The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Videodrome (1982)
number of items: 53
| ?O | City of publication unknown | 
| ?V | Publishing company unknown | 
| ?J | Year of publication unknown | 
| ?N | Issue number unknown | 
| ?G | Volume number unknown | 
| ?D | Date of publication unknown | 
| ?P | Number of pages unknown | 
| ?R | Series number unknown | 
#1
Bagwell, Daniel Steven: Filmic bodies as terministic (silver) screens: Embodied social anxieties in Videodrome. - Winston-Salem, North Carolina: Wake Forest University, M.A. 2014. [Abstract in: Masters Abstracts International 53. 2015. No. 4. [August] p. ?P.]
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Körper ~ Bodies 
 Horror ~ Horror 
#2
Beard, William: Videodrome (1982). In: Beard, William: The artist as monster: The cinema of David Cronenberg. Revised and expanded edition. - Toronto; Buffalo: University of Toronto Press 2006. p. ?P.
First edition:
 [2001] 
Index:
 Cronenberg, David 
 Videodrome (1982) 
#3
Bond, Jeff: Videodrome. In: Cinefantastique 36. 2004. No. 5. [October/November] p. 61.
Description:
 On a DVD edition. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 DVD ~ DVD 
#4
Bukatman, Scott Richard: Terminal identity: The virtual subject in postmodern science fiction. - New York: New York University, Ph.D. 1992. [Abstract in: Dissertation Abstracts International A 53. 1993. No. 8. (February) p. 2579A.]
Description:
 Discusses also some fantastic films, among them David Cronenberg’s Videodrome and The Fly, Ridley Scott’s Blade Runner, Paul Verhoeven’s Robocop and the Terminator films by James Cameron as well as the Alien films by Ridley Scott and James Cameron. 
Index:
 Cronenberg, David 
 Scott, Ridley 
 Verhoeven, Paul 
 Cameron, James 
 Videodrome (1982) 
 Blade Runner (1982) 
 Fly, The (1986) 
 Robocop (1987) 
 Terminator, The (1984) 
 Terminator II - Judgement Day (1991) 
 Alien (1979) 
 Aliens (1986) 
 Alien (Filmreihe) 
 Terminator (Filmreihe) 
 Postmoderne ~ Postmodern 
 Cyberspace ~ Cyberspace 
 Science Fiction ~ Science Fiction 
#5
Bukatman, Scott Richard: Terminal identity: The virtual subject in postmodern science fiction. - Durham, North Carolina; London: Duke University Press 1993.
Reviews:
 Bonner, Frances: [untitled.] In: Foundation 1994. No. 60. [?D] pp. 108-112. 
 Byers, Thomas B.: [untitled.] In: American Literature 67. 1995. No. 2. [?D] pp. 424-425. 
 Clute, John: [untitled.] In: The Times Literary Supplement. October 1, 1993. p. 22. 
 Fischer, Norman: [untitled] In: Extrapolation 35. 1994. No. 3. [?D] pp. 257-259. 
 Gordon, Andrew: [untitled.] In: Science Fiction Studies 20. 1993. No. 3(61). [?D] pp. 444-448. 
 Hollinger, Veronica: [untitled.] In: Utopian Studies 6. 1995. No. 1. [?D] pp. 126-128. 
 Land, Nick: [untitled.] In: Textual Practice 9. 1995. No. 3. [?D] pp. 512-514. 
 Porush, David: [untitled.] In: Modern Fiction Studies 42. 1996. No. 1. [?D] pp. 224-227. 
 Rickman, Gregg: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 60-61. 
 Russell, Catherine: [untitled.] In: Canadian Journal of Film Studies 5. 1996. No. 1. [?D] pp. 79-82. 
Description:
 Discusses also some fantastic films, among them David Cronenberg’s Videodrome and The Fly, Ridley Scott’s Blade Runner, Paul Verhoeven’s Robocop and the Terminator films by James Cameron as well as the Alien films by Ridley Scott and James Cameron. 
Index:
 Cronenberg, David 
 Scott, Ridley 
 Verhoeven, Paul 
 Cameron, James 
 Videodrome (1982) 
 Blade Runner (1982) 
 Fly, The (1986) 
 Robocop (1987) 
 Terminator, The (1984) 
 Terminator II - Judgement Day (1991) 
 Alien (1979) 
 Aliens (1986) 
 Alien (Filmreihe) 
 Terminator (Filmreihe) 
 Postmoderne ~ Postmodern 
 Cyberspace ~ Cyberspace 
 Science Fiction ~ Science Fiction 
#6
Buttgereit, Jörg: Körper-Horror: David Cronenbergs Scanners und Videodrome auf Blu-ray. In: EPD Film 30. 2013. No. 4. [April] p. 67.
Index:
 Cronenberg, David 
 Scanners (1980) 
 Videodrome (1982) 
 Körper ~ Bodies 
 Horror ~ Horror 
 Blu-Ray Disk ~ Blu-Ray Disc 
#7
Cronenberg, David: New flesh for old: The tax-shelter experiments. In: Cronenberg, David: Cronenberg on Cronenberg. Edited by Chris Rodley. - Boston, Massachusetts; London: Faber and Faber 1992. pp. 64-108.
Description:
 Discusses, among others, Fast Company, The Brood, Scanners and Videodrome. 
Index:
 Cronenberg, David 
 Fast Company (1979) 
 Brood, The (1979) 
 Scanners (1980) 
 Videodrome (1982) 
 Experimentalfilme ~ Experimental Films 
#8
The Dead Zone (1983) / Videodrome (1983). In: The dreamweavers: Interviews with fantasy filmmakers of the 1980s. By Lee Goldberg, Randy Lofficier, Jean-Marc Lofficier and William Rabkin. Foreword by Marv Wolfman. - Jefferson, North Carolina; London: McFarland & Company 1995. pp. 58-74.
Description:
 Includes an interview with director David Cronenberg. 
Index:
 Cronenberg, David 
 Dead Zone, The (1983) 
 Videodrome (1982) 
 Fantasy ~ Fantasy 
#9
Dorland, Michael / Kroker, Arthur: Panic cinema: Sex in the age of the hyperreal. In: Cineaction 1987. No. 10. [Fall] pp. 2-5.
Description:
 Discusses, among others, the representation of violent and sadomasochistic sex in David Lynch’s Blue Velvet and Cronenberg’s Videodrome. 
Index:
 Lynch, David 
 Cronenberg, David 
 Blue Velvet (1986) 
 Videodrome (1982) 
 Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism 
 Gewalt ~ Violence 
 Postmoderne ~ Postmodern 
 Religion: Apokalypse ~ Religion: Apocalypse 
 Sexualität ~ Sexuality 
#10
Dorland, Michael / Kroker, Arthur: Panic cinema: Sex in the age of the hyperreal. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 11-16.
Description:
 Discusses, among others, the representation of violent and sadomasochistic sex in David Lynch’s Blue Velvet and Cronenberg’s Videodrome. 
Index:
 Lynch, David 
 Cronenberg, David 
 Blue Velvet (1986) 
 Videodrome (1982) 
 Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism 
 Gewalt ~ Violence 
 Postmoderne ~ Postmodern 
 Religion: Apokalypse ~ Religion: Apocalypse 
 Sexualität ~ Sexuality 
#11
Du Mesnildot, Stéphane / Matarasso, David: David Cronenberg. In: L’Écran Fantastique 1999. No. 184. [April] pp. 28-30.
Description:
 On the representation of monstrous outsiders in the films of David Cronenbergs, especially on The Brood, Videodrome, The Fly and Crash. 
Index:
 Cronenberg, David 
 Brood, The (1979) 
 Videodrome (1982) 
 Fly, The (1986) 
 Crash (1996) 
 Monster ~ Monster 
#12
Fischer, Dennis: Videodrome. In: Cinefantastique 30. 1999. No. 12. [January] p. 60.
Description:
 On a DVD edition. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 DVD ~ DVD 
#13
Fox, Jordan: Rick Baker - Maker of monsters, master of the apes. In: Cinefex 1984. No. 16. [April] pp. 1-71.
Description:
 On the special effects artist and his work for John Landis’s An American Werewolf in London, David Cronenberg’s Videodrome and Hugh Hudson’s Greystoke. 
Index:
 Baker, Rick 
 Landis, John 
 Cronenberg, David 
 Hudson, Hugh 
 American Werewolf in London, An (1981) 
 Videodrome (1982) 
 Greystoke - The Legend of Tarzan, Lord of the Apes (1984) 
 Affen ~ Apes 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Monster ~ Monster 
#14
Friesenbiller, Martin: Der Ton und Videodrome. In: Und das Wort ist Fleisch geworden: Texte über Filme von David Cronenberg. Hrsg. von Drehli Robnik und Michael Palm. - Wien: PVS Verleger 1992. pp. 145-154.
Index:
 Cronenberg, David 
 Videodrome (1982) 
#15
Gaida, Jochen: Bewußtseins-Prothesen: Video als filmisches Motiv. - Alfeld/Leine: Coppi-Verlag 2002. (= Aufsätze zu Film und Fernsehen 80.)
Description:
 On the representation of videos in film. Discusses especially David Cronenberg’s Videodrome, Curtis Hanson’s Bad Influence, David Lynch’s Lost Highway and Abel Ferrara’s The Blackout. 
Index:
 Cronenberg, David 
 Hanson, Curtis 
 Lynch, David 
 Ferrara, Abel 
 Videodrome (1982) 
 Bad Influence (1990) 
 Lost Highway (1996) 
 Blackout, The (1997) 
 Video ~ Video 
#16
Gaida, Jochen: Bewußtseins-Prothesen: Video als filmisches Motiv. - Berlin: Freie Universität Berlin, Magisterarbeit 1999.
Description:
 On the representation of videos in film. Discusses especially David Cronenberg’s Videodrome, Curtis Hanson’s Bad Influence, David Lynch’s Lost Highway and Abel Ferrara’s The Blackout. 
Index:
 Cronenberg, David 
 Hanson, Curtis 
 Lynch, David 
 Ferrara, Abel 
 Videodrome (1982) 
 Bad Influence (1990) 
 Lost Highway (1996) 
 Blackout, The (1997) 
 Video ~ Video 
#17
Galant, Justyna: Vague boundaries and re-configured senses: Dystopia(s) in the making in David Cronenberg’s Videodrome. In: Imperfect worlds and dystopian narratives in contemporary cinema. Edited by Arthur Blaim and Ludmila Gruszewska-Blaim. - Frankfurt/Main; New York: Peter Lang 2011. p. ?P.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Science Fiction ~ Science Fiction 
 Utopie ~ Utopia 
#18
Genosko, Gary: Phatic (dys)functions: The shifting contour of the TV screen. In: Images and imagery: Frames, borders, limits - interdisciplinary perspectives. Edited by Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. - New York; Frankfurt/Main: Lang 2005. (= Studies on themes and motifs in literature 74.) pp. 13-24.
Description:
 Discusses, among others, David Cronenberg’s Videodrome and Gore Verbinski’s The Ring. 
Index:
 Cronenberg, David 
 Verbinski, Gore 
 Videodrome (1982) 
 Ring, The (2002) 
 Fernsehen ~ Television 
#19
Grace, Dominick M.: From Videodrome to Virtual Light: David Cronenberg and William Gibson. In: Extrapolation 44. 2003. No. 3. [Fall] pp. 344-355.
Index:
 Cronenberg, David 
 Gibson, William 
 Videodrome (1982) 
 Virtual Light (Literatur ~ Literature) 
 Cyberspace ~ Cyberspace 
#20
Grünberg, Serge: Videodrome: David Cronenberg. In: Cahiers du Cinéma 1993. Hors-série. pp. 128-129.
Index:
 Cronenberg, David 
 Videodrome (1982) 
#21
Haas, Lynda / Pharr, Mary: Somatic ideas: Cronenberg and the feminine. In: Post Script 15. 1996. No. 2. [Winter/Spring] pp. 29-39.
Description:
 Discusses especially Videodrome, The Fly, Dead Ringers and Naked Lunch. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Fly, The (1986) 
 Dead Ringers (1988) 
 Naked Lunch (1991) 
 Frauen ~ Women 
#22
Ham, Martin: Excess and resistance in feminised bodies: David Cronenberg’s Videodrome and Jean Baudrillard’s seduction. In: Senses of Cinema 2004. No. 30. [January/February] p. ?P.
Index:
 Cronenberg, David 
 Baudrillard, Jean 
 Videodrome (1982) 
 Verführung ~ Seduction 
 Körper ~ Bodies 
 Frauen ~ Women 
#23
Hampton, Howard: Whatever you desire. In: Film Comment 37. 2001. No. 4. [?D] pp. 36-45.
Description:
 Discusses, among others, Howard Hawks’s The Big Sleep and David Cronenberg’s Videodrome. 
Index:
 Hawks, Howard 
 Cronenberg, David 
 Big Sleep, The (1946) 
 Videodrome (1982) 
#24
Hampton, Howard: When in Videodrome: Travels in the new flesh. In: Artforum 31. 1993. No. 6. [February] pp. 70-73, 113.
Index:
 Cronenberg, David 
 Videodrome (1982) 
#25
Hantke, Steffen: Autorenkino und Verschwörungstopos: Selbstreflexion in Videodrome und eXistenZ. In: David Cronenberg. Hrsg. von Marcus Stiglegger. - Berlin: Bertz + Fischer 2011. pp. 45 ff.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 eXistenZ (1998) 
#26
Hantke, Steffen: Out from the realist underground; or, the Baron of Blood visits Cannes: Recursive and self-reflexive patterns in David Cronenberg’s Videodrome and eXistenZ. In: Monstrous adaptations: Generic and thematic mutations in horror film. Edited by Richard J. Hand and Jay McRoy. - Manchester; New York: Manchester University Press 2007. p. ?P.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 eXistenZ (1998) 
 Cannes ~ Cannes 
 Blut ~ Blood 
 Monster ~ Monster 
 Horror ~ Horror 
#27
Heldreth, Leonard G.: Festering in Thebes: Elements of tragedy and myth in Cronenberg’s films. In: Post Script 15. 1996. No. 2. [Winter/Spring] pp. 46-61.
Description:
 Especially on Scanners, Videodrome, The Fly and Dead Ringers. 
Index:
 Cronenberg, David 
 Scanners (1980) 
 Videodrome (1982) 
 Fly, The (1986) 
 Dead Ringers (1988) 
 Mythologie ~ Mythology 
#28
Hemphill, Jim: Videodrome. In: American Cinematographer. Online edition, January 2011.
Description:
 On a Blu-ray edition. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Blu-Ray Disk ~ Blu-Ray Disc 
#29
Höltgen, Stefan: The Retina of the Mind’s Eye: Philosophie als Film am Beispiel von David Cronenbergs Videodrome. In: F.LM - Texte zum Film. Online edition, ?D 2004.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Philosophie ~ Philosophy 
#30
Illger, Daniel / Kappelhoff, Hermann: Videodrome (1983). In: David Cronenberg. Hrsg. von Marcus Stiglegger. - Berlin: Bertz + Fischer 2011. pp. 179 ff.
Index:
 Cronenberg, David 
 Videodrome (1982) 
#31
Jameson, Frederic: The geopolitical aesthetic: Cinema and space in the world system. - Bloomington, Indiana; Indianapolis, Indiana: Indiana University Press / London: British Film Institute Publishing 1992.
Reviews:
 Jaffe, Ira S.: [untitled] In: East-West Film Journal 8. 1994. No. 1. [?D] pp. 121-124. 
 Sharrett, Christopher: [untitled] In: Film Quarterly 46. 1993. No. 4. [Summer] pp. 39-41. 
Description:
 Compilation of essays on several films, among them Cronenberg’s Videodrome, Alan J. Pakula’s Klute and The Parallax View, Tarkowskij’s Andrej Rubljow, Stalker and Offret, Yang’s The Terrorizer, Cocteau’s Orphée and Tahimik’s The Perfumed Nightmare (= Mababangong Bangungot). 
Index:
 Cronenberg, David 
 Pakula, Alan J. 
 Tarkovsky, Andrei Arsenyevich 
 Yang, Edward 
 Cocteau, Jean 
 Tahimik, Kidlat 
 Videodrome (1982) 
 Klute (1970) 
 Parallax View, The (1973) 
 Andrej Rubljow (1966-1969) 
 Stalker (1978/1979) 
 Offret / Sacrifice, Le (1985) 
 Kongbu fenzi / Terrorizer, The (1986) 
 Orphée (1950) 
 Mababangong Bangungot / Perfumed Nightmare, The (1976/1977) 
 Politik ~ Politics 
#32
Kellner, Douglas: David Cronenberg: Panic horror and the postmodern body. In: Canadian Journal of Political and Social Theory 13. 1989. No. 3. [?D] pp. 89-101.
Description:
 Psychological examination of Parasite Murders, Rabid, The Brood, Scanners, Videodrome, The Dead Zone and The Fly. 
Index:
 Cronenberg, David 
 Parasite Murders (1974) 
 Rabid (1976) 
 Brood, The (1979) 
 Scanners (1980) 
 Videodrome (1982) 
 Dead Zone, The (1983) 
 Fly, The (1986) 
 Psychologie ~ Psychology 
 Körper ~ Bodies 
 Postmoderne ~ Postmodern 
 Horror ~ Horror 
#33
Latham, Robert Arch: Consuming youth: Technologies of desire and American youth culture. - Stanford, California: Stanford University, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 56. 1996. No. 10. (April) p. 3777A.]
Description:
 Discusses especially the vampyre and the cyborg- motif, for instance in Joel Schumacher’s The Lost Boys, David Cronenberg’s Videodrome and in the novels by Anne Rice. 
Index:
 Schumacher, Joel 
 Cronenberg, David 
 O’Brien, Anne [Pseudonym: Rice, Anne] 
 Lost Boys, The (1987) 
 Videodrome (1982) 
 Literatur ~ Literature 
 Technik ~ Technology 
 USA (United States of America) ~ USA (United States of America) 
 Vampire ~ Vampires 
 Roboter ~ Robots 
 Jugend ~ Youth 
#34
Latham, Robert Arch: Consuming youth: Technologies of desire and American youth culture. - Chicago, Illinois: University of Chicago Press 2002.
Description:
 Discusses especially the vampyre and the cyborg- motif, for instance in Joel Schumacher’s The Lost Boys, David Cronenberg’s Videodrome and in the novels by Anne Rice. 
Index:
 Schumacher, Joel 
 Cronenberg, David 
 O’Brien, Anne [Pseudonym: Rice, Anne] 
 Lost Boys, The (1987) 
 Videodrome (1982) 
 Technik ~ Technology 
 USA (United States of America) ~ USA (United States of America) 
 Vampire ~ Vampires 
 Roboter ~ Robots 
 Jugend ~ Youth 
#35
Lucas, Tim: The score: Cronenberg’s bioelectronic composer. In: Cinefantastique 14. 1983/1984. No. 2. [December/January] p. 12.
Description:
 On the composer Howard Shore and his work for the Cronenberg films Videodrome and Dead Zone. 
Index:
 Shore, Howard 
 Cronenberg, David 
 Videodrome (1982) 
 Dead Zone, The (1983) 
 Musik ~ Music 
#36
Lucas, Tim: Videodrome. In: Cinefantastique 14. 1983/1984. No. 2. [December/January] pp. 32-49.
Index:
 Cronenberg, David 
 Videodrome (1982) 
#37
Lucas, Tim: Videodrome: Studies in the horror film. - Lakewood, Colorado: Millipede 2008.
Reviews:
 Latham, Rob: [untitled.] In: Science Fiction Film and Television 3. 2010. No. 2. [Autumn] pp. 301-307. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Horror ~ Horror 
#38
Marinelli, Marco: Horror-film a prova di "confusione". In: Cineforum 26. 1986. No. ?N(257). [September] pp. 74-76.
Description:
 On David Cronenberg’s Videodrome. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Horror ~ Horror 
#39
Mathes, Christina: Die Maschinen des Begehrens: Die Fleischeslust der Medien in David Cronenbergs Videodrome (1983) und eXistenZ (1999). In: David Cronenberg. Hrsg. von Peter Bär, Joachim F. Danckwardt und Gerhard Schneider. - Gießen: Psychosozial-Verlag 2013. (= Im Dialog: Psychoanalyse und Filmtheorie 10.) pp. 39 ff.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 eXistenZ (1998) 
 Technik ~ Technology 
#40
Mathes, Christina: Die Maschinen des Begehrens: Die Fleischeslust der Medien in David Cronenbergs Videodrome (1983) und eXistenZ (1999). In: David Cronenberg: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2013. (= Imago: Psychoanalyse und Filmtheorie 10.) pp. 39 ff.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 eXistenZ (1998) 
 Technik ~ Technology 
 Sexualität ~ Sexuality 
#41
McCutcheon, Mark A.: Frankenstein as a figure of globalization in Canada’s postcolonial popular culture. In: Continuum 25. 2011. No. 5. [October] pp. 731-742.
Description:
 Discusses, among others, David Cronenberg’s Videodrome and Robert Lepage’s Possible Worlds. 
Index:
 Cronenberg, David 
 Lepage, Robert 
 Videodrome (1982) 
 Possible Worlds (2000) 
 Frankenstein (Filmreihe) 
 Globalisierung ~ Globalization 
 Kanada ~ Canada 
 Frankenstein ~ Frankenstein 
#42
Muir, John Kenneth: Videodrome. In: Muir, John Kenneth: Horror films of the 1980s. - Jefferson, North Carolina; London: McFarland & Co 2007. p. ?P.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Horror ~ Horror 
#43
Palm, Michael: See you in Pittsburgh: Das neue Fleisch in Videodrome. In: Und das Wort ist Fleisch geworden: Texte über Filme von David Cronenberg. Hrsg. von Drehli Robnik und Michael Palm. - Wien: PVS Verleger 1992. pp. 155-173.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Pittsburgh ~ Pittsburgh 
#44
Panek, Elliot: The poet and the detective: Defining the psychological puzzle film. In: Film Criticism 31. 2006. No. 1/2. [Fall/Winter] pp. 62-88.
Description:
 Discusses, among others, David Cronenberg’s Videodrome and David Lynch’s Mulholland Drive. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Psychologie ~ Psychology 
 Detektive ~ Detectives 
#45
Popovich, George Lee: Structural analyses of selected modern science-fiction films. - Columbus, Ohio: Ohio State University, Ph.D. 1987. [Abstract in: Dissertation Abstracts International A 48. 1987. No. 5. (November) p. 1060A.]
Description:
 Discusses Irvin Kershner’s The Empire Strikes Back, Don Taylor’s The Island of Dr. Moreau, Michael Crichton’s Westworld, Ken Russell’s Altered States, David Cronenberg’s Videodrome, Norman Jewison’s Rollerball, Stanley Kubrick’s A Clockwork Orange, John Boorman’s Zardoz, Robert Wise’s Star Trek - The Motion Picture and George Pal’s The Time Machine. 
Index:
 Kershner, Irvin 
 Taylor, Don 
 Crichton, Michael 
 Russell, Ken 
 Cronenberg, David 
 Jewison, Norman 
 Kubrick, Stanley 
 Boorman, John 
 Wise, Robert 
 Pal, George 
 Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997) 
 Island of Dr. Moreau, The (1977) 
 Westworld (1973) 
 Altered States (1980) 
 Videodrome (1982) 
 Rollerball (1974) 
 Clockwork Orange, A (1971) 
 Zardoz (1974) 
 Star Trek - The Motion Picture (1979) 
 Time Machine, The (1960) 
 Science Fiction ~ Science Fiction 
#46
Rappold, Olaf: Videodrome. In: Enzyklopädie des phantastischen Films. Grundwerk. - Meitingen: Corian-Verlag, Mai 1986.
Index:
 Cronenberg, David 
 Videodrome (1982) 
#47
Riepe, Manfred: Videodrome und die traumatische Begegnung mit dem Weiblichen: Videodrome - Regisseur: David Cronenberg. In: Blade Runner, Matrix und Avatare: Psychoanalytische Betrachungen virtueller Wesen und Welten im Film. Hrsg. von Parfen Laszig. - Berlin; Heidelberg: Springer 2013. pp. 87 ff.
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Frauen ~ Women 
 Psychologie ~ Psychology 
 Cyberspace ~ Cyberspace 
#48
Sanchez Biosca, Vicente: La répresentation du corps au cinéma. In: Cinémas 7. 1996. No. 1/2. [Autumn] pp. 5-184.
Description:
 Special volume on the representation of the body in film. Discusses, among others, David Cronenberg’s Videodrome, the Alien films and the films of Tex Avery and Pier Paolo Pasolini. 
Index:
 Cronenberg, David 
 Avery, Tex 
 Pasolini, Pier Paolo 
 Videodrome (1982) 
 Alien (Filmreihe) 
 Körper ~ Bodies 
#49
Stevens, Brad: Long live the new flesh. In: Sight and Sound 22. 2012. No. 3. [March] p. 21.
Description:
 On David Cronenberg’s Videodrome. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
#50
Videodrome. - Nürnberg: Filmverlag Peter Schmidl ?J. (= Phantopia-Filmprogramm 367.)
Index:
 Cronenberg, David 
 Videodrome (1982) 
#51
Weber, Thomas: Medialität als Grenzerfahrung: Futurische Medien im Kino der 80er und 90er Jahre. - Bielefeld: Transcript 2008.
Reviews:
 Köppen, Manuel: [untitled.] In: Germanistik 50. 2009. No. 1/2. p. 487. 
Description:
 Discusses, among others, Bertrand Tavernier’s La mort en direct, David Cronenberg’s Videodrome and eXistenZ, Wim Wenders’s Bis ans Ende der Welt, Paul Verhoeven’s Total Recall, Robert Longo’s Johnny Mnemonic, Kathryn Bigelow’s Strange Days, Gabriele Salvatores’s Nirvana, Josef Rusnak’s The Thirteenth Floor and The Matrix by Andy and Larry Wachowski. 
Index:
 Tavernier, Bertrand 
 Cronenberg, David 
 Wenders, Wim 
 Verhoeven, Paul 
 Longo, Robert 
 Bigelow, Kathryn 
 Salvatores, Gabriele 
 Rusnak, Josef 
 Wachowski, Andy 
 Wachowski, Larry 
 mort en direct, La (1979) 
 Videodrome (1982) 
 eXistenZ (1998) 
 Bis ans Ende der Welt (1991) 
 Total Recall (1990) 
 Johnny Mnemonic (1995) 
 Strange Days (1995) 
 Nirvana (1996) 
 Thirteenth Floor, The (1999) 
 Matrix, The (1999) 
 Futurismus ~ Futurism 
#52
Weber, Thomas: Medialität als Grenzerfahrung: Futurische Medien im Kino der 80er und 90er Jahre. - Berlin: Humboldt-Universität Berlin, Habilitationsschrift 2006.
Description:
 Discusses, among others, Bertrand Tavernier’s La mort en direct, David Cronenberg’s Videodrome and eXistenZ, Wim Wenders’s Bis ans Ende der Welt, Paul Verhoeven’s Total Recall, Robert Longo’s Johnny Mnemonic, Kathryn Bigelow’s Strange Days, Gabriele Salvatores’s Nirvana, Josef Rusnak’s The Thirteenth Floor and The Matrix by Andy and Larry Wachowski. 
Index:
 Tavernier, Bertrand 
 Cronenberg, David 
 Wenders, Wim 
 Verhoeven, Paul 
 Longo, Robert 
 Bigelow, Kathryn 
 Salvatores, Gabriele 
 Rusnak, Josef 
 Wachowski, Andy 
 Wachowski, Larry 
 mort en direct, La (1979) 
 Videodrome (1982) 
 eXistenZ (1998) 
 Bis ans Ende der Welt (1991) 
 Total Recall (1990) 
 Johnny Mnemonic (1995) 
 Strange Days (1995) 
 Nirvana (1996) 
 Thirteenth Floor, The (1999) 
 Matrix, The (1999) 
 Futurismus ~ Futurism 
#53
Wees, William Charles: From the rearview mirror to twenty minutes into the future: The video image in Videodrome and Max Headroom. In: Canadian Journal of Film Studies 1. 1990. No. 1. [?D] pp. 29-35.
Description:
 Compares the Cronenberg movie with the TV series. 
Index:
 Cronenberg, David 
 Videodrome (1982) 
 Max Headroom (TV) 
 Video ~ Video 
 Spiegel ~ Mirror 
 Fernsehen ~ Television 
 Cyberspace ~ Cyberspace 
This literature list was generated on Friday, October 31, 2025
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