The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Week-End (1967)
number of items: 13
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Antoine Duhamel. In: La musique à l’écran. Édite par Alain Garel et François Porcile. (= Cinémaction 1992. No. 62. [?D]) pp. 49-52.
Description:
Views of the composer who worked for Jean-Luc Godard’s Week-End and Bertrand Tavernier’s La mort en direct.
Index:
Duhamel, Antoine
Tavernier, Bertrand
Godard, Jean-Luc
mort en direct, La (1979)
Week-End (1967)
Musik ~ Music
#2
Bongers, Wolfgang: Die Auto-Bahn: Zum Zivilisationsstau in Godards Week-end und Cortázars La autopista del sur. In:Godard intermedial. Hrsg. v. Volker Roloff und Scarlett Winter. - Tübingen: Stauffenburg Verlag 1997. (= Siegener Forschungen zur romanischen Literatur- und Medienwissenschaft 3.) pp. 99-107.
Index:
Godard, Jean-Luc
Cortázar, Julio
Week-End (1967)
autopista del sur, La (Literatur ~ Literature)
#3
Haynes, Jonathan Everett: The Mid-Atlantic: Fantasmatic genealogies of the French and American New Waves. - Berkeley, California: University of California, Berkeley, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2016. No. 8 [February] p. ?P.]
Description:
Discusses, among others, Jean-Luc Godard’s Week-End, Pier Paolo Pasolini’s Salò, and the influence of Alfred Hitchcock on François Truffaut.
Index:
Godard, Jean-Luc
Pasolini, Pier Paolo
Hitchcock, Alfred
Truffaut, François
Week-End (1967)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
USA (United States of America) ~ USA (United States of America)
Frankreich ~ France
#4
Hobbs, Simon: Animal snuff: The critical reception of Weekend and Cannibal Holocaust. In: Snuff: Real death and screen media. Edited by Neil Jackson, Shaun Kimber, Johnny Walker, and Thomas Joseph Watson. - New York: Bloomsbury Academic 2016. p. ?P.
Index:
Godard, Jean-Luc
Deodato, Ruggero
Week-End (1967)
Cannibal Holocaust (1979)
Tiere ~ Animals
Tod ~ Death
Mord ~ Murder
Horror ~ Horror
#5
Kolker, Robert Phillip: Politics and the apocalypse: Weekend (1967). In: Kolker, Robert Phillip: Politics goes to the movies: Hollywood, Europe, and beyond. - Abingdon, Oxon; New York: Routledge 2018. p. ?P.
Index:
Godard, Jean-Luc
Week-End (1967)
Religion: Apokalypse ~ Religion: Apocalypse
Europa ~ Europe
Hollywood ~ Hollywood
Politik ~ Politics
#6
Kremer, Detlef: Ohne Ende: Virtuelle Apokalypse im zeitgenössischen Film: Godard, Greenaway, Kubrick, Lynch. In: Apokalypse: Der Anfang im Ende. Hrsg. von Maria Moog-Grünewald. - Heidelberg: Winter 2003. (= Neues Forum für Allgemeine und Vergleichende Literaturwissenschaft 16.) pp. 245-258.
Index:
Godard, Jean-Luc
Greenaway, Peter
Kubrick, Stanley
Lynch, David
Week-End (1967)
Religion: Apokalypse ~ Religion: Apocalypse
#7
Lesch, Walter: Die Entzauberung der Konsumgesellschaft in einer Apokalypse der Gewalt: Theologisch-ethische Lesarten des Endes in Godards Week End. In: Von Ödipus zu Eichmann: Kulturantropologische Voraussetzungen von Gewalt. Hrsg. von Dietmar Regensburger und Christian Wessely. - Marburg: Schüren 2012. (= Film & Theologie 22.) pp. 277 ff.
Index:
Eichmann, Adolf
Godard, Jean-Luc
Week-End (1967)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
Gewalt ~ Violence
#8
Macdonald, Shana: Materiality and metaphor: Rape in Anne Claire Poirier’s Mourir à tue-tête and Jean-Luc Godard’s Weekend. In: Rape in art cinema. Edited by Dominique Russell. - New York: Continuum 2010. p. ?P.
Index:
Poirier, Anne-Claire
Godard, Jean-Luc
Mourir a tue-tête (1978)
Week-End (1967)
Gewalt ~ Violence
Sexualität ~ Sexuality
Vergewaltigung ~ Rape
#9
Reichert, Holger: Die kinematische Tarnkappe: Vom Verschwinden und Auftauchen der Bilder. In: Und2: Texte zu Film und Kino. Hrsg. von Karl Sierek und Gernot Heiss. - Wien: PVS Verleger 1992.
Description:
On Godard’s Week-End.
Index:
Godard, Jean-Luc
Week-End (1967)
#10
Schneider, Manfred: Entropie tricolore: Die Logik der Bilder in Godards Weekend. In: Der Entzug der Bilder: Visuelle Realitäten. Hrsg. von Manfred Wetzel und Herta Wolf. - München: ?V 1994. p. ?P.
Index:
Godard, Jean-Luc
Week-End (1967)
#11
Week-End. - Wien: Österreichischer Filmkunstverleih TOP-Film ?J. (= TOP-Filmprogramm 74.)
Index:
Godard, Jean-Luc
Week-End (1967)
#12
Westbrook. John: Digesting Godard filming Bataille: Expenditure in Weekend. In: Contemporary French and Francophone Studies 9. 2005. No. ?N. [?D] pp. 345-352.
Index:
Godard, Jean-Luc
Bataille, Georges
Week-End (1967)
#13
Whitehead, Peter: Weekend. In: Framework 52. 2011. No. 1. [Spring] pp. 393-395.
Index:
Godard, Jean-Luc
Whitehead, Peter Lorrimer
Week-End (1967)
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