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literature list on: Tsai Ming-Liang
number of items: 31
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
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| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
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#1
Biro, Yvette: Perhaps the flood: The fiery torrent of Tsai Ming-Liang’s films. In: PAJ: A Journal of Performance and Art 26. 2004. No. 3. [?D] pp. 78-86.
Index:
Tsai Ming-Liang
#2
Bloom, Michelle E.: Contemporary Franco-Chinese cinema: Translation, citation and imitation in Dai Sijie’s Balzac and the Little Chinese Seamstress and Tsai Ming-Liang’s What Time is lt There?. In: Quarterly Review of Film and Video 22. 2005. No. 4. [October-December] pp. 311-325. Bibliography (Article).
Description:
On Dai Sijie’s Xiao cai feng and Tsai Ming-Liang’s Ni neibian jidian.
Index:
Dai Sijie
Tsai Ming-Liang
Xiao cai feng (2002)
Ni neibian jidian (2001)
Frankreich ~ France
China ~ China
#3
Chang, Kai-Man: Drifting bodies and flooded spaces: Visualizing the invisibility of heteronormativity in Tsai Ming-Liang’s The River. In: Post Script 28. 2008. No. 1. [Fall] pp. 45-62.
Description:
On the representation of hetero- and homosexuality in Tsai Ming-Liang’s He liu.
Index:
Tsai Ming-Liang
He liu (1997)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Sexualität ~ Sexuality
Körper ~ Bodies
#4
Chiu, Cha: European postmodernity in Asian films. - Exeter, Devon: University of Exeter, Ph.D. 2010.
Description:
Discusses especially the films of Tsai Ming-Liang and Kim Ki-Duk.
Index:
Tsai Ming-Liang
Kim Ki-Duk
Postmoderne ~ Postmodern
Europa ~ Europe
Asien ~ Asia
#5
Davis, Bob: Composing with color. In: American Cinematographer 83. 2002. No. 2. [February] pp. 30-35.
Description:
On Tsai Ming-Liang’s Ni neibian jidian.
Index:
Tsai Ming-Liang
Ni neibian jidian (2001)
Musik ~ Music
#6
De Luca, Tiago: Sensory everyday: Space, materiality and the body in the films of Tsai Ming-liang. In: Journal of Chinese Cinemas 5. 2011. No. 2. [?D] pp. 157-179.
Index:
Tsai Ming-Liang
Körper ~ Bodies
#7
Groh, Thomas: What Time is it there?. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Tsai Ming-Liang’s Ni na bian ji dian.
Index:
Tsai Ming-Liang
Ni na bian ji dian (2001)
#8
Groh, Thomas: What Time Is It There?. In: F.LM - Texte zum Film. Online edition, June 2003.
Description:
On Tsai Ming-Liang’s Ni na bian ji dian.
Index:
Tsai Ming-Liang
Ni na bian ji dian (2001)
#9
Kai-man Chang: Gender hierarchy and environmental crisis in Tsai Ming-liang’s The Hole. In: Film Criticism 33. 2008. No. 1. [Fall] pp. 25-44.
Index:
Tsai Ming-Liang
Dong (1998)
Sexualität ~ Sexuality
Natur ~ Nature
#10
Koc, Aysegul: Vive le cinema: A reading of What Time is it There. In: Cineaction 2003. No. 62. [October] pp. 54-57.
Description:
Discusses especially the death motif in Tsai Ming-Liang’s Ni na bian ji dian.
Index:
Tsai Ming-Liang
Ni na bian ji dian (2001)
Tod ~ Death
#11
Kuehn, Heike: Der Fluss. In: EPD Film 19. 2002. No. 3. [March] pp. 44-45.
Index:
Tsai Ming-Liang
He liu (1997)
#12
Lim, Song Hwee: Tsai Ming-liang and a cinema of slowness. - Honolulu: University of Hawai’i Press 2014.
Reviews:
Treihaft, Lauren: [untitled.] In: Film Quarterly 68. 2015. No. 3. [Winter] p. ?P.
Index:
Tsai Ming-Liang
#13
Ma, Jean: Tsai Ming-liang’s haunted movie theater. In: Global art cinema: New theories and histories. Edited by Rosalind Galt and Karl Schoonover. - New York: Oxford University Press 2010. p. ?P.
Index:
Tsai Ming-Liang
Experimentalfilme ~ Experimental Films
Kunst ~ Arts, The
#14
MA, JEAN: Delayed voices: Intertextuality, music and gender in The Hole. In: Journal of Chinese Cinemas 5. 2011. No. 2. [?D] pp. 123-139.
Index:
Tsai Ming-Liang
Dong (1998)
Sexualität ~ Sexuality
Musik ~ Music
#15
Marchetti, Gina: On Tsai Mingliang’s The River. In: Island on the edge: Taiwan new cinema and after. Edited by Chris Berry and Feii Lu. - Hong Kong: Hong Kong University Press 2005. p. ?P.
Index:
Tsai Ming-Liang
He liu (1997)
Taiwan ~ Taiwan
#16
Messier, Vartan: Errancies of desire: Subjectivity, difference, and proximity in transnational film and literature. - Riverside, Palm Desert, California: University of California, Riverside, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 72. 2011. No. 6. (December)]
Description:
Discusses, among others, the films of Michael Haneke, Spike Jonze and Tsai Ming-Liang.
Index:
Haneke, Michael
Jonze, Spike
Tsai Ming-Liang
Literatur ~ Literature
#17
Midding, Gerhard: Tsai Ming-liang. In: EPD Film 20. 2003. No. 6. [June] pp. 26-29.
Index:
Tsai Ming-Liang
#18
Plahova, Elena: V potustorennem rakurse. In: Iskusstvo Kino 2001. No. 9. [September] pp. 50-52.
Description:
On Tsai Ming-Liang’s What Time is it There? (Ni na bian ji dian).
Index:
Tsai Ming-Liang
Ni na bian ji dian (2001)
#19
Raidel, Ella: Subversive Realitäten: Tsai Ming-Liang und seine Filme. - Marburg: Schüren 2011. (= Marburger Schriften zur Medienforschung 21.)
Reviews:
Kramer, Stefan: [untitled.] In: Medienwissenschaft 2011. No. 3. pp. 362-363.
Index:
Tsai Ming-Liang
#20
Rayns, Tony: Confrontations. In: Sight and Sound NS 7. 1997. No. 3. [March] pp. 14-18.
Description:
Interview with Tsai Ming-Liang on He liu.
Index:
Tsai Ming-Liang
He liu (1997)
#21
Rayns, Tony: What Time Is It There? In: Sight and Sound NS 12. 2002. No. 7. [July] p. 57.
Description:
On Tsai Ming-Liang’s Ni na bian ji dian.
Index:
Tsai Ming-Liang
Ni na bian ji dian (2001)
#22
Römers, Holger: What Time is it There?. In: Film-Dienst 56. 2003. No. 12. [June 3] p. 23.
Description:
On Tsai Ming-Liang’s Ni na bian ji dian.
Index:
Tsai Ming-Liang
Ni na bian ji dian (2001)
#23
Schenk, Ralf: Der Fluss. In: Film-Dienst 55. 2002. No. 6. [March 12] pp. 30-31.
Description:
On Tsai Ming-Liang’s He liu.
Index:
Tsai Ming-Liang
He liu (1997)
#24
Spence, Stephen Edward: "Revealing reality": Four Asian filmmakers visualize the transnational imaginary. - Albuquerque, New Mexico: University of New Mexico, Ph.D. 2017. [Abstract in: Dissertation Abstracts International A 79. 2017. No. 1. [?D].]
Description:
Discusses the work of Hou Hsiao-hsien, Jia Zhangke, Tsai Ming-Liang, and Apichatpong Weerasethakul.
Index:
Hou Hsiao-hsien
Jia Zhangke
Tsai Ming-Liang
Weerasethakul, Apichatpong
Asien ~ Asia
#25
Stuckey, G. Andrew: Ghosts in the theatre: Generic play and temporality in Tsai Ming-liang’s Goodbye, Dragon Inn.. In: Asian Cinema 25. 2014. No. 1. [April] pp. 33-48.
Index:
Tsai Ming-Liang
Bu san (2003)
Theater ~ Theatre
Geister ~ Ghosts
#26
Trice, Jasmine Nadua: Diseased bodies and domestic space: Transmodern space in Tsai Ming-Liang’s The Hole. In: Asian Cinema 16. 2005. No. 2. [Fall/Winter] pp. 255-267.
Index:
Tsai Ming-Liang
Dong (1998)
Krankheit ~ Illness
Körper ~ Bodies
#27
Ungerböck, Andreas: Die Leere der Grossstadt: Zu den Filmen von Tsai Ming-liang. In: EPD Film 14. 1997. No. 6. [June] pp. 22-25.
Index:
Tsai Ming-Liang
Stadt ~ City
#28
Ungerboeck, Andreas: Die Leere der Großstadt. In: EPD Film 14. 1997. No. 6. [June] pp. 22-25.
Index:
Tsai Ming-Liang
Stadt ~ City
#29
Visarius, Karsten: What Time Is it There? Taipeh, Paris, bedeckt, kein Niederschlag: Der neue Film von Tsai Ming-liang. In: EPD Film 20. 2003. No. 6. [June] p. 38.
Index:
Tsai Ming-Liang
Ni na bian ji dian (2001)
Taipei ~ Taipei
Paris ~ Paris
#30
Wu I-Fen: Do you know I am looking at you? Visual pleasure and body politics in Tsai Ming-Liang’s films. In: Asian Cinema 22. 2011. No. 2. [Fall/Winter] pp. 433-441.
Index:
Tsai Ming-Liang
Körper ~ Bodies
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Stadt ~ City
#31
Wu, I-Fen: Flowing desire, floating souls: Modern cultural landscape in Tsai Ming-Liang’s Taipei trilogy. In: Cineaction 2002. No. 58. [June] pp. 58-64.
Description:
On the representation of the Taiwanese capital in Rebels of the Neon God (Ch’ing shaonien na cha), Vive l’amour (Aiqing wansui) and The River (He liu).
Index:
Tsai Ming-Liang
Ch’ing shaonien na cha (1992)
Aiqing wansui (1994)
He liu (1997)
Taiwan ~ Taiwan
Taipei ~ Taipei
Stadt ~ City
Natur ~ Nature
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