The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Weta [Company]
number of items: 40
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Butler, Bill: Global Warning: The Day the Earth Stood Still. In: Cinefex 2009. No. 116. [January] p. ?P.
Description:
On the special effects by Weta Digital, Cinesite, Flash Film Works and CosFX for Scott Derrickson’s remake of Robert Wise’s SF classic. Discusses especially the work of visual effects supervisor Jeffrey Okun and the creature effects by Todd Masters of Masters FX.
Index:
Derrickson, Scott
Wise, Robert
Okun, Jeffrey A.
Masters, Todd
Day the Earth Stood Still, The (2008)
Day the Earth Stood Still, The (1951)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Cos FX [Firma] ~ Cos FX [Company]
Flash Film Works [Firma] ~ Flash Film Works [Company]
Cinesite [Firma] ~ Cinesite [Company]
Weta [Firma] ~ Weta [Company]
#2
The crafting of Narnia: The art, creatures and weapons from Weta Workshop. - New York: HarperOne / Weta Publishing 2008.
Description:
On the special effects for Andrew Adamson’s The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and The Chronicles of Narnia: Prince Caspian.
Index:
Adamson, Andrew
Adamson, Andrew
Chronicles of Narnia (Filmreihe)
Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe (2005)
Chronicles of Narnia, The: Prince Caspian (2008)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
#3
Duncan Jesser, Jody: The avengers initiative: The Avengers. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by ILM and Weta Digital. Discusses especially the work of visual effects supervisor Janek Sirrs.
Index:
Whedon, Joss
Sirrs, Janek
Avengers, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Weta [Firma] ~ Weta [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#4
Duncan, Jody: Burnished steel: Man of Steel. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Weta Digital, Weta Workshop, MPC, Scanline VFX and Double Negative. Discusses especially the work of visual effects supervisor John DesJardin as well as special effects supervisors Joel Whist and Allen Hall.
Index:
Snyder, Zack
DesJardin, John
Whist, Joel
Hall, Allen
Man of Steel (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Superman ~ Superman
Double Negative [Firma] ~ Double Negative [Company]
Scanline [Firma] ~ Scanline [Company]
MPC [Firma] ~ MPC [Company]
Weta [Firma] ~ Weta [Company]
#5
Duncan, Jody: Eragon: Searching for Saphira. In: Cinefex 2007. No. 108. [January] pp. 106-110, 116, 119-127,130.
Description:
On the special effects by ILM and "Weta Digital" as well as the work of visual effects supervisors Michael McAlister and John Van Vliet for Stefen Fangmeier’s dragon film.
Index:
Fangmeier, Stefen
McAlister, Michael
Van Vliet, John
Eragon (2006)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Drachen ~ Dragons
#6
Duncan, Jody: First class effects: X-Men: First Class. In: Cinefex 2011. No. 126. [July] p. ?P.
Description:
On the special effects by MPC, Cinesite, Weta Digital, Rhythm & Hues, Luma Pictures, Digital Domain, The Senate, Amalgamated Dynamics Incorporated and Spectral Motion. Discusses especially the work of visual effects designer John Dykstra and makeup artist David Elsey.
Index:
Vaughn, Matthew
Dykstra, John
Elsey, David
X-Men: First Class (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Spectral Motion [Firma] ~ Spectral Motion [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Weta [Firma] ~ Weta [Company]
Cinesite [Firma] ~ Cinesite [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
#7
Duncan, Jody: I, Robot: Ghosts in the machine. In: Cinefex 2004. No. 99. [October] pp. 94-108, 113-118, 126.
Description:
Especially on the computer generated special effects by Digital Domain and Weta Digital.
Index:
Proyas, Alex
I, Robot (2004)
Weta [Firma] ~ Weta [Company]
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Geister ~ Ghosts
Digital Domain [Firma] ~ Digital Domain [Company]
#8
Duncan, Jody: Rough around the edges: Iron Man 3. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Weta Digital, Digital Domain, Scanline VFX, Luma Pictures, Framestore, Method Studios, Trixter Film, Capital T and Cantina Creative. Discusses especially the work of visual effects supervisor Christopher Townsend.
Index:
Black, Shane
Townsend, Christopher
Iron Man 3 (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Cantina Creative [Firma] ~ Cantina Creative [Company]
Capital T [Firma] ~ Capital T [Company]
Trixter Film [Firma] ~ Trixter Film [Company]
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Scanline [Firma] ~ Scanline [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Weta [Firma] ~ Weta [Company]
#9
Duncan, Jody: Rules of robotics: Chappie. In: Cinefex 2015. No. 141. [April] p. ?P.
Description:
On the special effects by Weta Workshop, Image Engine, Ollin VFX Studio and The Embassy VFX. Discusses especially the work of special effects supervisor Max Poolman.
Index:
Blomkamp, Neill
Poolman, Max
Chappie (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
Embassy, The [Firma] ~ Embassy, The [Company]
Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company]
Image Engine [Firma] ~ Image Engine [Company]
Weta [Firma] ~ Weta [Company]
#10
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl.
Index:
Russo, Anthony
Russo, Joe
DeLeeuw, Dan
Underdahl, Jen
Avengers: Infinity War (2018)
Technik: Computer ~ Technology: Computer
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Cinesite [Firma] ~ Cinesite [Company]
#11
Duncan, Jody: The seduction of reality: Avatar. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
On the special effects by Weta Digital, Industrial Light & Magic, Framestore, Frantic Films, Hybride, Weta Workshop and the Stan Winston Studio.
Index:
Cameron, James
Avatar (2009)
Verführung ~ Seduction
Frantic Films [Firma] ~ Frantic Films [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hybride [Firma] ~ Hybride [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
#12
Duncan, Jody: There and back again: The Hobbit: An Unexpected Journey. In: Cinefex 2013. No. 132. [January] p. ?P.
Description:
On the special effects by Weta Digital and Weta Workshop.
Index:
Jackson, Peter
Hobbit, The: An Unexpected Journey (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Weta [Firma] ~ Weta [Company]
#13
Duncan, Jody: War machine: The Great Wall. In: Cinefex 2017. No. 152. [April] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Base FX, Hybride Technologies, Animal Logic, Weta Workshop and Quantum Creation FX. Discusses especially the work of Phil Brennan.
Index:
Zhang Yimou
Brennan, Phil
Great Wall, The (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Weta [Firma] ~ Weta [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
Hybride [Firma] ~ Hybride [Company]
Base FX [Firma] ~ Base FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#14
Duncan, Jody: What would Roland Emmerich do? Independence Day: Resurgence. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Uncharted Territory, Weta Digital, Scanline VFX, MPC, Image Engine, Digital Domain and Cinesite. Discusses especially the work of visual effects supervisors Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
Independence Day: Resurgence (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Weta [Firma] ~ Weta [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
#15
Edwards, Graham: Acts of war: Warcraft. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Rodeo FX, Animatrik Film Design, Hybride Technologies, Prime Focus World, Lindala Schminken FX and Weta Workshop. Discusses especially the work of visual effects supervisor Bill Westenhofer, special effects supervisor Cameron Waldbauer and makeup effects supervisor Adrien Morot.
Index:
Jones, Duncan
Westerhofer, Bill
Waldbauer, Cameron
Morot, Adrien
Warcraft (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Weta [Firma] ~ Weta [Company]
Lindala Schminken FX [Firma] ~ Lindala Schminken FX [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Hybride [Firma] ~ Hybride [Company]
Animatrik Film Design [Firma] ~ Animatrik Film Design [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#16
Edwards, Graham: Heft and jank: Pacific Rim Uprising. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Double Negative, Atomic Fiction, Territory Studio, Blind, The Third Floor, Halon, Day for Nite, Legacy Effects and Weta Workshop. Discusses especially the work of visual effects supervisor Peter Chiang and special effects supervisor Dan Oliver.
Index:
DeKnight, Steven S.
Chiang, Peter
Oliver, Dan
Pacific Rim Uprising (2018)
Day for Nite [Firma] ~ Day for Nite [Company]
Weta [Firma] ~ Weta [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Territory Studio [Firma] ~ Territory Studio [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
Double Negative [Firma] ~ Double Negative [Company]
Blind [Firma] ~ Blind [Company]
#17
Edwards, Graham: Knocking ’em dead: Deadpool 2. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by DNEG, Framestore, Method Studios, Weta Digital, Crafty Apes, Soho VFX, Trace VFX and Digital Makeup Group. Discusses especially the work of visual effects supervisor Dan Glass and special effects supervisor Mike Vézina.
Index:
Leitch, David
Glass, Dan
Vézina, Mike
Deadpool 2 (2018)
Technik: Computer ~ Technology: Computer
Trace VFX [Firma] ~ Trace VFX [Company]
Digital Makeup Group [Firma] ~ Digital Makeup Group [Company]
DNEG [Firma] ~ DNEG [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Soho VFX [Firma] ~ Soho VFX [Company]
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Crafty Apes [Firma] ~ Crafty Apes [Company]
#18
Edwards, Graham: Symphony of color: Valerian and the City of a Thousand Planets. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
On the special effects by Rodeo FX, Weta Digital, Industrial Light & Magic and Hybride Technologies. Discusses especially the work of visual effects supervisor Scott Stokdyk.
Index:
Besson, Luc
Stokdyk, Scott
Valerian and the City of a Thousand Planets (2017)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Rodeo FX [Firma] ~ Rodeo FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hybride [Firma] ~ Hybride [Company]
#19
Fordham, Joe: 2049 foresight: Blade Runner 2049. In: Cinefex 2017. No. 155. [October] p. ?P.
Description:
On the special effects by Double Negative, MPC, Framestore, Atomic Fiction, Territory Studio, BUF, Rodeo FX, UPP and Weta Workshop. Discusses especially the work of visual effects supervisor John Nelson, visual effects producer Karen Murphy, special effects supervisor Gerd Nefzer and makeup designer Donald Mowat.
Index:
Villeneuve, Denis
Nelson, John
Murphy, Karen
Nefzer, Gerd
Mowat, Donald
Blade Runner 2049 (2017)
BUF [Firma] ~ BUF [Company]
Territory Studio [Firma] ~ Territory Studio [Company]
Weta [Firma] ~ Weta [Company]
UPP [Firma] ~ UPP [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
MPC [Firma] ~ MPC [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
#20
Fordham, Joe: A melancholy joy: The BFG. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
On the special effects by Weta Workshop, Weta Digital and The Third Floor. Discusses especially the work of special effects supervisor Joel Whist.
Index:
Spielberg, Steven
Whist, Joel
BFG: Big Friendly Giant (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Third Floor, The [Firma] ~ Third Floor, The [Company]
Weta [Firma] ~ Weta [Company]
#21
Fordham, Joe: A tale of two cities: Elysium. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Image Engine, Whiskytree, MPC, The Embassy VFX, Method Studios, Industrial Light & Magic, Weta Workshop and Kerner Optical. Discusses especially the work of visual effects supervisor Peter Muyzers and visual effects producer Shawn Walsh.
Index:
Blomkamp, Neill
Muyzers, Peter
Walsh, Shawn
Elysium (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Kerner Optical [Firma] ~ Kerner Optical [Company]
Weta [Firma] ~ Weta [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Method Studios [Firma] ~ Method Studios [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
MPC [Firma] ~ MPC [Company]
Whiskytree [Firma] ~ Whiskytree [Company]
Image Engine [Firma] ~ Image Engine [Company]
#22
Fordham, Joe: A thirst for adventure: The Adventures of Tintin. In: Cinefex 2012. No. 129. [April] p. ?P.
Description:
On the special effects by Weta Digital and Giant Studios.
Index:
Spielberg, Steven
Adventures of Tintin, The: The Secret of the Unicorn (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Abenteuer ~ Adventure
Giant Studios [Firma] ~ Giant Studios [Company]
Weta [Firma] ~ Weta [Company]
#23
Fordham, Joe: Alien genesis: Prometheus. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by MPC, Weta Digital, Fuel VFX and Luma Pictures. Discusses especially the work of visual effects supervisor Richard Stammers and of effects designers Neal Scanlan and Conor O’Sullivan.
Index:
Scott, Ridley
Stammers, Richard
Scanlan, Neal
O’Sullivan, Conor
Prometheus (2012)
Alien (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Luma Pictures [Firma] ~ Luma Pictures [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
Weta [Firma] ~ Weta [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
#24
Fordham, Joe: Ape apocalypse: Dawn of the Planet of the Apes. In: Cinefex 2014. No. 139. [?D] p. ?P.
Description:
On the special effects by Weta Digital, Aaron Sims Company, Spectrum Effects and Buffalo Digital. Discusses especially the work of visual effects supervisors Dan Lemmon and Joe Letteri as well as special effects supervisors Matt Kutcher and Alex Burdett.
Index:
Reeves, Matt
Lemmon, Dan
Letteri, Joe
Kutcher, Matt
Burdett, Alex
Dawn of the Planet of the Apes (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion: Apokalypse ~ Religion: Apocalypse
Affen ~ Apes
Buffalo Digital [Firma] ~ Buffalo Digital [Company]
Spectrum Effects [Firma] ~ Spectrum Effects [Company]
Aaron Sims Company ~ Aaron Sims Company
Weta [Firma] ~ Weta [Company]
#25
Fordham, Joe: Endangered species: War for the Planet of the Apes. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
On the special effects by Weta Digital and StereoD. Discusses especially the work of visual effects supervisors Joe Letteri, Dan Lemmon and Joel Whist.
Index:
Reeves, Matt
Letteri, Joe
Lemmon, Dan
Whist, Joel
War for the Planet of the Apes (2017)
Stereo D [Firma] ~ Stereo D [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
#26
Fordham, Joe: Invincible: Wonder Woman. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
On the special effects by Weta Digital, Double Negative, MPC, Pixomondo, Proof and The Third Floor. Discusses especially the work of visual effects supervisor Bill Westenhofer, special effects supervisor Mark Holt and makeup effects supervisor Kristyan Mallett.
Index:
Jenkins, Patty
Holt, Mark
Mallett, Kristyan
Wonder Woman (2017)
Proof [Firma] ~ Proof [Company]
Weta [Firma] ~ Weta [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Pixomondo [Firma] ~ Pixomondo [Company]
MPC [Firma] ~ MPC [Company]
Double Negative [Firma] ~ Double Negative [Company]
#27
Fordham, Joe: King Kong: Return of the king. In: Cinefex 2006. No. 104. [January] pp. 42-50, 55-60, 65-72, 75-81, 123.
Description:
On the special effects by "Weta Digital" and "Weta Workshop" for the ape horror remake by Peter Jackson.
Index:
Cooper, Merian C.
Schoedsack, Ernest B.
Jackson, Peter
King Kong (1931-1933)
King Kong (2005)
Affen ~ Apes
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror
#28
Fordham, Joe: King under the mountain: The Hobbit: The Battle of the Five Armies. In: Cinefex 2015. No. 141. [April] p. ?P.
Description:
On the special effects by Weta Digital and Weta Workshop. Discusses especially the work of visual effects supervisor Joe Letteri, special makeup and creature designer Richard Taylor and special effects supervisor Steve Ingram.
Index:
Jackson, Peter
Letteri, Joe
Taylor, Richard
Ingram, Steve
Hobbit, The: The Battle of the Five Armies (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Berge ~ Mountains
Weta [Firma] ~ Weta [Company]
#29
Fordham, Joe: Law of the jungle: The Jungle Book. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by MPC, Weta Digital, Digital Domain, Legacy Effects and Magnopus. Discusses especially the work of visual effects supervisor Rob Legato.
Index:
Favreau, Jon
Legato, Robert
Jungle Book, The (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Justiz ~ Justice
Dschungel ~ Jungle
Magnopus [Firma] ~ Magnopus [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Weta [Firma] ~ Weta [Company]
MPC [Firma] ~ MPC [Company]
#30
Fordham, Joe: Lost world: The Chronicles of Narnia: Prince Caspian. In: Cinefex 2008. No. 114. [July] p. ?P.
Description:
On the special effects by The Moving Picture Company, Framestore, Weta Digital and KNB and especially on the work of Dean Wright and Wendy Rogers for the second part of the C. S. Lewis’ filming.
Index:
Lewis, C[live] S[taples]
Adamson, Andrew
Wright, Dean
Rogers, Wendy
Chronicles of Narnia, The: Prince Caspian (2008)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
KNB [Firma] ~ KNB [Company]
Chronicles of Narnia, The (Literatur ~ Literature)
#31
Fordham, Joe: Pete’s dragon: The Hobbit: The Desolation of Smaug. In: Cinefex 2014. No. 137. [April] p. ?P.
Description:
On the special effects by Weta Digital. Discusses especoially the work of special effects supervisor Steve Ingram, creature designer Richard Taylor and visual effects supervisor Joe Letteri.
Index:
Jackson, Peter
Ingram, Steve
Taylor, Richard
Letteri, Joe
Hobbit, The: The Desolation of Smaug (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Drachen ~ Dragons
Weta [Firma] ~ Weta [Company]
#32
Fordham, Joe: Render unto Ceasar: Rise of the Planet of the Apes. In: Cinefex 2012. No. 128. [January] p. ?P.
Description:
On the special effects by Weta Digital. Discusses especially the work of Joe Letteri, Dan Lemmon, Andy Serkis and Terry Notary.
Index:
Wyatt, Rupert
Letteri, Joe
Lemmon, Dan
Serkis, Andy
Notary, Terry
Rise of the Planet of the Apes (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Weta [Firma] ~ Weta [Company]
#33
Fordham, Joe: Retro future tech: Ghost in the Shell. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
On the special effects by Weta Workshop, MPC, Territory Studio, Framestore, Atomic Fiction, Blacksmith, The Mill, Halon and Pixomondo. Discusses especially the work of visual effects supervisors Guillaume Rocheron and John Dykstra, visual effects producer Fiona Campbell-Westgate and special effects supervisor Steve Ingram.
Index:
Sanders, Rupert
Rocheron, Guillaume
Dykstra, John
Campbell-Westgate, Fiona
Ingram, Steve
Ghost in the Shell (2017)
Territory Studio [Firma] ~ Territory Studio [Company]
Blacksmith Pictures [Firma] ~ Blacksmith Pictures [Company]
Weta [Firma] ~ Weta [Company]
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects
Pixomondo [Firma] ~ Pixomondo [Company]
MPC [Firma] ~ MPC [Company]
Mill, The [Firma] ~ Mill, The [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
#34
Fordham, Joe: Slayer in chief: Abraham Lincoln: Vampire Hunter. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
On the special effects by Weta Digital, Rodeo FX, Soho VFX, Method Studios, CGF and Spin VFX. Discusses especially the work of special effects supervisor Matthew Kutcher, makeup effects supervisor Greg Cannom and of visual effects supervisors Craig Lyn and Michael Owens.
Index:
Bekmambetov, Timur
Kutcher, Matthew
Cannom, Greg
Lyn, Craig
Owens, Michael
Abraham Lincoln: Vampire Hunter (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Spin VFX [Firma] ~ Spin VFX [Company]
CGF [Firma] ~ CGF [Company]
Method Studios [Firma] ~ Method Studios [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Rodeo FX [Firma] ~ Rodeo FX [Company]
Weta [Firma] ~ Weta [Company]
#35
Fordham, Joe: Slumdog aliens: District 9. In: Cinefex 2009. No. 119. [October] p. 21-34.
Description:
On the special effects by Weta Workshop, Image Engine and The Embassy. Discusses especially the work of producer Peter Jackson.
Index:
Blomkamp, Neill
Jackson, Peter
District 9 (2009)
Image Engine [Firma] ~ Image Engine [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Aliens ~ Aliens
#36
Fordham, Joe: Spirit in the sky: Guardians of the Galaxy Vol. 2. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
On the special effects by Legacy Effects, Framestore, Weta Digital, Animal Logic, Deluxe Method Studios, Scanline VFX, Trixter, Lola VFX, Cantina Creative, Luma Pictures and The Third Floor. Discusses especially the work of visual effects supervisor Christopher Townsend and special effects supervisor Daniel Sudick.
Index:
Gunn, James
Townsend, Christopher
Sudick, Daniel
Guardians of the Galaxy Vol. 2 (2017)
Weta [Firma] ~ Weta [Company]
Trixter Film [Firma] ~ Trixter Film [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Cantina Creative [Firma] ~ Cantina Creative [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
#37
Fordham, Joe: The body electric: The Amazing Spider-Man 2. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the special effects by Sony Pictures Imageworks, MPC, Weta Workshop, Blur Studio, Shade VFX, Pixel Playground, Nerve, Legend3D and The Third Floor. Discusses especially the work of visual effects supervisor Jerome Chen, special effects supervisor John Frazier and makeup supervisor Howard Berger.
Index:
Webb, Marc
Chen, Jerome
Frazier, John
Berger, Howard
Amazing Spider-Man 2, The (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Körper ~ Bodies
Third Floor, The [Firma] ~ Third Floor, The [Company]
Legend Films [Firma] ~ Legend Films [Company]
Nerve Productions [Firma] ~ Nerve Productions [Company]
Pixel Playground [Firma] ~ Pixel Playground [Company]
Shade VFX [Firma] ~ Shade VFX [Company]
Blur Studio [Firma] ~ Blur Studio [Company]
Weta [Firma] ~ Weta [Company]
MPC [Firma] ~ MPC [Company]
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
#38
Fordham, Joe: When Gods collide: Batman v Superman: Dawn of Justice. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
On the special effects by Ironhead Studio, Film Illusions, Scanline VFX, MPC, Weta Digital, Double Negative, Shade VFX, Teamworks Digital, The Resistance VFX and Gentle Giant Studios. Discusses especially the work of production designer Patrick Tatopoulos, visual effects supervisor John DesJardin and special effects supervisor Joel Whist.
Index:
Snyder, Zack
Tatopoulos, Patrick
DesJardin, John
Whist, Joel
Batman vs. Superman: Dawn of Justice (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Gentle Giant Studios [Firma] ~ Gentle Giant Studios [Company]
Resistance, The [Firma] ~ Resistance, The [Company]
Teamworks Digital [Firma] ~ Teamworks Digital [Company]
Shade VFX [Firma] ~ Shade VFX [Company]
Double Negative [Firma] ~ Double Negative [Company]
Weta [Firma] ~ Weta [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Film Illusions [Firma] ~ Film Illusions [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
#39
Josephson, Hal: Special FX for Lord of the Rings. In: Metro 2002. No. 131/132. [Summer] pp. 60-65.
Description:
On the special effects by New Zealand companies "Weta Digital" and "Weta Workshop" for Peter Jackson’s Lord of the Rings: The Fellowship of the Ring.
Index:
Jackson, Peter
Lord of the Rings, The: The Fellowship of the Ring (2001)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Neuseeland ~ New Zealand
#40
Schulz, Thomas: Durchgeknallt in "Wellywood". In: Der Spiegel 57. 2002. No. 1. [December 30] p. 75.
Description:
On the New Zealand special effects company "Weta" which created the special effects for Peter Jackson’s Lord of the Rings trilogy.
Index:
Jackson, Peter
Lord of the Rings (Filmreihe)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Neuseeland ~ New Zealand
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