Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Wilder, Billy

number of items: 57

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Alsted, C.: Kvinden uden samvittighed - en arketypisk film noir. In: Kosmorama 31. 1985. No. 172. [July] pp. 75-80.
Description:
On Billy Wilder’s Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir

#2
Armstrong, Richard: Lady in the dark. In: The Film Journal [Ohio] 2002. No. 1. [May] p. ?P.
Description:
On the femme fatale figure in Billy Wilder’s Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Frauen ~ Women

#3
Armstrong, Richard: Nineteen with a bullet (the 60th anniversary of Double Indemnity). In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)

#4
Bell, James: Wilder at heart. In: Sight and Sound NS 22. 2012. No. 7. [July] p. 84.
Description:
On a DVD editions of Billy Wilder’s Double Indemnity and The Lost Weekend.
Index:
Wilder, Billy
Double Indemnity (1944)
Lost Weekend, The (1945)
DVD ~ DVD

#5
Biesen, Sheri Chinen: Censorship, film noir, and Double Indemnity. In: Film & History 25. 1995. No. 1-4. [?D] pp. 40-52.
Index:
Wilder, Billy
Double Indemnity (1944)
Zensur ~ Censorship
Film Noir ~ Film Noir

#6
Billy Wilder, movie-maker: Critical essays on the films. Edited by Karen McNally. - Jefferson, North Carolina: McFarland & Co. 2011.
Index:
Wilder, Billy

#7
Biltereyst, Daniel: Censorship, negotiation and transgressive cinema: Double Indemnity, Some Like It Hot and other controversial movies in the United States and Europe. In: Billy Wilder, movie-maker: Critical essays on the films. Edited by Karen McNally. - Jefferson, North Carolina: McFarland & Co. 2011. p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)
Some Like it Hot (1959)
Zensur ~ Censorship
USA (United States of America) ~ USA (United States of America)
Europa ~ Europe

#8
Bronfen, Elisabeth: Femme fatale - negotiations of tragic desire. In: New Literary History 35. 2004. No. 1. [?D] pp. 103-116.
Description:
On Billy Wilders Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Frauen ~ Women

#9
Bronfen, Elisabeth: Femme fatale: Negotiations of tragic desire. In: Rethinking tragedy. Edited by Rita Felski. - Baltimore, Maryland; London: Johns Hopkins University Press 2008. pp. 287-301.
Index:
Wilder, Billy
Double Indemnity (1944)
Frauen ~ Women

#10
Brook, Vincent: Driven to darkness: Jewish émigré directors and the rise of film noir. - New Brunswick, New Jersey: Rutgers University Press 2009.
Description:
Includes chapters on the participation of Jews in German expressionism and on the work of Fritz Lang, Robert Siodmak, Billy Wilder, Otto Preminger, Edgar G. Ulmer, Anatole Litvak, Fred Zinnemann and others.
Index:
Lang, Fritz
Siodmak, Robert
Wilder, Billy
Preminger, Otto
Ulmer, Edgar G[eorge]
Litvak, Anatole
Zinnemann, Fred
Religion: Juden ~ Religion: Jews
Religion ~ Religion
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#11
Buchsbaum, J.:Tame wolves and phony claims: Paranoia and film noir. In: Persistence of Vision 1986. No. 3/4. [Summer] pp. 35-47.
Description:
Discusses especially Billy Wilder’s Double Indemnity and Edward Dmytryk’s Murder, my Sweet.
Index:
Wilder, Billy
Dmytryk, Edward
Double Indemnity (1944)
Murder, my Sweet / Farewell my Love (1944)
Wölfe ~ Wolves
Wahnsinn ~ Madness
Film Noir ~ Film Noir

#12
Ciment, Michel: Passeport pour Hollywood: Entretiens avec Wilder, Huston, Mankiewicz, Polanski, Forman, Wenders. - Paris: Édition Ramsay 1992. (= Ramsay poche cinéma 108.)
Index:
Wilder, Billy
Huston, John
Mankiewicz, Joseph L.
Polanski, Roman
Forman, Milos
Wenders, Wim
Hollywood ~ Hollywood

#13
Ciment, Michel: Passeport pour Hollywood: Entretiens avec Wilder, Huston, Mankjewicz, Polanski, Forman, Wenders. - Paris: Seuil 1987.
Index:
Wilder, Billy
Huston, John
Polanski, Roman
Forman, Milos
Wenders, Wim
Mankiewicz, Joseph L.
Hollywood ~ Hollywood

#14
Clemence, Jason: Secondary textualities: Ideology, form, and performative cinematic authorship. - Medford/Somerville, Massachussetts: Tufts University, Ph.D. 2015. [Abstract in: Dissertation Abstracts International A 77. ?J. No. 7. [?D]]
Description:
Discusses, among others, Billy Wilder’s Double Indemnity and Michael Haneke’s Caché as well as the film noir and the found footage horror film in general.
Index:
Wilder, Billy
Haneke, Michael
Double Indemnity (1944)
Caché (2005)
Politik ~ Politics
Horror ~ Horror
Film Noir ~ Film Noir
Experimentalfilme ~ Experimental Films

#15
Cooke, Grayson: We had faces then: Sunset Boulevard and the sense of the spectral. In: Quarterly Review of Film and Video 26. 2009. No. 2. [March] pp. 89-101.
Index:
Wilder, Billy
Sunset Boulevard (1950)
Horror ~ Horror
Geister ~ Ghosts

#16
Double Indemnity - Frau ohne Gewissen. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogramm 300.)
Index:
Wilder, Billy
Double Indemnity (1944)

#17
Duerfahrd, Lance: What exposure is the world? The desert noir of Ace in the Hole. In: Billy Wilder, movie-maker: Critical essays on the films. Edited by Karen McNally. - Jefferson, North Carolina: McFarland & Co. 2011. p. ?P.
Index:
Wilder, Billy
Wilder, Billy
Ace in the Hole (1951)
Wüste ~ Desert
Film Noir ~ Film Noir

#18
Dussere, Erik: Out of the past, into the supermarket: Consuming film noir. In: Film Quarterly 60. 2006. No. 1. [Fall] pp. 16-27.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity and David Fincher’s Fight Club.
Index:
Wilder, Billy
Fincher, David
Double Indemnity (1944)
Fight Club (1999)
Film Noir ~ Film Noir

#19
Ebert, Roger: Ace in the Hole. In: Ebert, Roger: The great movies III. - Chicago; London: The University of Chicago Press 2010. p. ?P.
Index:
Wilder, Billy
Ace in the Hole (1951)

#20
Ebert, Roger: Double Indemnity. In: Ebert, Roger: The great movies. - New York: Broadway Books 2002. pp. 143 ff.
Index:
Wilder, Billy
Double Indemnity (1944)

#21
Ebert, Roger: Sunset Blvd. In: Ebert, Roger: The great movies. - New York: Broadway Books 2002. pp. 436 ff.
Index:
Wilder, Billy
Sunset Boulevard (1950)

#22
Gaycken, Oliver: Double Indemnity (1944). In: Fifty key American films. Edited by John White and Sabine Haenni. - London; New York: Routledge 2009. (= Routledge key guides.) p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)
USA (United States of America) ~ USA (United States of America)

#23
Graf, Dominik: Eine Frage der Selbstbeherrschung: The Private Life of Sherlock Holmes von Billy Wilder, 1970. In: Graf, Dominik: Schläft ein Lied in allen Dingen: Texte zum Film. Herausgegeben von Michael Althen. - Berlin: Alexander Verlag 2009. pp. 82 ff.
Index:
Wilder, Billy
Private Life of Sherlock Holmes, The (1970)

#24
Grob, Norbert: Frau ohne Gewissen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 94-98.
Description:
On Billy Wilder’s Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir

#25
Grodal, Torben Kragh: Kærlighed og lyst: Filmromantik og filmpornografi set i lyset af den kognitive-evolutionære psykologi. In: Kosmorama 50. 2004. No. 234. [Winter] pp. 7-28.
Description:
Psycholpgical examination of the representation of sexuality in film. Discusses, among others, Stanley Kubrick’s Eyes Wide Shut and Billy Wilder’s Double Indemnity.
Index:
Kubrick, Stanley
Wilder, Billy
Eyes Wide Shut (1999)
Double Indemnity (1944)
Sexualität ~ Sexuality
Psychologie ~ Psychology
Romantik ~ Romanticism

#26
Jancovich, Mark: Realistic horror: Film noir and the 1940s horror cycle. In: Billy Wilder, movie-maker: Critical essays on the films. Edited by Karen McNally. - Jefferson, North Carolina: McFarland & Co. 2011. p. ?P.
Index:
Wilder, Billy
Horror ~ Horror
Film Noir ~ Film Noir

#27
Karasek, Hellmuth: Double Indemnity (1944) (Frau ohne Gewissen). In: Karasek, Hellmuth: Mein Kino: Die hundert schönsten Filme. - Hamburg: Hoffmann und Campe 1994. pp. 175-177.
Index:
Wilder, Billy
Double Indemnity (1944)

#28
Karasek, Hellmuth: Sunset Boulevard (1950) (Boulevard der Dämmerung). In: Karasek, Hellmuth: Mein Kino: Die hundert schönsten Filme. - Hamburg: Hoffmann und Campe 1994. pp. 234-237.
Index:
Wilder, Billy
Sunset Boulevard (1950)

#29
Krutnik, Frank: In a loneley street: Film noir, genre, masculinity. - New York; London: Routledge 1991.
Reviews:
Covey, William B.: [untitled] In: Film Criticism 17. 1992. No. 1. [?D] pp. 50-54.
Matthews, Peter: Not-so-tough guys. In: Sight and Sound NS 1. 1991. No. 7. [November] p. 34.
Medhurst, Andy: [untitled] In: Media Culture & Society 14. 1992. No. 4. [?D] pp. 329-330.
Taylor, Barry: [untitled] In: Screen 36. 1995. No. 2. [?D] pp. 172-176.
Telotte, J. P.: [untitled] In: Film Quarterly 46. 1992. No. 1. [Fall] pp. 39-40.
van Zoonen, Liesbet: Gender and film. In: Journal of Communication 42. 1992. No. 4. [Autumn] pp. 180-185.
Description:
Discusses, among others, John Huston’s The Maltese Falcon, Billy Wilder’s Double Indemnity and Jacques Tourneur’s Out of the Past.
Index:
Tourneur, Jacques
Huston, John
Wilder, Billy
Out of the Past / Build My Gallows High (1947)
Maltese Falcon, The (1941)
Double Indemnity (1944)
Männer ~ Men
Film Noir ~ Film Noir

#30
La Polla, Franco: Le masque dissimulateur d’identité dans La Vie privée de Sherlock Holmes et Avanti! de Billy Wilder. In: Cinémaction 2006. No. 118. [January) pp. 168-173.
Description:
On the use of masks in both films.
Index:
Wilder, Billy
Private Life of Sherlock Holmes, The (1970)
Avanti! (1972)
Masken ~ Masks

#31
Manon, Hugh S.: Some like it cold: Fetishism in Billy Wilder’s Double Indemnity. In: Cinema Journal 44. 2005. No. 4. [Summer] pp. 18-43.
Index:
Wilder, Billy
Double Indemnity (1944)
Sexualität ~ Sexuality
Psychologie ~ Psychology

#32
Mcgill, Hannah: Chain reaction. In: Sight and Sound NS 24. 2014. No. 4. [April] pp. 8-9.
Description:
Interprets the anklet worn by Barbara Stanwyck in Double Indemnity as a sign for enslavement, eroticism and danger.
Index:
Wilder, Billy
Stanwyck, Barbara
Double Indemnity (1944)
Sklaven ~ Slaves
Sexualität ~ Sexuality

#33
Naremore, James: Making and remaking Double Indemnity. In: Film Comment 32. 1996. No. 1. [January/February] pp. 22-31.
Description:
On the original film concept which changed several times during the production process.
Index:
Wilder, Billy
Double Indemnity (1944)

#34
Orr, Christopher: Cain, naturalism, and noir. In: Film Criticism 25. 2000. No. 1. [Fall] pp. 47-64.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir

#35
Palao-Errando, Jose Antonio: La inquietante cercania del enigma: Amor y verdad en la trama policiaca. In: Archivos de la Filmoteca 1994. No. 17. [?D] pp. 77-91.
Description:
On the motifs of love and truth in the detective film. Discusses, among others, Billy Wilder’s Double Indemnity, Otto Preminger’s Laura and Fritz Lang’s Beyond a Reasonable Doubt.
Index:
Wilder, Billy
Preminger, Otto
Lang, Fritz
Double Indemnity (1944)
Laura (1944)
Beyond a Reasonable Doubt (1956)
Detektive ~ Detectives

#36
Palmer, R. Barton: The divided self and the dark city: Film noir and liminality. In: Symploke 15. 2007. No. 1/2. [?D] pp. 66-79.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity and Fred Zinnemann’s Act of Violence.
Index:
Wilder, Billy
Zinnemann, Fred
Double Indemnity (1944)
Act of Violence (1949)
Stadt ~ City
Film Noir ~ Film Noir

#37
Paris, James A.: "Murder can sometimes smell like honeysuckle": Billy Wilder’s Double Indemnity (1944). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)
Mord ~ Murder
Film Noir ~ Film Noir

#38
Price, Steven: The screenplay: Authorship, theory and criticism. - Basingstoke; New York: Palgrave Macmillan 2010.
Description:
Discusses, among others, Alfred Hitchcock’s The Birds and Billy Wilder’s Sunset Boulevard.
Index:
Hitchcock, Alfred
Wilder, Billy
Birds, The (1962)
Sunset Boulevard (1950)

#39
Rimini, Thea: Luoghi e tempi del (primo) noir: La fiamma del peccato, Il grande sonno, Ossessione. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 77 ff.
Index:
Wilder, Billy
Hawks, Howard
Visconti, Lucino
Double Indemnity (1944)
Big Sleep, The (1946)
Ossessione (1942)
Film Noir ~ Film Noir

#40
Ross, Terence: Updatet noir: A comparison of Double Indemnity and One False Move. In: Creative Screenwriting 2. 1995. No. 1. [?D] pp. 68-75.
Index:
Wilder, Billy
Franklin, Carl
Double Indemnity (1944)
One False Move (1992)
Film Noir ~ Film Noir

#41
Rothman, William: Virtue and villainy in the face of the camera. In: Making visible the invisible: An anthology of essays on film acting. Edited by Carole Zucker. - Metuchen, New Jersey; London: Scarecrow Press 1990. pp. 28-43.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity, Ralph Thomas’s The 39 Steps and Alfred Hitchcock’s Psycho.
Index:
Wilder, Billy
Hitchcock, Alfred
Thomas, Ralph
Double Indemnity (1944)
Psycho (1960)
39 Steps, The (1959)
Böse, Das ~ Evil, The

#42
Rozgonyi, Jay: The making of Double Indemnity. In: Films in Review 41. 1990. No. 6/7. [June/July] p. 345.
Index:
Wilder, Billy
Double Indemnity (1944)

#43
Schickel, Richard: Double Indemnity. - London: British Film Institute Publishing / Bloomington, Indiana: Indiana University Press 1992. (= BFI Film Classics.)
Index:
Wilder, Billy
Double Indemnity (1944)

#44
Schlotterbeck, Jesse: The "House of death" in print and on-screen: Double Indemnity as journalism, fiction and film. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)
Tod ~ Death
Film Noir ~ Film Noir

#45
Schwartz, Ginny: It’s deja vous all over again: Double Idemnity resonates with Generation X. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Wilder, Billy
Sholder, Jack
Double Indemnity (1944)
Generation X (1996)
Film Noir ~ Film Noir

#46
Sennett, Robert S.: City streets, small lives: Hollywood’s America. In: Sennett, Robert S.: Setting the scene: The great Hollywood art directors. - New York: Harry N. Abrams 1994. pp. 46-65.
Description:
Discusses, among others, the work of Hans Dreier and Hal Pereira for Billy Wilder’s Double Indemnity, Robert Peterson’s work for Fitz Lang’s The Big Heat, Patricia Norris’s work for David Lynch’s Blue Velvet and Anton Furst’s work for Tim Burton’s Batman.
Index:
Wilder, Billy
Lang, Fritz
Lynch, David
Burton, Tim
Dreier, Hans
Pereira, Hal
Peterson, Robert
Norris, Patricia
Furst, Anton
Double Indemnity (1944)
Big Heat, The (1953)
Blue Velvet (1986)
Batman (1989)
USA (United States of America) ~ USA (United States of America)
Stadt ~ City
Hollywood ~ Hollywood

#47
Simons, John L.: Razing Cain with Chandler and Wilder: The Prometheus-Pandora myth in Double Indemnity. In: Texas Studies in Literature and Language 56. 2014. No. 4. [?D] pp. 349-375.
Index:
Wilder, Billy
Chandler, Raymond Thornton
Double Indemnity (1944)
Prometheus ~ Prometheus
Mythologie ~ Mythology

#48
Sinyard, Neil: Ace in the Hole. In: Sight and Sound NS 24. 2014. No. 6. [June] p. 112.
Index:
Wilder, Billy
Ace in the Hole (1951)

#49
Sipiora, Phillip: Phenomenological masking: complications of identity in Double Indemnity. In: Billy Wilder, movie-maker: Critical essays on the films. Edited by Karen McNally. - Jefferson, North Carolina: McFarland & Co. 2011. p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)

#50
Smedley, Nicholas: A divided world: Hollywood cinema and emigré directors in the era of Roosevelt and Hitler, 1933-1948. - Chicago: Intellect 2011.
Description:
Discusses the American work of Ernst Lubitsch, Fritz Lang and Billy Wilder.
Index:
Lubitsch, Ernst
Lang, Fritz
Wilder, Billy
Roosevelt, Theodore
Hitler, Adolf
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#51
Spiegel, Alan: Seeing triple: Chain, Chandler and Wilder on Double Indemnity. In: Mosaic 16. 1983. No. 1/2. [?D] pp. 83-101.
Index:
Wilder, Billy
Chandler, Raymond Thornton
Double Indemnity (1944)

#52
Sweeney, Kenneth: Double Indemnity (1944). In: American Cinematographer 88. 2007. No. 1. [January] pp. 12-14.
Description:
On a DVD edition.
Index:
Wilder, Billy
Double Indemnity (1944)
DVD ~ DVD

#53
Taylor, Aaron: Twilight of the idols: Performance, melodramatic villainy, and Sunset Boulevard. In: Journal of Film and Video 59. 2007. No. 2. [Summer] pp. 13-31.
Index:
Wilder, Billy
Sunset Boulevard (1950)
Böse, Das ~ Evil, The

#54
Toracca, Tiziano: La fiamma del peccato: Banalità e ironie delle ombre. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 93 ff.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir

#55
Trowbridge, Katelin: The war between words and images - Sunset Boulevard. In: Literature/Film Quarterly 30. 2002. No. 4. [October] pp. 294-303.
Index:
Wilder, Billy
Sunset Boulevard (1950)

#56
Tyrer, Ben: Film Noir as point de capiton: Double Indemnity, structure and temporality. In: Film-Philosophy 17. 2013. No. 1. [?D] pp. 96-114.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir
Philosophie ~ Philosophy

#57
Vredenburg, Jason: Motorcars and magic highways: The automobile and communication in twentieth-century american literature and film. - Urbana, Illinois; Champaign, Illinois: University of Illinois at Urbana-Champaign, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 75. 2015. No. 7. [January] p. ?P.]
Description:
Discusses, among others, the role of automobiles in film noir, especially in Billy Wilder’s Double Indemnity, Robert Siodmak’s The Killers and Jacques Tourneur’s Out of the Past.
Index:
Wilder, Billy
Siodmak, Robert
Tourneur, Jacques
Double Indemnity (1944)
Killers, The (1946)
Out of the Past / Build My Gallows High (1947)
USA (United States of America) ~ USA (United States of America)
Magie ~ Magic
Literatur ~ Literature
Film Noir ~ Film Noir


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Bibliografie des fantastischen Films / Bibliography of Fantastic Film

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