Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Ward, Vincent

number of items: 35

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Badley, Linda: Cine-limbo: The millennial age/new age virtual afterlife thriller. In: Studies in Popular Culture 28. 2005. No.1. [October] pp. 1-14.
Description:
On near-death experiences and the afterlife in film.Discusses, among others, M. Night Shyamalan’s The Sixth Sense, Alejandro Amenábar’s The Others and Vincent Ward’s What Dreams May Come.
Index:
Shyamalan, M. Night
Amenábar, Alejandro
Ward, Vincent
Sixth Sense, The (1999)
Others, The (2001)
What Dreams May Come (1998)
Tod ~ Death
Religion ~ Religion
Thriller ~ Thriller
Cyberspace ~ Cyberspace

#2
Biodrowski, Steve: Dreams. In: Cinefantastique 30. 1998. No. 11. [December] p. 36.
Index:
Ward, Vincent
What Dreams May Come (1998)

#3
Biodrowski, Steve: Over the rainbow. In: Cinefantastique 31. 1999. No. 1/2. [February] p. 113.
Description:
On Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)

#4
Bobert-Stützel, Sabine: Auferstehungskonzepte im populären Kinofilm: Matrix I, The Sixth Sense, Alien 4 - The Resurrection, Hinter dem Horizont. In: Systematisch praktisch: Festschrift für Reiner Preul zum 65. Geburtstag. Hrsg. von Wilfried Härle. - Marburg: Elwert 2005. (= Marburger theologische Studien 80.) pp. 393-414.
Index:
Wachowski, Andy
Wachowski, Larry
Shyamalan, M. Night
Jeunet, Jean-Pierre
Ward, Vincent
Matrix, The (1999)
Sixth Sense, The (1999)
Alien - Resurrection / Alien 4 (1997)
What Dreams May Come (1998)
Religion ~ Religion

#5
Chapple, Geoff / Lyons, Kely / Ward, Vincent: The Navigator - A Medieval Odyssey: From an original idea by Vincent Ward. - London: Faber & Faber 1989.
Index:
Ward, Vincent
Navigator, The: A Medieval Odyssey (1988)

#6
Cheng, Scarlet: Rending the veil: The search for the spiritual in recent cinema. In: World and I 14. 1999. No. 4. [April] p. 116.
Description:
Discusses especially Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)
Religion ~ Religion

#7
Dievenkorn, Sabine: Das religionspädagogische Potential populärer Spielfilme für den spezifisch ostdeutschen Kontext am Beispiel von Wer den Wind sät, USA, 1960, und Hinter dem Horizont, USA, 1998. - Hamburg: Universität Hamburg, Dissertation 2007.
Index:
Kramer, Stanley
Ward, Vincent
Inherit the Wind (1960)
What Dreams May Come (1998)
Pädagogik ~ Paedagogy
Religion ~ Religion
Deutschland ~ Germany

#8
Dievenkorn, Sabine: Das religionspädagogische Potenzial populärer Spielfilme für den spezifisch ostdeutschen Kontext: Ein Vergleich von Wer den Wind sät, USA 1960, und Hinter dem Horizont, USA 1998. - Jena: Garamond-Verlag 2014. (= Populäre Kultur und Theologie 12.)
Index:
Kramer, Stanley
Ward, Vincent
Inherit the Wind (1960)
What Dreams May Come (1998)
Pädagogik ~ Paedagogy
Religion ~ Religion
Deutschland ~ Germany

#9
Fleming, Dan: Making the transformational moment in film: Unleashing the power of the image (with the films of Vincent Ward). - ?O: Michael Wiese Productions 2011.
Reviews:
Roddick, Nick: [untitled.] In: Sight and Sound 22. 2012. No. 1. [January] p. 93.
Index:
Ward, Vincent

#10
Flückiger, Barbara: Visual Effects: Filmbilder aus dem Computer. - Marburg: Schüren 2008.
Reviews:
Krewani, Angela: [untitled.] In: Medienwissenschaft 2008. No. 4. pp. 454-455.
Müller, Corinna: [untitled.] In: Film-Dienst 61. 2008. No. 21. [October 9] p. 46.
Rall, Veronika: Wie lässt man Keanu Reeves fliegen und versenkt die Titanic? In: EPD Film 25. 2008. No. 9. [September] p. 56.
Description:
On the visual film design from early animation up to nowadays computer technologies. Discusses, as examples, a lot of fantastic films, among them Stanley Kubrick’s 2001 - A Space Odyssey, James Cameron’s The Abyss, Terminator II - Judgement Day and Titanic, Ridley Scott’s Blade Runner and Gladiator, Mark Steven Johnson’s Daredevil, Roland Emmerich’s The Day After Tomorrow, David Fincher’s Fight Club, Final Fantasy: The Spirits Within by Hironobu Sakaguchi and Moto Sakakibara, Paul Verhoeven’s Hollow Man, Lee Ang’s The Hulk, Alex Proyas’s I, Robot, Neil Jordan’s Interview with the Vampire, Robert Longo’s Johnny Mnemonic, Steven Spielberg’s Jurassic Park and Minority Report, Simon West’s Lara Croft: Tomb Raider, Charles Russell’s The Mask, Fritz Lang’s Metropolis, Sam Raimi’s Spider-Man, Brett Leonard’s Virtuosity, Vincent Ward’s What Dreams May Come, Robert Zemeckis’s Who Framed Roger Rabbit and the Matrix, the Lord of the Rings and the X-Men series.
Index:
Kubrick, Stanley
Cameron, James
Scott, Ridley
Johnson, Mark Steven
Emmerich, Roland
Fincher, David
Sakaguchi, Hironobu
Sakakibara, Moto
Verhoeven, Paul
Lee Ang
Proyas, Alex
Jordan, Neil
Longo, Robert
Spielberg, Steven
West, Simon
Russell, Charles
Lang, Fritz
Raimi, Samuel M.
Leonard, Brett
Ward, Vincent
Zemeckis, Robert
Wachowski, Andy
Wachowski, Larry
Jackson, Peter
2001 - A Space Odyssey (1968)
Abyss, The (1989)
Blade Runner (1982)
Daredevil (2003)
Day After Tomorrow, The (2004)
Fight Club (1999)
Final Fantasy: The Spirits Within (2001)
Gladiator (2000)
Hollow Man (2000)
Hulk, The (2003)
I, Robot (2004)
Interview with the Vampire (1994)
Johnny Mnemonic (1995)
Jurassic Park (1993)
Minority Report (2002)
Tomb Raider / Lara Croft: Tomb Raider (2001)
Mask, The (1994)
Metropolis (1925/1926)
Spider-Man (2002)
Terminator II - Judgement Day (1991)
Titanic (1997)
Virtuosity (1995)
What Dreams May Come (1998)
Who Framed Roger Rabbit (1988)
Matrix, The (Filmreihe)
Lord of the Rings (Filmreihe)
X-Men (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#11
Fordham, Joe: Cinematic dreamer. In: Cinefantastique 30. 1998. No. 9/10. [November] p. 121.
Description:
On director and screenwriter Vincent Ward, especially his What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)
Traum ~ Dreams

#12
Fordham, Joe: Dreams: Painting heaven. In: Cinefantastique 30. 1998. No. 11. [December] pp. 34-35.
Description:
On the special effects for Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Kunst ~ Arts, The

#13
Fordham, Joe: Literary dreamer. In: Cinefantastique 30. 1998. No. 9/10. [November] p. 118.
Description:
Compares Vincent Ward’s What Dreams May Come with the underlying novel by Richard Matheson.
Index:
Matheson, Richard
Ward, Vincent
What Dreams May Come (1998)
Traum ~ Dreams
What Dreams May Come (Literatur ~ Literature)

#14
Fordham, Joe: What Dreams May Come: Filming Vincent Ward’s stunning vision of Richard Matheson’s fantasy classic. In: Cinefantastique 30. 1998. No. 9/10. [November] pp. 116-121.
Index:
Ward, Vincent
Matheson, Richard
What Dreams May Come (1998)
Fantasy ~ Fantasy

#15
Fordham, Joe: What Dreams May Come: Visionary director Vincent Ward transports Robin Williams to the afterlife. In: Cinefantastique 30. 1998. No. 11. [December] pp. 32-35.
Index:
Ward, Vincent
Williams, Robin
What Dreams May Come (1998)
Religion ~ Religion

#16
Gansera, Rainer: Hinter dem Horizont. In: EPD Film 15. 1998. No. 12. [December] pp. 54-55.
Description:
On Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)

#17
Graff, Michael: Christus in inkognito: Eine theologische Spurensicherung im Film. In: Jesus in der Hauptrolle: Zur Geschichte und Ästhetik der Jesus-Filme. - Köln: Katholisches Institut für Medieninformation 1992. (= Film-Dienst Extra [November].) pp. 48-57.
Description:
On the representation of Christ and the passion in non-bible films. Discusses, among others, Vincent Ward’s The Navigator, Boris Sagal’s Omega Man and David Lynch’s The Elephant Man.
Index:
Ward, Vincent
Sagal, Boris
Lynch, David
Navigator, The: A Medieval Odyssey (1988)
Omega Man, The (1971)
Elephant Man, The (1980)
Religion ~ Religion

#18
Hale, Elizabeth: Underworlds down under: Under the Mountain and The Navigator. In: Gothic N.Z.: The darker side of Kiwi culture. Edited by Misha Kavka, Jennifer Lawn and Mary Paul. - Dunedin: Otago University Press 2006. pp. 101-110.
Index:
Bailey, Chris
Ward, Vincent
Under the Mountain (TV)
Navigator, The: A Medieval Odyssey (1988)
Neuseeland ~ New Zealand
Horror ~ Horror

#19
Hanger, Bonnie: The woman sawed in half: Death, duality, and the female figure of postmodern psychodrama. - Detroit, Michigan: Wayne State University, Ph.D. 2001. [Abstract in: Dissertation Abstracts International A 62. 2002. No. 12. (June) p. 3974.]
Description:
Psychoanalytical and cultural examination of female subjectivity in the movies, especially in suspense and horror film. Discusses, among others, James Dearden’s A Kiss before Dying, Neil Jordan’s In Dreams, Tarsem Singh’s The Cell, Stephan Elliott’s Eye of the Beholder, Vincent Ward’s Map of the Human Heart, Jane Campion’s The Piano, Peter Jackson’s Heavenly Creatures and David Lynch’s Twin Peaks: Fire Walk with Me.
Index:
Dearden, James
Jordan, Neil
Singh, Tarsem
Elliott, Stephan
Ward, Vincent
Campion, Jane
Jackson, Peter
Lynch, David
Kiss before Dying, A (1991)
In Dreams (1999)
Cell, The (2000)
Eye of the Beholder (1998)
Map of the Human Heart (1992)
Piano, The (1993)
Heavenly Creatures (1994)
Twin Peaks: Fire Walk with Me (1992)
Tod ~ Death
Thriller ~ Thriller
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Horror ~ Horror
Frauen ~ Women

#20
Hendricks, Gay / Simon, Stephen: The heart and soul of spiritual cinema: Deep exploration of the movies that define the genre. In: Hendricks, Gay / Simon, Stephen: Spiritual cinema: A guide to movies that inspire, heal, and empower your life. - Carlsbad, California: Hay House 2005. p. ?P.
Description:
Discusses, among others, Frank Capra’s It’s a Wonderful Life, Stanley Kubrick’s 2001 - A Space Odyssey, the Star Wars films, Steven Spielberg’s Close Encounters of the Third Kind and E.T. - The Extra-Terrestrial, Jeannot Szwarc’s Somewhere in Time, Vincent Ward’s What Dreams May Come, Jerry Zucker’s Ghost, Harold Ramis’s Groundhog Day, the Matrix trilogy, M. Night Shyamalan’s The Sixth Sense, Niki Caro’s Whale Rider and Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Capra, Frank
Kubrick, Stanley
Lucas, George
Spielberg, Steven
Szwarc, Jeannot
Ward, Vincent
Zucker, Jerry
Ramis, Harold
Wachowski, Andy
Wachowski, Larry
Shyamalan, M. Night
Caro, Niki
Gondry, Michael
It’s a Wonderful Life (1947)
2001 - A Space Odyssey (1968)
Star Wars (Filmreihe)
Close Encounters of the Third Kind (1977)
E.T. - The Extra-Terrestrial (1982)
Somewhere in Time (1980)
What Dreams May Come (1998)
Ghost (1990)
Groundhog Day (1993)
Matrix, The (Filmreihe)
Sixth Sense, The (1999)
Whale Rider (2002)
Eternal Sunshine of the Spotless Mind (2004)
Religion ~ Religion

#21
Hinter dem Horizont. - Wien: ?V ?J. (= Neues Filmprogramm 10431.)
Index:
Ward, Vincent
What Dreams May Come (1998)

#22
Jeserich, Florian: Grenzgänger, Geisterseher, Gurus und Gegenwelten: Das Postmortalitätsmodell des Hollywoodfilms What Dreams May Come - ein religionswissenschaftlicher Re-Konstruktionsversuch. In: Mitteilungen für Anthropologie und Religionsgeschichte ?G. 2005. No. 17. [?D] pp. 319-389.
Index:
Ward, Vincent
What Dreams May Come (1998)
Tod ~ Death
Hollywood ~ Hollywood
Geister ~ Ghosts
Religion ~ Religion

#23
Jones, Alan: The Navigator: A Medieval Odyssey. In: Cinefantastique 19. 1989. No. 4. [May] pp. 38-39, 61.
Index:
Ward, Vincent
Navigator, The: A Medieval Odyssey (1988)

#24
Knox, Sara L.: Death, afterlife, and the eschatology of consciousness: Themes in contemporary cinema. In: Mortality 11. 2006. No. 3. [August] pp. 233-252.
Description:
Discusses, among others, Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)
Tod ~ Death
Religion ~ Religion

#25
Krainhöfner, Jürgen: Hinter dem Horizont: Himmel und Hölle im Feuerwerk der Effekte. In: Moviestar 6. 1998. No. 12(47). [November] pp. 48-53.
Description:
On Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion: Hölle ~ Religion: Hell

#26
Laffel, Jeff: Vincent Ward. In: Films in Review 44. 1993. No. 5/6. [?D] pp. 183-185.
Index:
Ward, Vincent

#27
Magid, Ron: Designing the afterlife. In: American Cinematographer 79. 1998. No. 11. [November] pp. 52-58.
Description:
On the special effects and the visual creation of heaven and hell in Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)
Religion: Hölle ~ Religion: Hell
Religion ~ Religion
Technik: Spezialeffekte ~ Technology: Special Effects

#28
Magid, Ron: Dream weavers. In: American Cinematographer 79. 1998. No. 11. [November] pp. 42-51.
Description:
On Vincent Ward’s What Dreams May Come; especially on the camera work of Eduardo Serra.
Index:
Ward, Vincent
Serra, Eduardo
What Dreams May Come (1998)
Technik: Kamera ~ Technology: Camera
Traum ~ Dreams

#29
Martin, Kevin H.: The sweet hereafter. In: Cinefex 1999. No. 76. [January] pp. 110-128.
Description:
On the special effects for Vincent Ward’s What Dreams May Come.
Index:
Ward, Vincent
What Dreams May Come (1998)
Technik: Spezialeffekte ~ Technology: Special Effects

#30
The Navigator: A Medieval Odyssey. In: Enzyklopädie des phantastischen Films. 12. Ergänzungslieferung. - Meitingen: Corian-Verlag, Oktober 1989.
Index:
Ward, Vincent
Navigator, The: A Medieval Odyssey (1988)

#31
Newman, Kim: Never say die. In: Sight and Sound NS 8. 1998. No. 12. [December] pp. 18-21.
Description:
On Vincent Ward’s What Dreams May Come, includes an interview with the director.
Index:
Ward, Vincent
What Dreams May Come (1998)

#32
Rains, Stephanie: Making strange: Journeys through the unfamiliar in the films of Vincent Ward. In: New Zealand filmmakers. Edited by Ian Gonrich and Stuart Murray. - Detroit, Michigan: Wayne State University Press 2007. (= Contemporary approaches to film and television.) pp. 273-288.
Index:
Ward, Vincent
Neuseeland ~ New Zealand

#33
Schmidt, Oliver: Die räumliche Wahrnehmung von Wirklichkeit: Drei Anmerkungen zum Verhältnis von filmischer Repräsentation und Zuschauer. In: Rabbit Eye 2010. No. 2. pp. 38-54.
Description:
Discusses, among others, Stanley Kubrick’s 2001 - A Space Odyssey, Gary Nelson’s The Black Hole, Tarsem Singh’s The Cell, Robert Zemeckis’s Contact, Christopher Nolan’s Inception, The Matrix by Andy and Larry Wachowski, David Lynch’s Mulholland Drive, Hans Richter’s Rhytmus 21 / Film ist Rhythmus, Sin City, Kerry Conran’s Sky Captain and the World of Tomorrow, James Cameron’s Titanic, Vincent Ward’s What Dreams May Come, David Lynch’s Wild at Heart as well as the Star Trek TV series.
Index:
Kubrick, Stanley
Nelson, Gary
Singh, Tarsem
Zemeckis, Robert
Nolan, Christopher
Wachowski, Andy
Wachowski, Larry
Lynch, David
Richter, Hans
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Conran, Kerry
Cameron, James
Ward, Vincent
Lynch, David
2001 - A Space Odyssey (1968)
Black Hole, The (1979)
Cell, The (2000)
Contact (1997)
Inception (2010)
Matrix, The (1999)
Mulholland Drive (2001)
Rhytmus 21 / Film ist Rhythmus (1921-1923)
Sin City / Frank Miller’s Sin City (2005)
Sky Captain and the World of Tomorrow (2004)
Titanic (1997)
What Dreams May Come (1998)
Wild at Heart (1990)
Star Trek (TV)
Fernsehen ~ Television

#34
Schwartz, Susan L.: I dream, therefore I am: What Dreams May Come. In: Journal of Religion and Film 4. 2000. No. 1. [April] p. ?P.
Index:
Ward, Vincent
What Dreams May Come (1998)
Traum ~ Dreams
Religion ~ Religion

#35
Zeitreisen. In: Science-Fiction: Androiden, Galaxien, Ufos und Apokalypsen: Das Genre, die Filme, die Tricks, die Stars. Hrsg. von Dirk Manthey und Jörg Altendorf. Chefredakteur: Willy Loderhose. Redaktion: Silke Kienecker und Thomas Müller-Siemens. Band 2. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 38-47.
Description:
Discusses, among others, Robert Zemeckis’s Back to the Future, Michael Anderson’s Millennium and Vincet Ward’s The Navigator.
Index:
Zemeckis, Robert
Anderson, Michael
Ward, Vincent
Back to the Future (1985)
Millennium (1989)
Navigator, The: A Medieval Odyssey (1988)
Zeit ~ Time


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Bibliografie des fantastischen Films / Bibliography of Fantastic Film

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