The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Yeban gesheng / Song At Midnight / Midnight Song (1937)
number of items: 2
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Robinson, David: Return of the phantom. In: Film Quarterly 53. 1999/2000. No. 2. [Winter] pp. 43-46.
Description:
On Maxu Weibang’s Midnight Song (Yeban gesheng).
Index:
Weibang Maxu
Yeban gesheng / Song At Midnight / Midnight Song (1937)
#2
Wang, Yiman: Here, again, comes the bride-to-be: Refiguring the gender and remaking the horror. In: Language and Literature 2003. No. 28. [?D] pp. 43-65.
Description:
Discusses especially Rupert Julian’s The Phantom of the Opera, Midnight Song (Yeban gesheng) by Weibang Maxu and The Phantom Lover (Ye ban ge sheng) by Ronny Yu.
Index:
Julian, Rupert
Weibang Maxu
Yu, Ronny
Phantom of the Opera, The (1925)
Yeban gesheng / Song At Midnight / Midnight Song (1937)
Ye ban ge sheng (1995)
Sexualität ~ Sexuality
Horror ~ Horror
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