Urzeit. In: Der Spiegel 53. 1999. No. 43. [October 25] pp. 286-288.
Description:
On the BBC’s computer animated TV documentary Walking With Dinosaurs on how the dinosaurs lived.
Index:
Walking With Dinosaurs (TV)
Geschichte: Urzeit ~ History: Prehistory
Technik: Computer ~ Technology: Computer
Fernsehen ~ Television
Dinosaurier ~ Dinosaurs
Animation ~ Animation
BBC (British Broadcasting Corporation) ~ BBC (British Broadcasting Corporation)

#284
Between stillness and motion: Film, photography, algorithms. Edited by Eivind Røssaak. - Amsterdam: Amsterdam University Press 2011. (= Film culture in transition.)
Index:
Technik ~ Technology
Fotografie ~ Photography

#285
Beyer, Lars-Olav: Die digitale Sintflut. In: Der Spiegel 61. 2007. No. 32. [August 6] pp. 144-146.
Description:
On the dominance of digital special effects in recent Hollywood blockbuster films. Argues that the concentration on effects begins to bore the audience. Discusses especially Tom Shadyac’s Evan Almighty.
Index:
Shadyac, Tom
Evan Almighty (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood

#286
Bianco, Jamie Skye: Techno-cinema. In: Comparative Literature Studies 41. 2004. No. 3. [?D] pp. 377-403.
Description:
Discusses, among others, Christopher Nolan’s Memento and Darren Aronofsky’s Requiem For a Dream.
Index:
Nolan, Christopher
Aronofsky, Darren
Memento (2000)
Requiem For a Dream (2000)
Technik ~ Technology

#287
Bielik, Alain: Magic with a French touch. In: Cinefex 1996. No. 68. [December] pp. 41-42, 47-48, 153.
Description:
On the special effects for La cité des enfants perdus by Marc Caro and Jean-Pierre Jeunet.
Index:
Caro, Marc
Jeunet, Jean-Pierre
cité des enfants perdus, La (1995)
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Frankreich ~ France

#288
Bierinckx, Cis: Beetlejuice: Robert Short. In: Film en Televisie 1988. No. 379. [December] pp. 20-21.
Description:
On the special effects for the film by Tim Burton.
Index:
Burton, Tim
Short, Robert
Beetlejuice (1988)
Technik: Spezialeffekte ~ Technology: Special Effects

#289
Binkley, Timothy: Refiguring culture. In: Future visions: New technologies of the screen. Edited by Philip Hayward and Tana Wollen. - London: British Film Institute Publishing 1993. pp. 92-122.
Description:
Discusses, among others, Nick Castle’s The Last Starfighter and James Cameron’s Terminator II - Judgement Day.
Index:
Castle, Nick
Cameron, James
Last Starfighter, The (1984)
Terminator II - Judgement Day (1991)
Utopie ~ Utopia
Technik ~ Technology

#290
Binotto, Thomas: Emotionen bewegen die Kamera. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 3: Q-Z. - Frankfurt/Main: Zweitausendeins 2002. pp. W2-W8.
Description:
Interview with cinematographer Michael Ballhaus.
Index:
Ballhaus, Michael
Technik: Kamera ~ Technology: Camera

#291
Biodrowski, Steve: Dracula: Vampire effects. In: Cinefantastique 23. 1992. No. 4. [December] pp. 40-42.
Description:
On the designer Greg Lannom.
Index:
Lannom, Greg
Coppola, Francis Ford
Bram Stoker’s Dracula (1992)
Technik: Spezialeffekte ~ Technology: Special Effects
Vampire ~ Vampires

#292
Biodrowski, Steve: Effects for Phantasm II by Steve Patino, master of the flying silver spheres. In: Cinefantastique 19. 1989. No. 3. [March] pp. 48-49.
Index:
Coscarelli, Don
Patino, Steve
Phantasm 2 (1988)
Technik: Spezialeffekte ~ Technology: Special Effects

#293
Biodrowski, Steve: Exorcist III: The post-production exorcism effects. In: Cinefantastique 21. 1991. No. 4. [February] pp. 57, 60.
Description:
On the special effects for that film.
Index:
Blatty, William Peter
Exorcist III, The / Exorcist III: The Legion (1990)
Religion: Exorzismus ~ Religion: Exorcism
Technik: Spezialeffekte ~ Technology: Special Effects

#294
Biodrowski, Steve: Filming makeup effects for Serpent and the Rainbow. In: Cinefantastique 18. 1988. No. 5. [July] pp. 49, 58.
Index:
Craven, Wes
Serpent and the Rainbow, The (1988)
Technik: Spezialeffekte ~ Technology: Special Effects

#295
Biodrowski, Steve: Jurassic Park: Coordinating the effects. In: Cinefantastique 24. 1993. No. 2. [August] pp. 18-19.
Description:
On the work of Michael Lantieri for the Film.
Index:
Spielberg, Steven
Lantieri, Michael
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#296
Biodrowski, Steve: Jurassic Park: Filming the dinosaurs. In: Cinefantastique 24. 1993. No. 2. [August] pp. 14, 17.
Description:
On the special effects for the film.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs

#297
Biodrowski, Steve / Lissau, Russell / Lyons, Mike / Szebin, Frederick C.: The Crow: City of Angels. In: Cinefantastique 28. 1996. No. 1. [August] pp. 16-27, 62
Description:
Articles on the film. Discusses, among others, the work of production designer Alex McDowell, the underlying comic book by James O’Barr, the special effects by Dream Quest and the creation of the "Crow" city.
Index:
Pope, Tim
McDowell, Alex
O’Barr, James
Crow, The: City of Angels (1996)
Dream Quest Images [Firma] ~ Dream Quest Images [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Animation: Comics ~ Animation: Comics

#298
Biodrowski, Steve: Making "Mant", Joe Dante’s Matinee. In: Cinefantastique 24. 1993. No. 1. [June] p. 58.
Description:
The effect specialists Jim McPherson and Dennis Michelson on the "film within the film" in Joe Dante’s Matinee, a tribute to the horror film of the 1950s.
Index:
Dante, Joe
Matinee (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#299
Biodrowski, Steve: Martian effects: Special effects: ILM shows off CGI to stop-motion fan Burton. In: Cinefantastique 28. 1997. No. 7. [January] pp. 32-33.
Description:
On the special effects for Tim Burton’s Mars Attacks.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer

#300
Biodrowski, Steve: Optical effects for The Wraith by Peter Kuran. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 113.
Index:
Marvin, Mike
Kuran, Peter
Wraith, The (1986)
Technik: Spezialeffekte ~ Technology: Special Effects

#301
Biodrowski, Steve: Special effects for The Guardian, William Friedkin style. In: Cinefantastique 21. 1990. No. 2. [September] pp. 57, 60.
Index:
Friedkin, William
Guardian, The (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#302
Biodrowski, Steve: The Addams Family. In: Cinefantastique 22. 1992. No. 5. [April] p. 56.
Description:
On the special effects for the film and its creators, especially Peter Kuran and Christopher Hart.
Index:
Sonnenfeld, Barry
Kuran, Peter
Hart, Christopher
Addams Family, The (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#303
Biodrowski, Steve: The Blair Witch vs. The Haunting: Suggestive scares upstage silly CGI. In: Cinefantastique 31. 1999. No. 9. [December] p. 62.
Index:
Myrick, Daniel
Sanchez, Eduardo
De Bont, Jan
Blair Witch Project, The (1999)
Haunting, The (1999)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#304
Biodrowski, Steve: The Resurrected: Lovecraft special effects. In: Cinefantastique 22. 1992. No. 6. [June] p. 7.
Description:
On the special effects by Todd Masters.
Index:
O’Bannon, Dan
Lovecraft, H[oward] P[hillips]
Masters, Todd
Resurrected, The (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#305
Biodrowski, Steve: The Star Wars trilogy. In: Cinefantastique 28. 1997. No. 12. [?D] pp. 52-53.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#306
Biodrowski, Steve: Warlock: Director Steve Miner drops a Ken Russell inspired horror effect due to audience titters. In: Cinefantastique 19. 1989. No. 4. [May] p. 17.
Index:
Miner, Steve
Russell, Ken
Warlock (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#307
Birchard, Robert S.: A master’s palette. In: American Cinematographer 87. 2006. No. 3. [March] pp. 58-65.
Description:
On Jack Cardiff’s camera work for Black Narcissus by Michael Powell and Emeric Pressburger.
Index:
Powell, Michael
Pressburger, Emeric
Cardiff, Jack
Black Narcissus (1947)
Technik: Kamera ~ Technology: Camera

#308
Birchard, Robert S.: Brand-new Shoes. In: American Cinematographer 90. 2009. No. 9. [September] pp. 78-85.
Description:
On the digital restoration of The Red Shoes.
Index:
Powell, Michael
Pressburger, Emeric
Red Shoes, The (1948)
Technik: Computer ~ Technology: Computer

#309
Birchard, Robert S.: Double vision through the magic of introvision. In: American Cinematographer 66. 1985. No. 4. [April] pp. 111-114.
Description:
On a new special effects technology.
Index:
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Introvision [Firma] ~ Introvision [Company]

#310
Biro, Matthew: The new man as cyborg: Figures of technology in Weimar visual culture. In: New Geman Critique 1994. No. 62. [Spring/Summer] pp. 71-110.
Description:
Discusses, among others, Ernst Jünger’s novel Die veränderte Welt and Fritz Lang’s Metropolis.
Index:
Lang, Fritz
Jünger, Ernst
Metropolis (1925/1926)
Technik ~ Technology
Roboter ~ Robots
Deutschland ~ Germany
veränderte Welt, Die (Literatur ~ Literature)

#311
Bishko, Leslie: Expressive technology: The tool as metaphor of aesthetic sensibility. In: Animation Journal 3. 1994. No. 1. [Fall] pp. 74-91.
Index:
Technik ~ Technology
Animation ~ Animation

#312
Bishop, Rod: Digital devils: Training in the new technologies. In: Media Information Australia 1996. No. 81. [?D] pp. 7-10.
Description:
On computer backed techniques for animated films.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#313
Bizony, Piers: 2001: Filming the future. Revised, updated special edition. - London: Aurum Press 2000.
First edition:
[1994]
Description:
Discusses especially the film technique and the special effects.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik ~ Technology
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects

#314
Bizony, Piers: 2001: Filming the future. With a foreword by Arthur C. Clarke. - London: Aurum Press 1994.
Reviews:
Hogan, David J.: [untitled] In: Filmfax 1995. No. 51. [July/August] pp. 12, 14.
Description:
Discusses especially the film technique and the special effects.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik ~ Technology
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects

#315
Bizony, Piers: 2001, le futur selon Kubrick. - Paris: Cahiers du Cinéma 2000.
First edition:
[2001: Filming the future. - London: Aurum Press 1994]
Description:
Discusses especially the film technique and the special effects.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik ~ Technology
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects

#316
Bizony, Piers: Digital domain: The leading edge of visual effects. - London: Aurum Press 2001.
Reviews:
KS: [untitled.] In: Sight and Sound NS 12. 2002. No. 5. [May] p. 31.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]

#317
Bizony, Piers: Digital domain: The leading edge of visual effects. - New York: Billboard Books 2001.
First edition:
[London: Aurum Press 2001]
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]

#318
Black, Daniel: The silicone chick: Lara Croft and sexy technology. In: Metro 2001. No. 127/128. [?D] pp. 76-82.
Description:
On the representation of erotic female androids in film. Discusses, among others, Simon West’s Lara Croft: Tomb Raider and Fritz Lang’s Metropolis.
Index:
West, Simon
Lang, Fritz
Tomb Raider / Lara Croft: Tomb Raider (2001)
Metropolis (1925/1926)
Technik ~ Technology
Roboter ~ Robots
Sexualität ~ Sexuality
Lara Croft ~ Lara Croft
Frauen ~ Women

#319
The Black Hole. In: American Cinematographer 61. 1980. No. 1. [January]
Description:
Special section on the special effects for the film.
Index:
Nelson, Gary
Black Hole, The (1979)
Technik: Spezialeffekte ~ Technology: Special Effects

#320
Blackman, W. Haden: Star Wars: The new essential guide to weapons and technology. - New York: Ballantine Books 2004. (= Lucas books / A Del Rey book.)
Index:
Star Wars (Filmreihe)
Technik ~ Technology

#321
Blackmore, Tim: High on technology - low on memory: Cultural crisis in Dark City and The Matrix. In: Canadian Review of American Studies 34. 2004. No. 1. [?D] pp. 13-54.
Index:
Proyas, Alex
Wachowski, Andy
Wachowski, Larry
Dark City / Dark World / Dark Empire (1997)
Matrix, The (Filmreihe)
Technik ~ Technology

#322
Blackmore, Tim: The speed death of the eye: The ideology of Hollywood film special effects. In: Bulletin of Science Technology & Society 27. 2007. No. 5. [October] pp. 367-372.
Index:
Tod ~ Death
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Hollywood ~ Hollywood
Augen ~ Eyes

#323
Blackwell, Bonnie: A blustery day for a baby: Technologies of family formation in Twister. In: Camera Obscura 2002. No. 49. [?D] pp. 188-215.
Description:
Discusses also Stanley Kubrick’s The Shining.
Index:
De Bont, Jan
Kubrick, Stanley
Twister (1996)
Shining, The (1980)
Technik ~ Technology
Familie ~ Family

#324
Blade Runner - special photographic effects. In: American Cinematographer 63. 1982. No. 7. [July] pp. 692-695, 725-730.
Index:
Scott, Ridley
Blade Runner (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#325
Blaisdell, Paul / Burns, Bob / Malone, Bill: Devil’s workshop. In: Monsterscene ?G. 1995. No. 5. [Summer/Fall] pp. 24-28.
Description:
On makeup FX in monster films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster

#326
Blalack, Robert / Fitzharris, John: Star Wars effect on the world of special effects. In: Millimeter 6. 1978. No. ?N. [April] pp. 40 ff.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#327
Blalack, Robert: How the world looks through the eyes of (cinematic) wolves. In: American Cinematographer 62. 1981. No. 11. [November] pp. 1130-1135.
Description:
On the special effects for Wolfen.
Index:
Wadleigh, Michael
Wolfen (1981)
Wölfe ~ Wolves
Technik: Spezialeffekte ~ Technology: Special Effects
Augen ~ Eyes

#328
Blalack, Robert / Roth, Paul: Composite optical and photographic effects for Star Wars. In: American Cinematographer 58. 1977. No. ?N. [July] pp. 706-708.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#329
Blank, Richard: Film & Licht: Die Geschichte des Filmlichts ist die Geschichte des Films. - Berlin: Alexander Verlag 2009.
Reviews:
Giesemann, Bernd: Licht und Film. In: Medienwissenschaft 2010. No. 3. pp. 366-370.
Werner, Jochen: Eher kleines Licht. In: F.LM - Texte zum Film. Online edition, February 2010.
Index:
Technik ~ Technology

#330
Bleecker, Julian: Urban crisis: Past, present, and virtual. In: Socialist Review 24. 1995. No. 1/2. [?D] pp. 189-221.
Description:
On dystopian fantasies in Ridley Scott’s Blade Runner, Marco Brambillo’s Demolition Man, in George Miller’s Mad Max films and in several computer games.
Index:
Scott, Ridley
Brambillo, Marco
Miller, George
Blade Runner (1982)
Demolition Man (1993)
Mad Max (Filmreihe)
Utopie ~ Utopia
Technik: Computer ~ Technology: Computer
Stadt ~ City
Cyberspace ~ Cyberspace

#331
Block, Bruce A. / McNally, Philip: 3-D story telling: How 3-D works and how to use it. - Burlington, Massachussetts: Focal Press 2013.
Index:
Technik ~ Technology
3-D Films
Animation ~ Animation

#332
Blomkvist, Mårten: Death in the afternoon. In: Sight and Sound NS 16. 2006. No. 1. [January] p. 9.
Description:
Interview with Ingmar Bergman’s cameraman Gunnar Fischer.
Index:
Fischer, Gunnar
Bergman, Ingmar
Tod ~ Death
Technik: Kamera ~ Technology: Camera

#333
Bloom, Suzanne / Hill, Ed: Dark wonder: Fritz Lang’s Metropolis and new technological wonders. In: Artforum 27. 1989. No. 10. [Summer] pp. 86 ff.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik ~ Technology

#334
Blumthaler, G.: Processi e impieghi della computer animation. In: Cinema Nuovo 35. 1986. No. 299. [?D] pp. 30-32.
Description:
On new technologies in computer animation.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#335
Boccio, Jacob C.: Digital integration. - Tampa, Florida: University of South Florida, M.L.A. 2016. [Abstract in: Masters Abstracts International 55. 2016. No. 6M.]
Description:
On the representation of artificial intelligence in film.Discusses, among others, Neill Blomkamp’s Elysium and Chappie, Jonathan Mostow’s Surrogates, the Terminator series, Ridley Scott’s Blade Runner, Chris Columbus’s Bicentennial Man, and Alex Garland’s Ex Machina.
Index:
Blomkamp, Neill
Mostow, Jonathan
Cameron, James
Scott, Ridley
Columbus, Chris
Garland, Alex
Elysium (2013)
Chappie (2015)
Surrogates (2009)
Terminator, The (1984)
Terminator (Filmreihe)
Blade Runner (1982)
Bicentennial Man (1999)
Ex Machina (2015)
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#336
Bock, Hans-Michael: Aus den Wolken: Technische Neuerungen bei Amphitryon. In: Das Ufa-Buch: Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Hrsg. von Hans-Michael Bock und Michael Töteberg in Zusammenarbeit mit CineGraph - Hamburgisches Centrum für Filmforschung e.V. - Frankfurt/Main: Zweitausendeins 1992. pp. 368-371.
Description:
On the Kleist filming by Reinhold Schmünzel.
Index:
Schmünzel, Reinhold
Kleist, Heinrich von
Amphitryon - Aus den Wolken kommt das Glück (1935)
Technik ~ Technology

#337
Bode, Lisa: Making believe: Screen performance and special effects in popular cinema. - New Brunswick: Rutgers University Press 2017. (= Techniques of the moving image.)
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#338
Bode, Lisa: No longer themselves? Framing digitally enabled posthumous Performance. In: Cinema Journal 49. 2010. No. 4. [Summer] pp. 46-70.
Index:
Cammell, Donald
Roeg, Nicolas
Performance (1969)
Technik: Computer ~ Technology: Computer

#339
Bode, Steven: Clocking the future. In: Sight and Sound NS 3. 1993. No. 8. [August] p. 10.
Description:
On the meaning of the aesthetics of computer games for recent Hollywood film. Discusses, among others, Super Mario Bros. by Annabel Jankel and Rocky Morton, John McTiernan’s Last Action Hero and Harold Ramis’s Groundhog Day.
Index:
Jankel, Annabel
Morton, Rocky
McTiernan, John
Ramis, Harold
Super Mario Bros. (1993)
Last Action Hero (1993)
Groundhog Day (1993)
Technik: Computer ~ Technology: Computer
Utopie ~ Utopia
Technik ~ Technology
Hollywood ~ Hollywood

#340
Bodmer, Michel: Shrek. In: Zoom ?G. 2001. No. 6/7. [June/July] pp. 36-37.
Description:
Interview with DreamWorks co-founder Jeffrey Katzenberg on the special effects for the animated film.
Index:
Adamson, Andrew
Jenson, Vicky
Katzenberg, Jeffrey
Shrek (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
DreamWorks ~ DreamWorks
Animation ~ Animation

#341
Bodmer, Michel: Technik und Handwerk. In: Filmwärts ?G. 1992. No. 21. [Winter] pp. 29-35.
Index:
Greenaway, Peter
Prospero’s Books (1991)
Technik ~ Technology

#342
Bögner, Ralf: Historische Chancen und digitale Bekenntnisse. In: Filmecho/Filmwoche 63. 2009. No. 31. [July 31] pp. 8-9.
Description:
Interview with Thomas Menne, general manager of Walt Disney Germany.
Index:
Menne, Thomas
Technik: Computer ~ Technology: Computer
Disney ~ Disney
Deutschland ~ Germany

#343
Bogost, Ian: Persuasive games: The expressive power of videogames. - Cambridge, Massachussetts: MIT Press 2007.
Index:
Video ~ Video
Technik ~ Technology

#344
Böhme, Hartmut: Die technische Form Gottes: Über die theologischen Implikationen von Cyberspace. In: Praktische Theologie ?G. 1996. No. 4. [?D] p. 257-261.
Index:
Technik ~ Technology
Religion ~ Religion
Cyberspace ~ Cyberspace

#345
Bohrmann, Thomas: Technik, Liebe und Religion in der Terminator-Filmreihe. In: Handbuch Theologie und populärer Film. Hrsg. von Thomas Bohrmann, Werner Veith und Stephan Zöller. Band 3. - Paderborn: Schöningh 2012. pp. 263 ff.
Index:
Cameron, James
Mostow, Jonathan
McGinty Nichol, Joseph [Pseudonym: McG]
Terminator (Filmreihe)
Terminator, The (1984)
Terminator II - Judgement Day (1991)
Terminator 3: Rise of the Machines (2003)
Terminator Salvation (2009)
Technik ~ Technology
Religion ~ Religion

#346
Bojstrup, Susanne: Klipning. In: (Pre)Publications 14. 1988. No. 111. [?D] pp. 41-55.
Description:
On the filmic techniques in Chabrol’s Le Boucher.
Index:
Chabrol, Claude
Boucher, Le (1969)
Technik ~ Technology

#347
Boland, Michaela: Cubbyhouse. In: Cinema Papers 2001. No. 137. [February/March] pp. 22-24.
Description:
On the special effects for the horror film by Murray Fahey.
Index:
Fahey, Murray
Cubbyhouse (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#348
Bond., Jeff: Digital skulldyuggery. In: Cinefantastique 35. 2003. No. 5. [October/November] pp. 18-19.
Description:
On the special effects for Gore Verbinski’s Pirates of the Caribbean: The Curse of the Black Pearl.
Index:
Verbinski, Gore
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#349
Bond, Jeff: A classic encounter. In: Cinefantastique 36. 2004. No. 3. [June/July] pp. 14 ff.
Description:
On the special effects for Jack Arnold’s It Came from Outer Space.
Index:
Arnold, Jack
It Came from Outer Space (1953)
Technik: Spezialeffekte ~ Technology: Special Effects

#350
Bond, Jeff: All that digitally glitters does not a good movie make. In: Cinefantastique 35. 2003. No. 1. [February/March] p. 68.
Description:
On a DVD edition of George Lucas’s Star Wars Episode II - Attack of the Clones.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Computer ~ Technology: Computer
DVD ~ DVD

#351
Bond, Jeff: Burning chrome. In: Cinefantastique 38. 2006. No. 2. [March/April] pp. 36-37.
Description:
On the special effects for the TV series Battlestar Galactica.
Index:
Battlestar Galactica (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#352
Bond, Jeff: Cutting crew. In: Cinefantastique 36. 2004. No. 1. [February/March] pp. 18-19.
Description:
On the special effects for Quentin Tarantino’s Kill Bill.
Index:
Tarantino, Quentin
Kill Bill (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects

#353
Bond, Jeff: Jeff Bond succumbs to Lucasfilm’s marketing gimmick. In: Film Score Monthly 2. 1997. No. 3. [?D] pp. 31-33.
Description:
On the digital restored Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Lucasfilm [Firma] ~ Lucasfilm [Company]
Technik: Computer ~ Technology: Computer

#354
Bond, Jeff: Latent image. In: Cinefantastique 35. 2003. No. 2. [April/May] p. 80.
Description:
On the special effects for The Dark Crystal.
Index:
Henson, Jim
Oz, Frank
Dark Crystal, The (1982)
Technik: Spezialeffekte ~ Technology: Special Effects

#355
Bond, Jeff: Latent image in space, no one can hear you ... In: Cinefantastique 35. 2003. No. 5. [October/November] p. 80.
Description:
Cinematographer Derek Vanlint on plans for a Alien seqel.
Index:
Scott, Ridley
Vanlint, Derek
Alien (1979)
Weltraum ~ Space
Technik: Kamera ~ Technology: Camera

#356
Bond, Jeff / Osmond, Andrew: Panic attack. In: Cinefantastique 37. 2005. No. 3. [June] pp. 42-51.
Description:
On Garth Jennings’s The Hitchhiker’s Guide to the Galaxy. Discusses, among others, the novel by Douglas Adams and the special effects.
Index:
Adams, Douglas
Jennings, Garth
Hitchhiker’s Guide to the Galaxy, The (2005)
Technik: Spezialeffekte ~ Technology: Special Effects
Hitchhiker’s Guide to the Galaxy, The (Literatur ~ Literature)

#357
Bond, Jeff: Ship shape. In: Cinefantastique 37. 2005. No. 2. [April/May] pp. 14-17.
Description:
On the special effects for the TV series Battlestar Galactica.
Index:
Battlestar Galactica (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#358
Boner, Marc: Wohnmaschinen und fliegende Städte: Die Moderne als Inspiration zur Inszenierung der Zukunft. In: Things to come: Science - Fiction - Film. Hrsg. von Kristina Jaspers, Nils Warnecke und Gerlinde Waz. Aus dem Englischen von Heinrich Koop. - Bielefeld: Kerber 2016. pp. 58 ff.
Index:
Technik ~ Technology
Stadt ~ City
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Wissenschaft ~ Science

#359
Bongers, Wolfgang: Inseln: Gespenstische Effekte in Bildern und Texten. In: Intermediale: Kommunikative Konstellationen zwischen Medien. Hrsg. von Beate Ochsner und Charles Grival. - Tübingen: Stauffenburg-Verlag 2001. (= Siegener Forschungen zur romanischen Literatur- und Medienwissenschaft 10.) pp. 253-292.
Description:
Discusses, among others, Adolfo Bioy Casares’s La invectión de Morel and Chris Marker’s Sans Soleil.
Index:
Bioy Casares, Adolfo
Marker, Chris
Sans Soleil (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
Geister ~ Ghosts
invectión de Morel, La (Literatur ~ Literature)

#360
Bonitzer, Pascal: Une certaine tendance du cinéma américain. In: Cahiers du Cinéma 1986. No. 382. [?D] pp. 37-39.
Description:
On the increasing dominance of special effects in American films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
USA (United States of America) ~ USA (United States of America)
Technik ~ Technology

#361
Booker, Courtney M.: Byte-sized Middle Ages: Tolkien, film, and the digital imagination. In: Comitatus 2004. No. 35. [?D] pp. 144-174.
Description:
On Peter Jackson’s Lord of the Rings series.
Index:
Tolkien, John Ronald Reuel
Jackson, Peter
Lord of the Rings (Filmreihe)
Technik: Computer ~ Technology: Computer
Geschichte: Mittelalter ~ History: Middle Ages
Lord of the Rings (Literatur ~ Literature)

#362
Boomkens, René: De angstmachine: Over geweld in films, literatuur en popmuziek. - Amsterdam: De Balie 1996.
Index:
Horror ~ Horror
Literatur ~ Literature
Musik ~ Music
Technik ~ Technology
Gewalt ~ Violence
Angst ~ Fear

#363
Bordwell, David / Thompson, Kristin: Film art: An introduction. - Reading, Massachussetts: Addison-Wesley Publishing 1979.
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#364
Bordwell, David / Thompson, Kristin: Film art: An introduction. 10th edition. - New York: McGraw-Hill 2012.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#365
Bordwell, David / Thompson, Kristin: Film art: An introduction. 11th edition. - New York: McGraw-Hill 2016.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#366
Bordwell, David / Thompson, Kristin: Film art: An introduction. 2nd edition. - New York: Knopf / Random House 1986.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#367
Bordwell, David / Thompson, Kristin: Film art: An introduction. 3rd edition. - New York: McGraw-Hill 1990.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#368
Bordwell, David / Thompson, Kristin: Film art: An introduction. 4th edition. - New York: McGraw-Hill 1993.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#369
Bordwell, David / Thompson, Kristin: Film art: An introduction. 5th edition. - New York: The McGraw-Hill Companies 1997.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#370
Bordwell, David / Thompson, Kristin: Film art: An introduction. 6th edition. - New York: McGraw Hill 2001.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#371
Bordwell, David / Thompson, Kristin: Film art: An introduction. 7th edition. - Boston: McGraw-Hill 2004.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#372
Bordwell, David / Thompson, Kristin: Film art: An introduction. 8th edition. - Boston: McGraw Hill 2008.
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#373
Bordwell, David / Thompson, Kristin: Film art: An introduction. 9th edition. - New York: McGraw-Hill 2010. (= Addison-Wesley series in speech, drama, and film.)
First edition:
[1979]
Description:
Includes, among others, chapters on cinematography, on film critic and on several film genres, among them experimental and animated film.
Index:
Animation ~ Animation
Experimentalfilme ~ Experimental Films
Technik: Kamera ~ Technology: Camera

#374
Borgfeld, Wolfgang: Das Werk der digitalen Wunder. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 203 ff.
Index:
Wunder ~ Miracles
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#375
Borgfeld, Wolfgang: Effekte machen ist Film machen: Die Frankfurter eDIT: Wie Effektekünstler die Kamera ersetzen. In: EPD Film 22. 2005. No. 12. [December] pp. 10-11.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main

#376
Borgfeld, Wolfgang: Gollum ist der Größte: Digitale Filmbilder im Technik-Test. In: EPD Film 20. 2003. No. 12. [December] pp. 8-10.
Description:
Compares the CGI special effects in 2003 mainstream cinema. Discusses, among others, Peter Jackson’s The Lord of the Rings: The Two Towers, The Matrix Reloaded by Andy and Larry Wachowski, Lee Ang’s The Hulk and Gore Verbinski’s Pirates of the Caribbean: The Curse of the Black Pearl.
Index:
Jackson, Peter
Wachowski, Andy
Wachowski, Larry
Lee Ang
Verbinski, Gore
Lord of the Rings, The: The Two Towers (2002)
Matrix Reloaded, The (2003)
Hulk, The (2003)
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#377
Borgfeld, Wolfgang: Megalomaniamaximalista: Der Produktionsdesigner Dante Ferretti über seine Arbeit mit Scorsese, Fellini & Co. In: EPD Film 22. 2005. No. 2. [February] pp. 23-25.
Description:
Includes a filmography.
Index:
Ferretti, Dante
Scorsese, Martin
Fellini, Federico
Technik: Spezialeffekte ~ Technology: Special Effects

#378
Bosley, Rachael: Envisioning an empire. In: American Cinematographer 85. 2004. No. 1. [January] pp. 36-53.
Description:
Interview with cinematographer John Toll on his work for Edward Zwick’s The Last Samurai.
Index:
Zwick, Edward
Toll, John
Last Samurai, The (2003)
Technik: Kamera ~ Technology: Camera

#379
Bosley, Rachael K.: All abroad! In: American Cinematographer 81. 2000. No. 8. [August] pp. 74-81.
Description:
On Britt Allcroft’s Thomas and the Magic Railroad, especially on the camera work of Paul Ryan.
Index:
Allcroft, Britt
Ryan, Paul
Thomas and the Magic Railroad (2000)
Technik: Kamera ~ Technology: Camera

#380
Bosley, Rachael K.: Hair-raising heroics. In: American Cinematographer 93. 2012. No. 9. [September] pp. 62-77.
Description:
On the work of cinematographer Tristan Oliver for ParaNorman.
Index:
Butler, Chris
Fell, Sam
Oliver, Tristan
ParaNorman (2012)
Technik: Kamera ~ Technology: Camera
Helden ~ Heros

#381
Bosley, Rachael K.: Reforming a ladies’ man. In: American Cinematographer 90. 2009. No. 5. [May] pp. 48-55.
Description:
Interview with cinematographer Daryn Okada on Mark Waters’s Ghosts of Girlfriends Past.
Index:
Waters, Mark
Okada, Daryn
Ghosts of Girlfriends Past (2009)
Technik: Kamera ~ Technology: Camera

#382
Bosley, Rachael K.: Uncanny valley. In: American Cinematographer 98. 2017. No. 12. [December] pp. 36-49.
Description:
On Roger Deakins’s camera work for Denis Villeneuve’s Blade Runner 2049.
Index:
Villeneuve, Denis
Deakins, Roger
Blade Runner 2049 (2017)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear

#383
Bosley, Rachael K.: Warrior king. In: American Cinematographer 85. 2004. No. 11. [November] pp. 36-51.
Description:
On Rodrigo Prieto’s camera work for Oliver Stone’s Alexander.
Index:
Stone, Oliver
Prieto, Rodrigo
Alexander (2004)
Technik: Kamera ~ Technology: Camera
Krieg ~ War

#384
Bosley, Rachael K.: Worlds apart. In: American Cinematographer 98. 2017. No. 1. [January] pp. 38-55.
Description:
On Rodrigo Prieto’s camera work for Martin Scorsese’s Silence and Morten Tyldum’s Passengers.
Index:
Prieto, Rodrigo
Scorsese, Martin
Tyldum, Morten
Silence (2016)
Passengers (2016)
Technik: Kamera ~ Technology: Camera

#385
Bosley, Rachael: True colors. In: American Cinematographer 84. 2003. No. 9. [September] pp. 38-39.
Description:
On the special effects for Zhang Yimou’s Hero (Ying Xiong).
Index:
Zhang Yimou
Ying Xiong (2002)
Technik: Spezialeffekte ~ Technology: Special Effects

#386
Bosley, Rachel K.: A model thriller. In: American Cinematographer 86. 2005. No. 10. [October] pp. 32-47.
Description:
On the camera work of Tristan Oliver and Dave Alex Riddett for Nick Park’s Wallace & Gromit: The Curse of the Were-Rabbit.
Index:
Park, Nick
Oliver, Tristan
Riddett, Dave Alex
Wallace & Gromit: The Curse of the Were-Rabbit (2005)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Thriller ~ Thriller

#387
Bosley, Rachel K.: Dark matters. In: American Cinematographer 89. 2008. No. 8. [August] pp. 26-31, 33-37.
Description:
On Bill Roe’s camera work for Chris Carter’s The X-Files: I Want to Believe.
Index:
Carter, Chris
Roe, Bill
X-Files, The: I Want to Believe (2008)
Technik: Kamera ~ Technology: Camera

#388
Bosley, Rachel K.: Forging connections. In: American Cinematographer 87. 2006. No. 11. [November] p. ?P.
Description:
On the work of cinematographer Rodrigo Prieto for Alejandro González Iñárritu’s Babel.
Index:
González Iñárritu, Alejandro
Prieto, Rodrigo
Babel (2006)
Technik: Kamera ~ Technology: Camera

#389
Bosley, Rachel K.: The early days of a hit. In: American Cinematographer 89. 2008. No. 8. [August] p. 32.
Description:
On cinematographer John Bartley and his work for the first three seasons of the X-Files TV series.
Index:
Bartley, John
X-Files, The (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#390
Botting, Fred: Aftergothic: Consumption, machines, and black holes. In: The cambridge companion to gothic fiction. Edited by Jerrold E. Hogle. - Cambridge; New York: Cambridge University Press 2002. pp. 277-300.
Description:
Discusses, among others, the Alien series.
Index:
Alien (Filmreihe)
Technik ~ Technology
Horror ~ Horror

#391
Botting, Fred: Limits of horror: technology, bodies, gothic. - Manchester; New York: Manchester University Press 2008.
Reviews:
van Elferen, Isabella: [untitled.] In: Journal of the Fantastic in the Arts 21. 2010. No. 1. [?D] pp. 132-135.
Index:
Technik ~ Technology
Körper ~ Bodies
Horror ~ Horror

#392
Bouchard, Michel / Podyakova, Tatiana: Russian animated films and nationalism of the new millennium: The Phoenix rising from the ashes. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Russland ~ Russia
Animation ~ Animation
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#393
Bouldin, Joanna: Cadaver of the real: Animation, rotoscoping and the politics of the body. In: Animation Journal 12. 2004. No. 1. [?D] pp. 7-31.
Description:
Discusses especially Dave Fleischer’s Betty Boop’s Bamboo Isle.
Index:
Fleischer, Dave
Betty Boop’s Bamboo Isle (1932)
Körper ~ Bodies
Fleischer Studio ~ Fleischer Studio
Animation ~ Animation
Technik ~ Technology

#394
Boullay, Daniel: Le petit Albert, ou, Le livre des trucages au cinéma. - Paris: Dreamland 1998. (= Collection Image par image.)
Description:
On animated special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Animation ~ Animation

#395
Bouquet, Stéphane: Paysage pendant la bataille. In: Cahiers du Cinéma 1996. No. 503. [?D] pp. 74-77.
Description:
On new special effects technologies.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#396
Bourgeois, Jacques: Tecknad film uten kamera. - Stockholm: Forum 1977.
First edition:
[Cinéma d’animation sons caméra. - Paris: Dessain 1973]
Index:
Technik: Kamera ~ Technology: Camera
Animation ~ Animation

#397
Bourget, Jean-Loup: Le chaînon manquant: Karel Zeman ressuscité. In: Positif 2000. No. 472. [June] pp. 98-99.
Description:
On the Czech animator and his filmic techniques.
Index:
Zeman, Karel
Tschechien ~ Czech
Technik ~ Technology
Animation ~ Animation

#398
Bourget, Jean-Loup: Le trompe-l’oeil au cinéma. In: Positif 2000. No. 467. [January] pp. 60-64.
Description:
On filmic trick techniques.
Index:
Technik ~ Technology

#399
Boutilier, JamesC. / Scapperotti, Dan: Xena Warrior Princess. In: Cinefantastique 31. 1999. No. 5. [May] pp. 32-47.
Description:
Articles on the TV series. Discusses, among others, the work of actress Lucy Lawless and Alexandra Tydings, producer Rob Tapert and R. J. Stewart, the special effects by Flat Earth Productions plus the work of Liz Friedman. Discusses also the humoristic aspects of the series.
Index:
Tapert, Rob
Lawless, Lucy
Tydings, Alexandra
Tapert, Rob
Stewart, R. J.
Friedman, Liz
Xena: Warrior Princess (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Humor ~ Humor
Fernsehen ~ Television

#400
Box, Harry: Cold call. In: American Cinematographer 83. 2002. No. 11. [November] pp. 60-69.
Description:
On Joel Schumacher’s Phone Booth, especially on the camera work of Matthew Libatique.
Index:
Schumacher, Joel
Libatique, Matthew
Phone Booth (2002)
Technik: Kamera ~ Technology: Camera

#401
Boylan, Jay H.: Hal in 2001: A Space Odyssey: The lover sings his song. In: Journal of Popular Culture 18. 1985. No. 4. [Spring] pp. 53-56.
Description:
On the "human" computer in Stanley Kubrick’s film.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik: Computer ~ Technology: Computer

#402
Bradley, Matthew R.: Ray Harryhausen: Now and then. In: Filmfax 1995. No. 52. [?D] pp. 50-57, 74, 80.
Description:
On the special effects expert.
Index:
Harryhausen, Ray
Technik: Spezialeffekte ~ Technology: Special Effects

#403
Brandlmeier, Thomas: "He is a genius!": Der Kameramann Giuseppe Rotunno. In: Film-Dienst 57. 2004. No. 16. [August 5] pp. 43-45.
Index:
Rotunno, Giuseppe
Technik: Kamera ~ Technology: Camera

#404
Brandlmeier, Thomas: Deutsche Bilderwelten: Karl Freund, Carl Hoffmann und die Kamerakunst. In: Das Ufa-Buch: Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Hrsg. von Hans-Michael Bock und Michael Töteberg in Zusammenarbeit mit CineGraph - Hamburgisches Centrum für Filmforschung e.V. - Frankfurt/Main: Zweitausendeins 1992. pp. 126-133.
Description:
On two cinematographers from the early UFA period which, among others, worked for Murnau’s Faust and Fritz Lang’s Nibelungen.
Index:
Freund, Karl
Hoffmann, Carl
Murnau, Friedrich Wilhelm
Lang, Fritz
Faust - Eine deutsche Volkssage (1926)
Nibelungen, Die (1922-1924)
UFA ~ UFA
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#405
Brandlmeier, Thomas: Deutsche Kamerapioniere der Zwanziger Jahre. In: EPD Film 11. 1994. No. 12. [December] pp. 20-26.
Description:
Discusses many fantastic silent films, among them Fritz Lang’s Dr. Mabuse, der Spieler, Die Nibelungen and Der müde Tod as well as Friedrich Wilhelm Murnau’s Faust.
Index:
Lang, Fritz
Murnau, Friedrich Wilhelm
Dr. Mabuse, der Spieler (1921/1922)
Nibelungen, Die (1922-1924)
müde Tod, Der (1921)
Faust - Eine deutsche Volkssage (1926)
Technik: Kamera ~ Technology: Camera
Stummfilm ~ Silent Film
Deutschland ~ Germany

#406
Brandlmeier, Thomas: Ein Meister des Neo-Noir: Der Kameramann Vilmos Zsigmond. In: Film-Dienst 57. 2004. No. 9. [April 29] pp. 6-10.
Index:
Zsigmond, Vilmos
Technik: Kamera ~ Technology: Camera
Film Noir ~ Film Noir

#407
Brandlmeier, Thomas: Licht! Der Kameramann Sven Nykvist. In: Film-Dienst 58. 2005. No. 24. [November 24] pp. 24-25.
Description:
On the cinematographer who often worked for Ingmar Bergman.
Index:
Nykvist, Sven
Bergman, Ingmar
Technik: Kamera ~ Technology: Camera

#408
Brandon, Carl: Lifeforce: Apogee effects. In: Cinefantastique 15. 1985. No. 3. [July] pp. 9, 57.
Description:
On the special effects for the film.
Index:
Hooper, Tobe
Lifeforce (1985)
Apogee [Firma] ~ Apogee [Company]
Technik: Spezialeffekte ~ Technology: Special Effects

#409
Brandon, Charles: Total Recall: The magic of special effects. In: Cinefantastique 21. 1991. No. 5. [April] p. 47.
Index:
Verhoeven, Paul
O’Bannon, Dan
Total Recall (1990)
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects

#410
Brant, Jo-Ann A.: Camera as character in Philip Saville’s The Gospel of John. In: Images of the word: Hollywood’s Bible and beyond. Edited by David Shepherd. - Boston: Brill Leiden / Atlanta, Georgia: Society of Biblical Literature 2008. (= Society of Biblical Literature Semeia studies 54.) p. ?P.
Index:
Saville, Philip
Visual Bible, The: The Gospel of John (2003)
Technik: Kamera ~ Technology: Camera
Religion ~ Religion
Hollywood ~ Hollywood

#411
Brawn, David: The Lord of the Rings: The Two Towers: Creatures. - New York: Houghton Mifflin 2002.
Description:
On the creation of the monster figures in the film.
Index:
Jackson, Peter
Lord of the Rings, The: The Two Towers (2002)
Monster ~ Monster
Technik ~ Technology

#412
Brenez, Nicole: Montage intertextuel et formes contemporaines du remploi dans le cinéma experimental. In: Cinémas 13. 2002. No. 1/2. [Fall] pp. 49-67.
Description:
On the sampling technique as used in recent experimental film.
Index:
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#413
Brennan, Eddie: Techno-apocalypse: Technology, religion and ideology in Bryan Singer’s H+. In: The last midnight: Essays on apocalyptic narratives in millennial media. Edited by Leisa A. Clark, Amanda Firestone and Mary F. Pharr. - Jefferson, North Carolina: McFarland & Company 2016. (= Critical explorations in science fiction and fantasy 53.) pp. 206 ff.
Index:
Singer, Bryan
H+ (TV)
Technik ~ Technology
Religion ~ Religion
Politik ~ Politics
Nacht ~ Night
Religion: Apokalypse ~ Religion: Apocalypse

#414
Brennende Spuren auf der Reise durch die Zeit: Effekte im Futur. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 91-94.
Description:
On the special effects for Robert Zemeckis’s Back to the Future.
Index:
Zemeckis, Robert
Back to the Future (1985)
Zeit ~ Time
Technik: Spezialeffekte ~ Technology: Special Effects

#415
Breschand, Jean: La fondation du pouvoir. In: Vertigo 1995. No. 13. [?D] p. 107.
Description:
Analyses typical camera settings in the films of Fritz Lang, especially in M.
Index:
Lang, Fritz
M - Eine Stadt sucht einen Mörder (1931)
Technik: Kamera ~ Technology: Camera

#416
Breton, David: Le corps et le monde comme "effets speciaux." In: Cinémaction 2002. No. 102. [?D] pp. 131-138.
Index:
Scott, Ridley
Blade Runner (1982)
Roboter ~ Robots
Körper ~ Bodies
Technik: Spezialeffekte ~ Technology: Special Effects

#417
Bridges, Elizabeth G.: Die Mensch-Maschine: Technologies of replication and reproduction in German-language literature and culture. - Bloomington, Indiana: Indiana University, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 66. 2006. No. 12. (June)]
Description:
Discusses especially the motif of the (female) robot and cyborg in German literature and film. Examines, as examples, the romantic fiction of E.T.A. Hoffmann as well as Fritz Lang’s Metropolis film, the art work of H. R. Giger and finally German techno music.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Lang, Fritz
Giger, H[ans] R[üdi]
Metropolis (1925/1926)
Technik ~ Technology
Roboter ~ Robots
Musik ~ Music
Literatur ~ Literature
Frauen ~ Women
Deutschland ~ Germany
Romantik ~ Romanticism

#418
Bridges, Elizabeth G.: Die Mensch-Maschine: Technologies of replication and reproduction in German-language literature and culture. - Bloomington, Indiana: Indiana University Press 2005.
Description:
Discusses especially the motif of the (female) robot and cyborg in German literature and film. Examines, as examples, the romantic fiction of E.T.A. Hoffmann as well as Fritz Lang’s Metropolis film, the art work of H. R. Giger and finally German techno music.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Lang, Fritz
Giger, H[ans] R[üdi]
Metropolis (1925/1926)
Technik ~ Technology
Roboter ~ Robots
Musik ~ Music
Literatur ~ Literature
Frauen ~ Women
Deutschland ~ Germany
Romantik ~ Romanticism

#419
Briefel, Aviva: Rules of digital attraction: The lure of the ghost in Joel Anderson’s Lake Mungo. In: Quarterly Review of Film and Video 34. 2017. No. 2. [February/March] pp. 130-147.
Index:
Anderson, Joel
Lake Mungo (2008)
Technik: Computer ~ Technology: Computer
Geister ~ Ghosts

#420
Brierton, Tom: Stop-motion armature machining: A construction manual. Foreword by John Culhane. - Jefferson, North Carolina: McFarland 2002.
Index:
Technik ~ Technology
Animation ~ Animation
Animation: Puppen ~ Animation: Puppets

#421
Brierton, Tom: Stop-motion filming and performance: A guide to cameras, lighting, and dramatic techniques. - Jefferson, North Carolina: McFarland 2006.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Animation ~ Animation

#422
Brierton, Tom: Stop-motion puppet sculpting: A manual of foam injection, build-up, and finishing techniques. - Jefferson, North Carolina: McFarland 2004.
Index:
Technik ~ Technology
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation

#423
Bright, Morris: Pinewood Studios: 70 years of fabulous filmmaking. Introduction by Tim Burton. Foreword by Dame Judi Dench. - ?O: Carroll & Brown Publishers 2007.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, January 2009.
Index:
Technik ~ Technology
Pinewood Studios [Firma] ~ Pinewood Studios [Company]

#424
Brimmicombe-Wood, Lee: Aliens: Colonial marines technical manual. Edited by Dave Hughes. - New York: HarperPrism 1996.
Description:
On the three Alien films by Ridley Scott, James Cameron and David Fincher.
Index:
Scott, Ridley
Cameron, James
Fincher, David
Alien (1979)
Aliens (1986)
Alien 3 (1992)
Alien (Filmreihe)
Aliens ~ Aliens
Technik ~ Technology

#425
Brinckmann, Christine N.: Der voice-over als subjektivierende Erzählstruktur des Film Noir. In: Brinckmann, Christine N.: Die anthropomorphe Kamera und andere Schriften zur filmischen Narration. - Zürich: Chronos Verlag 1997. pp. 114-129.
Index:
Film Noir ~ Film Noir
Technik: Kamera ~ Technology: Camera

#426
Brinckmann, Christine N.: Die anthropomorphe Kamera und andere Schriften zur filmischen Narration. - Zürich: Chronos Verlag 1997.
Description:
Discusses, among others, the avant-garde film.
Index:
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films

#427
Brinker, Kelly: Love is a battlefield. In: American Cinematographer 98. 2017. No. 10. [October] pp. 66-75.
Description:
On the camera work of Alasdair Walker and Stephen McNutt for the TV series Outlander.
Index:
Walker, Alasdair
McNutt, Stephen
Outlander (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#428
Brinsmead, Courtney David: Animating reality effects: Rotoscoping, medium theory, and digital cinema. - Calgary, Alberta: University of Calgary, M.A. 2008. [Abstract in: Masters Abstracts International 47. 2009. No. 3. (June).]
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#429
Brittz, Karli: Gnosticism, technology and the soul in Cuarón’s Gravity. In: Journal of Religion and Film 21. 2017. No. 1. April] pp. 1-23.
Index:
Cuarón, Alfonso
Gravity (2013)
Technik ~ Technology
Religion ~ Religion

#430
Brockmann, Till: Die Zeitlupe: Anatomie eines filmischen Stilmittels. - Marburg: Schüren 2014. (= Zürcher Filmstudien 33.)
Reviews:
Wahl, Chris: [untitled.] In: Medienwissenschaft 2014. No. 2/3. pp. 239-241.
Description:
On slow motion techniques in film. Includes a special section on the use of slow motion in Hong Kong cinema.
Index:
Technik ~ Technology
Hongkong ~ Hong Kong

#431
Brockmann, Till: Die Zeitlupe: Anatomie eines filmischen Stilmittels. - Zürich, Universität Zürich, Dissertation 2009.
Description:
On slow motion techniques in film. Includes a special section on the use of slow motion in Hong Kong cinema.
Index:
Technik ~ Technology
Hongkong ~ Hong Kong

#432
Brodnax, Mary: Man a machine: The shift from soul to identity in Lang’s Metropolis and Ruttmann’s Berlin." In: Peripheral visions: The hidden stages of Weimar cinema. Edited by Kenneth S. Calhoon. - Detroit: Wayne State University Press 2001. (= Kritik.) pp. 73-93.
Index:
Lang, Fritz
Ruttmann, Walter
Metropolis (1925/1926)
Berlin - Die Sinfonie der Großstadt (1927)
Technik ~ Technology
Deutschland ~ Germany

#433
Bronfen, Elisabeth: Speaking with eyes: Tod Browning’s Dracula and its phantom camera. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 151 ff.
Index:
Browning, Tod
Dracula (1930)
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes

#434
Brooker, Jeremy: The polytechnic ghost: Pepper’s ghost, metempsychosis and the magic lantern at the Royal Polytechnic Institution. In: Early Popular Visual Culture 5. 2007. No. 2. [July] pp. 189-206.
Index:
Technik ~ Technology
Psychologie ~ Psychology
Magie ~ Magic
Geister ~ Ghosts

#435
Brooker, Will: Camera-eye, CG-eye: Videogames and the "cinematic". In: Cinema Journal 48. 2009. No. 3. [?D] pp. 122-128.
Index:
Video ~ Video
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Augen ~ Eyes

#436
Brookey, Robert Alan / Westerfelhaus, Robert: Hiding homoeroticism in plain view: The Fight Club DVD as digital closet. In: Critical Studies in Mass Communication 19. 2002. No. 1. [March] pp. 21-43.
Index:
Fincher, David
Fight Club (1999)
Technik: Computer ~ Technology: Computer
Sexualität ~ Sexuality
DVD ~ DVD

#437
Brookey, Robert Alan / Westerfelhaus, Robert: The digital auteur: Branding identity on the Monsters, Inc. DVD. In: Western Journal of Communication 69. 2005. No. 2. [April] pp. 109-128.
Index:
Docter, Pete
Silverman, David
Unkrich, Lee
Monsters, Inc. (2001)
Technik: Computer ~ Technology: Computer
DVD ~ DVD

#438
Brooks, Douglas A.: Computer shy: Ring and the technology of maternal longing. In: The scary screen: Media anxiety in The Ring. Edited by Kristen Lacefield. - Aldershot; Burlington, Vermont: Ashgate 2010.
Index:
Ringu (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Angst ~ Fear

#439
Brooks, Lawrence: Stepfather III: Father’s day. In: Cinefantastique 22. 1992. No. 5. [April] pp. 22-23.
Description:
On the special effects for the film.
Index:
Magar, Guy
Stepfather 3 (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#440
Brooks, Lawrence: The effects of Suburban Commando. In: Cinefantastique 22. 1991. No. 3. [December] pp. 48-49.
Index:
Kennedy, Burt
Suburban Commando (1991)
Technik: Spezialeffekte ~ Technology: Special Effects

#441
Brophy, Philip: Terror technologis. In: Restuff 1988. No. 1. [?D] pp. 30-37.
Description:
On science fiction films.
Index:
Technik ~ Technology
Science Fiction ~ Science Fiction

#442
Brosnan, John: Movie magic: The story of special effects in the cinema. - New York: St. Martin’s Press 1974.
Index:
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#443
Brown, Garrett / Lightman, Herb A.: The Shining. In: American Cinematographer 61. 1980. No. 8. [August] pp. 780-789.
Description:
On the special effects for the film, especially on the camera work of John Alcott.
Index:
Kubrick, Stanley
Alcott, John
Shining, The (1980)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#444
Brown, Karl: SPFX 101: An introductory course. In: American Film 10. 1985. No. 10. [?D] pp. 54-57, 59.
Description:
Cinematographer Brown on the special effects for One Glorious Day.
Index:
Cruze, James
Brown, Karl
One Glorious Day (1922)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#445
Brown, Noel: Asterix & Obelix vs. Hollywood: A Pan-European film franchise for the "family" audience. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Obelix ~ Obelix
Hollywood ~ Hollywood
Familie ~ Family
Europa ~ Europe
Asterix ~ Asterix
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#446
Brown, Steven T.: Machinic desires: Hans Bellmer’s dolls and the technological uncanny in Ghost in the Shell 2: Innocence. In: Mechademia 2008. No. 3. pp. 222-253.
Index:
Oshii Mamoru
Bellmer, Hans
Inosensu: Kôkaku kidôtai (2004)
Animation: Puppen ~ Animation: Puppets
Technik ~ Technology
Angst ~ Fear
Animation ~ Animation

#447
Brown, Tom: The DVD of attractions? The Lion King and the digital theme park. In: Convergence 13. 2007. No. ?N. [?D] pp. 169-183.
Index:
Allers, Roger
Minkoff, Rob
Lion King, The (1994)
Technik: Computer ~ Technology: Computer
DVD ~ DVD

#448
Brown, W.: Towards a new realism: The depiction of space and time in digital cinema. - Oxford: University of Oxford, D.Phil. 2007. [Abstract in: Index to Theses with Abstracts 57. 2008. No. 1. pp. 13-14(57-113).]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#449
Brown, William: Contemporary mainstream cinema is good for you: Connections between surrealism and today’s digital blockbusters. In: Studies in European Cinema 6. 2009. No. 1. [?D] pp. 17-30.
Description:
On digital special effects inspired by technques of surrealist cinema, especially by the films of Luis Buñuel and Salvador Dalí.
Index:
Buñuel, Luis
Dalí, Salvador
chien andalou, Un (1928)
âge d’or, L’ (1930)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Surrealismus ~ Surrealism

#450
Brown, William: Man without a movie camera? Movies without men: Towards a posthumanist cinema? In: Film theory & contemporary Hollywood movies. Edited by Warren Buckland. - New York: Routledge 2009. p. ?P.
Index:
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
Hollywood ~ Hollywood

#451
Browning, Lawrence: John Gaeta. In: L’Écran Fantastique 2003. No. 232. [April] pp. 33-38.
Description:
Interview on the special effects for The Matrix Reloaded.
Index:
Wachowski, Andy
Wachowski, Larry
Gaeta, John
Matrix Reloaded, The (2003)
Technik: Spezialeffekte ~ Technology: Special Effects

#452
Bruckner, Manfred: Parasitäre Diskurse: Technische Phantasie und soziale Wirklichkeit. In: Fantasia 1996. No. 97/98. [November] pp. 1[255]-83[338.
Description:
Includes a short chapter on film which discusses especially Fritz Lang’s Metropolis. Seperate pagination.
Index:
Lang, Fritz
Metropolis (1925/1926)
Phantasie ~ Fantasy
Technik ~ Technology

#453
Brudelin, Armin: Procedural motion control techniques for interactive animation of human figures. - Burnaby, British Columbia: Simon Fraser University, Ph.D. 1995. [Abstract in: Dissertation Abstracts International B 57. 1996. No. 4. (October) p. 2662.]
Index:
Technik ~ Technology
Animation ~ Animation

#454
Brunet, Robin: Arresting CGI time tripping: Timecop. In: Cinefantastique 25. 1994. No. 5. [October] pp. 6-7.
Description:
On the film by Peter Hyams starring Jean-Claude Van Damme and Ron Silver.
Index:
Hyams, Peter
Van Damme, Jean Claude
Silver, Ron
Timecop (1994)
Technik: Computer ~ Technology: Computer

#455
Brunet, Robin: On The Fly - The making of a sequel. In: Cinefex 1989. No. 37. [February] pp. 22-45.
Description:
On the special effects for Chris Walas’s The Fly II.
Index:
Walas, Chris
Fly II, The (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#456
Brunet, Robin: Timecop: The passing of special effects master John Thomas. In: Cinefantastique 25. 1994. No. 4. [August] p. 15.
Index:
Hyams, Peter
Thomas, John
Timecop (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#457
Bruno, Edoardo: La spirale del pensiero. In: Filmcritica 49. 1999. No. 499. [October] pp. 419-420.
Description:
On the use use of optical tricks in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Technik: Spezialeffekte ~ Technology: Special Effects

#458
Bruno, Marcello Walter: Camera oscura da letto. In: Segnocinema ?G. 2002. No. 113. [January/February] pp. 28-30.
Index:
Bertolucci, Bernardo
ultimo tango a Parigi, L’ / dernier tango a Paris, Le (1972)
Technik: Kamera ~ Technology: Camera

#459
Bruno, Marcello Walter: L’automa spirituale. In: Segnocinema 22. 2002. No. 113. [January/February] pp. 4-7.
Description:
On Steven Spielberg’s A.I., especially on the robot and the technique motif.
Index:
Spielberg, Steven
A.I. - Artificial Intelligence (2001)
Religion ~ Religion
Technik ~ Technology
Roboter ~ Robots

#460
Brusberg-kiermeier, Stefani: Kampf der Fakten und Gefühle: Erzählen und Erinnern in Memento, Paycheck und Eternal Sunshine of the Spotless Mind. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 123 ff.
Index:
Nolan, Christopher
Wu Su-Yum [Pseudonym: Woo, John]
Gondry, Michael
Memento (2000)
Paycheck (2003)
Eternal Sunshine of the Spotless Mind (2004)
Technik: Kamera ~ Technology: Camera

#461
Bruzzi, Stella: Space looks. In: Sight and Sound NS 5. 1995. No. 9. [September] pp. 10-11.
Description:
On the representation of spaceships and spacesuits in fantastic film compared to their technical design in real life.
Index:
Technik ~ Technology
Schiffe ~ Ships
Weltraum ~ Space

#462
Bryld, Mette / Lykke, Nina: Cosmodolphins: Feminist cultural studies of technology, animals, and the sacred. - London; New York: Zed Books / St. Martin’s Press 2000.
Description:
Discusses also the representation of the woman in science fiction film.
Index:
Technik ~ Technology
Religion ~ Religion
Science Fiction ~ Science Fiction
Frauen ~ Women

#463
Buchan, Suzanne H.: Graphic and literary metamorphosis: Animation technique and James Joyce’s Ulysses. In: Animation Journal 7. 1998. No. 1. [Fall] pp. 21-34.
Index:
Joyce, James
Technik ~ Technology
Animation ~ Animation
Ulysses (Literatur ~ Literature)

#464
Buckland, Michael K.: The Kinamo movie camera, Emanuel Goldberg and Joris Ivens. In: Film History 20. 2008. No. 1. pp. 49-58.
Index:
Goldberg, Emanuel
Ivens, Joris
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films

#465
Buckland, Warren: A reply to Sellors’s "mindless" approach to possible worlds. In: Screen 42. 2001. No. 2. [Summer] pp. 222-226.
Description:
Answers to Paul C. Sellors’s article "The impossibility of science fiction" in Screen 41. 2000. No. 2., a critic of Warren Buckland’s article "Between science fact and science fiction: Spielberg’s digital dinosaurs, possible worlds, and the new aesthetic realism" in Screen 40. 1999. No. 2.
Index:
Spielberg, Steven
Jurassic Park (1993)
Wissenschaft ~ Science
Technik: Computer ~ Technology: Computer
Science Fiction ~ Science Fiction
Dinosaurier ~ Dinosaurs

#466
Buckland, Warren: Between science fact and science fiction: Spielberg’s digital dinosaurs, possible worlds, and the new aesthetic realism. In: Screen 40. 1999. No. 2. [Summer] pp. 177-192.
Description:
On the digital special effects for Spielberg’s Jurassic Park and The Lost World.
Index:
Spielberg, Steven
Jurassic Park (1993)
Lost World, The: Jurassic Park (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Wissenschaft ~ Science
Science Fiction ~ Science Fiction
Dinosaurier ~ Dinosaurs

#467
Bukatman, Scott: De ultieme trip. In: Andere Sinema 1996. No. 132. [?D] pp. 46-52.
Description:
On the special effects for science fiction films (Part 2).
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#468
Bukatman, Scott: De ultieme trip. In: Andere Sinema 1996. No. 131. [?D] pp. 34-38.
Description:
On the special effects for science fiction films (Part 1).
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#469
Bukatman, Scott: Er is geen offscreen-ruimte meer. In: Andere Sinema 1996. No. 136. [?D] pp. 23-33.
Description:
On special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#470
Bukatman, Scott: Matters of gravity: Special effects and supermen in the 20th century. - Durham, North Carolina: Duke University Press 2003.
Reviews:
Blackford, Russell: [untitled] In: New York Review of Science Fiction 16. 2004. No. 11(?N) [?D] pp. 20-21.
Burt, Stephen: [untitled] In: College Literature 32. 2005. No. 1. [?D] pp. 166-176.
Kolisnyk, Mary Helen: Between the carnival and the panopticon. In: Film-Philosophy 9. 2005. No. 28. [May] p. ?P.
Landon, Brooks: [untitled.] In: Science Fiction Studies 31. 2004. No. 2(?N). [?D] pp. 302-306.
Telotte, J. P.: [untitled] In: Screen 45. 2004. No. 2. [Summer] pp. 156-161.
Description:
On the science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction

#471
Bukatman, Scott: Some observations pertaining to cartoon physics; or, The cartoon cat in the machine. In: Animating film theory. Edited by Karen Beckman. - Durham, North Carolina: Duke University Press 2014. p. ?P.
Index:
Technik ~ Technology
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#472
Bukatman, Scott: The ultimate trip: Special effects and kaleidoscopic perception. In: Iris 1998. No. 25. [Spring] pp. 75-98.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#473
Büllmann, Bert: Die letzten zehn Geheimnisse. In: Cinema [Hamburg] 1993. No. 10(185). [?D] pp. 142-147.
Description:
On the special effects for Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#474
Büllmann, Bert: Die Zombie-Schule: Joe Blasco’s Make Up Artist Training Center. In: Cinema [Hamburg] 1993. No. 8(183). [?D] p. 64.
Index:
Blasco, Joe
Technik ~ Technology
Zombies ~ Zombies

#475
Büllmann, Bert: Organe gefällig? Hollywood und die Chirurgie. In: Cinema [Hamburg] 1994. No. 12(199). [?D] p. 23.
Description:
On trick film artist Rick Lazzarini and his "Character Shop" who creats monster figures and medical models.
Index:
Lazzarini, Rick
Krankheit ~ Illness
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
Technik ~ Technology
Hollywood ~ Hollywood

#476
Büllmann, Bert / Orlin, Scott: Effekte-Guru Stan Winston: Der Vater der Dinosaurier. In: Cinema [Hamburg] 1993. No. 9(184). [?D] pp. 46-49.
Description:
On the work of the trick film artist for Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Winston, Stan
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs

#477
Burn, Andrew: Making machinima: Animation, games, and multimodal participation in the media arts. In: Learning, Media & Technology 41. 2016. No. 2. [June] pp. 310-329.
Index:
Technik ~ Technology
Animation ~ Animation

#478
Burnett, Mark Thornton: "To hear and see the matter": Communicating technology in Michael Almereyda’s Hamlet (2000). In: Cinema Journal 42. 2003. No. 3. [Spring] pp. 48-69.
Index:
Almereyda, Michael
Hamlet (2000)
Technik ~ Technology

#479
Burton, Sean: Spezialeffekte: Die Magie des Machbaren. Teil 1: From Dusk Till Dawn. In: Moviestar 4. 1996. No. 20. [August] pp. 14-17.
Index:
Rodriguez, Robert
From Dusk Till Dawn (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#480
Burton, Sean: Spezialeffekte: Die Magie des Machbaren. Teil 2: Species. In: Moviestar 4. 1996. No. 21. [October] pp. 56-58.
Description:
On the special effects for the film by Roger Donaldson; especially on the work of Steve Johnson.
Index:
Donaldson, Roger
Johnson, Steve
Species (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#481
Burum, Stephen / Pizzello, Stephen: A clash of two cultures. In: American Cinematographer 82. 2001. No. 2. [February] pp. 94-103.
Description:
Interview with cinematographer Vittorio Storano on the production history of Francis Ford Coppola’s Apocalypse Now on occasion of the release of the revised version Apocalypse Now Redux.
Index:
Coppola, Francis Ford
Storano, Vittorio
Apocalypse Now (1976-1979)
Apocalypse Now Redux (1976-1979/2001)
Technik: Kamera ~ Technology: Camera

#482
Busche, Andreas: Cyber-Söldner. In: EPD Film 32. 2015. No. 2. [February] pp. 12-17.
Description:
On the representation of computer criminality and hacker in film.Discusses, among others, Michael Mann’s Blackheat.
Index:
Mann, Michael
Blackhat (2015)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Cyberspace ~ Cyberspace

#483
Busche, Andreas: Das Milliarden-Dollar-Gehirn. In: EPD Film 30. 2013. No. 11. [November] p. 27.
Description:
On the representation of the computer in Ken Russell’s Billion Dollar Brain.
Index:
Russell, Ken
Billion Dollar Brain (1967)
Technik: Computer ~ Technology: Computer

#484
Bushnell, Jack: Transsexing technological man: (Re)writing the comic book male/scientist in Swamp Thing. In: Popular Culture Review 11. 2000. No. 1. [?D] pp. 31-42.
Index:
Craven, Wes
Swamp Thing, The (1982)
Technik ~ Technology
Sexualität ~ Sexuality
Männer ~ Men
Animation: Comics ~ Animation: Comics

#485
Buss, Esther: Tiere vor der Kamera. Und Menschen dahinter. In: Film-Dienst 68. 2015. No. 24. [November 26] pp. 10-14.
Description:
On animals in film.Discusses, among others, animal horror films. Includes a bibliography.
Index:
Tiere ~ Animals
Technik: Kamera ~ Technology: Camera
Horror ~ Horror

#486
Bussolini, Jeffrey: Technology and magic: Joss Whedon’s explorations of the mind. In: Reading Joss Whedon. Edited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, and David Lavery. - Syracuse, New York: Syracuse University Press 2014. (= Television and popular culture.) pp. 325-340.
Index:
Whedon, Joss
Technik ~ Technology
Magie ~ Magic

#487
Butler, Andrew M.: Sleeping/waking: Politicizing the sublime in science fiction film special effects. In: Endangering science fiction film. Edited by Sean Redmond and Leon Marvell. - Abingdon; New York: Routledge 2016. (= AFI film reader.) p. ?P.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Politik ~ Politics
Science Fiction ~ Science Fiction

#488
Butler, Bill: Global Warning: The Day the Earth Stood Still. In: Cinefex 2009. No. 116. [January] p. ?P.
Description:
On the special effects by Weta Digital, Cinesite, Flash Film Works and CosFX for Scott Derrickson’s remake of Robert Wise’s SF classic. Discusses especially the work of visual effects supervisor Jeffrey Okun and the creature effects by Todd Masters of Masters FX.
Index:
Derrickson, Scott
Wise, Robert
Okun, Jeffrey A.
Masters, Todd
Day the Earth Stood Still, The (2008)
Day the Earth Stood Still, The (1951)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Cos FX [Firma] ~ Cos FX [Company]
Flash Film Works [Firma] ~ Flash Film Works [Company]
Cinesite [Firma] ~ Cinesite [Company]
Weta [Firma] ~ Weta [Company]

#489
Butler, Jesse W.: Un-terminated: The integration of the machines. In: Terminator and philosophy: I’ll be back, therefore I am. Edited by Richard Brown and Kevin Decker. - Chichester; Hoboken, New Jersey: John Wiley & Sons 2009. (= Blackwell philosophy and pop culture.) pp. 52 ff.
Index:
Terminator (Filmreihe)
Roboter ~ Robots
Technik ~ Technology
Philosophie ~ Philosophy

#490
Buttazzo, Giorgio C.: Can a machine ever become self-aware? In: Artificial humans - manic machines - controlled bodies. Edited by Rolf Aurich, Wolfgang Jacobsen and Gabriele Jatho. - Berlin: Jovis Verlagsbüro 2000. pp. 45-49.
Description:
Discusses also the robot motif in film.
Index:
Technik ~ Technology
Roboter ~ Robots

#491
Buttazzo, Giorgio C.: Kann je eine Maschine sich ihrer selbst bewußt werden? In: Künstliche Menschen - Manische Maschinen - Kontrollierte Körper. Hrsg. von Rolf Aurich, Wolfgang Jacobsen und Gabriele Jatho. - Berlin: Filmmuseum Berlin - Deutsche Kinemathek / Berlin: Jovis Verlagsbüro 2000. pp. 49-53.
Description:
Discusses also the robot motif in film.
Index:
Technik ~ Technology
Roboter ~ Robots

#492
Buttgereit, Jörg: Das ist Kopfschmerz! In: EPD Film 29. 2012. No. 3. [March] pp. 16-17.
Description:
On 3D films.
Index:
Technik ~ Technology
3-D Films

#493
Buttgereit, Jörg: King Kong: Der Affe ist der Star: Peter Jacksons effektvolles Klassiker-Remake. In: EPD Film 23. 2006. No. 1. [January] p. 34.
Index:
Jackson, Peter
King Kong (2005)
Affen ~ Apes
Technik: Spezialeffekte ~ Technology: Special Effects

#494
Buttgereit, Jörg: Monster House: Ein digitaler Steve Buscemi als Kinderschreck. In: EPD Film 23. 2006. No. 9. [September] p. 49.
Index:
Kenan, Gil
Buscemi, Steve
Monster House (2006)
Technik: Computer ~ Technology: Computer
Jugend ~ Youth

#495
Buttgereit, Jörg: Wrong Turn: Ein Horrorfilm aus der Effektschmiede von Stan Winston. In: EPD Film 20. 2003. No. 8. [August] p. 50.
Index:
Schmidt, Rob
Winston, Stan
Wrong Turn (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#496
Buur, Chris: Animatie blijft lekker zichzelf. In: Skrien 1998/1999. No. 229. [?D] pp. 6-9.
Description:
On the computer generated animation films Antz and Mulan.
Index:
Darnell, Eric
Johnson, Tim
Bancroft, Tony
Cook, Barry
Antz (1998)
Mulan (1998)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#497
Buur, Chris: Avonturen met een lift: Effecten in functie van het verhaal. In: Skrien 1996/1997. No. 211. [December/January] pp. 70-72.
Description:
On the special effects for Ben Sombogaart’s Abeltje.
Index:
Sombogaart, Ben
Abeltje (1998)
Technik: Spezialeffekte ~ Technology: Special Effects

#498
Buur, Chris: De vliegende camera. In: Skrien 1996. No. 208. [?D] pp. 30-31.
Description:
On the computer generated special effects for Toy Story.
Index:
Lasseter, John
Toy Story (1995)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#499
Byrne, Bill: The visual effects arsenal: VFX solutions for the independent filmmaker. - Burlington, Massachusetts: Focal Press 2009.
Description:
Discusses, among others, animation techniques and special techniques for horror, science fiction and fantasy films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction
Horror ~ Horror
Fantasy ~ Fantasy
Animation ~ Animation

#500
Calhoun, John: A lethal hunt. In: American Cinematographer 87. 2006. No. 5. [May] pp. 28-39.
Description:
Interview with cinematographer Dan Mindel on his work for J. J. Abrams’s Mission: Impossible III.
Index:
Abrams, J[effrey] J[acob]
Mindel, Dan
Mission: Impossible III (2006)
Technik: Kamera ~ Technology: Camera
Jagd ~ Hunt

#501
Calhoun, John: Behind the mask. In: American Cinematographer 86. 2005. No. 1. [January] pp. 54-65.
Description:
On John Mathieson’s camera work for Joel Schumacher’s The Phantom of the Opera.
Index:
Schumacher, Joel
Mathieson, John
Phantom of the Opera, The (2004)
Masken ~ Masks
Technik: Kamera ~ Technology: Camera

#502
Calhoun, John: Better halves. In: American Cinematographer 85. 2004. No. 6. [June] pp. 54-65.
Description:
On Rob Hahn’s camera work for Frank Oz’s The Stepford Wives.
Index:
Oz, Frank
Hahn, Rob
Stepford Wives, The (2004)
Technik: Kamera ~ Technology: Camera

#503
Calhoun, John: Countdown to catastrophe. In: American Cinematographer 84. 2003. No. 4. [April] pp. 70-74, 77-79.
Description:
On the special effects for Jon Amiel’s The Core, especially on the camera work of John Lindley.
Index:
Amiel, Jon
Lindley, John
Core, The (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects

#504
Calhoun, John: Eternal love. In: American Cinematographer 87. 2006. No. 11. [November] pp. 50-63.
Description:
Matthew Libatique’s camera work for Darren Aronofsky’s The Fountain.
Index:
Aronofsky, Darren
Libatique, Matthew
Fountain, The (2006)
Technik: Kamera ~ Technology: Camera

#505
Calhoun, John: Fear and fantasy. In: American Cinematographer 88. 2007. No. 1. [January] pp. 34-45.
Description:
On Guillermo Navarro’s camera work for Guillermo del Toro’s El Laberinto del Fauno.
Index:
del Toro, Guillermo
Navarro, Guillermo
Laberinto del Fauno, El (2006)
Technik: Kamera ~ Technology: Camera
Fantasy ~ Fantasy
Angst ~ Fear

#506
Calhoun, John: Inner demon. In: American Cinematographer 85. 2004. No. 4. [April] pp. 80-89.
Description:
On Guillermo Navarro’s camera work for Guillermo del Toro’s Hellboy.
Index:
del Toro, Guillermo
Navarro, Guillermo
Hellboy (2004)
Technik: Kamera ~ Technology: Camera
Dämonen ~ Demons

#507
Calhoun, John: Interior landscapes. In: American Cinematographer 84. 2003. No. 11. [November] pp. 76-85.
Description:
On Jane Campion’s In the Cut, especially on the camera work of Dion Beebe.
Index:
Campion, Jane
Beebe, Dion
In the Cut (2004)
Technik: Kamera ~ Technology: Camera

#508
Calhoun, John: Man without fear. In: American Cinematographer 84. 2003. No. 3. [March] pp. 40-48, 51-53.
Description:
On the special effects for Mark Steven Johnson’s Daredevil, especially on the camera work of Ericson Core.
Index:
Johnson, Mark Steven
Core, Ericson
Daredevil (2003)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Angst ~ Fear

#509
Calhoun, John: Rabid and ravenous. In: American Cinematographer 88. 2007. No. 5. [May] pp. 44-53.
Description:
On Enrique Chediak’s camera work for Juan Carlos Fresnadillo’s 28 Weeks Later.
Index:
Fresnadillo, Juan Carlos
Chediak, Enrique
28 Weeks Later (2007)
Technik: Kamera ~ Technology: Camera

#510
Calhoun, John: Refined savagery. In: American Cinematographer 95. 2014. No. 6. [June] pp. 86-99.
Description:
On James Hawkinson’s camera work for the TV series Hannibal.
Index:
Fuller, Bryan
Hawkinson, James
Hannibal (TV)
Technik: Kamera ~ Technology: Camera
Gewalt ~ Violence
Fernsehen ~ Television

#511
Calhoun, John: Seeping terror. In: American Cinematographer 86. 2005. No. 8. [August] pp. 42-49.
Description:
On Alfonso Beato’s camera work for Walter Salles’s Dark Water.
Index:
Salles, Walter
Beato, Alfonso
Dark Water (2005)
Technik: Kamera ~ Technology: Camera

#512
Calhoun, John: Techno lust. In: American Cinematographer 84. 2003. No. 9. [September] pp. 58-69.
Description:
On Olivier Assayas’s Demonlover, especially on the camera work of Denis Lenoir.
Index:
Assayas, Olivier
Demonlover (2002)
Technik: Kamera ~ Technology: Camera

#513
Calhoun, John: Till death do us part. In: American Cinematographer 86. 2005. No. 7. [July] pp. 60-69.
Description:
On Bojan Bazelli’s camera work for Doug Liman’s Mr. & Mrs. Smith.
Index:
Liman, Doug
Bazelli, Bojan
Mr. & Mrs. Smith (2005)
Technik: Kamera ~ Technology: Camera
Tod ~ Death

#514
Calhoun, John: Treachery in the tropics. In: American Cinematographer 86. 2005. No. 2. [February] pp. 44-55.
Description:
On the camera work of Larry Fong and Michael Bonvillain for the TV series Lost.
Index:
Fong, Larry
Bonvillain, Michael
Lost (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#515
Calhoun, John: Vox populi. In: American Cinematographer 86. 2005. No. 9. [September] pp. 42-51.
Description:
On Alik Sakharov’s camera work for the TV series Rome.
Index:
Sakharov, Alik
Rome (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#516
Callot, Sean Jacques Cecil: Deus ex machinima: A rhetorical analysis of user-generated machinima. - Clemson, South Carolina: Clemson University, M.A. 2009. [Abstract in: Masters Abstracts International 47. 2009. No. 5. (October).]
Index:
Technik ~ Technology
Animation ~ Animation

#517
"Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.)
Index:
Technik: Kamera ~ Technology: Camera

#518
Cameron, Allan: Zombie media: Transmission, reproduction, and the digital dead. In: Cinema Journal 52. 2012. No. 1. [Fall] pp. 66-89.
Index:
Zombies ~ Zombies
Technik: Computer ~ Technology: Computer

#519
Cameron, Allan: Zombie media: Transmission, reproduction, and the digital dead. In: Cinema Journal 52. 2012. No. 1. [Fall] pp. 66-89.
Index:
Zombies ~ Zombies
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#520
Cameron, James: Technology and magic. In: Cinefex 1992. No. 51. [August] pp. 5-7.
Description:
On the digital special effects forThe Abyss and Terminator II.
Index:
Cameron, James
Abyss, The (1989)
Terminator II - Judgement Day (1991)
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects

#521
Campbell, Gardner: The presence of Orson Welles in Robert Stevensons Jane Eyre (1944). In: Literature/Film Quarterly 31. 2003. No. 1. [January] pp. 2-9.
Description:
Discusses, alongside Welles’s participation, the use of expressionistic techniques for the film project.
Index:
Stevenson, Robert
Welles, Orson
Jane Eyre (1944)
Technik ~ Technology
Expressionismus ~ Expressionism

#522
Campbell, Glenn: Baring the soul of Lifeforce. In: Cinefex 1985. No. 23. [August] pp. 34-53.
Description:
On the special effects for the film.
Index:
Hooper, Tobe
Lifeforce (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#523
Campbell, Glenn: Crimestoppers textbook. In: Cinefex 1990. No. 44. [November] pp. 22-51.
Description:
On the special effects for Warren Beatty’s Dick Tracy, especially on the work of makeup artists John Caglione Jr. and Doug Drexler.
Index:
Beatty, Warren
Caglione Jr., John
Drexler, Doug
Dick Tracy (1990)
Technik: Spezialeffekte ~ Technology: Special Effects
Kriminalität ~ Crime

#524
Campbell, Glenn / Trotter, Donna: Special effects - The Next Generation. In: Cinefex 1989. No. 37. [February] p. ?P.
Index:
Star Trek - The Next Generation (TV)
Technik: Spezialeffekte ~ Technology: Special Effects

#525
Campbell, Heidi A.: Problematizing the human-technology relationship through techno-spiritual myths presented in The Machine, Transcendence and Her. In: Journal of Religion and Film 20. 2016. No. 1. [?D] p. 1-28.
Index:
James, Caradog W.
Pfister, Wally
Jonze, Spike
Machine, The (2013)
Transcendence (2014)
Her (2013)
Technik ~ Technology
Religion ~ Religion
Mythologie ~ Mythology
Roboter ~ Robots

#526
Canemaker, John: Star Wars special effects. In: Millimeter 5. 1977. No. ?N. [July/August] pp. 46 ff.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects

#527
Canemaker, John: The lost notebook: Herman Schultheis and the secrets of Walt Disney’s movie magic. - San Francisco, California: Walt Disney Family Foundation Press 2014.
Description:
On the animator.
Index:
Schultheis, Herman
Magie ~ Magic
Disney ~ Disney
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#528
Cannemaker, John: The animated raggedy Ann and Andy: An intimate look at the art of animation, it’s history, techniques, and artists. - Indianapolis: Bobbs-Merrill 1977.
Index:
Technik ~ Technology
Animation ~ Animation

#529
Cantaloube, Thomas: La magie digitale. In: Cahiers du Cinéma 1997. No. 513. [May] pp. 80-84.
Description:
On the special effects companies ILM and Digital Domain.
Index:
Magie ~ Magic
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology

#530
Cantor, Jeremy / Valencia, Pepe: Inspired 3D short film production. Foreword by Bill Kroyer. - Indianapolis, Indiana: Premier Press / Division of Course Technology 2004. (= Inspired.)
Index:
Technik ~ Technology
3-D Films
Animation ~ Animation

#531
Capdenac, Michel: Machines à remonter le temps. In: Europe ?G. 1982. No. 645. [?D] pp. 241-244.
Description:
On Jean-Jacques Annaud’s La Guerre du feu.
Index:
Annaud, Jean-Jacques
guerre du feu, La / Quest for Fire (1981)
Technik ~ Technology

#532
Capp, Rose: Visual effects feature. In: Metro 2003. No. 138. [?D] pp. 154-158, 160-172.
Description:
On visual special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#533
Cappabianca, Alessandro: La mummia elettronica. In: Filmcritica 51. 2001. No. 514. [April] pp. 165-175.
Description:
On the digital special effects for Paul Verhoeven’s Hollow Man.
Index:
Verhoeven, Paul
Hollow Man (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#534
Capps, Damien A.: Cinematography as a visual storyteller in American Horror Story: Asylum. In: Film Matters 8. 2017. No. 1. [Spring] pp. 86-88.
Description:
On an episode from the TV series.
Index:
American Horror Story (TV)
Technik: Kamera ~ Technology: Camera
Fernsehen ~ Television

#535
Caranicas, Peter: F/X wizardry evolved with Potter pics. In: Daily Variety 309. 2010. No. 45. [December 7] p. 4.
Index:
Yates, David
Harry Potter and the Deathly Hallows: Part 2 (2011)
Technik: Spezialeffekte ~ Technology: Special Effects

#536
Cardiff, Jack: Magic hour: The life of a cameraman. - ?O: Faber and Faber 1996.
Index:
Cardiff, Jack
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#537
Carducci, Mark Patrick: Ed Wood: Flying saucer myths. In: Cinefantastique 25. 1994. No. 5. [October] p. 31.
Description:
The former assistant of Ed Wood, Bob Burns, on the trick techniques for creating the flying saucers in Plan 9 from Outer Space.
Index:
Wood Jr., Edward D.
Burns, Bob
Plan 9 from Outer Space (1958)
Mythologie ~ Mythology
Technik ~ Technology

#538
Cardwell, Jason / Plesset, Ross: 360 degrees of animation. In: Cinefantastique 31. 1999. No. 1/2. [February] p. 101.
Index:
Technik ~ Technology
Animation ~ Animation

#539
Cardwell, Jason / Plesset, Ross: The Chiodo brothers: Innovative animators have kept stop-motion dinosaurs alive and well in a world of modern CGI Technology. In: Cinefantastique 31. 1999. No. 1/2. [February] pp. 98-101.
Index:
Chiodo, Charles
Chiodo, Edward
Technik ~ Technology
Dinosaurier ~ Dinosaurs
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#540
Careers in focus: Film. - New York: Ferguson 2006.
Description:
Includes, among others, chapters on animators, costume designers, special effects experts and stunt performers
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#541
Careers in focus: Film. 2nd edition. - New York: Ferguson’s 2011.
First edition:
[2006]
Description:
Includes, among others, chapters on animators, costume designers, special effects experts and stunt performers
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation

#542
Carlo Rambaldi e gli effetti speciali. A cura di Lorenzo Pellizzari. - San Marino: AIEP 1987.
Index:
Rambaldi, Carlo
Technik ~ Technology

#543
Carmichael, Robert: Mountain climbing in the 23rd century. In: American Cinematographer 70. 1989. No. 7. [July] pp. 38-48.
Description:
On the special effects for William Shatner’s Star Trek V - The Final Frontier.
Index:
Shatner, William
Star Trek V - The Final Frontier (1989)
Berge ~ Mountains
Technik: Spezialeffekte ~ Technology: Special Effects

#544
Carpenter, Lynn: Cocoon II: The Return challenges wizards. In: American Cinematographer 69. 1988. No. 12. [December] pp. 72-80.
Description:
Interview with Scott Farrar on the special effects by ILM for the film by Daniel Petrie.
Index:
Petrie, Daniel
Farrar, Scott
Cocoon: The Return (1988)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#545
Carpenter, Lynn: Creature design for Return of the Jedi. In: American Cinematographer 64. 1983. No. 6. [June] pp. 70-72.
Description:
On the monster animation effects by Phil Tippet.
Index:
Marquand, Richard
Tippett, Phil
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
Animation ~ Animation

#546
Carpenter, Phil: Robocop redux. In: Cinefex 1993. No. 56. [November] pp. 70-83.
Description:
On the special effects for Robocop 3, especially on the work of Rob Bottin and Phil Tippett.
Index:
Dekker, Fred
Bottin, Rob
Tippett, Phil
Robocop 3 (1993)
Technik: Spezialeffekte ~ Technology: Special Effects

#547
Carter, Steven: Avatars of the Turtles. In: Journal of Popular Film and Television 18. 1990. No. 3. [Fall] pp. 94-102.
Description:
On the conservative desire to create an allmighty machine that will protect the Good as represented in the US science fiction film. Discusses, among others, Stanley Kubricks 2001 - A Space Odyssey and the Robocop series. Includes a bibliography.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Robocop (Filmreihe)
Science Fiction ~ Science Fiction
Roboter ~ Robots
Schildkröten ~ Turtles
Technik ~ Technology
USA (United States of America) ~ USA (United States of America)
Gute, Das ~ Good

#548
Cartwright, Lisa: The hands of the animator: Rotoscopic projection, condensation, and repetition automatism in the Fleischer apparatus. In: Body and Society 18. 2012. No. 1. [March] pp. 47-78.
Index:
Fleischer, Max
Animation ~ Animation
Technik ~ Technology

#549
Carvajal, Christian: xXx: Shaken and stirred. In: Cinefex 2003. No. 92. [January] pp. 45-52, 57-65.
Description:
On director Rob Cohen, main actor Vin Diesel and on the special effects by John Frazier.
Index:
Cohen, Rob
Diesel, Vin
Frazier, John
XXX (2002)
Technik: Spezialeffekte ~ Technology: Special Effects

#550
Case, Brian: Talk of the toon. In: Time Out 1996. No. 1334. [?D] pp. 18-20.
Description:
John Lasseter on the special effects for Toy Story.
Index:
Lasseter, John
Toy Story (1995)
Technik: Spezialeffekte ~ Technology: Special Effects

#551
Case, Dominic: Digital freight train gathers speed. In: Cinema Papers 1996. No. 109. [?D] pp. 27-28, 56.
Description:
On the Australian special effects companies "DFilm Services" and "Animal Logic".
Index:
Eisenbahn ~ Railroad
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Australien ~ Australia
DFilm Services [Firma] ~ DFilm Services [Company]
Animal Logic [Firma] ~ Animal Logic [Company]

#552
Case, Dominic: Flame at complete post. In: Cinema Papers 1994. No. 102. [?D] pp. 60-64.
Description:
On computer generated special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#553
Case, Dominic: The Bell. In: Cinema Papers 1995. No. 105. [?D] pp. 31-32.
Description:
Interview with cinematographer Jackie Farkas and the directors Bart Groen and Valérie Quéva on the puppet film.
Index:
Groen, Bart
Quéva, Valérie
Farkas, Jackie
Bell, The (1995)
Technik: Kamera ~ Technology: Camera
Animation: Puppen ~ Animation: Puppets

#554
Cashill, Robert: Star Wars: A new sound. In: TCI: Theatre Crafts International 31. 1997. No. ?N. [May] Supplement. pp. a12-a15.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
Musik ~ Music

#555
Casper, Drew: Postwar Hollywood, 1946-1962. - Malden, Massachusetts: Blackwell 2007.
Description:
Includes chapters on special effects, on censorship cases, on the horror, science fiction and fantasy genre as well as the suspense thriller and film noir.
Index:
Zensur ~ Censorship
USA (United States of America) ~ USA (United States of America)
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Krieg ~ War
Horror ~ Horror
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Fantasy ~ Fantasy

#556
Castagna, Gustavo J.: La fuerza y yo. In: El Amante Cine 6. 1997. No. 63. [May] p. 7.
Description:
On the digital revision of the Star Wars trilogy.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#557
Caughie, John / Cubitt, Sean: FX, CGI and the question of spectacle. In: Screen 40. 1999. No. 2. [Summer] pp. 123-192.
Description:
Special section on special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#558
Causey, Matthew: The screen test of the double: The uncanny performer in the space of technology. In: Theatre Journal 51. 1999. No. 4. [?D] pp. 383-394.
Index:
Technik ~ Technology
Doppelgänger ~ Double
Angst ~ Fear

#559
Cavallaro, Dani: Anime and the visual novel: Narrative structure, design and play at the crossroads of animation and computer games. - Jefferson, North Carolina: McFarland & Co. 2010.
Index:
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
Animation ~ Animation
Japan ~ Japan

#560
Cavallaro, Dani: Anime intersections: Tradition and innovation in theme and technique. - Jefferson, North Carolina: McFarland 2007.
Index:
Technik ~ Technology
Animation: Comics ~ Animation: Comics
Animation ~ Animation
Japan ~ Japan

#561
Cavallaro, Dani: The cinema of Mamoru Oshii: Fantasy, technology, and politics. - Jefferson, North Carolina: McFarland & Co. 2006.
Index:
Oshii Mamoru
Technik ~ Technology
Politik ~ Politics
Fantasy ~ Fantasy

#562
Cavicchia Scalamonti, Antonio: La camera verde: Il cinema e la morte. - Napoli: Ipermedium Libri 2000. (= Memorabilia 6.)
Index:
Technik: Kamera ~ Technology: Camera
Tod ~ Death

#563
Cazals, T.: Le monde comme simulacre et programmation. In: Cahiers du Cinéma 1987. No. 399. [?D] pp. 50-58.
Description:
On computer generated special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#564
Ceruzzi, Paul E.: Manned space flight and artificial intelligence: "Natural" trajectories of technology. In: Science fiction and computing: Essays on interlinked domains. Edited by David L. Ferro and Eric G. Swedin. - Jefferson, North Carolina; London: McFarland 2011. pp. 95-116.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Weltraum ~ Space
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#565
Champlin, C.: Electronic image compositing part II: The electronic optical printer. In: American Cinematographer 64. 1983. No. 4. [April] pp. 76-78, 98, 100-103.
Index:
Technik ~ Technology

#566
Chan, Kenneth: Steampunked Kung Fu: Technologized modernity in Stephen Fung’s Tai Chi films. In: Exploiting East Asian cinemas: Translation, circulation, consumption. Edited by Ken Provencher and Mike Dillon. - New York: Bloomsbury Academic 2018. (= Global exploitation cinemas.) p. ?P.
Index:
Fung, Stephen
Technik ~ Technology
Punk ~ Punk
Martial Art ~ Martial Art
Asien ~ Asia
Exploitation ~ Exploitation

#567
Chandler, Annmarie: The making of Space Jam and putting the film-making "assembly line" into transactional space. In: Cinema Papers 1998. No. 123. [March] pp. 47-54.
Description:
On the digital special effects for the film.
Index:
Pytka, Joe
Space Jam (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#568
Charity, Tom: Joe Dante: Serious mischief. In: Sight and Sound NS 20. 2010. No. 10. [October] pp. 24-26.
Description:
On Dante’s career and the use of 3D technology for The Hole.
Index:
Dante, Joe
Hole, The / Hole in 3D, The (2009)
Technik ~ Technology
3-D Films

#569
Charpantier, Philippe / Leleu, Nathalie: Antonin Artaud: "La machine à l’oeil buté". In: La Revue du Cinéma 1991. No. 474. [September] pp. 68-69.
Index:
Artaud, Antonin
Technik ~ Technology
Augen ~ Eyes

#570
Chase, D.: Panatar lenses and computerized fire effects in Escape from New York. In: Filmmakers Monthly 14. 1981. No. 11. [?D] pp. 26-30.
Index:
Carpenter, John
Escape from New York (1981)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#571
Chase, D.: War of the wizards. In: American Film 7. 1982. No. 8. [?D] pp. 52-59.
Description:
On special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction

#572
Cherchi Usai, Paolo: Macchine e macchinismi. In: Segnocinema 3. 1983. No. 9. [?D] p. 14.
Description:
On the use of special effects in various films from 1982 and 1983.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#573
Cherchi Usai, Paolo: Metropolis digitale. In: Segnocinema ?G. 2001. No. 109. [May/June] pp. 69-70.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik: Computer ~ Technology: Computer

#574
Cherchi Usai, Paolo: The death of cinema: History, cultural memory, and the digital dark age. - London: BFI Publishing 2001.
First edition:
[L’ultimo spettatore: Sulla distruzione del cinema. 1999]
Reviews:
Sorfa, David: Why bother with cinema? In: Film-Philosophy 7. 2003. No. 9. [April] p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Geschichte ~ History

#575
Chesney, Peter: Shrink list a honey! In: American Cinematographer 70. 1989. No. 12. [December] p. 34.
Description:
On the special effects for Joe Johnston’s Honey, I Shrunk the Kids.
Index:
Johnston, Joe
Honey, I Shrunk the Kids (1989)
Technik: Spezialeffekte ~ Technology: Special Effects

#576
Chien, Irene: From photorealism to candy colors. In: Film Quarterly 61. 2007. No. 1. [Fall] pp. 58-59.
Description:
On how the aesthetics of video games influence modern film.
Index:
Fotografie ~ Photography
Video ~ Video
Technik ~ Technology

#577
Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015.
Index:
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#578
Chion, Michel: Effets & effets. In: Bref 1995. No. 26. [Autumn] pp. 43-45.
Index:
Technik ~ Technology

#579
Chion, Michel: Effets de cinéma: "Qu’on me donne une échelle". In: Bref 2002. No. 54. [Autumn] pp. 56-57.
Description:
On films in which objects are either smaller or bigger than in real life.
Index:
Technik ~ Technology

#580
Chion, Michel: Les effets phoriques. In: Bref 2004. No. 60. [Spring] pp. 56-58.
Description:
Discusses especially Stanley Kubrick’s The Shining.
Index:
Kubrick, Stanley
Shining, The (1980)
Technik ~ Technology

#581
Chion, Michel: Voix inouies? In: Cahiers du Cinéma 1983. No. 343. [?D] p. 13.
Description:
On the alienation of the human voice in film. Discusses, among others, Steven Lisberger’s Tron.
Index:
Lisberger, Steven
Tron (1982)
Technik ~ Technology

#582
Chow, Kenny K. N.: "Puppeteerly animation: Animation becoming live on digital platforms. In: Animation Journal 19. 2011. No. 1. [?D] pp. 4-19.
Index:
Technik: Computer ~ Technology: Computer
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation