The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Welles, Orson

number of items: 406

#1
Abajo de Pablos, Juan Julio de: La Guerra de los mundos de Orson Welles y otros escritos sobre cine. - Valladolid: Fancy Ed. 2001.
Index:
Wells, Herbert George
Welles, Orson
War of the Worlds, The (Hörspiel ~ Radio Play)
War of the Worlds, The (Literatur ~ Literature)

#2
Adams, Jeffrey: Orson Welles’s The Trial: Film noir and the Kafkaesque. In: College Literature 29. 2002. No. 3. [Summer] pp. 140-157.
Description:
Discusses also Touch of Evil.
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Touch of Evil (1957)
Film Noir ~ Film Noir

#3
Agotai, Doris: Architekturen in Zelluloid: Der filmische Blick auf den Raum. - Bielefeld: transcript Verlag 2007.
Reviews:
Schönfelder, Bodo: Gebaute Geschichten. In: EPD Film 25. 2008. No. 3. [March] p. 60.
Description:
On real architecture influenced by or designed after film models. Discusses, among others, examples from films by Orson Welles and Federico Fellini.
Index:
Welles, Orson
Fellini, Federico
Architektur ~ Architecture

#4
Amiel, Vincent / Pangon, Gérard: Orson Welles: 1952. - Paris: Arte Edition / Paris: Edition Mille et Une Nuits 1997. (= Cannes, les anées festival 1952.)
Index:
Welles, Orson

#5
Anderegg, Michael: Orson Welles, Shakespeare, and popular culture. - New York; Chichester: Columbia University Press 1999.
Reviews:
Benamou, Catherine: [untitled] In: Michigan Quarterly Review 39. 1999. No. 4. [?D] pp. 673-683.
Gottlieb, Sidney: [untitled] In: Film Quarterly 54. 2000. No. 1. [Fall] pp. 49-52.
Philippian Jr., Mardi: [untitled] In: Literature/Film Quarterly 27. 1999. No. 4. [?D] pp. 310-311.
Poague, Leland: [untitled] In: Post Script 21. 2001. No. 1. [Fall] pp. 39 ff.
Index:
Welles, Orson
Shakespeare, William

#6
Andrew, Dudley: Film in the aura of art. - Princeton, New Jersey: Princeton University Press 1984.
Description:
On nine art film directors, among them Orson Welles, Kenji Mizoguchi and Laurence Olivier.
Index:
Welles, Orson
Mizoguchi, Kenji
Olivier, Laurence
Kunst ~ Arts, The

#7
Anile, Alberto: Mary and the Moor: The precious memories of Orson Welles’s secretary from the set of Othello. In: Film History 27. 2015. No. 2. pp. 161-185.
Index:
Welles, Orson
Othello (1951)

#8
Armstrong, Stephen B.: Touch of Evil (1958) and the end of the noir cycle. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#9
Die Ästhetik des Bösen im Film: Materialien und Filme zum Thema. Hrsg. vom Gemeinschaftswerk der Evangelischen Publizistik, Evangelische Akademie Arnoldshain. Redaktion: Rudolf Joos. - Frankfurt/M.: Gemeinschaftswerk der Evangelischen Publizistik 1987. (= Arnoldshainer Filmgespräche 4.)
Reviews:
Gendolla, Peter: [untitled] In: Medienwissenschaft 1988. No. 2. pp. 193-194.
Description:
Discusses Liliana Cavani’s Il portiere di notte, Veit Harlan’s Opfergang, Robert Bresson’s L’Argent, Erich von Stroheim’s Greed and Orson Welles’s Touch of Evil.
Index:
Cavani, Liliana
Harlan, Veit
Bresson, Robert
Stroheim, Erich von
Welles, Orson
portiere di notte, Il / Night Porter, The (1973)
Opfergang (1944)
Argent, L’ (1982)
Greed (1923/1924)
Touch of Evil (1957)
Böse, Das ~ Evil, The

#10
Balbuena Torezano, María del Carmen: El universo Kafkiano en el cine: A propósito de The Trial, de Orson Welles. In: Estudios filológicos Alemanes 2004. No. 4. [?D] pp. 181-204.
Index:
Welles, Orson
Kafka, Franz
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)

#11
Barnaby, Andrew: Imitation as originality in Gus Van Sant’s My Own Private Idaho. In: Almost Shakespeare: Reinventing his works for cinema and television. Edited by James R. Keller and Leslie Stratyner. - Jefferson, North Carolina; London: McFarland 2004. pp. 22-41.
Description:
Discusses also Orson Welles’s Chimes at Midnight.
Index:
Shakespeare, William
Van Sant, Gus
Welles, Orson
My Own Privat Idaho (1991)
Campanadas a medianoche / Chimes at Midnight (1965)
Fernsehen ~ Television

#12
Barnett, Vincent L.: Cutting koerners: Floyd Odlum, the Atlas Corporation and the dismissal of Orson Welles from RKO. In: Film History 22. 2010. No. 2. pp. 182-198.
Index:
Welles, Orson
Odlum, Floyd B.
RKO ~ RKO

#13
Baxter, Keith: Filming Falstaff. In: Positif 1992. No. 378. [July/August] pp. 29-35.
Description:
On Orson Welles’s Campanadas a medianoche / Chimes at Midnight.
Index:
Welles, Orson
Verdi, Giuseppe
Campanadas a medianoche / Chimes at Midnight (1965)
Falstaff (Musik ~ Music)

#14
Bazin, André / Bitsch, Charles / Domarchi, Jean: Interview with Orson Welles (II). In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 48 ff.
Index:
Welles, Orson

#15
Bazin, André / Bitsch, Charles: Interview with Orson Welles (I). In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 35 ff.
Index:
Welles, Orson

#16
Bazin, André: Orson Welles. - Milano: Il Formichiere 1980. (= Cinema.)
First edition:
[Paris: Edition du Cerf 1958]
Index:
Welles, Orson

#17
Bazin, André: Orson Welles. - Paris: Ramsay 1985. (= Ramsay poche cinéma 5.)
First edition:
[Paris: Edition du Cerf 1958]
Index:
Welles, Orson

#18
Bazin, André: Orson Welles. - Wetzlar: Büchse der Pandora 1980.
First edition:
[Paris: Edition du Cerf 1958]
Index:
Welles, Orson

#19
Bazin, André: Orson Welles. - Paris: Cahiers du Cinéma 1998. (= Petite bibliothèque des "Cahiers du Cinéma.)
First edition:
[Paris: Edition du Cerf 1958]
Index:
Welles, Orson

#20
Bazin, André: Orson Welles: A critical view. Translated by Jonathan Rosenbaum. - Los Angeles, California: Acrobat Books 1991.
First edition:
[Paris: Édition du Cerf 1958]
Index:
Welles, Orson

#21
Bazin, André: Orson Welles. A cura di Elena Degrada. - Vicenza: GS 1998. (= Kinoglaz.)
First edition:
[Paris: Edition du Cerf 1958]
Index:
Welles, Orson

#22
Beckham II, Jack M.: Placing Touch of Evil, The Border, and Traffic in the American imagination. In: Journal of Popular Film and Television 33. 2005. No. 3. [?D] pp. 130-141.
Index:
Welles, Orson
Richardson, Tony
Soderbergh, Steven
Touch of Evil (1957)
Border, The (1982)
Traffic (2000)
USA (United States of America) ~ USA (United States of America)

#23
Beja, Morris: Perspectives on Orson Welles. - New York: G. K. Hall 1995.
Description:
Collection of articles.
Index:
Welles, Orson

#24
Beja, Morris: Where You can’t get at him: Orson Welles and the attempt to escape from father. In: Literature/Film Quarterly 13. 1985. No. 1. [January] pp. 2-9.
Description:
On Citizen Kane and The Trial.
Index:
Welles, Orson
Citizen Kane (1940)
Trial, The / Procés, Le / processo, Il (1962)
Vater ~ Fathers

#25
Bell, Robert H.: Rereading Orson Welles’s Chimes at Midnight. In: Shakespeare Newsletter 54. 2004. No. 1. [?D] pp. 17, 20, 22.
Index:
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)

#26
Bell, Robert H.: Rereading Orson Welles’s Chimes at Midnight. In: Southwest Review 89. 2004. No. 4. [?D] pp. 566 -576.
Index:
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)

#27
Benamou, Catherine: Grande Otelo, le roi du carnaval. Traduit de l’américain par Serge Grünberg. In: Cahiers du Cinéma 1994. No. 475. [January] pp. 46-47.
Description:
On Orson Welles’s unfinished film project It’s All True.
Index:
Welles, Orson
It’s All True (1942)

#28
Benamou, Catherine: It’s All True as document/event: Notes towards an historiographical and textual analysis. In: Persistence of Vision 1989. No. 7. pp. 121-152.
Index:
Welles, Orson
It’s All True (1942)

#29
Benamou, Catherine L.: "Everbody’s Orson Welles": Treasures from the Special Collections Library at the University of Michigan. In: Michigan Quarterly Review 48. 2009. No. 2. [?D] pp. 186-242.
Index:
Welles, Orson
Literatur ~ Literature

#30
Benamou, Catherine L.: It’s All True: Orson Welles’s Pan-American odyssey. - Berkeley, California; London: University of California Press 2007.
Reviews:
Gottlieb, Sidney: [untitled.] In: Cineaste 33. 2008. No. 2. [?D] pp. 72-75.
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, October 2008.
Petrie, Graham: [untitled.] In: Michigan Quarterly Review 48. 2009. No. 1. [?D] pp. 141-146.
Index:
Welles, Orson
It’s All True (1942)
USA (United States of America) ~ USA (United States of America)

#31
Benamou, Catherine Laure: Orson Welles’s transcultural cinema: A historical/textual reconstruction of the suspended film, It’s All True, 1941-1993. - New York: New York University, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 9. (March) p. 3342A.]
Index:
Welles, Orson
It’s All True (1942)

#32
Berg, Chuck / Erskine, Tom: The encyclopedia of Orson Welles. - New York: Facts on File 2003. (= Great Filmmakers.)
Reviews:
Manon, Hugh S.: Useful in many ways. In: Film & History 33. 2003. No. 1. [Spring] p. 87.
Index:
Welles, Orson

#33
Berthomé, Jean-Pierre: Hitchcock et Welles: "Je l’aimais beaucoup, il n’aimait pas mais films non plus". In: Positif 2000. No. 470. [April] pp. 76-81.
Index:
Hitchcock, Alfred
Welles, Orson

#34
Berthomé, Jean-Pierre: It’s All True: Les lambeaux de Fortaleza. In: Positif 1994. No. 396. [?D] pp. 54-57.
Description:
On the film by Bill Krohn, Myron Meisel and Richard Wilson based on an unfinished film project by Orson Welles.
Index:
Welles, Orson
Krohn, Bill
Meisel, Myron
Wilson, Richard
It’s All True (1942)
It’s All True: Based on an Unfinished Film By Orson Welles (1993)

#35
Berthomé, Jean-Pierre: Macbeth: Une naissance de la conscience. In: Positif 1992. No. 378. [July/August] pp. 10-14.
Index:
Welles, Orson
Macbeth (1948)

#36
Berthomé, Jean-Pierre / Rhomas, François: Sept années en noir et blanc: Entretien avec Edmond Richard, directeur de la photographie. In: Positif 1992. No. 378. [July/August] pp. 36-48.
Description:
On the cinematographer and his work for Orson Welles. Discusses, among others, his participation in The Trial and Chimes at Midnight.
Index:
Richard, Edmond
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Campanadas a medianoche / Chimes at Midnight (1965)
Technik: Kamera ~ Technology: Camera

#37
Berthomé, Jean-Pierre / Thomas, François: Orson Welles at work. - London: Phaidon 2008.
Reviews:
Tonquette, Peter: [untitled.] In: Cineaste 33. 2008. No. 4. [?D] pp. 77-78.
Walters, Ben: Unfinished business. In: Sight and Sound NS 18. 2008. No. 4. [April] p. 92.
Index:
Welles, Orson

#38
Bertoncini, Marco: Ouando lo schermo esplode: Note sull’uso del grandangolo nel cinema di Welles e di Kubrick. In: Cineforum 46. 2006. No. ?N(451). [January/February] pp. 46-53.
Description:
On both director’s use of wide-angle lenses.
Index:
Welles, Orson
Kubrick, Stanley
Technik ~ Technology

#39
Bessy, Maurice: Orson Welles. - Paris: Pygmalion 1982.
Index:
Welles, Orson

#40
Bessy, Maurice: Orson Welles. - München: Bahia Verlag 1983.
First edition:
[Paris: Pygmalion 1982]
Index:
Welles, Orson

#41
Bies, Werner: Orson Welles’ Shakespeare-Filme im Spiegel der Kritik: Ein bibliographischer Bericht. In: Jahrbuch der deutschen Shakespeare-Gesellschaft West 1982. pp. 169-177.
Index:
Welles, Orson
Shakespeare, William

#42
Biodrowski, Steve: Lobster Man from Mars. In: Cinefantastique 21. 1990. No. 1. [July] p. 15.
Description:
On the science fiction parody starring Tony Curtis, a hommage to Orson Welles.
Index:
Curtis, Tony
Sheff, Stanley
Welles, Orson
Lobster Man from Mars (1990)
Humor ~ Humor
Science Fiction ~ Science Fiction

#43
Bogdanovich, Peter / Welles, Orson: Hier spricht Orson Welles. Hrsg. von Jonathan Rosenbaum. Aus dem Amerikanischen von Heide Sommer und Oivin Ziemer. - Weinheim: Beltz Quadriga 1994.
First edition:
[This is Orson Welles. - New York; London: Harper Collins Publishers 1993]
Reviews:
Koppold, Rupert: Das Genie und das Scheitern. In: Medien und Erziehung 38. 1994. No. 6. [?D] pp. 379-380.
Description:
Autobiography in dialog form
Index:
Welles, Orson

#44
Bogdanovich, Peter / Welles, Orson: Moi, Orson Welles. - Paris: Édition Belfond ?J (1993).
Description:
Autobiography in dialog form
Index:
Welles, Orson

#45
Bogdanovich, Peter / Welles, Orson: Moi, Orson Welles. Trad. de l’américain par Évelyne Chatelain. - Paris: Seuil 1996. (= Points: Point Virgule 167.)
Description:
Autobiography in dialog form
Index:
Welles, Orson
USA (United States of America) ~ USA (United States of America)

#46
Bogdanovich, Peter / Welles, Orson: This is Orson Welles. Edited by Jonathan Rosenbaum. - New York: Harper Perennial 1993.
Description:
Autobiography in dialog form
Index:
Welles, Orson

#47
Bogdanovich, Peter / Welles, Orson: This is Orson Welles. Edited by Jonathan Rosenbaum. - New York; London: Harper Collins Publishers 1992.
Reviews:
Codelli, Lorenzo: Orson Welles. La dix mille et unième page. In: Positif 1993. No. 391. [?D] pp. 70-71.
Dobbs, Lem: It’s all true. In: Sight and Sound NS 3. 1993. No. 6. [June] p. 42.
Naremore, James: [untitled] In: Cineaste 19. 1992. No. 4. [?D] pp. 93-94.
Description:
Autobiography in dialog form
Index:
Welles, Orson

#48
Bond, Scott / Bond, Sherry Rose: Report from 221B Baker Street: Orson Welles meets Sherlock Holmes. In: Armchair Detective 29. 1996. No. 4. [?D] pp. 461-563.
Index:
Welles, Orson
Sherlock Holmes ~ Sherlock Holmes

#49
Borroni, Marco: La maschera: E il volto? In: Cineforum 42. 2002. No. ?N(417). [August/September] pp. 10-12.
Description:
On the usage of masks and disguises in Orson Welles’s Mr. Arkadin and in the films of Stanley Kubrick.
Index:
Welles, Orson
Kubrick, Stanley
Mr. Arkadin / Confidential Report (1955)
Kleidung ~ Clothes
Masken ~ Masks

#50
Boujut, Michel: Five days in the life of commander Welles. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 173 ff.
Index:
Welles, Orson

#51
Boyd, David: Film and the interpretive process: A study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. - New York, Bern, Frankfurt/M., Paris: Lang 1989. (= Ars interpretandi 1.)
Reviews:
Rother, Rainer: [untitled] In: Medienwissenschaft 1990. No. 4. pp. 386-390.
Description:
Bibliography.
Index:
Antonioni, Michelangelo
Kurosawa, Akira
Welles, Orson
Fellini, Federico
Hitchcock, Alfred
Bergman, Ingmar
Blow Up (1966)
Rashomon (1950)
Citizen Kane (1940)
Otto e mezzo / Huit et demi (1962)
Vertigo (1958)
Persona (1966)

#52
Brady, Frank: Citizen Welles: A biography of Orson Welles. - London: Coronet 1991.
First edition:
[London: Hodder & Stoughton 1990]
Index:
Welles, Orson

#53
Brady, Frank: Citizen Welles: A biography of Orson Welles. - London: Hodder & Stoughton 1990.
Index:
Welles, Orson

#54
Brady, Frank: Citizen Welles: A biography of Orson Welles. - New York: Anchor Books 1990.
Index:
Welles, Orson

#55
Brady, Frank: Citizen Welles: A biography of Orson Welles. - New York: Charles Scribner’s Sons 1989.
Reviews:
Rosenbaum, Jonathan: [untitled] In: Film Quarterly 43. 1989/1990. No. 2. [Winter] pp. 44-46.
Index:
Welles, Orson

#56
Brady, Thomas F.: Welles hits old stride again. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 26 ff.
Index:
Welles, Orson

#57
Brandlmeier, Thomas: Die Vertreibung aus dem Paradies: Notizen zum Werk von Orson Welles. In: EPD Film 12. 1995. No. 3. [March] pp. 18-23.
Index:
Welles, Orson

#58
Brandlmeier, Thomas: Orson-Welles-Konferenz: Neue Facetten. In: EPD Film 16. 1999. No. 12. [December] p. 2.
Index:
Welles, Orson

#59
Braun, Michael: Kafka im Film: Die Prozeß-Adaptionen von Orson Welles, Steven Soderbergh und David Jones. In: Kontext Film: Beiträge zu Film und Literatur. Hrsg. von Michael Braun und Werner Kamp. - Berlin: Erich Schmidt 2006. pp. 27-44.
Index:
Kafka, Franz
Welles, Orson
Soderbergh, Steven
Jones, David
Trial, The / Procés, Le / processo, Il (1962)
Kafka (1991)
Trial, The (1993)
Prozeß, Der (Literatur ~ Literature)
Literatur ~ Literature

#60
Bromwich, David: Magnifico. In: London Review of Books 26. 2004. No. 11. [?D] pp. 7-11.
Description:
On Orson Welles.
Index:
Welles, Orson

#61
Bronfen, Elisabeth: Die Lady von Shanghai. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 151-155.
Description:
On Orson Welles’s The Lady from Shanghai.
Index:
Welles, Orson
Lady from Shanghai, The (1946)
Film Noir ~ Film Noir

#62
Brunas, John / Brunas, Michael / Weaver, Tom: Janet Leigh. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 275-288.
Description:
On the actress who played in Orson Welles’s Touch of Evil, Alfred Hitchcock’s Psycho and John Carpenter’s The Fog spielte. Includes a filmography.
Index:
Leigh, Janet
Welles, Orson
Hitchcock, Alfred
Carpenter, John
Touch of Evil (1957)
Psycho (1960)
Fog, The / John Carpenter’s The Fog (1979)
Science Fiction ~ Science Fiction
Horror ~ Horror

#63
Bruno, Edoardo: Un viaggio attorno all’analogo. In: Filmcritica 37. 1986. No. 365/366. [June/July] pp. 335-337.
Description:
On Orson Welles’s Don Quixote.
Index:
Welles, Orson
Don Quixote (1955)

#64
Buchman, Lorne M.: Orson Welles’s Othello: A study of time in Shakespeare’s tragedy. In: Shakespeare Survey 1987. No. 39. [?D] pp. 53-65.
Index:
Welles, Orson
Shakespeare, William
Othello (1951)

#65
Buchman, Lorne Michael: From the Globe to the screen: An interpretive study of Shakespeare through film. - Stanford, California: Stanford University, Ph.D. 1984. [Abstract in: Dissertation Abstracts International A 45. 1984. No. 6. (December) p. 1574A.]
Description:
Discusses, among others, the Shakespeare filmings by Orson Welles and Grigorij Kozincev.
Index:
Welles, Orson
Kozincev, Grigorij
Shakespeare, William

#66
Bullot, Érik: Trompe l’oeil: Essai d’iconologie des soucoupes volantes. In: Cinéma [Paris] 2005. No. 9(?N). [Spring] pp. 4-19.
Description:
On the motif of the flying saucer in in science fiction, especially in Oron Welles’s radio program The War of the Worlds and in Fred F. Sears’s Earth vs. the Flying Saucers.
Index:
Welles, Orson
Sears, Fred F.
Earth vs. the Flying Saucers (1956)
Science Fiction ~ Science Fiction
War of the Worlds, The (Hörspiel ~ Radio Play)

#67
Bulman, James C.: Performing the conflated text of Henry IV: The fortunes of Part Two. In: Shakespeare Survey 2010. No. 63. [?D] pp. 89-101.
Index:
Shakespeare, William
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)
History of Henry the Fourth, The (Literatur ~ Literature)

#68
Bywater, William: The visual pleasure of patriarchal cinema: Welles’ Touch of Evil. In: Film Criticism 14. 1990. No. 3. [?D] pp. 27-38.
Description:
Psychoanalytical examination.
Index:
Welles, Orson
Touch of Evil (1957)
Psychologie ~ Psychology

#69
Caccia, Riccardo: Invito al cinema di Orson Welles. - Milano: Mursia 1997. (= Invito al Cinema 6.)
Index:
Welles, Orson

#70
Callow, Simon: Orson Welles: Hello Americans. - London: Jonathan Cape 2006.
Reviews:
Fawcett, Edmund: [untitled] In: The Times Literary Supplement, July 21, 2006. p. 36.
Giddins, Gary: [untitled] In: New York Times Book Review, September 3, 2006. pp. 12-13.
Hoberman, J.: [untitled.] In: London Review of Books 29. 2007. No. 17. [?D] pp. 33-34.
Rosenbaum, Jonathan: [untitled] In: Cineaste 31. 2006. No. 4. [?D] pp. 88-89.
Schwartz, Sanford: [untitled.] In: New York Review of Books 54. 2007. No. 4. pp. 52-54.
Walters, Ben: [untitled.] In: Sight and Sound NS 16. 2006. No. 7. [July] pp. 94-95.
Index:
Welles, Orson
USA (United States of America) ~ USA (United States of America)

#71
Callow, Simon: Orson Welles: One man band. - ?O: Jonathan Cape 2015.
Reviews:
Walters, Ben: Magnificently out of proportion. In: Sight and Sound NS 26. 2016. No. 1. [January] pp. 104-105.
Index:
Welles, Orson

#72
Callow, Simon: Orson Welles: The road to Xanadu. - ?O: Harper Collins Audio Books 1995.
First edition:
[London: Jonathan Cape 1995]
Description:
Autobiography.
Index:
Welles, Orson

#73
Callow, Simon: Orson Welles: The road to Xanadu. - London: Vintage Books 1996.
First edition:
[London: Jonathan Cape 1995]
Description:
Biography.
Index:
Welles, Orson

#74
Callow, Simon: Orson Welles: The road to Xanadu. Vol. 1. - New York: Viking 1995.
Reviews:
Lyons, Donald: Setting terms for Orson. In: Film Comment 32. 1996. No. 6. [November/December] pp. 85-87.
Turner, George: [untitled] In: American Cinematographer 77. 1996. No. 4. [April] p. 117.
Description:
First volume of an detailed Welles biography.
Index:
Welles, Orson

#75
Callow, Simon: Orson Welles: The road to Xanadu. Vol. 1. - London: Jonathan Cape 1995.
Reviews:
Dorinson, Joseph: [untitled] In: Film & History 25. 1995. No. 1. pp. 74-75.
Description:
First volume of an detailed Welles biography.
Index:
Welles, Orson

#76
Campbell, Gardner: The presence of Orson Welles in Robert Stevensons Jane Eyre (1944). In: Literature/Film Quarterly 31. 2003. No. 1. [January] pp. 2-9.
Description:
Discusses, alongside Welles’s participation, the use of expressionistic techniques for the film project.
Index:
Stevenson, Robert
Welles, Orson
Jane Eyre (1944)
Technik ~ Technology
Expressionismus ~ Expressionism

#77
Caretti, Laura: La recita del potere: Orson Welles e Shakespeare. In: Shakespeare al cinema. A cura di Isabella Imperiali. - Roma: Bulzoni 2000. (= Cinema studio 33.) pp. 65-76.
Index:
Shakespeare, William
Welles, Orson

#78
Carroll, Noël: Welles and Kafka. In: Carroll, Noël: Interpreting the moving image. - Cambridge; Mew York: Cambridge University Press 1998. p. ?P.
Index:
Welles, Orson
Kafka, Franz

#79
Casale, Gherardo: L’Incantesimo è compiuto: Shakespeare secondo Orson Welles. - Torino: Lindau 2001. (= Il Pesce volante.)
Index:
Shakespeare, William
Welles, Orson

#80
Chevrie, Marc: Des murs de lumière. In: Cahiers du Cinéma 1985. No. 377. [November] pp. 30-32.
Description:
Interview with photographer Edmond Richard on his collaboration with director Orson Welles for The Trial and Chimes at Midnight.
Index:
Welles, Orson
Richard, Edmond
Trial, The / Procés, Le / processo, Il (1962)
Campanadas a medianoche / Chimes at Midnight (1965)
Fotografie ~ Photography

#81
Chimes at Midnight. Orson Welles, director. Edited by Bridget Gellert Lyons. - New Brunswick; London: Rutgers University Press 1988. (= Rutgers films in print 11.)
Reviews:
Rosenbaum, Jonathan: [untitled] In: Film Quarterly 43. 1989/1990. No. 2. [Winter] pp. 44-46.
Rothwell, Kenneth S.: [untitled] In: Shakespeare Quarterly 41. 1990. No. 4. [?D] pp. 542-544.
Index:
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)

#82
Chinen Biesen, Sheri: "Rawness to romance": "Gothic" thrillers as film noir prototypes from Alfred Hitchcock to Orson Welles. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Hitchcock, Alfred
Welles, Orson
Thriller ~ Thriller
Horror ~ Horror
Film Noir ~ Film Noir

#83
Cid, Adriana C.: La pesadilla de Josef K.: Convergencias y divergencias en Kafka y Orson Welles. In: Anuaro Argentinio de Germanística 2007. No. 3. pp. 327-337.
Index:
Kafka, Franz
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)

#84
Cieutat, Michel: Orson Welles, l’acteur des autres. In: Positif 1992. No. 378. [July/August] pp. 20-24.
Index:
Welles, Orson

#85
Clute, Shannon Scott / Edwards, Richard L.: The Maltese Touch of Evil: Film Noir and potential criticism. - Hanover, New Hampshire: Dartmouth College Press 2011. (= Interfaces: Studies in Visual Culture.)
Reviews:
Miklitsch, Robert: [untitled.] In: Film & History 43. 2013. No. 2. [Fall] pp. 80-83.
Index:
Huston, John
Welles, Orson
Maltese Falcon, The (1941)
Touch of Evil (1957)
Film Noir ~ Film Noir
Böse, Das ~ Evil, The

#86
Coates, Paul: Film at the intersection of high and mass culture. - Cambridge, Massachusetts; New York; Melbourne: Cambridge University Press 1994. (= Cambridge Studies in Film.)
Reviews:
Howells, Richard: [untitled] In: Historical Journal of Film, Radio and Television NS 15. 1995. No. 2. [?D] pp. 327-328.
Laderman, David: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 44-45.
Description:
Discusses, among others, many horror and science fiction films. Contains detailed analysis of Woddy Allen’s The Purple Rose of Cairo, the films of Ingmar Bergman and David Cronenberg, especially The Fly, Brian De Palma, Alfred Hitchcock, especially on Psycho, Rear Window and Vertigo, Rex Ingram’s Four Horsemen of the Apocalypse, Fritz Lang, especially on Metropolis, Chris Marker’s La Jetée, Sylvester Stallone, Kidlat Tahimik’s Mababangong Bangungot / The Perfumed Nightmare, Andrej Tarkovskij, especially on Offret / Le Sacrifice and Soljaris, Jacques Tourneur’s Cat People, Peter Weir, especially on Mosquito Coast, Orson Welles and Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Allen, Woody
Bergman, Ingmar
Cronenberg, David
De Palma, Brian
Hitchcock, Alfred
Ingram, Rex
Lang, Fritz
Marker, Chris
Stallone, Sylvester
Tahimik, Kidlat
Tarkovsky, Andrei Arsenyevich
Tourneur, Jacques
Weir, Peter
Welles, Orson
Wiene, Robert
Purple Rose of Cairo, The (1985)
Fly, The (1986)
Psycho (1960)
Rear Window (1954)
Vertigo (1958)
Four Horsemen of the Apocalypse, The (1921)
Metropolis (1925/1926)
Jetée, La (1962)
Mababangong Bangungot / Perfumed Nightmare, The (1976/1977)
Offret / Sacrifice, Le (1985)
Soljaris (1972)
Cat People (1942)
Mosquito Coast (1986)
Cabinet des Dr. Caligari, Das (1919)
Science Fiction ~ Science Fiction
Horror ~ Horror

#87
Cobos, Juan / Pruneda, J. A. / Rubio, Miguel: A trip to Don Quixoteland: Conversations with Orson Welles. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 96 ff.
Index:
Welles, Orson

#88
Cobos, Juan / Riambau, Esteve: Orson Welles. Vol. 1-2. - Madrid: Filmoteca Española / Valencia: Filmoteca de la Generalitat Valencianana 1993. (= Documentos 3.4.)
Index:
Welles, Orson

#89
Codelli, Lorenzo: Autour de Welles en 10000 pages. In: Positif 1992. No. 378. [July/August] pp. 49-51, 53-58.
Description:
Bibliography on Orson Welles.
Index:
Welles, Orson
Literatur ~ Literature

#90
Cohen, Clélia [et al.]: RKO, spiendeur du chaos. In: Cahiers du Cinéma 2003. No. 582. [September] pp. 82-91.
Description:
On the American film company for which, among others, Alfred Hitchcock and Orson Welles did some work.
Index:
Hitchcock, Alfred
Welles, Orson
USA (United States of America) ~ USA (United States of America)
RKO ~ RKO

#91
Combs, Richard: Burning masterworks: From Citizen Kane to F for Fake. In: Film Comment 30. 1994. No. 1. [January/February] pp. 50-59.
Description:
On the films of Orson Welles.
Index:
Welles, Orson
Citizen Kane (1940)
F for Fake / Nothing But the Truth (1973-1975)

#92
The complete War of the Worlds: Mars’ invasion of earth from H. G. Wells to Orson Welles. Edited by Brian Holmstein and Alex Lubertozzi. Foreword by Ray Bradbury. Afterword by Ben Bova. - Naperville, Illinois: Sourcebooks MediaFusion 2001.
Index:
Wells, Herbert George
Welles, Orson
Aliens ~ Aliens
War of the Worlds, The (Hörspiel ~ Radio Play)
Krieg ~ War
War of the Worlds, The (Literatur ~ Literature)

#93
Conrad, Peter: Orson Welles: The stories of his life. - London; Boston, Massachussetts: Faber & Faber 2003.
Reviews:
Bromwich, David: [untitled] In: London Review of Books 26. 2004. No. 11. [?D] pp. 7-11.
Gottlieb, Sidney: [untitled] In: Cineaste 30. 2005. No. 2. [?D] pp. 66-68.
Marantz Cohen, Paula: [untitled] In: The Times Literary Supplement, January 2, 2004. p. 25.
Naremore, James: [untitled] In: Film Quarterly 58. 2004. No. 1. [Fall] pp. 71-73.
Index:
Welles, Orson

#94
Cousins, Mark: Taking a line for a walk. In: Sight and Sound NS 28. 2018. No. 9. [September] pp. 42-46.
Description:
On Orson Welles’s drawings.
Index:
Welles, Orson

#95
Cowie, Peter: A ribbon of dreams. - South Brunswick: Barnes 1973.
Description:
On the films of Orson Welles.
Index:
Welles, Orson
Traum ~ Dreams

#96
Cowie, Peter: The cinema of Orson Welles. - New York: Da Capo Press 1983.
First edition:
[A ribbon of dreams. - South Brunswick: Barnes 1973]
Index:
Welles, Orson

#97
Cowie, Peter: The cinema of Orson Welles. - New York: Da Capo Press 1995.
First edition:
[A ribbon of dreams. - South Brunswick: Barnes 1973]
Index:
Welles, Orson

#98
Cremonini, Giorgio: Monologo e focalizzazione in Macbeth di Orson Welles. In: Cineforum 26. 1986. No. 3(252). [March] pp. 37-42.
Index:
Welles, Orson
Macbeth (1948)

#99
Davies, Anthony: Filming Shakespeare’s plays: The adaptions of Laurence Olivier, Orson Welles, Peter Brooks and Akira Kurosawa. - Cambridge: Cambridge University Press 1988.
Index:
Shakespeare, William
Olivier, Laurence
Welles, Orson
Brooks, Peter
Kurosawa, Akira

#100
Davis, Hugh H.: "Shakespeare, he’s in the alley": My Own Private Idaho and Shakespeare in the streets. In: Literature/Film Quarterly 29. 2001. No. 2. [April] pp. 116-121.
Description:
Discusses, in addition, Orson Welles’s Chimes at Midnight.
Index:
Shakespeare, William
Van Sant, Gus
Welles, Orson
My Own Privat Idaho (1991)
Campanadas a medianoche / Chimes at Midnight (1965)

#101
DeBona, Guerric, OSB: Into Africa: Orson Welles and Heart of Darkness. In: Cinema Journal 33. 1994. No. 3. [Spring] pp. 16-34.
Description:
On motifs from Joseph Conrad’s novel in the films of Orson Welles.
Index:
Welles, Orson
Conrad, Joseph
Afrika ~ Africa
Heart of Darkness (Literatur ~ Literature)

#102
Découpage: Laboratori sul cinema di Orson Welles. A cura di Ciro Giorgini. - Roma: Comune di Roma, Assessorato alla cultura 1992.
Reviews:
Codelli, Lorenzo: Orson Welles. La dix mille et unième page. In: Positif 1993. No. 391. [?D] pp. 70-71.
Index:
Welles, Orson

#103
Del Ministro, Maurizio: Othello di Welles. - Roma: Bulzoni 2000. (= Piccola biblioteca shakespeariana 20.)
Index:
Welles, Orson
Othello (1951)

#104
Di Marino, Bruno: Sperimentalismo di massa. In: Filmcritica 49. 1999. No. 493. [March] pp. 90-94.
Description:
On the use of experimental techniques in mainstream film. Discusses, among others, the work of Orson Welles, Stanley Kubrick, Peter Greenaway, Derek Jarman and Jean-Luc Godard.
Index:
Welles, Orson
Kubrick, Stanley
Greenaway, Peter
Jarman, Derek
Godard, Jean-Luc
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#105
Díaz-Fernández, José Ramón: Orson Welles’s Shakespeare films: An annotated checklist. In: Shakespeare Bulletin 23. 2005. No. 1. [?D] pp. 113-136.
Index:
Welles, Orson
Shakespeare, William

#106
Donaldson, Peter S.: Shakespearean films / Shakespearean directors. - Boston, Massachusetts; London: Unwin Hyman 1990.
Reviews:
Gottlieb, Sidney: [untitled] In: Film Quarterly 45. 1992. No. 3. [Spring] pp. 57-58.
Rothwell, Kenneth S.: [untitled] In: Shakespeare Quarterly 43. 1992. No. 4. [?D] pp. 498-500.
Description:
Includes detailed studies on Laurence Oliver’s Hamlet, Kurosawa’s Throne of Blood (Kumonosu-djo), the two Othello filmings by Orson Welles and Liz White, Zeffirelli’s Romeo and Juliet and Godard’s King Lear.
Index:
Shakespeare, William
Olivier, Laurence
Kurosawa, Akira
Welles, Orson
White, Liz
Zeffirelli, Franco
Godard, Jean-Luc
Hamlet (1948)
Kumonosu-djo (1957)
Othello (1951)
Othello (1980)
Giulietta e Romeo (1967)
King Lear (1987)
Tragedy of Othello, the Moore of Venice, The (Literatur ~ Literature)

#107
Donaldson, Peter S.: Shakespearean films / Shakespearean directors. - New York: Routledge 1990.
Reviews:
Hawk, Byron: [untitled] In: Post Script 17. 1998. No. 2. [?D] pp. 103-106.
Rothwell, Kenneth S.: [untitled] In: Shakespeare Quarterly 43. 1992. No. 4. [?D] pp. 498-500.
Description:
Includes detailed studies on Laurence Oliver’s Hamlet, Kurosawa’s Throne of Blood (Kumonosu-djo), the two Othello filmings by Orson Welles and Liz White, Zeffirelli’s Romeo and Juliet and Godard’s King Lear.
Index:
Shakespeare, William
Olivier, Laurence
Kurosawa, Akira
Welles, Orson
White, Liz
Zeffirelli, Franco
Godard, Jean-Luc
Hamlet (1948)
Kumonosu-djo (1957)
Othello (1951)
Othello (1980)
Giulietta e Romeo (1967)
King Lear (1987)
Tragedy of Othello, the Moore of Venice, The (Literatur ~ Literature)

#108
Donovan, Francis: Shakespeare à l’écran. In: Cinéma [Paris] 1991. No. 475. [?D] pp. 16-18.
Description:
On Shakespeare filmings by Olivier, Welles and Kurosawa.
Index:
Shakespeare, William
Olivier, Laurence
Welles, Orson
Kurosawa, Akira

#109
Ebert, Roger: Chimes at Midnight. In: Ebert, Roger: The great movies III. - Chicago; London: The University of Chicago Press 2010. p. ?P.
Index:
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)

#110
Ebert, Roger: Touch of Evil. In: Ebert, Roger: The great movies II. - New York: Broadway Books 2005. p. ?P.
Index:
Welles, Orson
Touch of Evil (1957)

#111
Eigen, Thomas: Exemplarische Analyse des Films Der Prozess (Orson Welles 1962). - Braunschweig: Hochschule für Bildende Künste Braunschweig, Staatsexamensarbeit 1984.
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#112
Elder, Robert K.: Touch of Evil / Frank Oz. In: Elder, Robert K.: The film that changed my life: 30 directors on their epiphanies in the dark. - Chicago, Illinois: Chicago Review Press 2011. p. ?P.
Index:
Welles, Orson
Oz, Frank
Touch of Evil (1957)

#113
Esposito, Lorenzo: Hawks, Ford, Welles, Walsh ... In: Filmcritica 50. 2000. No. 501/502. [January/February] pp. 54-59.
Description:
Interview with John Carpenter on Starman and on the meaning of other directors for his work.
Index:
Carpenter, John
Hawks, Howard
Ford, John
Welles, Orson
Walsh, Raoul
Starman (1984)

#114
Evces, Mike: Touch of Evil and ecological optics: Toward a demystification of conventional film editing practice. In: Journal of Dramatic Theory and Criticism 8. 1994. No. 2. [?D] pp. 103-109.
Index:
Welles, Orson
Touch of Evil (1957)
Natur ~ Nature

#115
Everschor, Franz: "Sie werden mich lieben, wenn ich tot bin": Orson Welles’ Mr. Arkadin in drei verschiedenen Schnittfassungen. In: Film-Dienst 59. 2006. No. 14. [July 6] pp. 48-49.
Index:
Welles, Orson
Mr. Arkadin / Confidential Report (1955)
Tod ~ Death

#116
Everschor, Franz: Happy End für Orson Welles. In: Film-Dienst 67. 2014. No. 24. [November 20] p. 27.
Description:
On the restoration of Orson Welles’s last, unfinished film project The Other Side of the Wind.
Index:
Welles, Orson
Other Side of the Wind, The (o.J.)

#117
Everschor, Franz: Im Zeichen des Bösen. In: Zoom 50. 1998. No. 5. [?D] pp. 6-7.
Description:
On the director’s cut version of Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Böse, Das ~ Evil, The

#118
Everschor, Franz: Wiedergeburt eines Meisterwerks: Othello und andere "verlorene" Orson-Welles-Filme. In: Film-Dienst 45. 1992. No. 11. [May 26] pp. 18-19.
Index:
Welles, Orson
Othello (1951)

#119
Everschor, Franz: Zwischen Korruptionsstory und Shakespeare-Drama: Eine Rekonstruktion von Orson Welles’ Touch of Evil kommt ins Kino. In: Film-Dienst 51. 1998. No. 7. [April 1] pp. 40-41.
Index:
Welles, Orson
Shakespeare, William
Touch of Evil (1957)

#120
Fabricius, Susanne / Rasmussen, O. / Reinicke, K.: Den store mands projekter / Udodelige billeder. In: Kosmorama 39. 1993. No. 203. [Spring] pp. 11-17.
Description:
On a rerelease of the restored Orson Welles films Othello and Don Quixote at the 1992 Cannes Film Festival.
Index:
Welles, Orson
Othello (1951)
Don Quixote (1955)
Festival ~ Festival
Cannes ~ Cannes

#121
Faletti, Heidi E.: Contrasting distortions: The Trial as novel and film: Proceedings of Fifth Annual Conference on Film, Kent State University, April 7-8, 1988. In: Transformations: From literature to film. Edited by Douglas Radcliff-Umstead. - Kent: Romance Languages Department, Kent State University 1987. pp. 165-171.
Description:
On Orson Welles’s adaption of Franz Kafka’s novel Der Prozeß.
Index:
Welles, Orson
Kafka, Franz
Trial, The / Procés, Le / processo, Il (1962)
Literatur ~ Literature
Prozeß, Der (Literatur ~ Literature)

#122
Feeney, F. X.: Orson Welles: Power, heart, and soul. - Raleigh, North Carolina: The Critical Press 2015.
Reviews:
Pinkerton, Nick: [untitled.] In: Sight and Sound NS 25. 2015. No. 9. [September] p. 107.
Index:
Welles, Orson

#123
Feeney, F. X.: Welles: The complete films. - Köln: Taschen 2003.
Index:
Welles, Orson

#124
Fevry, Sébastian: La mise en abyme filmique. - S.l.: Édition du Céfal 2000.
Description:
Discusses, among others, the films of Jean-Luc Godard, Federico Fellini, Orson Welles and Alain Robbe-Grillet’s Trans-Europ-Express.
Index:
Godard, Jean-Luc
Fellini, Federico
Welles, Orson
Robbe-Grillet, Alain
Trans-Europ-Express (1966)

#125
Fischer, Jens Malte: Filmwissenschaft - Filmgeschichte: Studien zu Welles, Hitchcock, Polanski, Pasolini und Max Steiner. - Tübingen: Gunter Narr 1983. (= Medienbibliothek Serie B 2.)
Reviews:
Paech, Joachim: [untitled] In: Medienwissenschaft 1984. No. 2. pp. 180-182.
Index:
Welles, Orson
Hitchcock, Alfred
Polanski, Roman
Pasolini, Pier Paolo
Steiner, Max

#126
Fitzgerald, Martin: The Pocket essential Orson Welles. - Harpenden: Pocket Essentials 2000. (= Pocket Essentials: Film.)
Index:
Welles, Orson

#127
Forse, James H.: Staging (on film) Richard III to reflect the present. In: Popular Culture Review 12. 2001. No. 1. [?D] pp. 33-39.
Description:
Discusses, among others, Orson Welles’s Touch of Evil.
Index:
Shakespeare, William
Welles, Orson
Touch of Evil (1957)
Tragedy of King Richard the Third, The (Literatur ~ Literature)

#128
Franz Kafka, Orson Welles: Il processo. A cura di Luigi Cimmino. - Soveria Mannelli: Rubbettino 2010. (= Cinema.)
Index:
Kafka, Franz
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)

#129
Fujita, Jun: Dorsalité: Vérité du cinéma. In: Vertigo 2001. No. 22. [October] pp. 47-53.
Description:
On the representation of the human back in the films of Jean-Luc Godard and in Orson Welles’s The Lady from Shanghai.
Index:
Godard, Jean-Luc
Welles, Orson
Lady from Shanghai, The (1946)
Körper ~ Bodies

#130
Gagne, Nicole V.: Where is The Other Side of the Wind? Or, "quien es mas macho": Orson Welles, John Huston, or Ernest Hemingway? In: Cineaste 29. 2003. No. 1. [?D] pp. 4-7.
Description:
On Orson Welles’s last and not finished film project.
Index:
Welles, Orson
Huston, John
Hemingway, Ernest
Other Side of the Wind, The (o.J.)

#131
Garcia, Maria: Re-inventing Orson Welles. In: Films in Review 45. 1994. No. 5/6. [?D] pp. 12-21.
Description:
Especially on the unfinished 1942 film It’s All True.
Index:
Welles, Orson
It’s All True (1942)

#132
García Tsao, Leonardo: Orson Welles. - Guadalajara: Universidad de Guadalajara 1987. (= Grandes cineastes 1.)
Index:
Welles, Orson

#133
García Tsao, Leonardo: Orson Welles. - Jalisco: Universidad de Guadalajara, Centro Investigación y Ensenanza Cinematografica 1987. (= Grandes cineastes 1.)
Index:
Welles, Orson

#134
Garis, Robert: The films of Orson Welles. - Cambridge; New York: Cambridge University Press 2004. (= Cambridge film classics.)
Reviews:
Armstrong, Richard: [untitled.] In: Journal of Popular Film and Television 37. 2009. No. 3. [?D] pp. 146-147.
Gallafent, Edward: [untitled] In: Modernism/Modernity 13. 2006. No. 1. [?D] pp. 204-205.
Gottlieb, Sidney: [untitled] In: Cineaste 30. 2005. No. 2. [?D] pp. 66-68.
Kiefer, Jonathan: [untitled] In: Film Quarterly 60. 2007. No. 3. [Spring] pp. 91-92.
Index:
Welles, Orson

#135
Gérard, Annette / Pagnoulle, Christine: Othello: Un tragédie de William Shakespeare, un film d’Orson Welles. Avec la collaboration de Peter Orr [et al.]. - Liège: Les Grignoux 1994.
Index:
Welles, Orson
Shakespeare, William
Othello (1951)

#136
Ghezzi, Enrico: Il cinema (che) non si vede (2002/1999). In: Filmcritica 50. 2000. No. 501/502. [January/February] pp. 3-6.
Description:
The death of Stanley Kubrick seen as the symbolic end of a film era which was formed by directors as Oson Welles, René Clair and Alfred Hitchcock.
Index:
Kubrick, Stanley
Welles, Orson
Chomette, René [Pseudonym: Clair, René]
Hitchcock, Alfred
Tod ~ Death

#137
Girling, C.: Auteurs of Macbeth: Akira Kurosawa, Orson Welles and Roman Polanski. - Birmingham: University of Birmingham, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 56-7964.]
Index:
Shakespeare, William
Kurosawa, Akira
Welles, Orson
Polanski, Roman
Kumonosu-djo (1957)
Macbeth (1948)
Macbeth (1971)
Tragedy of Macbeth, The (Literatur ~ Literature)

#138
La Guerre des Mondes. - Arles: Édition Phonurgia Nova ?J.
Reviews:
Donovan, Francis: Le jeune Welles. Retour à la "Guerre des Mondes" et "Citizen Kane". In: Cinéma [Paris] 1990. No. 469. [?D] p. 45.
Description:
CD and textbook on the science fiction radio play The War of the Worlds by Orson Welles.
Index:
Welles, Orson
War of the Worlds, The (Hörspiel ~ Radio Play)
Science Fiction ~ Science Fiction

#139
Guida, M. G.: Producing Kafka: Case study, cinema and theory. - Cambridge: University of Cambridge, Ph.D. 2004. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 2. p. 305(54-2441).]
Description:
Discusses, among others, Orson Welles’s The Trial.
Index:
Kafka, Franz
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#140
Hale, David G.: Order and disorder in Macbeth, Act V: Film and television. In: Literature/Film Quarterly 29. 2001. No. 2. [April] pp. 101-106.
Description:
On the different endings in several Macbeth filmings. Discusses, among others, the film versions of Orson Welles (1948) and Roman Polanski (1971).
Index:
Shakespeare, William
Welles, Orson
Polanski, Roman
Macbeth (1948)
Macbeth (1971)
Fernsehen ~ Television
Tragedy of Macbeth, The (Literatur ~ Literature)

#141
Hall, John W.: Touch of Psycho? Hitchcock’s debt to Welles. In: Bright Lights 1995. No. 14. [?D] pp. 18-22.
Description:
Compares Alfred Hitchcock’s Psycho with Orson Welles’s Touch of Evil.
Index:
Hitchcock, Alfred
Welles, Orson
Psycho (1960)
Touch of Evil (1957)

#142
Hapgood, Robert: Chimes at Midnight from stage to screen: The art of adaptation. In: Shakespeare Survey 1987. No. 39. [?D] pp. 39-52.
Index:
Welles, Orson
Shakespeare, William
Campanadas a medianoche / Chimes at Midnight (1965)

#143
Hardison, O. B.: Shakespeare on film: The developing canon. In: PCLS 1981. No. 12. [?D] pp. 131-145.
Description:
On the Shakespeare adaptions by Roman Polanski and Orson Welles.
Index:
Polanski, Roman
Welles, Orson
Shakespeare, William
Macbeth (1971)
Macbeth (1948)

#144
Harper, Wendy Rogers: Polanski vs. Welles on Macbeth: Character or fate? In: Literature/Film Quarterly 14. 1986. No. 4. [October] pp. 203-210.
Description:
Compares the two Shakespeare adaptions.
Index:
Welles, Orson
Polanski, Roman
Shakespeare, William
Macbeth (1971)
Macbeth (1948)
Tragedy of Macbeth, The (Literatur ~ Literature)

#145
Hasenberg, Peter: "Black and deep desires": Mimetische Rivalitäten in Shakespeares Macbeth und den Verfilmungen von Orson Welles, Akira Kurosawa und Roman Polanski. In: Von Ödipus zu Eichmann: Kulturantropologische Voraussetzungen von Gewalt. Hrsg. von Dietmar Regensburger und Christian Wessely. - Marburg: Schüren 2012. (= Film & Theologie 22.) pp. 331 ff.
Index:
Shakespeare, William
Eichmann, Adolf
Welles, Orson
Kurosawa, Akira
Polanski, Roman
Macbeth (1948)
Kumonosu-djo (1957)
Macbeth (1971)
Tragedy of Macbeth, The (Literatur ~ Literature)
Religion ~ Religion
Gewalt ~ Violence

#146
Hel-Guedj, Johan-Frédérik: Orson Welles: La règle du faux. - Paris: Michalon 1997. (= Le bien commun.)
Index:
Welles, Orson

#147
Heller, Heinz-B.: Orson Welles und/oder Vérites et mensonges / F for Fake. In: Surrealismus und Film: Von Fellini bis Lynch. Hrsg. von Michael Lommel. - Bielefeld: Transcript 2008. (= Medienumbrüche 25.) pp.75 ff.
Index:
Welles, Orson
F for Fake / Nothing But the Truth (1973-1975)
Surrealismus ~ Surrealism

#148
Hempel, Heike: Die stilbildenden Mittel der Kameraarbeit im amerikanischen s/w-Film der 40er Jahre am Beispiel von The Lady from Shanghai und Gilda. - Berlin: Freie Universität Berlin, Institut für Theaterwissenschaft, Magisterarbeit ?J (1992/1993).
Index:
Welles, Orson
Vidor, King
Lady from Shanghai, The (1946)
Gilda (1946)
Technik: Kamera ~ Technology: Camera
USA (United States of America) ~ USA (United States of America)

#149
Hemphill, Jim: The complete Mr. Arkadin (1955). In: American Cinematographer 87. 2006. No. 10. [October] p. 20-21.
Description:
On a DVD edition.
Index:
Welles, Orson
Mr. Arkadin / Confidential Report (1955)
DVD ~ DVD

#150
Hemphill, Jim: Touch of Evil. In: American Cinematographer. Online edition, January 2009.
Description:
On a DVD edition.
Index:
Welles, Orson
Touch of Evil (1957)
DVD ~ DVD

#151
Henry Mancini. In: La musique à l’écran. Éd. Alain Garel et François Porcile. (= Cinémaction 1992. No. 62. [?D]) p. 63.
Description:
Views of the composer who worked for Orson Welles’s Touch of Evil, Terence Young’s Wait Until Dark and Tobe Hooper’s Lifeforce.
Index:
Mancini, Henry
Welles, Orson
Young, Terence
Hooper, Tobe
Touch of Evil (1957)
Wait Until Dark (1967)
Lifeforce (1985)
Musik ~ Music

#152
Heptonstall, Geoffrey: The indelible signature of Orson Welles’s films. In: Contemporary Review [London] 285. 2004. No. 1666. [?D] pp. 298-302.
Index:
Welles, Orson

#153
Herrmann, Bernard: The contemporary use of music in film: Citizen Kane, Psycho, Fahrenheit 451. In: University Film Study Center Newsletter 7. 1977. No. 3. [?D] pp. 5-10.
Index:
Welles, Orson
Hitchcock, Alfred
Truffaut, François
Herrmann, Bernard
Citizen Kane (1940)
Psycho (1960)
Fahrenheit 451 (1966)
Musik ~ Music

#154
Heyer, Paul: The medium and the magician: Orson Welles, the radio years, 1934-1952. - Lanham, Maryland; Oxford: Rowman & Littlefield 2005.
Index:
Welles, Orson
Magie ~ Magic

#155
Heylin, Clinton: Despite the system: Orson Welles versus the Hollywood Studios. - Chicago, Illinois: Chicago Review Press 2005.
Reviews:
Lambert, Peter: [untitled] In: The Times Literary Supplement, April 1, 2005. p. 20.
Petrie, Graham: In: Michigan Quarterly Review 48. 2009. No. 1. [?D] pp. 141-146.
Index:
Welles, Orson
Hollywood ~ Hollywood

#156
Higham, Charles: Orson Welles: The rise and fall of an American genius. - New York: St. Martin’s Press 1985.
Index:
Welles, Orson
USA (United States of America) ~ USA (United States of America)

#157
Higham, Charles: Orson Welles: The rise and fall of an American genius. - London: New English Library 1986.
Index:
Welles, Orson
USA (United States of America) ~ USA (United States of America)

#158
Hilb, Benjamin: Orson Welles, Shakespeare, and cultural authority. - Druid Hills, Georgia: Emory University, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2015. No. 1. [July] p. ?P.]
Index:
Welles, Orson
Shakespeare, William

#159
Hines, Thomas: The trouble with ambiguity: Franz Kafka’s novels The Trial and The Castle into film: Proceedings of Fifth Annual Conference on Film, Kent State University, April 7-8, 1988. In: Transformations: From literature to film. Edited by Douglas Radcliff-Umstead. - Kent: Romance Languages Department, Kent State University 1987. pp. 156-164.
Description:
Especially on Orson Welles’s adaption of Franz Kafka’s novel Der Prozeß.
Index:
Welles, Orson
Kafka, Franz
Trial, The / Procés, Le / processo, Il (1962)
Literatur ~ Literature
Prozeß, Der (Literatur ~ Literature)
Schloß, Das (Literatur ~ Literature)

#160
Hinrichsen, Jens: Macbeth. In: Film-Dienst 61. 2008. No. 4. [February 14] pp. 34-35.
Description:
On a DVD edition.
Index:
Welles, Orson
Macbeth (1948)
DVD ~ DVD

#161
Hockley, Luke: Detective films and images of the Orient: A post-Jungian reflection. In: Post-Jungian criticism: Theory and practice. Edited by James S. Baumlin, Tita French Baumlin and George H. Jensen. - Albany: New York State University Press 2004. (= SUNY series in psychoanalysis and culture.) pp. 75-91.
Description:
Discusses, among others, Orson Welles’s The Lady from Shanghai.
Index:
Jung, Carl Gustav
Welles, Orson
Lady from Shanghai, The (1946)
Orient ~ Orient
Detektive ~ Detectives
Psychologie ~ Psychology

#162
Hoffman, Dean A.: "Bypaths and indirect crooked ways": Mise-en-scène in Orson Welles’s Chimes at Midnight. In: Shakespeare Bulletin 23. 2005. No. 1. [?D] pp. 87-112.
Index:
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)

#163
Horguelin, Thierry: De l’autre côté de Welles. In: 24 Images 1992. No. 61. [?D] pp. 52-53.
Description:
On the Festival of Fantastic Film at Brussels and on the Orson Welles retrospective at the Strasbourg Film Festival.
Index:
Welles, Orson
Straßburg ~ Strasbourg
Festival ~ Festival
Brüssel ~ Brussels

#164
Horsley, Jake: The blood poets: A cinema of savagery, 1958-1998. Vol. 1: American chaos: From Touch of Evil to The Terminator. - Lanham, Maryland: Scarecrow Press 2000.
Reviews:
Annandale, David: [untitled] In: Journal of Popular Culture 36. 2002. No. 1. [?D] pp. 170-171.
Index:
Welles, Orson
Cameron, James
Touch of Evil (1957)
Terminator, The (1984)
USA (United States of America) ~ USA (United States of America)
Gewalt ~ Violence
Blut ~ Blood

#165
Howard, James: The complete films of Orson Welles. - London: Virgin Publishing 1991.
Index:
Welles, Orson

#166
Howard, James: The complete films of Orson Welles. - New York: Carol Publishing Group 1991 (= A Citadel Press Book.)
Index:
Welles, Orson

#167
Howlett, Kathy M.: Utopian revisioning of Falstaff’s tavern world: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private ldaho. In: The reel Shakespeare: Alternative cinema and theory. Edited by Lisa S. Starks and Courtney Lehmann. - Madison: Fairleigh Dickinson University Press / London: Associated University Presses 2002. pp. 165-188.
Index:
Shakespeare, William
Welles, Orson
Van Sant, Gus
Campanadas a medianoche / Chimes at Midnight (1965)
My Own Privat Idaho (1991)
Utopie ~ Utopia

#168
Im Zeichen des Bösen. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogram 291.)
Description:
On Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)

#169
Isaacs, Bruce: The cinematic Real: Aesthetics and spectacle. In: Sydney Studies in English 2007. No. 33. [?D] pp. 96-124.
Description:
Discusses, among others, the films of Steven Spielberg, Orson Welles and Wong Kar-wai.
Index:
Spielberg, Steven
Welles, Orson
Wong Kar-wai

#170
Ishaghpour, Youssef: Orson Welles cinéaste: Une caméra visible. Tome 2: Les films de la période américaine. - Paris: Edition de la Différence 2001. (= Les Essais 18.)
Reviews:
von Thüna, Ulrich: [untitled.] In: Medienwissenschaft 2002. No. 2. pp. 221-225.
Index:
Welles, Orson
USA (United States of America) ~ USA (United States of America)

#171
Ishaghpour, Youssef: Orson Welles cinéaste: Une caméra visible. Tome 3: Les films de la période nomade. - Paris: Edition de la Différence 2001. (= Les Essais 18.)
Index:
Welles, Orson

#172
Ishaghpour, Youssef: Orson Welles cinéaste: Une caméra visible. Tome 1: Mais notre dépendance à l’image est énorme. - Paris: Edition de la Différence 2001. (= Les Essais 18.)
Index:
Welles, Orson

#173
Jaglom, Henry: Lessons from Orson. In: Third Rail 8. 1987. [?D] p. 22.
Index:
Welles, Orson

#174
Jameson, Richard T.: Cries and whispers. In: Film Comment 28. 1992. No. 1. [January/February] p. 56.
Description:
On Orson Welles’s Othello.
Index:
Welles, Orson
Othello (1951)

#175
Jewell, R. B.: Orson Welles, George Schaefer, and It’s all true: A "cursed" production. In: Film History 2. 1988. No. 4. pp. 325-335.
Index:
Welles, Orson
Schaefer, George
It’s All True (1942)

#176
Johnston, Alva / Smith, Fred: How to raise a child: The education of Orson Welles, who didn’t need it. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 11 ff.
Index:
Welles, Orson
Pädagogik ~ Paedagogy
Jugend ~ Youth

#177
Jones, D. A. N.: Orson Welles. In: Grand Street 5. 1986. No. 2. [?D] pp. 220-233.
Index:
Welles, Orson

#178
Jost, Francois: Focalisations cinematographiques: De la theorie a l’analyse textuelle. In: Fabula 1984. No. 4. [?D] pp. 9-31.
Description:
On Orson Welles’s Mr. Arkadin.
Index:
Welles, Orson
Mr. Arkadin / Confidential Report (1955)

#179
Jost, François: L’oeil - caméra: Entre film et roman. - Lyon: Presse Universitaire 1987.
Reviews:
Paech, Joachim: [untitled] In: Medienwissenschaft 1988. No. 2. pp. 197-199.
Description:
Compares, among others, Orson Welles’s Mr. Arkadin with Alain Robbe-Grillet’s novel Dans le Labyrinth.
Index:
Welles, Orson
Robbe-Grillet, Alain
Mr. Arkadin / Confidential Report (1955)
Augen ~ Eyes

#180
Kael, Pauline: Orson Welles: There ain’t no way. In: Kael, Pauline: The age of movies: Selected writings of Pauline Kael. Edited by Sanford Schwartz. - New York: Library of America 2011. p. ?P.
Description:
On Orson Welles’s Chimes at Midnight.
Index:
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)

#181
Kaminski, Piotr: I was part of the Welles group. In: Roman Polanski: Interviews. Edited by Paul Cronin. - Jackson, Mississippi; London: University Press of Mississippi 2005. (= Conversations with filmmakers.) p. ?P.
Index:
Polanski, Roman
Welles, Orson

#182
Kaplan, E. Ann: The dark continent of film noir: Race, displacement and metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948). In: Women in film noir. Edited by E. Ann Kaplan. Expanded edition. - London: British Film Institute / Bloomington: Indiana University Press 1998. pp. 183-201.
Index:
Tourneur, Jacques
Welles, Orson
Cat People (1942)
Lady from Shanghai, The (1946)
Ethnie ~ Ethnicity
Frauen ~ Women
Film Noir ~ Film Noir

#183
Karp, Josh: Orson Welles’s last movie: The making of The Other Side of the Wind. - New York: St. Martin’s Press 2015.
Reviews:
Pinkerton, Nick: [untitled.] In: Sight and Sound NS 25. 2015. No. 9. [September] p. 107.
Index:
Welles, Orson
Other Side of the Wind, The (o.J.)

#184
Kemp, Philip: Perplexed in the extreme. In: Sight and Sound NS 2. 1992. No. 6. [October] p. 31.
Description:
On Orson Welles’s Othello.
Index:
Welles, Orson
Othello (1951)

#185
Kennedy, Harlan: Shadow of a debt: The Third Man and A Touch of Evil. In: Film Comment 35. 1999. No. 5. [September/October] pp. 34-39.
Description:
Compares both films in which Orson Welles appeared as actor or director.
Index:
Reed, Carol
Welles, Orson
Welles, Orson
Third Man, The (1949)
Touch of Evil (1957)

#186
Kennedy, Harlan: Shadow of a debt: The Third Man and Touch of Evil. In: Film Comment 35. 1999. No. 5. [?D] pp. 34-39.
Index:
Reed, Carol
Welles, Orson
Third Man, The (1949)
Touch of Evil (1957)

#187
Keyishian, Harry: Film as performance: Cinematized Shakespeare. In: Shakespearean performance: New studies. Edited by Frank Occhiogrosso. - Madison, New Jersey: Fairleigh Dickinson University Press 2008. pp. 50-61.
Description:
Discusses, among others, Orson Welles’s Chimes at Midnight.
Index:
Shakespeare, William
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)

#188
Klein, Thomas: Im Zeichen des Bösen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 221-224.
Description:
On Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#189
Kliman, Bernice W.: The making of Welles’s Othello. In: Shakespeare on Film Newsletter 11. 1987. No. 2. [?D] p. 6.
Index:
Welles, Orson
Shakespeare, William
Othello (1951)

#190
Kohn, Oliver: Mr. Arkadin: Labyrinthes du récit, labyrinthes de l’orgueil. In: Positif 1992. No. 378. [July/August] pp. 15-19.
Index:
Welles, Orson
Mr. Arkadin / Confidential Report (1955)
Labyrinth ~ Labyrinth

#191
Kolker, Robert Phillip: Ford, Welles, and Hitchcock in the 1950s (1948-1960). In: Kolker, Robert Phillip: The cultures of American film. - New York: Oxford University Press 2015. p. ?P.
Index:
Ford, John
Welles, Orson
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#192
Kothenschulte, Daniel: Foo-Ling-You: Mehr als eine Retrospektive: Die Orson-Welles-Reihe in Locarno. In: Film-Dienst 58. 2005. No. 18. [September 1] pp. 46-47.
Index:
Welles, Orson
Locarno ~ Locarno

#193
Koval, Francis: Interview with Welles. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 29 ff.
Index:
Welles, Orson

#194
Krah, Hans: Performativität und Literaturverfilmung: Aspekte des Medienwechsels am Beispiel von Franz Kafkas Der Prozeß (1925), Orson Welles’ Der Prozeß (1962) und Steven Soderberghs Kafka (1991). In: "Der Rest ist - Staunen": Literatur und Performativität. Hrsg. von Erika Hammer und Edina M. Sándorfi. - Wien: Praesens-Verlag 2006. (= Pécser Studien zur Germanistik 1.) pp. 144-187.
Index:
Welles, Orson
Soderbergh, Steven
Prozeß, Der (Literatur ~ Literature)
Trial, The / Procés, Le / processo, Il (1962)
Kafka (1991)
Literatur ~ Literature

#195
Krohn, Bill: 19 mai 1942: Orson Welles largue les amarres. In: Cahiers du Cinéma 1995. Numéro Special: 100 Journées qui ont fait le Cinéma. [?D] p. 54.
Index:
Welles, Orson

#196
Krohn, Bill: Histoire d’un film fantôme. Traduit de l’américain par Serge Grünberg. In: Cahiers du Cinéma 1994. No. 475. [January] pp. 40-41.
Description:
On Orson Welles’s unfinished film project It’s All True.
Index:
Welles, Orson
It’s All True (1942)

#197
Krohn, Bill: This is Orson Welles. In: Cahiers du Cinéma 1993. No. 470. [?D] pp. 50-52.
Index:
Welles, Orson

#198
Kuhlbrodt, Dietrich: Othello. In: EPD Film 10. 1993. No. 6. [June] p. 37.
Index:
Welles, Orson
Othello (1951)

#199
Lady von Shanghai. - Wien: ?V ?J. (= Illustrierter Film-Kurier 873.)
Index:
Welles, Orson
Lady from Shanghai, The (1946)

#200
Leaming, Barbara: Orson Welles. - Paris: Édition Ramsay ?J (= Ramsay poche cinéma).
First edition:
[London: Weidenfeld and Nicholson 1985]
Reviews:
Donovan, Francis: Le jeune Welles: Retour à la "Guerre des Mondes" et "Citizen Kane". In: Cinéma [Paris] 1990. No. 469. [?D] p. 45.
Index:
Welles, Orson

#201
Leaming, Barbara: Orson Welles: A biography. - New York: Limelight Editions 1995.
First edition:
[London: Weidenfeld and Nicholson 1985]
Index:
Welles, Orson

#202
Leaming, Barbara: Orson Welles: A biography. - New York: Penguin Books 1986.
Index:
Welles, Orson

#203
Leaming, Barbara: Orson Welles: A biography. - New York: Viking Press 1985.
Index:
Welles, Orson

#204
Leaming, Barbara: Orson Welles: A biography. - New York: Penguin Books 1989.
First edition:
[London: Weidenfeld & Nicolson 1985]
Index:
Welles, Orson

#205
Leaming, Barbara: Orson Welles: A biography. - Hamondsworth: Penguin 1987.
First edition:
[London: Weidenfeld & Nicolson 1985]
Index:
Welles, Orson

#206
Leaming, Barbara: Orson Welles: A biography. - London: Phoenix 1993.
First edition:
[London: Weidenfeld and Nicholson 1985]
Index:
Welles, Orson

#207
Leaming, Barbara: Orson Welles: A biography. - London: Weidenfeld & Nicolson 1985.
Index:
Welles, Orson

#208
Lefait, Sébastien: Re-adaptation as part of the myth: Orson Welles and Don Quixote’s "outings". In: Screening text: Critical perspectives on film adaptation. Edited by
Ariane Hudelet and Shannon Wells-Lassagne. - Jefferson, North Carolina: McFarland & Company 2013. p. 185-196.
Index:
Cervantes Saaverda, Miguel de
Welles, Orson
Don Quixote (1955)
Mythologie ~ Mythology
ingenioso hidalgo Don Quixote de la Mancha, El (Literatur ~ Literature)
Literatur ~ Literature

#209
Lev, Peter: Three adaptations of The Trial. In: Literature/Film Quarterly 12. 1984. No. 3. [July] pp. 180-185.
Description:
On the filmic adaptions of Kafka’s Der Prozeß by Oson Welles, Harold Mantell and Jean-Louis Barrault.
Index:
Kafka, Franz
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)

#210
Liebrand, Claudia: Kafkas Proceß und Welles’ The Trial: (Inter-)Mediale Nachträglichkeit. In: Literatur intermedial: Paradigmenbildung zwischen 1918 und 1968. Hrsg. von Wolf Gerhard Schmidt und Thorsten Valk. - Berlin; New York: de Gruyter 2009. (= Spectrum Literaturwissenschaft 19.) pp. 49-65.
Index:
Kafka, Franz
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)
Literatur ~ Literature

#211
Liggera, Joseph J.: Three Macbeth’s: Backward toward language: Proceedings of Fifth Annual Conference on Film, Kent State University, April 7-8, 1988. In: Transformations. From literature to film. Edited by Douglas Radcliff-Umstead. - Kent: Romance Languages Deptartment, Kent State University 1987. pp. 38-45.
Description:
On the filmings of Shakespeare’s Macbeth. Discusses especially the versions of Orson Welles, Akira Kurosawa and Roman Polanski.
Index:
Welles, Orson
Kurosawa, Akira
Polanski, Roman
Shakespeare, William
Literatur ~ Literature
Tragedy of Macbeth, The (Literatur ~ Literature)

#212
Lindley, Arthur: Scotland saved from history: Welles’s Macbeth and the ahistoricism of medieval film. In: Literature/Film Quarterly 29. 2001. No. 2. [April] pp. 96-100.
Index:
Welles, Orson
Macbeth (1948)
Schottland ~ Scotland
Geschichte ~ History
Geschichte: Mittelalter ~ History: Middle Ages

#213
Loomis, Catherine: Falstaff in America. In: Shakespeare and the Middle Ages: Essays on the performance and adaptation of the plays with medieval sources or settings. Edited by Martha W. Driver and Sid Ray. Foreword by Michael Almereyda and Dakin Matthews. - Jefferson, North Carolina; London: McFarland 2009. pp. 49-61.
Index:
Welles, Orson
Shakespeare, William
Campanadas a medianoche / Chimes at Midnight (1965)
USA (United States of America) ~ USA (United States of America)
Geschichte: Mittelalter ~ History: Middle Ages

#214
Löser, Claus: The Unknown Orson Welles. In: Film-Dienst 57. 2004. No. 2. [January 22] pp. 22-23.
Index:
Welles, Orson
Unknown Orson Welles, The (1968-1985)

#215
Löser, Claus: Zaubereien: Vier Kurzfilme von Orson Welles. In: Film-Dienst 54. 2001. No. 14. [July 3] p. 13.
Index:
Welles, Orson
Magie ~ Magic

#216
Lothe, Jakob: Das Problem des Anfangs: Kafkas Der Prozeß und Orson Welles’ The Trial. In: Franz Kafka: Zur ethischen und ästhetischen Rechtfertigung. Hrsg. von Beatrice Sandberg und Jakob Lothe. - Freiburg im Breisgau: Rombach 2002. (= Rombach Wissenschaften: Reihe Litterae 85.) pp. 213-231.
Index:
Welles, Orson
Kafka, Franz
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)

#217
Love, Damien: "The greatest movie the world has never seen": Peter Bogdanovich and Joseph McBride on Orson Welles’ The Other Side of the Wind. In: Action! Interviews with directors from classical Hollywood to contemporary Iran. Edited by Garry Morris. Foreword by Jonathan Rosenbaum. - London; New York: Anthem Press 2009. p. ?P.
Index:
Welles, Orson
Bogdanovich, Peter
McBride, Joseph
Other Side of the Wind, The (o.J.)
Action ~ Action

#218
Lyons, Donald: Dead reckoning. In: Film Comment 29. 1993. No. 6. [November/December] p. 75.
Description:
On the reconstruction of Welles’s fragmentary film It’s All True.
Index:
Welles, Orson
It’s All True (1942)

#219
Mac Liammóir, Michael: Put money in thy purse: The filming of Orson Welles’ Othello. Foreword by Orson Welles. - London: Virgin Publishing 1994.
First edition:
[London: Methuen 1952]
Index:
Welles, Orson
Othello (1951)

#220
Macbeth. Text von Uwe Wiedleroither. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogramm 12.)
Index:
Welles, Orson
Macbeth (1948)

#221
Macbeth. Text von Uwe Wiedleroither. 2. Auflage. - Stuttgart: Verlag Uwe Wiedleroither 1992. (= Filmprogramm 12.)
Index:
Welles, Orson
Macbeth (1948)

#222
MacBride, Joseph: Orson Welles: Seine Filme, sein Leben. - München: Heyne 1982. (= Heyne Filmbibliothek 47.)
Index:
Welles, Orson

#223
MacLiammóir, Micheal: Put money in thy purse: The filming of Orson Welle’s Othello. Foreword by Orson Welles. - London: Columbus 1988. (= The lively arts.)
First edition:
[London: Methuen 1952]
Index:
Welles, Orson
Othello (1951)

#224
Manzoni, Silvia: Heart of darkness: Dall’impressionismo narrativo di Joseph Conrad alle trasposizioni di Orson Welles. In: Acme 62. 2009. No. 1. [?D] pp. 319-333.
Index:
Welles, Orson
Conrad, Joseph
Citizen Kane (1940)
Impressionsimus ~ Impressionism

#225
Marchant, S.: Rebecca, Laura and Kane: The event in 1940s Hollywood. - Norwich, Norfolk: University of East Anglia, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 51. 2002. No. 3. p. 615(51-4078)].
Index:
Hitchcock, Alfred
Preminger, Otto
Welles, Orson
Rebecca (1940)
Laura (1944)
Citizen Kane (1940)
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#226
Marienstras, Richard: Orson Welles: Shakespeare, Welles, and Moles. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 146 ff.
Index:
Welles, Orson
Shakespeare, William

#227
Marker, Jeff W.: Orson Welles’s Macbeth: Allegory of anticommunism. In: Literature/Film Quarterly 41. 2013. No. 2. [?D] p. 116-128.
Index:
Welles, Orson
Macbeth (1948)
Kommunismus ~ Communism

#228
Marrison, James: From Citizen Kane to Mr. Arkadin: The evolution of Orson Welles’s aesthetics of space. In: New Orleans Review 16. 1989. No. 3. [?D] pp. 5-13.
Index:
Welles, Orson
Citizen Kane (1940)
Mr. Arkadin / Confidential Report (1955)

#229
Marti, C. M.: "Shakespeare on film": Film-editing and authorship, "it is only in the editing room that the director has the power of a true artist". - Sheffield: University of Sheffield, Ph.D. 2005. [Abstract in: Index to Theses with Abstracts 55. 2006. No. 5. p. 1260(55-10125).]
Description:
Discusses especially Orson Welles’s Macbeth, Othello and Chimes at Midnight as well as Akira Kurosawa’s Throne of Blood (Kumonosu-djo), The Bad Sleep Well (Warui yatsu hodo yoku nemuru) and Ran.
Index:
Shakespeare, William
Welles, Orson
Kurosawa, Akira
Macbeth (1948)
Othello (1951)
Campanadas a medianoche / Chimes at Midnight (1965)
Kumonosu-djo (1957)
Warui yatsu hodo yoku nemuru (1960)
Ran (1985)

#230
Maulko, Rüdiger: Im Zeichen des Bösen. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 145-150.
Description:
On Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Kriminalität ~ Crime

#231
McBride, Joseph: Orson Welles. - Marseille: Rivages 1985. (= Rivage-cinéma 3.)
Index:
Welles, Orson

#232
McBride, Joseph: Orson Welles. Revised edition. - New York: Da Capo Press 1996.
Index:
Welles, Orson

#233
McBride, Joseph: What ever happened to Orson Welles? A portrait of an independent career. - Lexington, Kentucky: Kentucky University Press 2006.
Reviews:
Hoberman, J.: [untitled.] In: London Review of Books 29. 2007. No. 17. [?D] pp. 33-34.
Hoffman, Dean A.: [untitled] In: Film Quarterly 61. 2008. No. 3. [Spring] pp. 82-83.
James, Nick: [untitled.] In: Sight and Sound NS 16. 2006. No. 9. [September] pp. 94-95.
Schwartz, Sanford: [untitled.] In: New York Review of Books 54. 2007. No. 4.52-54.
Index:
Welles, Orson

#234
McCarten, John: Dedicated wunderkind. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 24 ff.
Index:
Welles, Orson

#235
McCarthy, Todd: Don Quixote de Orson Welles (Don Quixote of Orson Welles). In: Variety 347. 1992. No. 6. [May 25] p. 55.
Index:
Welles, Orson
Don Quixote (1955)

#236
McCloskey, Susan: Shakespeare, Orson Welles, and the "Voodoo" Macbeth. In: Shakespeare Quarterly 36. 1985. No. 4. [?D] pp. 406-416.
Index:
Welles, Orson
Shakespeare, William
Macbeth (1948)
Religion: Voodoo ~ Religion: Voodoo

#237
McLean, Andrew M.: Orson Welles and Shakespeare: History and consciousness in Chimes at Midnight. In: Literature/Film Quarterly 11. 1983. No. 3. [July] pp. 197-202.
Index:
Welles, Orson
Shakespeare, William
Campanadas a medianoche / Chimes at Midnight (1965)
Geschichte ~ History

#238
Meador, Roy: Wells and Welles. In: Biblio: Magazine for Collectors of Books, Manuscripts, and Ephemera 3. 1998. No. 7. [?D] pp. 60-61.
Index:
Wells, Herbert George
Welles, Orson

#239
Megahey, Leslie: Interview from "The Orson Welles Story". In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 177 ff.
Index:
Welles, Orson

#240
Megahey, Leslie: The enfant terrible who has never lost his innocence. In: Listener 107. 1982. No. ?N. [May 20] pp. 6-8.
Description:
Interview with Orson Welles.
Index:
Welles, Orson

#241
Midding, Gerhard: Der unbekannte Orson Welles: Welles’ Kurzfilme in einem Paket. In: EPD Film 20. 2003. No. 7. [July] p. 37.
Description:
On The Unknown Orson Welles, a compilation of the five short films London, Moby Dick Rehearsed, Vienna, The Magic Show and The Spirit of Charles Lindbergh.
Index:
Welles, Orson
Unknown Orson Welles, The (1968-1985)
London (1971)
Moby Dick Rehearsed (1955)
Vienna (1968)
Magic Show / Orson Welles’ Magic Show (1985)
Spirit of Charles Lindbergh, The (1984)

#242
Moore, Matthew: Watching cosmic time in midcentury suspense films. - Vestal, New York: State University of New York at Binghamton, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 72. 2012. No. 10. (April)]
Description:
Discusses, among others, Alfred Hitchcock’s Shadow of a Doubt, Orson Welles’s The Stranger and Carol Reed’s Odd Man Out.
Index:
Hitchcock, Alfred
Welles, Orson
Reed, Carol
Shadow of a Doubt (1943)
Stranger, The (1946)
Odd Man Out (1947)
Zeit ~ Time
Thriller ~ Thriller

#243
Mörchen, Roland: Im Zeichen des Bösen. In: Film-Dienst 53. 2000. No. 11. [May 23] pp. 20-21.
Description:
On Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)

#244
Morrison, James: Wellesian laughter. In: The last laugh: Strange humors of cinema. Edited by Murray Pomerance. - Detroit: Wayne State University Press 2013. (= Contemporary approaches to film and media.) p. ?P.
Index:
Welles, Orson
Humor ~ Humor

#245
Mühlbeyer, Harald: Das Wahre und das Böse: Clouzots Der Rabe und Welles’ Stunde der Wahrheit. In: EPD Film 30. 2013. No. 1. [January] p. 67.
Description:
On a DVD editions of Henri-Georges Clouzot’s Le corbeau and Orson Welles’s Histoire immortelle.
Index:
Clouzot, Henri-Georges
Welles, Orson
corbeau, Le (1943)
Histoire immortelle (1967)
DVD ~ DVD
Böse, Das ~ Evil, The

#246
Mühlbeyer, Harald: Der Saufkumpan des Prinzen: Orson Welles’ Shakespeare-Adaption Falstaff. In: EPD Film 30. 2013. No. 12. [December] p. 61.
Description:
On a DVD edition.
Index:
Welles, Orson
Campanadas a medianoche / Chimes at Midnight (1965)
DVD ~ DVD

#247
Mühlbeyer, Harald: Die Macht und die Herrlichkeit: Orson Welles’ Macbeth in kurzer und langer Fassung. In: EPD Film 24. 2007. No. 11. [November] p. 64.
Description:
On a DVD edition.
Index:
Welles, Orson
Macbeth (1948)
DVD ~ DVD

#248
Mühlbeyer, Harald: Kurzer Prozess. In: EPD Film 25. 2008. No. 7. [July] p. 52.
Description:
On a DVD edition of Orson Welles’s Kafka filming The Trial.
Index:
Kafka, Franz
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
DVD ~ DVD
Prozeß, Der (Literatur ~ Literature)

#249
Müller, Adalberto: Orson Welles: Arquive-se (uma arqueologia das relaço es entre literatura, cinema e mídias). In: Muito além da adaptaçÆo: Literatura, cinema e outras artes. Ed. Adalberto Müller, Julia Scamparini.. - Rio de Janeiro: 7 letras 2013. p. ?P.
Index:
Welles, Orson
Literatur ~ Literature

#250
Munby, Jonathan: Public enemies, public heroes: Screening the gangster from Little Caesar to Touch of Evil. - Chicago, Illinois; London: University of Chicago Press 1999.
Reviews:
Brauer, Stephen: [untitled] In: American Quarterly 53. 2001. No. 3. [?D] pp. 535-547.
Kaltenecker, Siegfried: [untitled] In: Medienwissenschaft 2000. No. 1. pp. 82-83.
Wilson, Ronald W.: [untitled] In: Film Quarterly 54. 2000. No. 1. [Fall] pp. 54-56.
Index:
LeRoy, Mervyn
Welles, Orson
Little Caesar (1930)
Touch of Evil (1957)
Kriminalität ~ Crime
Helden ~ Heros

#251
My lunches with Orson: Conversations between Henry Jaglom and Orson Welles. Edited by Peter Biskind. - New York: Metropolitan Books 2013.
Reviews:
Walters, Ben: F for friendship. In: Sight and Sound NS 23. 2013. No. 11. [November] pp. 104-105.
Index:
Welles, Orson
Jaglom, Henri

#252
Nagel, Elsa: L’art du mensonge et de la vérité: Orson Welles: Le Procès et Une Histoire Immortelle. - Paris: Edition l’Harmattan 1997. (= Champs Visuels.)
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Histoire immortelle (1967)

#253
Naremore, James: Hearts of Darkness: Joseph Conrad and Orson Welles. In: True to the spirit: Film adaptation and the question of fidelity. Edited by Colin MacCabe, Kathleen Murray and Rick Warner. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
Conrad, Joseph
Welles, Orson
Heart of Darkness (Literatur ~ Literature)
Literatur ~ Literature

#254
Naremore, James: Orson Welles, ovverto la magia del cinema. Traduzione di Daniela Fink. - Venezia: Marsilio 1993. (= Saggi Marsilio. Cinema.)
First edition:
[The magic world of Orson Welles.
- New York: Oxford University Press 1978]
Index:
Welles, Orson
Magie ~ Magic

#255
Naremore, James: The magic world of Orson Welles. New and expanded edition. - Dallas, Texas: Southern Methodist University Press 1989.
Reviews:
Urish, Benjamin K.: [untitled] In: Journal of Popular Film and Television 18. 1990. No. 3. [?D] p. 131.
Index:
Welles, Orson
Magie ~ Magic

#256
Naremore, James: The magic world of Orson Welles. Revised edition. - Dallas, Texas: Southern Methodist University Press 1989.
First edition:
[New York: Oxford University Press 1978]
Index:
Welles, Orson
Magie ~ Magic

#257
Naremore, James: The trial: The FBI vs. Orson Welles. In: Film Comment 27. 1991. No. 1. [January/February] pp. 22-27.
Description:
On the investigations against the director in the 1940s.
Index:
Welles, Orson
FBI (Federal Bureau of Investigation) ~ FBI (Federal Bureau of Investigation)

#258
Nericcio, William Anthony: Of mestizos and half-breeds: Orson Welles’s Touch of Evil. In: Chicanos and film: Representation and resistance. Edited by Chon A. Noriega. - Minneapolis, Minnesota: University of Minnesota Press 1992. pp. 47-58.
Index:
Welles, Orson
Touch of Evil (1957)

#259
Newstok, Scott L.: Touch of Shakespeare: Welles unmoors Othello. In: Shakespeare Bulletin 23. 2005. No. 1. [?D] pp. 29-86.
Description:
On Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Shakespeare, William
Tragedy of Othello, the Moore of Venice, The (Literatur ~ Literature)
Touch of Evil (1957)

#260
Nielsen, N. A.: Et allerhelvedes perspektiv. In: Kosmorama 35. 1989. No. 189. [?D] pp. 46-59.
Description:
Analyses the narrative structures in the films of Orson Welles.
Index:
Welles, Orson

#261
Nielsen, N. A.: Magten et sporgsmal om tid. In: Kosmorama 39. 1993. No. 203. [Spring] pp. 18-26.
Description:
On Welles’s The Trial.
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#262
Norcen, Luca: Orson Welles e la scena della negazione. In: Cinema Nuovo 38. 1989. No. 319. [?D] pp. 12-15.
Index:
Welles, Orson

#263
Nouryeh, Andrea: Understanding Xanadu: An alternative way of viewing Orson Welles’s Shakespearean films. In: Shakespeare on Film Newsletter 14. 1989. No. 1. [?D] p. 3.
Index:
Welles, Orson
Shakespeare, William

#264
O’Brien, Richard: "The shadow" talks. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 3 ff.
Index:
Welles, Orson

#265
Onscreen/Offscreen: Grenzen, Übergänge und Wandel des filmischen Raumes. Hrsg. von Hans Beller, Martin Emele und Martin Schuster. - Stuttgart: Hatje Cantz Verlag 2000.
Reviews:
Haas, Christoph: [untitled] In: EPD Film 18. 2001. No. 5. [May] p. 10.
Description:
Includes articles on Orson Welles’s Othello, Touch of Evil and The Trial, on Brett Leonard’s The Lawnmower Man and on virtual reality in film.
Index:
Welles, Orson
Leonard, Brett
Othello (1951)
Touch of Evil (1957)
Trial, The / Procés, Le / processo, Il (1962)
Lawnmower Man, The (1992)
Cyberspace ~ Cyberspace

#266
Orr, John: The Trial of Orson Welles. In: Cinema and fiction: New modes of adapting, 1950-1990. Edited by John Orr and Colin Nicholson. - Edinburgh: Edinburgh University Press 1992. pp. 13-27.
Description:
On the film based on a Franz Kafka novel.
Index:
Welles, Orson
Kafka, Franz
Trial, The / Procés, Le / processo, Il (1962)

#267
Orson: L’infernale Welles. A cura di Luca Giannelli. Con testi di Fabio Boa [et al.]. - Roma: Audino 1993.
Index:
Welles, Orson

#268
Orson Welles (Special edition). In: Persistence of Vision 1989. No. 7.
Description:
Includes a filmography.
Index:
Welles, Orson

#269
Orson Welles en España. Vol. 1-2. - Valencia: Filmoteca de la Generalitat Valencianana 1993. (= Documentos 3.4.)
Index:
Welles, Orson

#270
Orson Welles in focus: Texts and contexts. Edited by James N. Gilmore and Sidney Gottlieb. Foreword by James Naremore. - Bloomington, Indiana: Indiana University Press 2018.
Reviews:
Walters, Ben: [untitled.] In: Sight and Sound NS 28. 2018. No. 6. [June] pp. 92-93.
Index:
Welles, Orson

#271
Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.)
Reviews:
EL: [untitled.] In: Sight and Sound NS 12. 2002. No. 8. [August] p. 31.
Gottlieb, Sidney: [untitled] In: Film Quarterly 57. 2004. No. 4. [Summer] pp. 65-66.
Kliman, Bernice W.: [untitled] In: Shakespeare Bulletin 20. 2002. No. 4. [?D] p. 44.
Index:
Welles, Orson

#272
Orson Welles. Par François Truffaut [et al.]. Textes réunis par Alain Bergala et Jean Narboni. - Paris: Edition de l’Etoile 1982. (Cahiers du Cinéma, Hors-Série 12.)
Index:
Welles, Orson
Truffaut, François

#273
Orson Welles. Publié par Alain Bergala [et al.]. - Paris: Cahiers du Cinéma 1986.
Index:
Welles, Orson

#274
Pacciani, Enrico: La sfida di Arkadin. In: Cineforum 38. 1998. No. ?N(378). [October] pp. 60-69.
Description:
Compares Orson Welles’s Mr. Arkadin with Bryan Singer’s The Usual Suspects.
Index:
Welles, Orson
Singer, Bryan
Mr. Arkadin / Confidential Report (1955)
Usual Suspects, The (1995)

#275
Paletz, Gabriel M.: Orson Welles: An auteur of the thriller. In: New Review of Film and Television Studies 4. 2006. No. 3. [December] pp. 217-239.
Index:
Welles, Orson
Thriller ~ Thriller

#276
Pearlman, E.: Macbeth on film: Politics. In: Shakespeare and the moving image: The plays on film and television. Edited by Anthony Davies and Stanley Wells. - Cambridge: Cambridge University Press 1994. pp. 250-260.
Description:
On the filmings of Shakespeare’s Macbeth. Discusses, among others, the adaptions by Orson Welles, Akira Kurosawa and Roman Polanski.
Index:
Shakespeare, William
Welles, Orson
Kurosawa, Akira
Polanski, Roman
Macbeth (1948)
Kumonosu-djo (1957)
Macbeth (1971)
Politik ~ Politics
Fernsehen ~ Television
Tragedy of Macbeth, The (Literatur ~ Literature)

#277
Pearlman, E.: Macbeth on Film: Politics. In: Shakespeare Survey 1987. No. 39. [?D] pp. 67-74.
Description:
On the filmings of Shakespeare’s Macbeth. Discusses, among others, the adaptions by Orson Welles, Akira Kurosawa and Roman Polanski.
Index:
Shakespeare, William
Welles, Orson
Kurosawa, Akira
Polanski, Roman
Macbeth (1948)
Kumonosu-djo (1957)
Macbeth (1971)
Politik ~ Politics
Tragedy of Macbeth, The (Literatur ~ Literature)

#278
Pease, Donald E.: Borderline justice / States of emergency: Orson Welles’ Touch of Evil. In: The New Centennial Review 1. 2001. No. 1. [?D] pp. 75-105.
Index:
Welles, Orson
Touch of Evil (1957)
Justiz ~ Justice

#279
Pendleton, Thomas A.: What (?) price (?) Shakespeare (?). In: Literature/Film Quarterly 29. 2001. No. 2. [?D] p. 135-146.
Description:
On Shakespearean motifs in the horror film. Discusses Rowland V. Lee’s Tower of London, Orson Welles’s Touch of Evil, Roger Corman’s Tower of London and Douglas Hickox’s Theatre of Blood.
Index:
Shakespeare, William
Lee, Rowland V.
Corman, Roger
Hickox, Douglas
Welles, Orson
Tower of London (1939)
Tower of London (1962)
Theatre of Blood (1973)
Touch of Evil (1957)
Horror ~ Horror

#280
Pérez Bastías, Luis: Orson Welles: El absurdo del poder. - Barcelona: Royal Books 1994.
Index:
Welles, Orson

#281
Perspectives on Orson Welles. Edited by Morris Beja. - New York: G. K. Hall / London: Prentice Hall 1995. (= Perspectives on film.)
Index:
Welles, Orson

#282
Petit, J.-P.: Note sur deux Othello. In: Shakespeare a la television. Edit. par Michele Willems. - Mont-Saint-Aignan: Université de Rouen 1987. pp. 143-149.
Description:
On the Othello adaptions by Orson Welles, John Dexter and Stuart Burge.
Index:
Welles, Orson
Shakespeare, William
Fernsehen ~ Television

#283
Pilkington, Ace G.: Screening Shakespeare. - Oxford: University of Oxford, Ph.D. 1988. [Abstract in: Dissertation Abstracts International A 51. 1990. No. 1. (July) p. 3A./ Index to Theses with Abstracts 38. 1989. No. 2. p. 521(38-2390).]
Description:
Discusses, among others, Orson Welles’s Chimes at Midnight.
Index:
Welles, Orson
Shakespeare, William
Campanadas a medianoche / Chimes at Midnight (1965)

#284
Pilla, E.: The renegotiation of space in film versions of Othello. - London: Royal Holloway, University of London, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 57. 2008. No. 1. p. 15(57-124).]
Description:
Discusses especially the filmings of Orson Welles, Oliver Parker and Geoffrey Sax.
Index:
Shakespeare, William
Welles, Orson
Parker, Oliver
Sax, Geoffrey
Othello (1951)
Othello (1995)
Othello (2001)
Tragedy of Othello, the Moore of Venice, The (Literatur ~ Literature)

#285
Plantinga, Carl: Art moods and human moods in narrative cinema. In: New Literary History 43. 2012. No. 3. [?D] pp. 455-475.
Index:
Welles, Orson
Touch of Evil (1957)

#286
Poague, Leland: "Reading" the Prince: Shakespeare, Welles, and some aspects of Chimes at Midnight. In: Iowa State Journal of Research 56. 1981. No. 1. [?D] pp. 57-65.
Index:
Welles, Orson
Shakespeare, William
Campanadas a medianoche / Chimes at Midnight (1965)

#287
Poppe, Sandra: Kafka im Kino - Der Proceß in Orson Welles’ filmischer Rezeption. In: Franz Kafka und die Weltliteratur. Hrsg. von Manfred Engel und Dieter Lamping. - Göttingen: Vandenhoeck und Ruprecht 2006. pp. 234-244.
Index:
Kafka, Franz
Welles, Orson
Prozeß, Der (Literatur ~ Literature)
Trial, The / Procés, Le / processo, Il (1962)
Literatur ~ Literature

#288
Poppe, Sandra: Visualität in Literatur und Film: Eine medienkomparatistische Untersuchung moderner Erzähltexte und ihrer Verfilmungen. - Mainz: Universität Mainz, Dissertation 2006.
Description:
Discusses Raúl Ruiz’s filming of Marcel Proust’s A la recherche du temps perdu, Francis Ford Coppola’s Apocalypse Now based on Joseph Conrad’s novel Heart of Darkness, and Orson Welles version of Franz Kafka’s Der Prozeß.
Index:
Kafka, Franz
Conrad, Joseph
Proust, Marcel
Ruiz, Raúl
Coppola, Francis Ford
Welles, Orson
temps retrouvé, Le (1999)
Apocalypse Now (1976-1979)
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)
Heart of Darkness (Literatur ~ Literature)
A la recherche du temps perdu (Literatur ~ Literature)

#289
Poppe, Sandra: Visualität in Literatur und Film: Eine medienkomparatistische Untersuchung moderner Erzähltexte und ihrer Verfilmungen. - Göttingen: Vandenhoeck & Ruprecht 2007.
Reviews:
Braun, Michael: [untitled.] In: Germanistik 48. 2007. No. 3/4. pp. 1016-1017.
von Lindeiner-Stráský, Karina: [untitled.] In: The Modern Language Review 103. 2008. Part 4. [?D] pp. 1143-1144.
Description:
Discusses Raúl Ruiz’s filming of Marcel Proust’s A la recherche du temps perdu, Francis Ford Coppola’s Apocalypse Now based on Joseph Conrad’s novel Heart of Darkness, and Orson Welles version of Franz Kafka’s Der Prozeß.
Index:
Kafka, Franz
Conrad, Joseph
Proust, Marcel
Ruiz, Raúl
Coppola, Francis Ford
Welles, Orson
temps retrouvé, Le (1999)
Apocalypse Now (1976-1979)
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)
Heart of Darkness (Literatur ~ Literature)
A la recherche du temps perdu (Literatur ~ Literature)

#290
Prédal, René: Faire un cinéma d’expression à Hollywood. In: Prédal, René: Histoire du cinéma: Abrégé pédagogique. (= Cinémaction 1994. No. 73. [?D]) pp. 116-117.
Description:
Discusses, among others, the films of Orson Welles and Alfred Hitchcock.
Index:
Welles, Orson
Hitchcock, Alfred
Hollywood ~ Hollywood

#291
Production notes from Orson Welles’s Othello. In: Film History 27. 2015. No. 2. pp. 186-192.
Index:
Welles, Orson
Othello (1951)

#292
Der Prozeß. - Wien: Österreichischer Filmkunstverleih TOP-Film ?J. (= TOP-Filmprogramm 48.)
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#293
Der Prozeß. - Wien: ?V ?J. (= Neues Filmprogramm 3066.)
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#294
Radell, Karen Marguerite: Orson Welles: The semiotics of focalization in The Lady from Shanghai. In: Journal of Narrative Technique 22. 1992. No. 2. [?D] pp. 97-104.
Index:
Welles, Orson
Lady from Shanghai, The (1946)

#295
Rasmussen, Randy: Orson Welles: Six films analyzed, scene by scene. - Jefferson, North Carolina; London: McFarland 2006.
Description:
Examines Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Touch of Evil, The Trial and Chimes at Midnight.
Index:
Welles, Orson
Citizen Kane (1940)
Magnificent Ambersons, The (1941)
Lady from Shanghai, The (1946)
Touch of Evil (1957)
Trial, The / Procés, Le / processo, Il (1962)
Campanadas a medianoche / Chimes at Midnight (1965)

#296
Rathgeb, Douglas L.: Faces in the newsreel: Illuminating Citizen Kane through Woody Allen’s Zelig. In: Post Script 6. 1987. No. 3. [Spring/Summer] pp. 31-44.
Index:
Allen, Woody
Welles, Orson
Zelig (1982)
Citizen Kane (1940)

#297
Rebhandl, Bert: Orson Welles: Genie im Labyrinth. - Wien: Paul Zsolnay 2005.
Reviews:
Volk, Stefan: [untitled.] In: Film-Dienst 58. 2005. No. 20. [September 29] p. 53.
Index:
Welles, Orson
Labyrinth ~ Labyrinth

#298
Richardson, Carl: Autopsy: An element of realism in film noir. - New York: Columbia University, Ph.D. 1989. [Abstract in: Dissertation Abstracts International A 51. 1990. No. 3. (September) pp. 661A-662A.]
Description:
Discusses, among others, Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#299
Richardson, Carl: Autopsy: An element of realism in Film Noir. - Metuchen, New Jersey; London: Scarecrow Press 1992.
Description:
Discusses, among others, Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#300
Riepe, Manfred: Mars attacks - schon wieder: Krieg der Welten: Vom Hörspiel zum Blockbuster. In: EPD Film 22. 2005. No. 7. [July] pp. 8-9.
Description:
On the cinemativc adaptions of Orson Welles’s legendary radio play War of the Worlds, especially on Steven Spielbergs new filming.
Index:
Welles, Orson
Spielberg, Steven
War of the Worlds (2005)
War of the Worlds, The (Hörspiel ~ Radio Play)

#301
Rimbau, Esteve: Orson Welles. - Barcelona: Editión 62 / ?O: Caixa de Catalunya 1993. (= Pere vergés de biografies 50.)
Index:
Welles, Orson

#302
Rippy, Marguerite H.: Orson Welles and the unfinished RKO projects: A postmodern perspective. - Carbondale, Illinois: Southern Illinois University Press 2009.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, September 2009.
Index:
Welles, Orson
RKO ~ RKO
Postmoderne ~ Postmodern

#303
Roberts, John W.: Survival versus salvation: The conflicting visions of Welles and Hitchcock. In: The Midwest Quarterly 32. 1991. No. 2. [Winter] pp. 197 ff.
Index:
Welles, Orson
Hitchcock, Alfred

#304
Rochester, D.: Compelling evidence. In: American Film 15. 1989. No. 3. [December] p. 72.
Description:
On video editions of Ridley Scott’s Blade Runner and Orson Welles’s The Magnificent Ambersons.
Index:
Scott, Ridley
Welles, Orson
Blade Runner (1982)
Magnificent Ambersons, The (1941)
Video ~ Video

#305
Rodenberg, Hans-Peter: Der Hollywoodfilm der 30er und 40er Jahre (Curtiz, Fleming, Chaplin, Disney, Ford, Hawks, Hitchcock, Welles). In: Medienwissenschaft/Media: Technology, history, communications, aesthetics. Edited by Wolfgang Krank, Joachim Felix Leonhard, Hans-Werner Ludwig and Erich Straßner. - Berlin; New York: Walter de Gruyter 1997.
Index:
Curtiz, Michael
Fleming, Victor
Chaplin, Charles Spencer
Disney, Walt
Ford, John
Hawks, Howard
Hitchcock, Alfred
Welles, Orson
Technik ~ Technology
Hollywood ~ Hollywood
Disney ~ Disney

#306
Rollins, Brooke: "Some kind of a man": Orson Welles as Touch of Evil’s masculine auteur. In: The Velvet Light Trap 2006. No. 57. [Spring] pp. 32-41.
Index:
Welles, Orson
Touch of Evil (1957)
Männer ~ Men

#307
Roraback, Erik S.: Cinematic movement within Orson Welles’s Mr Arkadin / Confidential Report (1955) for a newly armed eye. In: Theory and practise in English studies: Proceedings from the eighth conference of English, American and Canadian studies Vol. 4. Edited by Jan Chovanec. - Brno: Masaryk University 2005. pp. 229-235.
Index:
Welles, Orson
Mr. Arkadin / Confidential Report (1955)
USA (United States of America) ~ USA (United States of America)
Augen ~ Eyes

#308
Rosenbaum, Jonathan: Discovering Orson Welles. - Berkeley, California; London: University of California Press 2007.
Reviews:
Gottlieb, Sidney: [untitled.] In: Cineaste 33. 2008. No. 2. [?D] pp. 72-75.
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, April 2008.
Walters, Ben: Unfinished business. In: Sight and Sound NS 18. 2008. No. 4. [April] p. 92.
Index:
Welles, Orson

#309
Rosenbaum, Jonathan: Improving Mr. Welles. In: Sight and Sound NS 2. 1992. No. 6. [October] pp. 28-30.
Description:
On Orson Welles’s role in Hollywood mainstream cinema. Discusses especially Othello.
Index:
Welles, Orson
Othello (1951)
Hollywood ~ Hollywood

#310
Rosenbaum, Jonathan: Orson Welles’ memorandum: Touch of Evil. In: Film Quarterly 46. 1992. No. 1. [Fall] pp. 2-11.
Index:
Welles, Orson
Touch of Evil (1957)

#311
Rosenbaum, Jonathan: The battle over Orson Welles. In: Cineaste 22. 1996. No. 3. [?D] pp. 6-10.
Index:
Welles, Orson

#312
Rosenbaum, Jonathan: The seven Arkadins. In: Film Comment 28. 1992. No. 1. [January/February] pp. 50-53, 57-59.
Description:
On Orson Welles’s Mr. Arkadin.
Index:
Welles, Orson
Mr. Arkadin / Confidential Report (1955)

#313
Rossi, Katia: Sul nuovo statuto della narrazione nel cinema noir classico: La critica del sistema del giudizio da Fritz Lang a Orson Welles (passando per Nietzsche). In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 113 ff.
Index:
Lang, Fritz
Welles, Orson
Nietzsche, Friedrich
Film Noir ~ Film Noir

#314
Rossi, Umberto: Orson Welles: A solitude surrounded by humanity, or an isolato in Hollywood. In: American solitudes: Individual, national, transnational. Edited by Donatella Izzo, Giorgio Mariani and Paolo Zaccaria. - Roma: Carocci 2007. (= Lingue e letterature Carocci 79.) pp. 156-166.
Index:
Welles, Orson
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#315
Rothwell, Kenneth S.: Orson Welles: Shakespeare for the art houses. In: Cineaste 24. 1998. No. 1. [?D] pp. 28-33.
Description:
On Welles’s roles in several Shakespeare filmings.
Index:
Welles, Orson
Shakespeare, William

#316
Ryan, Cheyney: "Across the border again?": The labyrinth of law in Orson Welles’s Touch of Evil (1958). In: Screening justice - the cinema of law: Significant films of law, order and social justice. Edited by Rennard Strickland, Teree Foster and Taunya Banks. - Buffalo, New York: Hein 2006. pp. 197-207.
Index:
Welles, Orson
Touch of Evil (1957)
Labyrinth ~ Labyrinth
Justiz ~ Justice

#317
Ryan, Susan: Context for an unfinished text: Towards an understanding of It’s All True. In: Persistence of Vision 1989. No. 7. pp. 113-120.
Index:
Welles, Orson
It’s All True (1942)

#318
Saada, Nicolas: Aux rythmes du Brésil. In: Cahiers du Cinéma 1994. No. 475. [January] pp. 42-45.
Description:
On Orson Welles’s unfinished film project It’s All True.
Index:
Welles, Orson
It’s All True (1942)
Brasilien ~ Brazil

#319
Saada, Nicolas: La guerre des sons. In: Cahiers du Cinéma 1990. No. 430. [?D] p. 88.
Description:
On Orson Welles’s radio play The War of the Worlds and its impact on his later films.
Index:
Welles, Orson
War of the Worlds, The (Hörspiel ~ Radio Play)
Krieg ~ War

#320
Salotti, Marco: Orson Welles. - Recco: Le Mani 1995.
Index:
Welles, Orson

#321
Sánchez-Biosca, Vicente: Montaje del espacio / Espacio del montaje. In: Eutopias 1. 1985. No. 1/2. [?D] pp. 71-82.
Description:
On Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)

#322
Sarat, Austin / Umphrey, Martha Merrill: The justice of jurisdiction: The policing and breaching of boundaries in Orson Welles’ Touch of Evil. In: English Language Notes 48. 2010. No. 2. [?D] pp. 111-128.
Index:
Welles, Orson
Touch of Evil (1957)
Justiz ~ Justice

#323
Sargent, Joseph: Die Nacht, als die Marsmenschen Amerika angriffen / The Night that Panicked America. Transcript von Werner Faulstich. - Tübingen: Narr 1982. (= Medienbibliothek Serie A: Texte 10.)
Description:
On the film telling the story of Orson Welles’s legendary radio show that thrilled America.
Index:
Sargent, Joseph
Welles, Orson
Night that Panicked America, The (1975)
USA (United States of America) ~ USA (United States of America)
Thriller ~ Thriller
War of the Worlds, The (Hörspiel ~ Radio Play)

#324
Sattler, Dirk: Franz Kafkas Der Prozeß: Eine vergleichende Untersuchung der Filme von Orson Welles und David Jones. - Erlangen: Universität Erlangen-Nürnberg, Theaterwissenschaft und audiovisuelle Medien, Magisterarbeit ?J (1995/1996).
Index:
Welles, Orson
Jones, David
Kafka, Franz
Trial, The / Procés, Le / processo, Il (1962)
Trial, The (1993)
Prozeß, Der (Literatur ~ Literature)

#325
Schmidt, Johann N.: Macbeth (William Shakespeare - Orson Welles, Akira Kurosawa, Roman Polanski). In: Literaturverfilmungen. Hrsg. von Anne Bohnenkamp in Verbindung mit Tilman Lang. - Stuttgart: Reclam 2005. (= Reclams Universal Bibliothek 17527.) pp. 54 ff.
Index:
Shakespeare, William
Welles, Orson
Polanski, Roman
Kurosawa, Akira
Macbeth (1948)
Macbeth (1971)
Kumonosu-djo (1957)
Tragedy of Macbeth, The (Literatur ~ Literature)
Literatur ~ Literature

#326
Schmidt, Nicolas: Montage et scénario: Orson Welles: La soif du mal, Luis Buñuel: Le charme discret de la bourgeoisie, Roberto Rossellini: Voyage en Italie. In: Les conceptions du montage. Dirigée par Pierre Maillot et Valérie Mouroux. (= Cinémaction 1994. No. 72. [?D]) pp. 98-104.
Description:
On Orson Welles’s Touch of Evil, the film by Luis Buñuel and on Roberto Rossellini’s Viaggio in Italia.
Index:
Welles, Orson
Buñuel, Luis
Rossellini, Roberto
Touch of Evil (1957)
charme discret de la bourgeoisie, Le (1972)
Viaggio in Italia (1953)

#327
Schnelle, Josef: (Re-)Konstruktion: Über die 1. Orson-Welles-Konferenz in München. In: Film-Dienst 52. 1999. No. 24. [November 23] p. 42.
Index:
Welles, Orson
München ~ Munich

#328
Schotter, Jesse: Eye = I: Conrad, Welles, and narrative form. In: Literature/Film Quarterly 41. 2013. No. 1. [?D] pp. 29-51.
Index:
Conrad, Joseph
Welles, Orson
Augen ~ Eyes

#329
Scorsese, Martin: Ma cinéphilie. In: Cahiers du Cinéma 1996. No. 500. [March] pp. 60-63.
Description:
The director on his colleagues Bertolucci, Hitchcock, Ferrara, Renoir, Welles and Ophuls.
Index:
Scorsese, Martin
Bertolucci, Bernardo
Hitchcock, Alfred
Ferrara, Abel
Renoir, Jean
Welles, Orson
Ophüls, Max

#330
Simon, William G.: Welles: Bakhtin: parody. In: Quarterly Review of Film and Video 12. 1990. No. 1/2. [?D] pp. 23-28.
Description:
On parodistic elements in the films of Orson Welles, especially in Mr. Arkadin. The author uses the theories of Michaul Bakhtin to discuss that issue.
Index:
Welles, Orson
Bakhtin, Michail Michailowitsch
Mr. Arkadin / Confidential Report (1955)
Humor ~ Humor

#331
Singer, Irving: Three philosophical filmmakers: Hitchcock, Welles, Renoir. - Cambridge, Massachussetts: MIT Press 2004.
Reviews:
Denker, Christian W.: [untitled] In: The British Journal of Aesthetics 45. 2005. No. ?N. [?D] pp. 308-309.
French Overstreet, Susan: Irving Singer’s reality revisited. In: Film-Philosophy 9. 2005. No. 47. [December] p. ?P.
Khatib, Kate: [untitled] In: Modern Language Notes 120. 2005. No. 5. [?D] pp. 1256-1259.
Shinagel, Michael: [untitled.] In: Harvard Review 2004. No. 27. pp. 194-196.
Index:
Hitchcock, Alfred
Welles, Orson
Renoir, Jean
Philosophie ~ Philosophy

#332
Smith, Amanda J.: Defining Welles’s Macbeth: Hollywood horror and the hybrid mode. In: Literature/Film Quarterly 39. 2011. No. 2. [?D] p. 151-159.
Index:
Shakespeare, William
Welles, Orson
Macbeth (1948)
Horror ~ Horror
Hollywood ~ Hollywood

#333
Speitz, Michele: Aural chiaroscuro: The emergency radio broadcast in Orson Welles’s The War of the Worlds. In: English Language Notes 46. 2008. No. 1. [?D] pp. 193-197.
Index:
Welles, Orson
War of the Worlds, The (Hörspiel ~ Radio Play)

#334
Squitieri, Victor Paul: The twofold corpus of Orson Welles’s Othello. - Berkeley, California: University of California, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 55. 1995. No. 7. (January) p. 1721A.]
Index:
Welles, Orson
Othello (1951)

#335
Staiger, Michael: Literaturverfilmungen im Deutschunterricht. - München: Oldenbourg 2010. (= Oldenbourg-Interpretationen 112.)
Description:
Discusses, among others, the filmings of Franz Kafka’s Der Process and Patrick Süskind’s Das Parfum.
Index:
Süskind, Patrick
Kafka, Franz
Welles, Orson
Tykwer, Tom
Trial, The / Procés, Le / processo, Il (1962)
Perfume: The Story of a Murderer / Parfum, Das - Die Geschichte eines Mörders (2006)
Pädagogik ~ Paedagogy
Deutschland ~ Germany
Parfum, Das (Literatur ~ Literature)
Prozeß, Der (Literatur ~ Literature)

#336
Stainton, Audrey: Don Quixote - Orson Welles. In: Sight and Sound 57. 1988. No. 4. [?D] pp. 252-260.
Description:
On the unfinished film from 1955.
Index:
Welles, Orson
Don Quixote (1955)

#337
Stam, Robert: Orson Welles, Brazil, and the power of blackness. In: Persistence of Vision 1989. No. 7. pp. 93-112.
Description:
On It’s All True.
Index:
Welles, Orson
It’s All True (1942)
Brasilien ~ Brazil

#338
Stevens, Brad: Faces of evil. In: Sight and Sound NS 21. 2011. No. 12. [December] p. 84.
Description:
On a DVD edition of Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
DVD ~ DVD
Böse, Das ~ Evil, The

#339
Stone, James W.: Black and white as technique in Orson Welles’s Othello. In: Literature/Film Quarterly 30. 2002. No. 3. [July] pp. 189-193.
Index:
Welles, Orson
Othello (1951)
Technik ~ Technology

#340
Strobel, Ricarda: Propagandafilm und Melodram: Untersuchungen zu Alfred Hitchcocks Lifeboat und Orson Welles’ The Stranger. - Rottenburg-Oberndorf: Wissenschaftler-Verlag Faulstich 1984.
Index:
Hitchcock, Alfred
Welles, Orson
Lifeboat (1943)
Stranger, The (1946)
Politik ~ Politics

#341
Strobel, Ricarda: Propagandafilm und Melodram: Untersuchungen zu Alfred Hitchcocks Lifeboat und Orson Welles’ The Stranger. - Tübingen: Universität Tübingen, Dissertation 1984.
Index:
Hitchcock, Alfred
Welles, Orson
Lifeboat (1943)
Stranger, The (1946)
Politik ~ Politics

#342
Stubbs, John C.: The evolution of Orson Welles’s Touch of Evil from novel to film. In: Cnema Journal 24. 1985. No. 2. pp. 19-39.
Index:
Welles, Orson
Touch of Evil (1957)

#343
Systematische Filmanalyse in der Praxis: Mit Analysbeispielen der Filme Der Prozeß (1962), Die Vögel (1963), Der diskrete Charme der Bourgeoisie (1972), Duell (1972), Die Ehe der Maria Braun (1979). Hrsg. von Helmut Korte. - Braunschweig: Hochschule für Bildende Künste HBK 1986. (= HBK Materialien 1.)
Reviews:
Hickethier, Knut: [untitled] In: Medienwissenschaft 1987. No. 2. pp. 198-200.
Index:
Welles, Orson
Hitchcock, Alfred
Buñuel, Luis
Spielberg, Steven
Fassbinder, Rainer Werner
Trial, The / Procés, Le / processo, Il (1962)
Birds, The (1962)
charme discret de la bourgeoisie, Le (1972)
Duel (1971)
Ehe der Maria Braun, Die (1978)

#344
Tarbox, Todd: Orson Welles and Roger Hill: A friendship in three acts. - Dunlcan, Oklahoma: BearManor Media 2013.
Reviews:
Walters, Ben: F for friendship. In: Sight and Sound NS 23. 2013. No. 11. [November] pp. 104-105.
Index:
Welles, Orson
Hill, Roger

#345
Tast, Brigitte / Tast, Hans-Jürgen: Orson Welles - Othello - Mogador: Aufenthalte in Essaouira. - Schellerten: Kulleraugen-Medienschr. 2013. (= Kulleraugen 42.)
Index:
Welles, Orson
Othello (1951)
Marokko ~ Morocco

#346
Taylor, John Russell: Orson Welles. - London: Pavilion Books 1998.
Index:
Welles, Orson

#347
Taylor, John Russell: Orson Welles: A celebration. - London: Pavilion Books 1986.
Index:
Welles, Orson

#348
Taylor, John Russell: Orson Welles: A celebration. - Boston: Little, Brown 1986.
Index:
Welles, Orson

#349
Telotte, J. P.: Narration, desire, and a Lady from Shanghai. In: South Atlantic Review 49. 1984. No. 1. [?D] pp. 56-71.
Index:
Welles, Orson
Lady from Shanghai, The (1946)

#350
Thomas, François: La tragédie d’Othello. In: Positif 1996. No. 424. [?D] pp. 70-76.
Index:
Welles, Orson
Othello (1951)

#351
Thomas, François: La voix des autres, ou le petit théâtre du marionnettiste. In: Positif 1992. No. 378. [July/August] pp. 25-28.
Description:
Especially on Orson Welles’s Le Procès.
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#352
Thomas, François: Orson Welles. In: Positif 1991. Hors-Série. [?D] p. 39.
Index:
Welles, Orson

#353
Thomson, David: Rosebud: The story of Orson Welles. - London: Abacus 1997.
Description:
Biography.
Index:
Welles, Orson

#354
Thomson, David: Rosebud: The story of Orson Welles. - New York: Alfred A. Knopf 1996.
Reviews:
Lyons, Donald: Setting terms for Orson. In: Film Comment 32. 1996. No. 6. [November/December] pp. 85-87.
Description:
Biography.
Index:
Welles, Orson

#355
Thomson, David: Rosebud: The story of Orson Welles. - Boston, Massachusetts; London: Little, Brown & Company 1996.
Description:
Biography.
Index:
Welles, Orson

#356
Tobin, Yann: Reès de yeux, près du coeur: Les gros plans de La Dame du Shanghai. In: Positif 1998. No. 449/450. [July/August] pp. 31-33.
Description:
On Orson Welles’s The Lady from Shanghai.
Index:
Welles, Orson
Lady from Shanghai, The (1946)

#357
Tonguette, Peter: A very good daughter: An interview with Chris Welles Feder. In: Cineaste 35. 2009. No. 1. [?D] pp. 46-49.
Index:
Welles, Orson
Welles Feder, Chris
Gute, Das ~ Good

#358
Tonguette, Peter: Making magic with Orson Welles: A conversation with Mike Caveney. In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Welles, Orson
Caveney, Mike
Magie ~ Magic

#359
Tonguette, Peter: Orson Welles’ young magician friend: A conversation with Jim Steinmeyer. In: The Film Journal [Ohio] 2003. No. 6. [August] p. ?P.
Index:
Welles, Orson
Steinmeyer, Jim
Magie ~ Magic

#360
Tonguette, Peter Prescott: Orson Welles remembered: Interviews with his actors, editors, cinematographers and magicians. - Jefferson, North Carolina; London: McFarland 2007.
Reviews:
Walters, Ben: Unfinished business. In: Sight and Sound NS 18. 2008. No. 4. [April] p. 92.
Index:
Welles, Orson
Technik: Kamera ~ Technology: Camera
Magie ~ Magic

#361
Tonguette, Peter: Remembering Welles: A conversation with Norman Lloyd. In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Welles, Orson
Lloyd, Norman

#362
Totaro, D.: Time and the long take in The Magnificent Ambersons, Ugetsu, and Stalker. - Coventry: University of Warwick, Ph.D. 2001. [Abstract in: Index to Theses with Abstracts 52. 2003. No. 3. p. 695(52-5420)].
Index:
Welles, Orson
Mizoguchi, Kenji
Tarkovsky, Andrei Arsenyevich
Magnificent Ambersons, The (1941)
Ugetsu monogatari (1953)
Stalker (1978/1979)
Zeit ~ Time

#363
Touch of Evil: Orson Welles, director. Edited by Terry Comito. - New Brunswick: Rutgers University Press 1985. (= Rutgers films in print.)
Index:
Welles, Orson
Touch of Evil (1957)

#364
Trauberg, Leonid: Celovek pervoj veliciny. In: Iskusstvo Kino 1986. No. 4. [?D] pp. 134-139.
Description:
On the films of Orson Welles.
Index:
Welles, Orson
Trauberg, Leonid Zakharovich

#365
Trignat, Philippe: Shakespeare par Welles: Falstaff, mordre un petit morceau. In: Le théâtre à l’écrain. Dirigée par René Prédal. (= Cinémaction 1999. No. 93. [?D]) pp. 116-124.
Description:
On Welles’s Chimes at Midnight.
Index:
Welles, Orson
Shakespeare, William
Campanadas a medianoche / Chimes at Midnight (1965)
Mord ~ Murder

#366
Truffaut, François: The films in my life. - New York: Da Capo Press 1994.
Description:
Essays by Truffaut on films of other directors, among them Alfred Hitchcock, Orson Welles, Jean Cocteau, Ingmar Bergman and Luis Buñuel.
Index:
Hitchcock, Alfred
Welles, Orson
Cocteau, Jean
Bergman, Ingmar
Buñuel, Luis

#367
Turner, George: A cop gone wrong. In: American Cinematographer 79. 1998. No. 9. [September] pp. 88-95.
Description:
On Orson Welles’s Touch of Evil; especially on Russell Metty.
Index:
Welles, Orson
Metty, Russell
Touch of Evil (1957)

#368
Turner, George: Best-shot films: 1950-1997. In: American Cinematographer 80. 1999. No. 3. [March] pp. 130-154.
Description:
Discusses, among others, Stanley Kubrick’s 2001, Francis Ford Coppola’s Apocalypse Now, Ridley Scott’s Blade Runner and Orson Welles’s Touch of Evil.
Index:
Kubrick, Stanley
Coppola, Francis Ford
Scott, Ridley
Welles, Orson
2001 - A Space Odyssey (1968)
Apocalypse Now (1976-1979)
Blade Runner (1982)
Touch of Evil (1957)

#369
Tuska, Jon: Encounters with filmmakers: Eight career studies. - Westport, Connecticut; New York; London: Greenwood Press 1991. (= Contributions to the Study of Popular Culture 29.)
Reviews:
Sobchack, Tom: [untitled] In: Journal of Popular Film and Television 20. 1992. No. 1. [?D] pp. 38-39.
Description:
Includes chapters on H. Bruce Humberstone, Henry King, Alfred Hitchcock, John Huston, Orson Welles and Roman Polanski.
Index:
Hitchcock, Alfred
Welles, Orson
Humberstone, H. Bruce
King, Henry
Huston, John
Polanski, Roman

#370
Tuska, Jon: Orson Welles. In: Tuska, Jon: Encounters with filmmakers: Eight career studies. - Westport, Connecticut; New York; London: Greenwood Press 1991. (= Contributions to the Study of Popular Culture 29.) pp. 189-237.
Description:
Includes a filmography.
Index:
Welles, Orson

#371
Tyler, Parker: Orson Welles and the big experimental film cult. In: The cult film reader. Edited by Ernest Mathijs and Xavier Mendik. - Maidenhead: Open University Press / New York: McGraw-Hill Education 2008. p. ?P.
Index:
Welles, Orson
Experimentalfilme ~ Experimental Films

#372
Tynan, Kenneth: Playboy interview: Orson Welles. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 126 ff.
Index:
Welles, Orson

#373
Valentinetti, Claudio M.: Orson Welles. - Roma: Il Castoro 1993. (= Il Castoro cinema 83.)
First edition:
[1981]
Index:
Welles, Orson

#374
Valentinetti, Claudio M.: Orson Welles. - Firenze: La Nuova Italia 1981. (= Il Castoro cinema 83.)
Index:
Welles, Orson

#375
van der Kooij, Fred: Nicht aufräumen, Platz schaffen! Der filmische Raum bei Orson Welles - eine Ortsbegehung. In: Cinema [Zürich] 1993. No. 39. [?D] pp. 112-143.
Index:
Welles, Orson

#376
Vatulescu, Cristina: The medium on trial: Orson Welles takes on Kafka and cinema. In: Literature/Film Quarterly 41. 2013. No. 1. [?D] pp. 52-66.
Index:
Kafka, Franz
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Prozeß, Der (Literatur ~ Literature)

#377
Vidal, Gore: Remembering Orson Welles. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 210 ff.
Index:
Welles, Orson
Vidal, Gore

#378
Viganò, Aldo: Cuore di tenebra da Orson Welles a Francis Ford Coppola. In: Da Ulisse a ...: Il viaggio per mare nell’immaginario letterario ed artistico. - Pisa: ETS 2003.. pp. 571-578.
Description:
Discusses, among others, Apocalypse Now.
Index:
Coppola, Francis Ford
Welles, Orson
Apocalypse Now (1976-1979)
Meer ~ Sea

#379
Volk, Stefan: Erzähltexte im Medienwechsel. - Freiburg/Breisgau: Universität Freiburg, Dissertation 2010.
Description:
Discusses, as an example, Orson Welles’s and David Jones’s filmings of Franz Kafka’s Der Prozeß.
Index:
Kafka, Franz
Welles, Orson
Jones, David
Trial, The / Procés, Le / processo, Il (1962)
Trial, The (1993)
Prozeß, Der (Literatur ~ Literature)

#380
Volk, Stefan: Film lesen: Ein Modell zum Vergleich von Literaturverfilmungen mit ihren Vorlagen. - Marburg: Tectum-Verlag 2010.
Reviews:
Kittstein, Ulrich: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 995.
Description:
Discusses, as an example, Orson Welles’s and David Jones’s filmings of Franz Kafka’s Der Prozeß.
Index:
Kafka, Franz
Welles, Orson
Jones, David
Trial, The / Procés, Le / processo, Il (1962)
Trial, The (1993)
Prozeß, Der (Literatur ~ Literature)

#381
von Kügelgen, Rainer: "Nicht genug Achtung vor der Schrift" oder Wie man eine Verstörung beseitigt: Kafkas Parabel Vor dem Gesetz in Orson Welles Film Der Prozess. In: Osnabrücker Beiträge zur Sprachtheorie 2000. No. 61. [?D] pp. 67-92.
Index:
Welles, Orson
Kafka, Franz
Trial, The / Procés, Le / processo, Il (1962)

#382
Von Agenten gejagt. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogramm 295.)
Description:
On Journey Into Fear by Norman Foster and Orson Welles.
Index:
Foster, Norman
Welles, Orson
Journey Into Fear (1943)

#383
Wagner, Benno: Franz Kafka (Orson Welles: The Trial - Steven Soderbergh: Kafka). In: Literaturverfilmungen. Hrsg. von Anne Bohnenkamp in Verbindung mit Tilman Lang. - Stuttgart: Reclam 2005. (= Reclams Universal Bibliothek 17527.) pp. 145 ff.
Index:
Kafka, Franz
Welles, Orson
Soderbergh, Steven
Trial, The / Procés, Le / processo, Il (1962)
Kafka (1991)
Prozeß, Der (Literatur ~ Literature)
Literatur ~ Literature

#384
Waldron, Dara: Cinema and evil: Moral complexities and the "dangerous" film. - Newcastle upon Tyne: Cambridge Scholars Publishing 2013.
Reviews:
Ingle, Zachary: [untitled.] In: Film & History 45. 2015. No. 2. [Winter] pp. 45-46.
Description:
Includes chapters on Fritz Lang’s M, Orson Welles’s Touch of Evil, Pier Paolo Pasolini’s Salò, Liliana Cavani’s The Night Porter, and Michael Haneke’s Benny’s Video, Caché and Das weisse Band.
Index:
Lang, Fritz
Welles, Orson
Pasolini, Pier Paolo
Cavani, Liliana
Haneke, Michael
M - Eine Stadt sucht einen Mörder (1931)
Touch of Evil (1957)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
portiere di notte, Il / Night Porter, The (1973)
Benny’s Video (1992)
Caché (2005)
weisse Band, Das - Eine deutsche Kindergeschichte (2009)
Böse, Das ~ Evil, The

#385
Waldron, J. D.: Cinema and its discontents: Evil and moral responsibility in the genre of cinema. - Limerick: University of Limerick, Ph.D. 2004. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 2. p. 307(54-2455).]
Description:
Discusses, among others, the expressionistic film and the film noir, the films of Fritz Lang, Orson Welles, Pier Paolo Pasolini and Liliana Cavani as well as the Japanese horror films by Hideo Nakata and Takashi Miike.
Index:
Lang, Fritz
Welles, Orson
Pasolini, Pier Paolo
Cavani, Liliana
Nakata, Hideo
Miike, Takashi
Japan ~ Japan
Horror ~ Horror
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Böse, Das ~ Evil, The

#386
Walters, Ben: 50 film directors on TV: Orson Welles. In: Sight and Sound NS 23. 2013. No. 9. [September] p. 32.
Index:
Welles, Orson
Fernsehen ~ Television

#387
Walters, Ben: Rare genius: The other side of Orson Welles. In: Sight and Sound NS 25. 2015. No. 7. [July] pp. 26-33.
Index:
Welles, Orson

#388
Walters, Ben: Welles. - London: Haus 2004. (= Life & times.)
Index:
Welles, Orson

#389
The War of the Worlds press conference: FCC to scan script of War broadcast. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 6 ff.
Index:
Welles, Orson
War of the Worlds, The (Hörspiel ~ Radio Play)

#390
Warren, Alicyn: Levels of reality in dramatic music. - Princeton, New Jersey: Princeton University, Ph.D. 1992. [Abstract in: Dissertation Abstracts International A 53. 1993. No. 11. [May] p. 3729.]
Description:
Discusses, among others, the scores for the filmes of Robert Altman, Emile Ardolino, Jean-Jacques Beineix, Francis Ford Coppola, Alfred Hitchcock and Orson Welles.
Index:
Altman, Robert
Ardolino, Emile
Beineix, Jean-Jacques
Coppola, Francis Ford
Hitchcock, Alfred
Welles, Orson
Musik ~ Music

#391
Weise, Eckhard: Orson Welles in Selbstzeugnissen und Bilddokumenten. - Reinbek: Rowohlt 1996. (= rowohlts monographien 541.)
Index:
Welles, Orson

#392
Welles, Orson: Mr. Arkadin. - Hamburg: Rogner & Bernhard 1996.
Index:
Welles, Orson
Mr. Arkadin / Confidential Report (1955)

#393
Welles, Orson: Orson Welles par Orson Welles. In: Positif 1995. No. 418. [?D] pp. 59-63.
Index:
Welles, Orson

#394
Welles, Orson: The Cradle Will rock: An original screenplay. - Santa Barbara: Santa Teresa Press 1994.
Reviews:
Gross, Larry: Robust vanities. In: Sight and Sound NS 5. 1995. No. 2. [February] p. 38.
Thomas, François: Autoportrait. In: Positif 1995. No. 413/414. [?D] pp. 150-151.
Turner, george: [untitled] In: American Cinematographer 76. 1995. No. 7. [July] pp. 93-94.
Description:
Script of a not realized film project based on Welles’s own theatre play.
Index:
Welles, Orson
Theater ~ Theatre

#395
Welles, Orson: The Trial. - London: Lorrimer 1985.
First edition:
[1970]
Description:
Script text.
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#396
Wells e Welles: La narrativa e i media. A cura di Nicoletta Vallorani. - Milano: CUEM 2002.
Description:
Text in English.
Index:
Welles, Orson

#397
Wells, Orson: The Trial: A film. - London: Lorrimer 1984. (= Classic Film Scripts.)
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)

#398
Wheldon, Huw: The BBC Monitor interview. In: Orson Welles: Interviews. Edited by Mark W. Estrin. - Jackson, Mississippi: University Press of Mississippi 2002. (= Conversations with filmmakers.) pp. 77 ff.
Index:
Welles, Orson
BBC (British Broadcasting Corporation) ~ BBC (British Broadcasting Corporation)

#399
Williamson, Judith: The Lady from Shanghai. In: Williamson, Judith: Deadline at dawn: Film criticism 1980-1990. - London; New York: Marion Boyars 1993. pp. 212-214.
Index:
Welles, Orson
Lady from Shanghai, The (1946)

#400
Willson Jr., Robert F.: Fated Macbeth’s: The film director as god. In: Jahrbuch der deutschen Shakespeare-gesellschaft West 1984. pp. 164-167.
Description:
On the filmic adaptions of the Shakespeare drama by Akira Kurosawa, Orson Welles and Roman Polanski.
Index:
Kurosawa, Akira
Welles, Orson
Polanski, Roman
Shakespeare, William
Macbeth (1948)
Kumonosu-djo (1957)
Macbeth (1971)
Religion ~ Religion

#401
Wollaeger, Mark A.: From the thirties to World War II: Negotiating modernism and propaganda in Hitchcock and Welles. In: Wollaeger, Mark A.: Modernism, media, and propaganda: British narrative from 1900 to 1945. - Princeton: Princeton University Press 2006. p. ?P.
Index:
Hitchcock, Alfred
Welles, Orson
Krieg ~ War
Großbritannien ~ Great Britain
Politik ~ Politics

#402
Wollen, Peter: Foreign relations: Welles and Touch of Evil. In: Sight and Sound NS 6. 1996. No. 10. [October] pp. 20-23.
Index:
Welles, Orson
Touch of Evil (1957)

#403
Wood, Bret: Orson Welles: A bio-bibliography. - New York; London: Greenwood Press 1990. (= Bio-bibliographies in the performing arts 8.)
Reviews:
Rosenbaum, Jonathan: [untitled] In: Film Quarterly 44. 1990/1991. No. 2. [Winter] pp. 56-57.
Index:
Welles, Orson

#404
Zdriluk, Beth: The new auteurism - "My favorite mask is myself:" Presentation, illusion and the performativity of identity In Wellesian performance. In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Welles, Orson
Masken ~ Masks

#405
Zebrowski, George: The Shadow: Radio and pulp origins. In: Cinefantastique 25. 1994. No. 4. [August] pp. 20-22.
Description:
On the history of the subject, a radio story by Orson Welles and the following pulp fiction by Walter B. Gibson who wrote under the pseudonym of Maxwell Grant.
Index:
Mulcahy, Russell
Welles, Orson
Gibson, Walter B.
Shadow, The (1994)

#406
Zizek, Slavoj: Orson Welles, or, The split subjectivity. In: Filmästhetik. Hrsg. von Ludwig Nagl. - Wien: Oldenbourg Verlag / Akademie Verlag 1999. p. ?P.
Index:
Welles, Orson

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