The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: letzte Mann, Der (1924)
number of items: 5
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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#1
Bade, James N.: Murnau’s The Last Laugh and Hitchcock’s subjective camera. In: Quarterly Review of Film and Video 23. 2006. No. 3. [?D] pp. 257-266.
Description:
How Hitchcock learned from the German director by visiting him in Berlin in 1924.
Index:
Hitchcock, Alfred
Murnau, Friedrich Wilhelm
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany
Berlin ~ Berlin
#2
Cardullo, Bert: Der letzte Mann gets the last laugh: F. W. Murnau’s comic vision. In: Post Script 1. 1981. No. 1. [?D] pp. 41-44.
Index:
Murnau, Friedrich Wilhelm
letzte Mann, Der (1924)
Humor ~ Humor
#3
Kasten, Jürgen: Poeti del film e tecnici del soggetto l’Ufa e gli sceneggiatori. In: Schermi germanici: Ufa 1917-1933: Mostra internazionale den nuovo cinema. A cura di Giovanni Spagnoletti. - Venezia: Marsilio 1993. (= Nuovocinema / Pesaro 43.) pp. 141-150.
Description:
Discusses, among others, Murnau’s Der letzte Mann.
Index:
Murnau, Friedrich Wilhelm
letzte Mann, Der (1924)
Deutschland ~ Germany
#4
Kreimeier, Klaus: Wie in einem Taumel: Die Kamera im deutschen Film der frühen zwanziger Jahre. In: Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994. pp. 9-33.
Description:
Discusses a lot of films and persons important for the expressionist fantastic film, especially Willy Hameister, the cinematographer of Wiene’s Das Cabinet des Dr. Caligari and of Hintertreppe by Leopold Jessner and Paul Leni, the director and film critic Edwald André Dupont, the screenwriter Willy Haas and the cinematographer Karl Freund and his work for Murnau’s Der letzte Mann.
Index:
Hameister, Willy
Wiene, Robert
Leni, Paul
Jessner, Leopold
Dupont, Ewald André
Haas, Willy
Freund, Karl
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Hintertreppe (1921)
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Expressionismus ~ Expressionism
Deutschland ~ Germany
#5
Taszman, Jörg: Pioniertat: Von Phantom bis Der letzte Mann: Fünf frühe Filme von Friedrich Wilhelm Murnau auf Blu-ray. In: EPD Film 33. 2016. No. 12. [December] p. 38.
Index:
Murnau, Friedrich Wilhelm
Phantom (1922)
letzte Mann, Der (1924)
Schloß Vogelöd (1921)
Finanzen des Großherzogs, Die (1923)
Tartüff (1925)
Blu-Ray Disk ~ Blu-Ray Disc
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