The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Weibang Maxu
number of items: 4
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Chua, John: Something borrowed, something new: Ye ban ge sheng (Song at Midnight) and the cross-cultural reinterpretations of horror in twentieth century China. In: Asian Cinema 16. 2005. No. 2. [Fall/Winter] pp. 122-146.
Description:
On the Chinese adaption of Gaston Leroux’s classic horror novel Le Fantôme de l’opera.
Index:
Leroux, Gaston
Weibang Maxu
Yu, Ronny
Ye ban ge sheng (1937)
Ye ban ge sheng (1995)
Fantôme de l’opera, Le (Literatur ~ Literature)
Horror ~ Horror
China ~ China
#2
Robinson, David: Return of the phantom. In: Film Quarterly 53. 1999/2000. No. 2. [Winter] pp. 43-46.
Description:
On Maxu Weibang’s Midnight Song (Yeban gesheng).
Index:
Weibang Maxu
Yeban gesheng / Song At Midnight / Midnight Song (1937)
#3
Wang, Yiman: Here, again, comes the bride-to-be: Refiguring the gender and remaking the horror. In: Language and Literature 2003. No. 28. [?D] pp. 43-65.
Description:
Discusses especially Rupert Julian’s The Phantom of the Opera, Midnight Song (Yeban gesheng) by Weibang Maxu and The Phantom Lover (Ye ban ge sheng) by Ronny Yu.
Index:
Julian, Rupert
Weibang Maxu
Yu, Ronny
Phantom of the Opera, The (1925)
Yeban gesheng / Song At Midnight / Midnight Song (1937)
Ye ban ge sheng (1995)
Sexualität ~ Sexuality
Horror ~ Horror
#4
Wang, Yiman: The phantom strikes back: Triangulating Hollywood, Shanghai and Hong Kong. In: Quarterly Review of Film and Video 21. 2004. No. 4. [October-December] pp. 317-326.
Description:
On Chinese film remakes. Discusses as an example Ronny Yu’s new version of Weibang Maxu’s Ye ban ge sheng, an adaption of the Phantom of the Opera subject.
Index:
Weibang Maxu
Yu, Ronny
Ye ban ge sheng (1937)
Ye ban ge sheng (1995)
Phantom of the Opera (Filmreihe)
Shanghai ~ Shanghai
Hongkong ~ Hong Kong
Hollywood ~ Hollywood
China ~ China
Phantom of the Opera ~ Phantom of the Opera
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