The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Wrong Man, The (1957)
number of items: 17
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
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#1
Cavallero, Jonathan J.: Hitchcock and race: Is the Wrong Man a white man? In: Journal of Film and Video 62. 2010. No. 4. [Winter] pp. 3-14.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Ethnie ~ Ethnicity
#2
Cohen, Paula Marantz: Hitchcock’s revised American visions: The Wrong Man and Vertigo. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 155-72.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)
#3
Deavel, Catherine Jack / Deavel, David Paul: Knowing when to be afraid: Rationality and suspense. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 239-252.
Index:
Hitchcock, Alfred
Suspicion (1941)
Birds, The (1962)
Spellbound (1945)
Wrong Man, The (1957)
Thriller ~ Thriller
Philosophie ~ Philosophy
#4
Deutelbaum, Marshall: Finding the right man in The Wrong Man. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
#5
Due, Raidar: Hitchcock’s innocence plot. In: Film Studies [Manchester] 2004. No. 4. [Summer] pp. 48-57.
Description:
On the motif of innocence in Hitchcock’s The Thirty-Nine Steps, Young and Innocent, Saboteur, Strangers on a Train, I Confess, The Wrong Man and North by Northwest.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Young and Innocent / Girl Was Young, The (1937)
Saboteur (1942)
Strangers on a Train (1951)
I Confess (1952)
Wrong Man, The (1957)
North by Northwest (1959)
#6
Esposito, Lorenzo: Omicidi, menzogne, forzature. In: Filmcritica 49. 1999. No. 499. [October] pp. 429-432.
Description:
On Alfred Hitchcock’s Sabotage, Stage Fright and The Wrong Man.
Index:
Hitchcock, Alfred
Sabotage (1936)
Stage Fright (1950)
Wrong Man, The (1957)
#7
Farrell, Sean / Sullivan, Drew: Hitchcock on laser. In: Scarlet Street 1996. No. 22. [?D] pp. 30-33.
Description:
On a Laserdisc edition of ten Hitchcock films (The Trouble With Harry, Vertigo, Psycho, Frenzy, Strangers on a Train, The Wrong Man, Suspicion, To Catch a Thief, Lifeboat and Notorious).
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Vertigo (1958)
Psycho (1960)
Frenzy (1971)
Strangers on a Train (1951)
Wrong Man, The (1957)
Suspicion (1941)
To Catch a Thief (1955)
Lifeboat (1943)
Notorious (1946)
#8
Friedman, S. P.: The Wrong Man. In: Film Comment 31. 1995. No. 6. [?D] pp. 86 ff.
Description:
Compares Hitchcock’s film with Robert Benton’s Still Of The Night.
Index:
Hitchcock, Alfred
Benton, Robert
Wrong Man, The (1957)
Still of the Night (1982)
#9
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Würzburg: Königshausen & Neumann 2011. (= Film - Medium - Diskurs 34.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy
#10
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Paderborn: Universität Paderborn, Dissertation 2010.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy
#11
Humbert, David: Hitchcock and the scapegoat: Violence and victimization in The Wrong Man. In: Journal of Religion and Film 16. 2012. No. 2. [October] p. ?P.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Gewalt ~ Violence
Religion ~ Religion
#12
Lightning, Robert K.: A domestic trilogy. In: Cineaction 1999. No. 50. [?D] pp. 32-42.
Description:
On the representation of the family and the gender roles in the three Hitchcock films The Trouble with Harry, The Man Who Knew Too Much and The Wrong Man.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Wrong Man, The (1957)
Sexualität ~ Sexuality
Familie ~ Family
#13
Rosenbaum, Jonathan: Le vrai coupable: Two kinds of criticism in Godard’s work. In: Screen 40. 1999. No. 3. [Autumn] pp. 316-322.
Description:
On Godard’s preoccupation with the work of Alfred Hitchcock, especially his critic on The Wrong Man.
Index:
Godard, Jean-Luc
Hitchcock, Alfred
Wrong Man, The (1957)
#14
Salecl, Renata: Der richtige Mann und die falsche Frau. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 171-181.
Description:
On Alfred Hitchcock’s The Wrong Man.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Frauen ~ Women
#15
Salecl, Renata: The right man and the wrong woman. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 185-194.
Description:
On Alfred Hitchcock’s The Wrong Man.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Frauen ~ Women
#16
Steimatsky, Noa: What the clerk saw: Face to face with The Wrong Man. In: Framework 48. 2007. No. 2. [Fall] p. 111-136.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
#17
Strauss, Marc: Hitchcock nonetheless: The master’s touch in his least celebrated films. - Jefferson, North Carolina; London: McFarland & Co. 2007.
Description:
Includes chapters on Number Seventeen, Waltzes from Vienna, Secret Agent, Jamaica Inn, Mr. and Mrs. Smith, The Paradine Case, Under Capricorn, Stage Fright, I Confess, The Wrong Man, Torn Curtain and Topaz.
Index:
Hitchcock, Alfred
Number Seventeen (1932)
Waltzes from Vienna (1934)
Secret Agent (1936)
Jamaica Inn (1939)
Mr. and Mrs. Smith (1941)
Paradine Case, The (1947)
Under Capricorn (1949)
Stage Fright (1950)
I Confess (1952)
Wrong Man, The (1957)
Torn Curtain (1966)
Topaz (1968)
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